Yud Tes Kislev Fabrengen | With RAV MOSHE WEINBERGER | Tzamaa Live תשפ"ו

D. It might [music] M it might it. D. [music] Down. I might Mah Mama. Mer [music] it down. la. It la it la. It la [music] it. It up on my mind. It la it. It my mind la. [music] La [music] [music] Papa She [singing] Fore [singing and music] [singing] [singing and music] speech. [music] Amen. Oh yeah. Oh yeah. Oh yeah. She never Amen. [music] Amen. Fore! Foreign! Foreign! [singing] over. Oh yeah. Oh yeah. Oh, Fore! Foreign! Foreign! Oh, Oh, mech. I'm turn music. A sh Loch. >> [music] [music] >> I hope [music and singing] Yeah. Yeah. Yeah. Yeah. Fore yeah. Hey, hey, hey. I say happy [music] all. I don't [music] I got it. D. It may My item. D. My Mery [music] [music] yeah Maya. Welcome to summer. Can everyone please take their seats? Re Weinberger is waiting for everyone to please take their seats and to join us. Have a final drink. Come take a seat. Please take your seats. Please join us. Fill up the seats. They're filling up quickly. And we're going to be starting in one minute when everyone's seated. D. [singing] D. It my my it my M itch. [music] D. Down. Mer may Oh my [music] Mer. [music] M. Please be seated. We are starting in 30 seconds. Can everyone please be seated >> so that Raineberg can come in? Please be seated. 30 seconds. [music] [singing] It la. [music] [music] It's incredible to have [music] with us Rabbi Schllo Catz. Please give him a huge round of applause. Please give a big round of applause for Rabbi Do Pinson. >> [music] >> Are you ready? [music] Oh yeah. [music] [music] [singing] Hey [music] [singing] >> [singing] [music] >> Rabbi oh yeah [music] like [music and singing] oh >> [music] >> I [singing] [music] [singing] put it on my [music and singing] Hey, hey, hey. [music and singing] [music] Together. Hey. >> [music] >> Heat. Heat. Oh yeah. [music and singing] Oh yeah. [music] [singing] >> [music and singing] >> ring. Oh. Oh. Hey. [music and singing] Oh. Hey. [music and singing] Hey. Oh. Oh yeah. Oh [music] hey. Oh. Oh. [music] [singing] I [music and singing] like I I I please be seated. For thousands of years, whispers of hidden wisdom have reverberated through our people. Secrets said to hold the keys to creation itself. So I traveled all over the world to ask the same 18 questions to 40 different mystics. What is God? How would you describe this phenomena, this entity? >> Mosha Weinberger. I don't think we view anyone as being the same. >> If God is really infinite, he could have figured out a better way. Don't you think? >> Ultimately, they were all addressing one question. What is Jewish mysticism? >> So, what is Jewish mysticism? >> I don't know. It's mystical. [laughter] >> [cheering] >> Such an incredible to be here with the incredible summer family. Give it up for summer for this incredible incredible evening. We're very lucky to know that Eton cats, the word Eton is the same, the same letters as Tanya. And he unfortunately was on the plane ready to come here and wasn't able to be here. But there's another incredible cats which has the same letters as Moshel Hashem that a kadesh bar controls the entire world. And it's so special to have our dear friend Rabbi Schlomma Catz here leading tonight. It's amazing to have with us all the way from America teaching Torah around the world. Author of over 60 different books going to be bringing with us tonight teaching us Torah. Please give it up for Rabbi Dove Bear Pinson [cheering] and of course Moreno Rabeno. For so many of us, it's so special to have Rabbi Moshe Weinberger. Please give him a huge round of applause. What's going to happen this evening is we're going to be transported in time and space. We ask you to please put your phones on to airplane mode and to really be here on this journey together because we can create something magical here tonight. There's a very dear friend of ours for the four of us on stage and for many of us in the audience. Our dear friend Michael Englander was not able to be with us and moments ago his auntie who's the matriarch of his family passed away just a few moments ago and therefore we're dedicating this evening to her rifel yenta heralyia the parish we find oursel is one moment one moment where we see one of the four episodes in the entire Torah of the Shaet of what Iben Kaspi describes the zigzag note talks about this place that goes back and forth what Rabbi Sax describes as the music of ambivalence and we see it on the word vyen that Rebi has shared so many shirum about that sadik is being seduced he's in the lowest of the lows after coming from the highest of the eyes. He's been thrown into a pit. He's being sold into slavery. And he's in a palace with Potterer's wife. And she seduces him. And he then says, "The Gumaran S goes into a different space. He goes to a different place. He has a vision of his father. He has a vision of the breastplate of the coin." God says the Garin Saut. And they ask him, "Is it true that your stone on the breastplate shouldn't be there from one mistake?" And of course vyen he refuses and Jewish history changes at that moment for all of us and an inspirational opportunity for every single one of us everywhere we are in our lives. But one thing I was thinking about is how can you be in this place and somehow be thinking about the breastplate of the coin gut? How does he transport himself to there? And of course his father was had such a phenomenal influence on him. But there is such a strength of character to be able to stop wherever you are in this physicality and to go to go into the inner chamber and to be able to have this vision of the coin. We're going to be going out of this room after this evening and we're going into the rest of the world. And what I want to invite every single person to take upon themselves right now and every single person here to realize is that wherever you are physically is not where you need to be in the panemas. It's not where you need to be spiritually. Ra Mosha Weinberger gave a shir two weeks ago to the sheer fellows and he talked about how he found Rabi Shimon and he talked about going into the going into this chamber and going into the space where it's completely different no matter what's going on around the world. You are in that place right now. Over the next hour or two, we have the capacity to go so deep, to reach so high. mama shake the heavens and through that we can literally have an impact not just on our own is shamas not just our children grandchildren great grandchildren but all of to have 2,000 people in a room learning Torah together to have 2,000 people in the room singing together this is the opportunity and I ask you to take a moment tonight when we're hearing the incredible Torah when we're sitting in beautiful nigunim when we're holding hands and dancing together to go into the idra to go into the inner chamber to take a still frame in your mind of this moment and to carry it with you every single step of your life. This is where the magic is born. This is where these incredible things are created on the yardite of the mugget of mezzich on the day that the alterba was liberated and also utis 5786 this year can be monumental for all of Israel. We're going to watch a short idea about what premier is. But before we do anything else, we need to be making ourselves is going to be leading us in a niggon. And at that time, go deep like hold on despite the music of ambivalence despite any shallot that when there's downs, there's also ups and we're yearning to the highest of the high. Ko [music and singing] ado. Kore. [singing and music] [music] [singing] him and go [singing] [music] [singing] >> [music] >> El. [singing] [singing] [music] [singing] Glor [music] [singing] [music and singing] [music] [singing] [music] And I make [music] [music and singing] [singing] [music] I am I [singing] lie die [music] [music and singing] lie [music] [music] stronger harmonies. forever. >> [singing] >> I belch. [music] [music] [singing] [music] [singing] [music] >> [music and singing] >> And I He [music and singing] go [music] [singing] [music and singing] [music] [singing] and Uh just your beautiful [music] voices. Let's go. Let's go. [singing] God. Oh [music] yeah. Oh yeah. >> [music] [singing] >> I am [music] [singing] [music] We are me [music] [singing] [music] and I [music] king. [singing] Amen. >> [music] >> Now she [music] Oh yeah. [singing] [music] [music] Hey, [singing] [music and singing] [music] we know she's [singing] [music] now she [music] [singing] Love can save you [music] love for us. >> [music and singing] >> She could say [music] [singing] [music] [singing] she could say [music] you're I love [music] shall [music and singing] [singing] [music] [singing] Heat. [music] Heat. [music] >> [music] >> Oh yeah. [singing] [music] machine [singing] [music] and [singing] I keep [music] a [singing] >> [music and singing] >> for We [music and singing] come there. [music and singing] Oh [music] [singing] [music] [singing] [music] I [singing] [music] sh [singing and music] Oh,ch. [music] [music] for [music] Lieutenant. >> [music] >> Fore speech. Fore! [music] Foreign! Foreign! fortoech. Okay. for mech. Fore! Foreign! Foreign! [music] Good luck. Foreign [music] foretoch. Fore! [music] Foreign! Foreign! She's a O [music] da da [singing] I dye. [music] [singing] I [music and singing] d Oh yeah. O [music] y [singing] [music] o [music] [singing] d. Oh yeah. [singing] [music] Oh yeah. Oh no. [music] for your [singing] voic [music] [singing] [music] be [singing] my game. We ain't [singing] on no man. We ain't [singing] on no man. [music] Yeah. [singing] [music] I didn't I [singing and music] I [singing] Didn't I? [music] Oh [music] yeah. >> [music] >> Did he die? [singing] I [singing and music] [music] [singing] Oh yeah. Oh [music] [singing] yeah. [music and singing] [music] [singing] I am I [music and singing] [music and singing] know my amen. [singing] [music] [music and singing] >> [music] >> Oh, [music] you're [singing] my [music] We [singing] love [music] We ain't [singing] [music] [singing] [music] [singing] [music] I [singing] [music] [singing] >> [music] >> I N [music and singing] o. [music and singing] [singing] [music] Oh yeah. Oh yeah. the show. [singing and music] Oh, now she [music and singing] make it king. [music] Did I [singing] be all [singing] you? We [music] all pour the b of [singing] >> [music] >> Make it. [music] [singing] Oh you. [singing] Oh, [singing] [music] my name [singing] [music] can send [singing and music] you my name. [music and singing] We all shif [music] [music and singing] [singing] [music] holy. He finds my bell [music and singing] and you are sure [singing and music] [music] my Are you feeling [music] Oh, you feel [music] of me shall [music] The heaven. every single [music and singing] [music] [singing] We are [music] [music and singing] the king of unch. Sh [singing] the me. [music] [singing] Oh my. [music] [singing] Yes. Lord. Yes. [music and singing] Yeah. I am [music] [singing] sh. [music] [singing] [music] Oh yes. So [music] I [singing] me [music] [singing] [music] [music] a body have The body [music] [music] as the my [music] Let's go. Let's [music] go. >> [music] >> My [music and singing] heart as the Lord. I have [music and singing] the I [music] might [music and singing] need the [music] I need But by our [music and singing] heavenly [music] [singing] My [music] god. [singing] [music] [singing] [music] [singing] [music] Hey. Yeah. I need the I need the I need [music] the body. [music] Let's go. Hey, it's Y. [music and singing] My name [music] [singing] might [music] [singing] [music] stop the [music] I need as I me [music] [music] and the [music] world [singing] my I am I [music] [singing] [music] love the [music and singing] I [music] I might [music] as [music] Hey, [music] hey, [singing] hey. Daddy [music] love me after [music] the love Oh, God. [cheering] Please be seated for the main event of the evening. To be able to hear words of Torah from rebers of the stature is like being able to connect Mameish to Hari. If we can only tap in after that incredible singing and dancing. This is the moment to sit down to open your heart to open in a shama and to welcome one of the most incredible teachers Mashim and of our generation the Mara Astra and founding Ravish Kodesh. Please put your hands together for Arav Mosha Weinberg. many many wonderful here. I want to wish each and each and every one of you a good a year Thank you. It's filled with the iris of Tyius of Tyra. I want to thank my dear friend Benji and Michael couldn't be here from Sher dear friend of Dar of Schlommo to thank the who's playing people playing over here behind me somewhere to thank everybody and I also want to thank Rean. was so heartbroken that he couldn't make it. Plane didn't take off and his voice is so sweet and so beautiful but it's not loud enough to be heard all the way from there. It's so special that is here with us. The truth is that the truth is that is a bond and he could also he could also for speak to you. You don't need to hear from me. No bear is here. But to share a few words. The Reb in a number of places wrote about this day. He spoke about in a number of letters. And in one place the he used was He didn't say we all know that when Alrebi left was freed from prison. We know the world was no longer the same world before Peterberg and after Peterberg. Not just in the way that alterbies see this but when left he took with him and Mrs. Sadikim they all left together with him. But the Reb was careful to say in this particular place the same way that other explain we're going to be saying soon. Isman that whatever was on this day is opening up today now tonight when we just look around and see what's going I said this last year and last year wasn't half the size of the sea that's here now and next year we should be to be with you with Mashia >> but it's going to be 10 times and we see this is happening what S is I want to thank my and all the unbelievable people from S All the people work so hard. It's not just today, this whole week and throughout this whole time to try to somehow address this, this thirst that we're all feeling that is feeling. You know there was a mitzvah and for his mitzvah before his mitzvah he went to have with the can you imagine what kind of you have to make to be alone with the and he fasted he was a child boy. He fasted three days to prepare to come into the saddak. And when he came into the saddak, he was standing there shaking and it was dark in the room. And the seam sadic had on his table some candalabra, some candles on his table. Otherwise, it was dark. And the boy was standing there shaking. And the stood up and he took the candles and he walked over the candles and he held the candles in the face of the child. man's face. And he gave him the following. I want each and every one of us to hear this. It's for us now. He said to him, you correct me if I'm wrong. You know, I'm sure all the stories I might be saying it wrong, but the way I heard it is that he said to him, You should have long days and long years. You should have Jewish days and night. Jewish days. as possible. You should be strong days. So when the when the started after right after Muhamm started terroris two years ago. So there was a a kinos in our neighborhood in the five towns. All the shs came together in the young Israel. They all came together in the largest sh there in the neighborhood and I was asked to talk a little bit and At the time everybody here remembers there was such a p such a sadness such a p and I began that night with the beginning the gracious such a darkness. Such confusion. [snorts] Finally, said there should be light. And it said in the name of the very beginning of the Torah is a the very beginning of the Torah is a for any Jew who has found himself in his or her own life in a state of when she finds herself as we did. But she finds herself in a world and still in certain ways it's even darker. Elohim, I'm begging you. I can't stand the darkness anymore. I'm begging you are that there should be light screaming and begging and crying for light. So, so the says by he or by he or so let's try to imagine ourselves this night of life the time of the gula of the alterbi which m of course is the gula of the bashes and foresh and for the for all to try to imagine that standing in front of me and you and we're shaking. We're like that little boy, a little miter in the room, in the darkness of that room. And that is looking at us in the eyes and alter is looking at us in the eyes is looking at us in the eyes and saying to us live Jewish lives, Jewish lives. But what we're seeing now, especially before Mashia comes, that a Jewish life is so sweet and so beautiful. But there's something else that's needed before Mashia comes. It's called We need to understand what does that mean? What does it means? And to add a little a little bit of a breast of a a little bit of a breast of a sugar to this one of writes that the words that you can guess what that is is what is that if a person is able to connect as we're trying to before Mashia comes what's happening is this room this whole room this whole building this whole this whole event this whole week this whole world is now screaming is crying out we're asking you for light and And the light is the light. The light of the kadish, the holy, the light of the seven days of creation, the light of the many times in the spoke about obviously the connection between it's going to be in a few days about and and the Rambam lotion by Khan because Khan is the man that the was holding even though it wasn't but it's the light that the was holding the Rambam's lotion by is extraordinary the Rambam writes We see this that the mitzvah of is dear to us. It's beloved. It came at the time the B shihan is what we're holding on to is the end before Mashia comes the light of yet we see that the ra's is so what's the I explained this in sh many years ago the of the mitzv Because you know the swam tell us this the talk about this a lot that every mitzvah of the mitzvah corresponds to a different part of who we are to the eyes the ears and the every mitzvah I say corresponds to a different part of us but the tell us that when it comes The is meaning that the is not at the but is whereas all the other mitzvah I say I say correspond to different parts of us pieces of does. But the the is the why. Now everybody here also knows that the Yeshua asks and others talk about this. This is a big that everybody knows that it really wasn't even necessary to find the wasn't necessary to find that oil because of the so asks what's the whole of this why was it necessary why was it necessary to have this miracle of the which is the miracle of which is the miracle of why was it necessary We didn't have to wait. We could have lit the kahan could have taken care of it without waiting for the sh to be prepared. We didn't need the n of speak about very very simply put the best way that I've been able to share this with is by telling the story of a little bit of a story about my father. Now there are many here that knew my father. One of the sitting over there has actually a son that's named after my father. Was the first the first boy that was named after my father. The first boy the first boy was named after my father. And my father my father was a Hungarian Jew, a survivor of Matau. I'm sure you heard of that place. And there's a story that I share with. So I can't hold up a in front of a boy's face. I'd probably get arrested for doing something like that. And I and I don't have the words nor do I have the the toenail of the to give over that like I shared with you last year when gave me when he shook his arm at me. He didn't say the words but I'm still feeling it. But what I do with the boys and is the following. Since my father was nifa, I take out my father's film and I unwrap them and I show them to the sub boy who until that point when I was saying some was trying to be polite but when he sees this old pair of film and I show him that the bag the film bag says on it the the date the t says 19 1936 a very old and beaten talis tenburg and I tell them the following now listen I'm sure many of you know this story and he got around while my father was alive I was careful not to tell this because my father it would get back to him and be very upset with me and I hope that he's my now because I'm trying to be I hope he's okay with that my father when it was time for me to put on film the first time. So I had a brand new pair of film that we bought in Williamsburg from a famous cipher baron poll and I was all excited to go to Shul to put on film for the first time a month before and my father took out his film. Now we were going to go to Shul together. My father got his film and he told me, "I want you to put on my film first." And I was not pleased with that. I didn't understand. Why should I put on an old pair of film? I have my beautiful fresh film. Why should I put on an old paired film? That's I live in Baze. I'm a lefty. I said to my father, "Daddy, I'm a lefty." My father said, "You're also not 13. Just do what I tell you. Just put on put on on your left arm. It's okay. I put the filling on and show you how to sh. And the only a few times I can count really just on maybe three four fingers that my father I ever saw my father get very worked up, very emotional. And I had never seen him like this. It was only son putting on film. And I and my father told me say and I said and then my father told me the following. He said to me that when it came time for me to part from my father meaning my grandfather who I'm named after. So the young men who were able to go to the army of slave labor were being taken on a train. In the end, most of them ended up in concentration camp. They were being taken on a train and the the parents and the grandparents a short time later were taken to Awitz and my grandfather went with my father to the station. They were allowed to go and take him to the station. And my grandfather that my grandfather told my father that this is the last time we're going to see each other in this world. And my father said, my father told this while I'm sitting there with his filling on. My father said to his father, "Why are you saying that?" As we heard, the Americans are not far. The Russians are not far. The war is going to be ending. But my grandfather just said, "We're not going to see each other in this world. But you make sure that not to miss one day of film. No matter what happens to you, don't miss a day of film. And we'll see each other when you're 120." That was the last time my father saw his father. And to this day, we don't know how my father wore those till in concentration camp. It was the museum not far from here that wanted to buy the film many years ago. They heard about the M house and film because not only did my father put on these til which was a risk if you were caught with film they would kill you on the spot but there were hundreds and hundreds of Jews who would take turns waiting to put on these tma and not to get caught not to get killed. So, I'm listening to this and my father said to me that I was wearing the film every day in concentration camp. Again, we don't know how he did that. And I we asked many times and he said, "A Jew has to find a way." He found a way. My father said that it was not long before the liberation that It was after a terrible day of of terri backbreaking slave labor which was a nice to survive each day and they were lying there on the planks in the bunk. And all of a sudden, very late in the night, the Germans come in to the bunk screaming and yelling and hitting them with dogs and telling to undress, undress fast, undress, undress. My father thought they were that was it. They were finished. [clears throat] He didn't know what to do with this film if they see the film. So, he didn't know if they're going to kill him right now or later. But he was So, he took off his and he wrapped the t outside and they were hitting them to go outside. And when they came outside, my father said there was a huge pit and there was a fire coming out from this pit and there was some sort of a bulldozer there and all the Jews had to throw their things onto the floor and the bulldozer was pushing everything into the fire because the Germans wanted to disinfect that place because the Jews were covered with lice. Everything was filled with lice. And the Germans, the makim were afraid to catch to get sick. So they weren't killing the Jews yet. These Jews in the bunk. They were taking them away to spray them somewhere to spritz them with some disinfectant. But all of the all of their schmatas were being burned and the entire bunk was burned down. So my father said to me when I'm sitting there with his filling on that month before my bissas my father said to me at that moment I felt that this is the end until now I felt that hashem was with me because I heard my father saying to me put on till every day and hashem will watch over you and you'll survive and how could it be that after all that I've been through and I kept the film that now finally finally I'm not going to have them anymore. My father told me that he didn't know what to do and he felt that he was finished. It was time for yush. So he wrapped them up inside of the schmatas and he was naked and he put them on the ground there with everything else and then they were hitting them and they went someplace for a while and they they spritzed them with this chemicals and then they brought them back to some new bunk and they gave them new some new pajamas or something, some new filthy schmatas. My father said they were passing the fire and every single thing was in the fire except he saw that on the edge of the fire was the bag of his t and he told me he doesn't know because he wrapped the t into the pajamas and everything of the Germans are very very big madak kim nothing is left behind by them and the til was sitting there my father looked you know a lot of lot people there and my father went and he grabbed the and he put it and he and he was wearing these film till around 30 years ago when the ICS couldn't stay anymore the film that's different story my father told me this story when it came time for me to put on film and he didn't tell me the words he didn't tell me those words but I saw it in his eyes Because what the was saying to and what is happening right now in this room and in the world and what happened by it's all one thing it's one it's one and what is that by the time of the Ivanim when Khan happened it was very the end was very and for years they couldn't go in. They would slumber him in the so we can't even imagine how we felt at that time how we felt the the and the because there's worse in the world. I was yesterday I was walking in Sharm and there was a Yid that that called out to me. I didn't know who he was. A beautiful sweet and he saw that I was a little bit fabl asked me if he could help. He knew my name. He said he heard some sh for me. was American and he he asked me for could we talk a little bit and really I just wanted directions but he also wanted directions. So he asked me could we talk a little bit and we walked the whole way. I I forgot about the thing I had to get but he was telling me he he he's about some of the service he's been through and he he doesn't know if he believes anymore in their guy with long beard and payers. He doesn't know if he believes. He says I have such fake amuna it's hard for me to say a word in ding. So we felt that way as a people and in a certain way two years ago that horrible service that happened. I first heard somebody came to whisper in my ear that they heard that there were 400 Jews that were killed and many Jews were taken and soldiers were taken hostage. There's that feeling that a person has that is done with you. that he's thrown away. That doesn't care. That is not looking at you. He's not paying attention to you. That your life doesn't mean anything to him anymore. There isn't a person here unless you're somebody that doesn't that doesn't think. But everybody here has felt at times mushu the doesn't care about you and then what happened so we felt that way and it's true that was right we didn't have to have a god we'd have to have this n but look what did misan Because there's nothing that gives you back. You're in the sh like that feeling when you thought that is finished with you that he doesn't love you. Some of you have felt that your wife doesn't love you that your kid doesn't love you and you know that you it's hard to it's hard to continue on living with that feeling. If you feel that it's hard to go on living when you think the one who created you doesn't think about you, doesn't care about you and then all of a sudden somehow in your life you find what a that's untouched. Somehow something happened. My father told me that's what happened that day. My father told me that when I found the film dev gave me back my in I didn't care anymore if they were going to kill me because it didn't make a difference to my father. It didn't make a difference to me anymore. That's what he told me by by when I was putting on film. It didn't make a difference to me because all I cared about was that I'm still with him. He's still with me. And when I found the film that was my p my father didn't say about the shema but it was my my father ke my father saying that's my jar of oil. It wasn't necessary. It didn't have to be. They could have lit some other oil. They would have that because when came into the world, you all know that it was described by the sadikim that the world was in a state of his that the Jewish world was faint was dying because after what happened with the puggrams and before that would happen to me with and the way the Jews were were living and what was going on the feeling was that we were that we were that we weren't anymore in Hashem's heart in Hashem's eyes and then the into the world. Andesh went to every Jew and without holding up a candle he held a candle in front of each Jew and he said to each and every Jew himself was a that in this world we found a with and all the and the when there was where the Baltan was taken to jail. We know that it was there was over the whole bashes and the whole there was there was a what draws you to what's drawing the world toas you know I saw recently in an article I saw recently an article They didn't say the name of this but there was a who grew up in the yeshivas and his rebi was the greatstein was his rebi was his mas and this didn't say his name but this particular bent this later a later point in his life after he left the yeshiva he ended up coming to the and he was someplace and he met he met the mas he met. Now you might not know this actually came from family from a mishb but very young his life took him to the yeshivas which is a very holy path but a different path. So asked asked this former this Talmet of his tell me what did you find the by the what do you see by the that you didn't find by us and wasn't asking to hack you understand he wasn't a hacker he wanted to know what did you find by what is it you're looking for that you didn't find by us I want to know so this told him I have tremendous for the Torah that I learned in yeshiva and from the Torah that I received from from the mash from my whole life. But when I was sitting in yeshiva, the part of I heard that we say every morning I I heard that in the yeshiva. I got a gishmach from those words. Who are we? We're nothing. I heard that in [clears throat] the yeshiva. But Rabbi with all due respect, it was only when I came to the I got to the end of the noded his head and he understood. We're here because we're living in a dark world. And we began to scream a long time ago through the years of Gus, but especially two years ago. I'm looking at a here and it says on the devote, this was dedicated to our dearim, our brothers and sisters that have risked their lives for us that live every day trying to protect us. And when that took place, when that fell upon us that we screamed out, so listen to the end of me. The alter rights here, you look at the whole par. It's a hard paragraph. You look at the whole paric The tus of the all worlds is what? that the cover of Hashem should fill this dark world because the whole of creation is what my father felt that day in Madhouse. There's a little bit of the feeling that we felt. You remember the aura that we felt when all the beepers blew up. You remember that day? The aura that we felt that in the darkness that Hashem was smiling at us and he said, "We don't know how this is going to end." And the war still isn't over. But we saw that Hashem is still with us. That Hashem still loves us. The Reb says the tas of all creation of all worlds is to transform the darkness into light. is to find to find the trill over there by the fire means that's the at the end of time when the world was falling apart when we felt so distant from and we couldn't continue on and then sent into the world and the and al was freed on this day. And this is the of all of our is to reveal the in a world of and that is the assignment of our generation and that's why we're here by this event by that's why when I was growing up yachkis life I would go to kis to see the rebangans and there was in Queens. There was a little place on Main Street where there was where there were 10 people that sat. They would sit a little bit later on there was a over there and now thousands and thousands of people and go to the sale and people walk around filled shopping carts of more and more at the end of time in the darkness. So I want to end with a story that I heard last year when we were together by the share summit. I heard from one of the wonderful mash. We had a group of mash that were together. We were all there was there. All of us were there together. And I've told this story ever since I heard it. So if I don't say this right, it's because I heard it wrong. But this is what I heard. And I'll end with this. I'm sorry for taking so much time. But this is what I heard. that when the feeder came to America, you all know that he was very he could barely talk anymore. But he went through Nissim, he was able to be smuggled out of Europe and he came here. So it was around that year was either 1949 1950 at that time and he he wanted to speak. He he sent he sent the guy to go bring that was a young man at that time. His name is Zelman Pner who I never had this close to meet but a number of people that I know have told me about him. I've read about him of many places and the fedi wanted to see him and he came he was learning and he came now keep in mind that in those years at the beginning the whole concept of was still very new there was already something but it was still very very new were trying to get back to themselves after the mama before going somewhere And the fidi said to thisman Pner that I want you to go to Nashville, Tennessee. Is anybody here from Nashville? >> Okay. So, you remember Rabbi Pner? >> So, he said to Rabbi Pner, I want you to go to Nashville, Tennessee. I proposed I said the same thing that I said when I was told that I should go to Woodmir. Where's that? Where's Nashville? What's Nashville? And the FBI told him that there are Jews over there. There are a few Jews over there and they need a they need a mik. Now, we're used to these kind of things, but in those days it was not pleasant. And Rabbi Pnner just sat there, but he can't argue with the rabbi. But he was I think a young married person that his family was in Crown Heights and to go to somewhere with a few Jews. So the again this is how I heard it so far. So this is how I heard it that the again it was hard for him to talk. The fidabi held up his finger and he and the fabi said like this look look at my finger. He said holding up his finger, he said, "When it comes time for the to go down, when it comes time for the nish to come into the gof, the nish does not want to go, the nish doesn't want to go. When the reb is showing his finger on top high up, then doesn't want to go down and the is giving a little bit of a push to the doesn't want to go and begins to cry, right? You are pleased, I don't want to go. Because by you by you it's v and lift it's warm and it's light by you there's there's there's and there's it's warm it's v and it's lift by you and down there in the world below is cton fster it's it's cold and it's dark I don't want to go please elim and then the shaman doesn't want to go showing him and ra is watching the finger get lower and the nish is being pushed further down and the sham is again crying please rush I don't want to go but you is in there it's so cold and and dark I don't want to go and the fid's fing goes lower and is watching it you're going all the way down and finally the fid screams out the says to the screams out to the nama over there. Make it over there in the world that I'm sending you. Make it fill the world that I'm sending you to. Fill that world with warmth and with light. Fill that world with warmth and with light. Go to Nashville, Tennessee, and fill it with warmth and with the light of take the manur of the seed with you. Take the pman of Kaneka with you. Take with you. take all of our ka from Golas with you into that place and make him to a place that's filled with or with with withite with and Rab Posn said that many times over the years was very hard and he didn't know how he would continue but at those moments he would close his eyes and he would see the fedic's finger traveling, taking that journey from above to below. So, we're here at the end of time and we're beginning to feel some of the warmth and the light of Yakis, of the Kadesh, of the Sadikim. And wants us to bring that into everything in our lives. Because when you enter into this world, if you test your slave, then it's not just davening, it's the light of davening. There's something called the it's not just shabas. Shabas, Jews always kept shabas, but there's the of shabas. That's something else. When you're with Jews and you feel the of shabas, you can walk into certain Jewish home and you see the husband and wife there and you feel the of that home. Sometimes you walk into a house in Laenu says Finster and sometimes you walk into a Jewish home to give a we should be to feel this of the and of feelata carrying us out from that jail for being hostages in the ugliness and the darkness and the emptiness of the world that we're living in and to enter into that world of the kadesh and that's what I said at the very beginning that next year know this the room that we sat in last year wasn't big enough for this year they switched the this farmer now in the other room when we're in this room and next year the whole is not going to be big The whole is not going to be big enough. And we're going to hear from David Malcolm with the bless. Amen. Did I die? Did I die? [singing] Did I die? >> [music] >> Did I die? And I [music and singing] did I die. I [music] [singing] [music] did it. I know. >> [singing] >> Let it die. [music] Let it die. Let it die. [singing] [music] I die. Oh, let it die. [singing] Yeah. I am then I die. [music] I die. I die. I die. Oh, [music] did I die? Did [singing] I die? I die. Did I die? Oh [music] yeah. [singing] [music] Oh, I die. I die. I die. [music] Oh. [music] I [music] did I [singing] die I die. [music] Oh, any [music] [music] [music and singing] >> [music and singing] >> Yeah. Heat. [music] Heat. Heat. [music] [music] Heat. Heat. [singing] [music] Heat. [music and singing] Heat. [music] >> [music] >> Heat up [music] here. [music] [singing] [music] [singing] Oh [music] yeah. [music] [singing] Heat. [singing and music] Heat. [music] [singing] Yeah. Heat. [music] [singing] [music] Give me [singing and music] [singing] [music] I >> [music] >> I I [singing] am I [music and singing] I die [music and singing] you. Heat. [music] [music] Heat. [singing and music] [music and singing] Heat. Heat. [music and singing] Heat. Heat. [music] Heat. Heat. [music and singing] Heat [music] up here. [music and singing] [music] [singing] >> [music] >> I [singing] [music] you [music] might I oh [singing and music] I am a [singing] you [music] I [singing] [singing] [music] d [singing] [music] Heat. Heat. [music] Heat up >> [music] [singing] [music] >> here. >> [music] [music] >> Heat. Heat. [music] >> [music] >> Heat up here. [music] Oh, [music] heat, heat. [music] Heat. [music] Heat. [music] [singing] Oh, [music] heat, [music] heat. Heat. [music] [music] Heat. You know [music] she [music] [singing] [music] I I [music] [singing] la. [music] [singing] [music] [singing] Oh, [music] she [singing] [music] [singing] [music] name [music and singing] your Holy moly. [music] I [music] only [singing] [music and singing] [music] [singing] Hey. [music] Why you playing with us? [singing] Are you so far [music] down? [music and singing] I [music] never [music] [singing] Hey. >> [music] >> I make some [music] [singing] I [music] came on. Oh, so [music] [singing] [music] la. Oh. [music and singing] Laord. [music] [singing] [music] [music and singing] And the night [music and singing] sher. [music] [singing] [music] [singing] >> [music] >> Should [music] you go? >> [music] [music] >> Lady [music] [singing] later tonight [music] later >> [singing] >> Oh [music] my gosh. [music] [singing] [music] [singing] Sh. Oh sh [music] [singing] [music and singing] [music] I [singing] oh oh [music] oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh. I feel [music and singing] I got oh Oh. Oh. [music] [singing] [music] Oh. Oh. Oh. [music and singing] >> [music] >> Oh la. [music] Oh [music and singing] I I Oh [music] [singing] I la [music] I fly. Hey I oh [music] Heat. Heat. >> [music and singing] [singing] [music] >> Oh my god. [music] [music and singing] Oh, [music and singing] I [music] [music] oh [music and singing] And I [music] high. Oh. Oh. Oh. [music] [music] We have one more incredible piece of Torah to hear tonight. Take your seats. Plug in all the way from the United States of America. He won't be leaving because Mashiach will be here. >> There's a beautiful boy here who brought this phone forward. If anyone lost their phone, please can you give it to them? Please take a seat for the final tora of the beginning of the evening as we prepare ourselves. Just a reminder just outside this room for the first time ever at summer is a special English book sale. Most of the books are already sold out. There you'll find Schlitter Safer. You'll find Rav Dober Pinson Schlitters. We encourage you to please take the swarim to buy the farm and to have a great night. Please be seated as we hear the final Torah for the evening. Please be seated. We're Z tonight as we close off this incredible evening to go one step deeper, one piece higher. Holding on as Ravine said to the Nespak, holding on to the fillin and going deeper in that way. Rav Dove Pinson has written over 60 books. Ken Yerbbo, may they continue to be written. He is the Rash Kell of the incredible Ian Institute and an amazing scholar, author, Tommy Kakam and Rebbit to so many. Please be up standing and give bigger round of applause to Rabbi Doinson Weinberger. Sher Michael and all the so I don't want to give a dasha. I'm sorry. So it's not going to be a dasha which means that there's no beginning and there's no end. So let's see it. It's going to go. It's going to see how it's going to work. And sometime my voice is going to get a little tired. We'll say if you're with me or not because there's is and what's the definition of a real one person is silencing himself in public because it's not so nice to talk you know to yourself with other people with no one around but when there are other people around it looks like you're talking to everybody else. So really you're talking to yourself and everyone else is listening. So, so first of all talked about one about the schisv writes is rashashidas and in rashashana there's two parts on rashashana there's two ways how you can enter into Russia One is and one is two different some people they avoid the rash is more mirrorous and some sadik that rash should be done should do with joy because rashashana really has two things in it's mishbot It's serious. That's the mishbot. It's a time of awe of mishb. But Rashashana is also a time ofash is the time that from from there in Russ means on one hand you're being judged but in the other hand the freedom you're untangling yourself from the and the is because you're getting rid of those things that are blocking you and holding you down. So we're going to go a little bit more with the kavas writes in a letter is that that is and what's is what'sidus You know they once asked the fab they asked the mashila if he can explain whatus is and he wrote back that he never thought about it never thought whatus is about and then he tries to give an answer but the the the real the story is that when you're living something and it's true to you you don't ask a questions are asked on additional things in life. Life itself doesn't have a question. Some people have questions of life. But most times the shila is not life itself. It's what do I do in my life? I'm alive. Have now the question is where do I direct my how do I get more means alive? It's theus is a of what does it mean to have what is the or the path of light this writes this what does it mean to be the path of some people heard of him some people should hear about him so You know once said I'm that means he know first said mine is al mine's alab said on this mine's mine and then he says which means he knows a lot he understands which is he understands but then the field said like that he doesn't leave the mimer that he's learning and tuli's marges tulif senses the that was present when the rebba said the mimer so it's a nice thing you know a lot of things it says in books is already a higher but the essence of is light isite And means you can't be you see some people that are alive and some people in the lids there was a wrote called they're wanting to write a safer on all the like encyclopedia same style and uh appeared like an introduction what he's going to say but the Reb told him that he should take something else from which became something called what is what is it what's he says that what is there are many different ways to be m there to define whatus is you can say is another giloy of there's a sat from there's a from before and there's a from from the big and then one in that time period there was also another gill it's all 1740 there was another gill and that gill was the oftusidus is another understanding of life. There's one understanding another understanding reveals another understanding and the way it was written about is either this is the is says what is which is literal interpretation this illusions the these are all different understandings of what'sidus is the what does it mean it's the what it means that to say it's the person's essence of their soul the essence of the that's connected to the part of an that's always light that's always knows that's always clear, that's always connected. This is our this is where is where does it show up? It depends for some people for maybe shows up in their neph in their ms. Sometimes you see a person doing a mis with such with such connectivity that you see it's it's illuminated he's where in the another person he's sitting and learning and his another person's in why is be how could it reveal itself in every single because is the essence that includes includes all prin it's the nuda that exists with all the pratim it's not a prat it's not a detail there's one tora and there's another tora and there's another idea there's some different then there's the pmius of that so when there's a very simple shab we're celebrating is what's the connection between that's in the versus let's say or is or vision another thing if you look superficially you could say okay maybe doesn't have a lush so much maybe it's don't have so many. So what what's the what connects all these branches that all came from the same all came from? The answer is that is the and since it's in every single mahal in that mahal. So if it's so you get to the essence of and if it's tora if it's g to then it's the essence of tora because is the it's not another it's not another wrinkle not another with the finger is the and what does it mean to have the guil of there's in everything there's a why said before that one of the reasons why was revealed is because the world was in a state of this brought down by many that the world was in a very dormant very dark place and is like to rub the the crown and jewel of the king to maybe a little tiny little bit would get into the mouth of the person and live them. So what's is an antidote to darkness. It's like a medicine people are struggling with comes along to the reveals in the shades to reveal and to Mila that uh comes along and gives to Israel. But there's also the another and that's why it's called it's connected to it's connected to because is not only a revelation within time within the present moment already a few hundred years that in order to fight darkness this is this light that came down is the future that's revealed in the present. There's two different there's there's the there's the process of time and then there's the which is and then then the shabas is which means is re on chabas reveal the onabas means that you're not supposed to do any work on chabas doesn't only mean but sadikim say that it means also because when a person reaches the level of Shabas and is really experiencing the oil of Shabas correctly then you're at you don't have to worry about what tomorrow today you're at and you sit and and and and learn or dab you're connected to the of the and when you're connected is no more is when you're in but when you get to the is no void Forget the is the so what is was the revealing of the into the present because there are two there two types of there's one gilli where the present is in the effect of the past and that's the way runs time passes for past to our present to our future. That's in it works the other way around in where do you see this? If there's between a tana and an you pass the within that time but it's pass between you why because the closer the was to the past the more their presence is feeling the rish of the past. So the the further back you go, the closer you are to the mountain in toy. It works smish the other way around. In toy the the giloy of the of is much greater than the gilo that came before him from the even from the or the came after that. Why should be like the first? Because when it comes to pine the doesn't work from the past to the present the rom works that the present's being pulled by the future. So even though we're living in the present and we don't have gula and dozen Yeshua big Yeshua on a protestic level but the gave us an ability to tap into the future and the present. They once came to Chab and asked them it says originalidim they were either called or they were called early were called started. So they came to the rabbis and said that a person's not allowed to be joyful. You're not allowed to smile. You're not allowed to dance. you now ought to do what we just did. Maybe yeshatter if this if he's saying and they said vtori maybe but this whole thing I don't know if you know yayas didn't have you know freed there's no thing people listen to music even didn't listen to music certainly am before say you're not allowed to they didn't for they play little music that's it is the essence of essence is said that you can't no if you don't understand then you can't understand if you don't then you can't you can't open up your you can't really understand so this so they came to so he said that's true when you live in Ilaza and your desire is to get the havo but if you already have the oil from already in the present then forget You should you should feel you should fill yourself with. So this is the Gil of the of the of the of and and and the way to properly learn You have to stop and to be margish to try to feel the thatid is said before that uh the same z was once sitting within bay tin bay and he was he was older he was already he had a stroke couldn't talk and um and he was sitting and holding iron bay and he was crying and he was kissing the safer it was a b it wasn't a proper safer used to have these little like pamphlets And uh the bam were sitting there. They came to with him. He couldn't talk well. And I hear this and he said he was sitting next to me and he asked Mosha, "Why are you so what did you see in the mime that you're so inspired?" So he opened up the page and he showed him with his finger with his nail he a few words. It says that's it. There's no letters. There's there's there's words and you're reading words. You're reading the words. But every single word, every single dra that you're speaking is a expression of of something that's much deeper. The way things exist is only you can't have you can't you can't really explain something. If you want to if you want to explain something, you're already mag you're already constricting it. And there's a that writes that difference between is also that the will give the it says that once on himself that there's a in this world that hears there's someone sitting in this world means meant himself that is hearing from what is that's the That's that's the that's the we have to connect to the Yeah, we have to connect to the Someone asked me for a good child that um you say that sat in prison. So why didn't all the mag sit in prison? Altera white was the others sat for a very short period of time the second time but alter was mainly sat in prison why alter was the one that was sat in prison there's a lion there's a phrase writes The alterba says it himself what he wants to do in this world. He wants to reveal the toyra the of the and use through the the the language of or to say it differently to take the of and infuse it with there were there were different there were different paths and tell me you're ready to tell me the BM the different paths the BM himself if you can be m it's hard to and you should really really shouldn't but for this situation the bashm revealed if you open up any the is never trying to explain never in 95% never trying to explain a steer in Gimra or a steer in in or a steer inim brings light into this world. There's a revealing of now you have to take the light and put it into every single but the comes down in the rain. It's pure. There's no very little ois there's very little is but it's very very little and was a huge I don't have to tell you he used to give a sh every day many hours but the the toyer that he revealed is the mag which is the sites also the of the mag the maggid before he came to the before he came to balm the magg was already a huge kim he's a toa and he was also a big makubul with the clo and brought he was a makubul in the very classic ways that people studied kabala and the mice is that the mid came to bales And um and he was he was suffering and that's the story. He was physically he was also not well and he came for for a tupa for like a healing and he came for Shabas and this is the story he came for Shabas and he sat there and it didn't he didn't connect it he didn't connect to the so much shabas he decided he's leaving and the told us [clears throat] was walking by the tlus is walking by and says what's what's what's happening he said I'm leaving I came to the it's not it's not my my so I'm leaving so the tlus walked into the into the room where the is sitting he didn't speak to directly he started walking around and says that's sitting outside your door that's malikoli How come you're not? So picked up his eyes and said call him and call the mag. The mag came into the room and the mag told the bashm that I'm leaving tonight I'm going because I didn't find what I'm looking for. So the bashem said before you leave if you have any shilus anything you want to ask. So he says yeah I have a shilan zoyer that I have and no one really was able to answer me. So the mags said over the story said over the steer closed his eyes and the way the mag is that the started talking and all of a sudden the whole the whole room became lit and everything that he was saying was not information. when he was talking about he experienced and when he said the shame of a malik he experienced that malik and he said this is my because gave gave the the is he gave him life and if you look at the We'll get you'll see that his big if you wish one that made is that the whole simp is a joke and tin this is the mag over and over again that what you think is a symptom that it's real and it's harsh and it's dark and it does feel dark. He's not saying it doesn't feel dark but you should know that the mosh that he gives is that is a father that plays with a child. This is a kesh of a mshel. It's never found before the mag. There's always from the bm before where it's a father with a son. He sends him away. That's already an adult. The first time you find a mush of a father playing with his child obviously had a child which means he gave he gave the mid. He was able to look at the tsimum and able to look at the constrictions of life and able to look at whole toy and he was able to find in the word that's used over and over and over and over again is anytime a person does a mitzvah always is to draw down. This is not found of it's life. They're not arguing. It's not an argument. It's not a stir. One is using the oasis of and one is using the oasis of the wanted to the of the or to say the mo of the of the of this two because you can have but doesn't necessarily mean you have and you can have a lot of mo unfortunately and have an there are people that are bucky in all you you know such people it's you and they know exactly where everything flies but there's no oil and there's some people they don't never open the rash don't know what it is never heard of rash and they're full of oil what did the alterb want the alterb wanted the shaliv the toyra the ofem with the the intelligence of of his and going back to going back to that's why it's brought up in the was and the is more because it's about it's about different to use is more about actually writes that he he could have done it other way could have done the other way but didn't the point is that it's understand this is everyone following me >> okay whoever's following me is whatever if you don't this is not negate what I say if you feel it you feel it you don't make just open your heart. We'll figure out the for another day. The the the which is that it's not and it's not because if it's or it's or it's anything then it's not the thing in itself. It has to be something that has everything. That has to have it has to have that's and in the in the of sometimes you have sometimes you don't but you're always connected. There's a there's a there's a lotion in the brings that there are four we always think about that there are two ways to be in this world either there's or there's honest or there's a gill upon him writes that there's actually two madas in between to get him to does y and smile because we think that ye is upon him and we think smo is we say if and my life is working out and everything is [snorts] that's playm I have a relationship play hashem and when I feel that's But it's not true. There's there's y mean small and then you know what p means? P means you ever spoke to somebody and they're telling you everything what they're saying. They're saying words and their mouth is moving but they're not there. Has that ever happened to you? Or maybe you were not there and you don't remember that you were there. It's also sh some people can be living in the same place. You can be you can be in the same dormatory and you can know exactly how the schedule of of your when he gets up what he's learned everything but you actually never faced them upon him. He never had a real relationship with him means that's atmosph connected with you not in it mean it feels better feels it feels much better and small doesn't mean is the pmius is the essence is the of everything it's the pim of everything to be in relationship with the ponim with the pashm spoke before about there's a very interesting thing that happens on Khan the original happened at it got very long the days and it got very short it got very short then it got very long so other saw it's getting darker and darker said the world's going to get dark for me and he and he cried and wailed for for days and then and then he uh and then he [cough] when it stopped becoming lighter He made a that's the original there's a there's a makes a exactly that on the night of Kaneka on the night of the Kaneka it was the it was Kufis he does ah but the reason why it's important is because it wasn't and it wasn't the longest night of the year so they would have a little bit for the next night how do they how do they make the the and they took for the longest night of the year. They said the longest night is let's say 14 hours and they made a 14 hours but if that night was was only 13 and a half hours because it wasn't the longest night of the year then we have a half hour for the next day says so that it happened in you know what happens I don't know if it's a thing you know when Shabas starts getting earlier you familiar with this Shabas gets earlier and earlier and earlier there's a certain I want say but there's a certain there's a certain okay and then shabas starts getting later you feel a little relaxed is this a normal sensation you have what happens when shabas doesn't move in New York it's 411 chabas 411 the shabas before that is let's say 413 okay 2 minutes okay a little more we got The next two it's going to be already 14. Okay, a little relax. What happens if you look at the calendar and it's 4:11 and 4:11? What do you do? You go. Why? Because we know only ups and downs. We feel good when we're going up. You mean we feel bad when we're going down, but at least we feel. What happens when you stop feeling? That's the problem. Not that you're feeling down because you're feeling down and you're you're still feeling you're still feeling that you're feeling down. That means there's still life in you. So now you're feeling down and you're going to make you're going to figure it out. You're going to find the but when there's no movement. We have to connect and this is always we're connecting to to the PH not you mean not the PH the PH means that I am living my life in conversation in dialogue in connection always I feel down I feel up doesn't matter But then I have this conviction and this conviction when I have this conviction I can live this way pray Hashem and I connected to pray Hashem then I feel whatever I'm feeling I can feel the oil and this is a little bit what wanted to reveal to this world is not only to wake us up which is galic we should be wake up we should wake It's a good thing to be awake but to live with the gula to be mo from the for the for the future and instead of thinking yourself sorry I'm going to do one I say one more thing you you need to go I feel bad I saw the shil the rebel asked the shil about this which I thought it was an interesting shyur Let's say didn't go out of prison. It was different from from what happens if the story didn't end well was there. Whatever happened he stayed in prison whatever happened it didn't end well. What would have happened? He said you wouldn't have kenz but he said something else. He said no. He said he didn't are are always good at we not doing in fact every time there's a gilli there has to be gilly so there has to be has to be gill of of of so there has to be okay so so yeah they say I should stop speaking to say is that without without tokis we'll be connected to the orb we have to we we would find ways to connect the but it'll come through such hardship sobb coming out of prison and theis allowed people to experience without the without the darkness so should help I'm gonna endure always helps we should help ourselves allow to help to be connected to the to live with >> to close the night. We're going to have one niggan where we sing. We got the opportunity to take the incredible words of Torah from Rob Pinson, from Wineburgger. Let's put our hearts and souls in through one final as we close off this beautiful evening. [singing and music] >> [music] >> Night die. [music] Oh, [music] heat, heat. [music] >> [music] >> Heat. Heat. [music] Heat. Heat. [music] Yeah. Heat. [music] [singing] [music] [singing] Yeah. [music] Heat. [singing] [music] [singing] Hey, [music] [singing] [music] Heat [singing] [music] up here. >> [music] >> Heat. Heat. Heat. Heat. [music] [singing] Heat. [music and singing] [music] Heat. [music] Heat. [music] Heat. [music] Yeah. Heat. [singing] [music] [singing] [music] Yeah. [music and singing] Heat. [music] >> [singing] >> I [music] thank you very [applause] much. That was all.