Why You Can Listen to the Same Song 1,000 Times | Beshalach "Az Yashir" #3

[Music] my [Music] oh [Music] ah [Music] no is [Music] is [Music] oh [Music] is [Music] i [Music] [Applause] [Music] [Applause] uh oh yeah composed by the baalhatanya yeah yeah yeah yeah check up the song [ __ ] vegas la shabbos very powerful song it's called [ __ ] and vegas la shabazz to have it on the internet by the capella cappella it's a song that was composed by the balatanya one of the ten songs that we know that were composed by him and it's called negan vegas that was that is what you just heard playing good morning everybody please download your source sheets on the yeshiva.net you have on top of the video hasidis friday an icon download or view source sheets so you can follow inside we're going to continue the mimer just give me a thumbs up on zoom you hear me you see me okay beautiful so we are up to the where are we uh one two three we're up to the third paragraph of this miami the third section or chapter this mimer ozyashimo banay israel as i told you it's a mimer of the balatanya and parsha's bashalach from the year tough gimmel which would be 1803 in the secular calendar so the mimer now goes one step deeper and the truth is that the second part of the bimet the second half of this mimer is extremely profound and it's written here in a very brief and concise way the truth is that it's hard to figure out exactly the message that he's communicating because there's so much going on here thankfully and gratefully there's transcripts of this mind made that were written also by other people i told you my muram had sometimes many writers so there's a set called my murray admore hazakin and in the year tough of samakhimo we have here this mimer that was written by the mithla rebbe the son of the balatanya and actually two versions the mimer and an explanation on the mimer and that really clarifies so much then we also have that zamakzadek also wrote his insights on the my mirror summation of the mimer that's published in his so this gives us further insight into the mimer in response to a question i gave a metaphor yesterday of a fetus in the womb of its mother like maishirabenu being enveloped in water and then emerging from water where it becomes a separate entity that illustration and that application to life was not my own the mithila rebbe writes it clearly in his transcript of the mimer he says this clearly as the intention of his father whether that balatanya said that metaphor the mitara added it that i don't know because it's not it's the metaphor is not it's not entirely in the original in this transcript that was written by the balatanya's brother the maha really but that whole discussion that when we're born we emerge from the sea we emerge from the mayan within our mother and that's like an illustration of bitter the macias there's no separation the fetus is completely attached and connected to its mother and then it slowly emerges as an independent person in the beginning it's nursing it's like we still need the earth mother earth but we're separate from the earth and then as we grow up that independence and separateness becomes more and more and that's where that can be the tension between the need for attachment and connection because that's where we come from and yet also the need to emerge as ahmed as galia we were sent into and moisha always holds on to that truth of minh and that's why it's so hard for him to communicate and we explained that's what kris yamsev is this was the whole long discussion in yesterday's class thursday and in the previous class monday basically what the concept of kriya samsuf is it's the opening up of alma descri meaning it's not just we go into the sea and we stay there no the sea is transformed into dry land now the question that was asked yes as explained at length in the previous classes and if you haven't heard it you can watch the replay or listen to it of course on double speed if you wish now the question is and somebody asked us yesterday how can there be the fusion how how can there be a fusion between the two aren't the two mutually exclusive now that's a very powerful question because that's what the mimer is now going to get into can you really fuse the two or are they mutually exclusive in other words it seems like if we want to again bring out the example in human relationships that the need for attachment or connection and the need for being me or being authentic to me are very two different needs and in many way opposite needs and that's why there's such tension between them can there really be a space in which the two become one and that's going to be the next paragraph the next section of the mimer and the answer to this in the balatanya's words is one word and that is yes through song and this is the power of music and song and it's fascinating we'll see how he describes the avoiding the best and the parallel to the aveda and because if you remember in the miami there was a strange interjection after each other's huskies he starts discussing davening and then he goes into almost so now he comes back to all of it or to all of it the the the intricacies and the mymarium of the balatanya are are extraordinary in other words besides the power of the ideas there's the build up there's a structure every detail is connected it's not uh these are very organized organized treat organized essays discourses presentations that are are built like like pyramids and very careful structures so it's not like you know of art throwing out of art that didn't it's it's it's there's it's very comprehensive there's a picture it's like a piece of art and you have to appreciate every detail as that piece of art so now we go continue further is to be able to bring down everything myla which is the concept of bracha to be able to draw down from a higher plane into a lower plane and that's why at the end of the last paragraph when he said the davoid of the brachis to be able to fuse and reveal almades kasia in a state of almades galia vero kobasar quoting the end of the previous paragraph this is connected to the avoid of the cayenne avala void of salavi meda harris heissebaum that void of the livium is of a different caliber of a different nature he may this is an avoid actually in the opposite direction going from downward upward the xiv the positive says in parishes it's one of those that grammatically are very difficult to understand who the levy will literally the levy will serve him the word who is a very strange addition of that passage is the altareb this is where you need satire in order to explain the depth of the passage of adha levy who the void of the levy is in who what's who who is always third person concealed he he has an h e because we have he as another hebrew word for the feminine she but he i'm saying the levy is who his avoid is under who in other words that which is not manifested before my eyes that which is a state of consciousness of concealment what do we mean concealment as we said before where the eye is eclipsed by the source of all i and there's no sense of separateness there's a oneness and that's called almades kasia because this is a world in which the ego the sense of self-assertiveness and self-determination doesn't emerge what a sense this cosmic oneness is to be able to tune into alma disgusting the state of ahmed isgalya should not be seen as a madrega villain to the point that it shouldn't occupy space the levy was yearning and struggling to go back to that place of complete vacance of complete oneness commercial cost of like the posix says ahu now take a look at this posik there's three ways of describing hashem atta the answer is there's actually three realities described there for my perception atta is first person right you yeah there you are i see you you that's alma desgalia that's the way godliness is manifested in a reality that i can identify in other words in the language of siddhis it's the way the divine energy is filtered restricted harnessed compressed into the finite chemistry of every existence to the point that it creates ahmadis creates a reality called me and i'm striving to be me i want to be true to me i want to be authentic to me what's this me what's the me i'm not in the water i'm in dry land this is the kiddish of mamalakalam and means that the divine energy is tailored and custom-made allocated to the unique chemistry disposition and character of every created being so i could say you there's something called you and it's i could call hashem you what do i mean because this is the divinity that's channeled through my existence that i can experience then there's who what's who who is he transcendent this is what we call slave of calam this is the divine energy that's infinite and that encompasses all the worlds the highest to the lowest like the waterbed that encompasses everything and there's no distinctions this is the space of infinity hashover cottonwood where everything is submerged this is what we call bitter bemitzias this is what we called alma descartes this is what we called save of calamine this is what we called kula kameka khashev using the terminology that we used at the end of last par at the end of the previous paragraph discussed yesterday that's who so you have ata and you have who and then you have havaya and then you say levadach so altreb is going to explain here that the way to connect and synthesize what does this mean hashem is not in the realm of any worlds loy begat the mamallaeva he's not defined by mamali he's not defined even by savath he transcends actually almaden as he transcends ahmadis galia just as almod is galia doesn't capture the ultimate truth of existence alma descartia as powerful and as deep as it is doesn't capture the ultimate truth of existence and that's why the avoid of the livium and the vasamite was with song and music and melodies what is a negan what is a melody a negan somehow evokes it creates a hispilous aspires comes in the word paula an effect it triggers a very deep part of the soul because the gillihat news the truest are the the notes the stanzas a tenure of the [ __ ] like a stanza the stanzas of the song by coming out and by being sung trigger the soul the loymou is it's not like when you're hearing a song and you're hearing the notes of the ballad you're actually learning necessarily a new idea elements it's not about the information it's not that the negan is giving you new information you never heard the song before or you never heard the idea that's being conveyed in this song no that's not necessarily what's happening it's just singing this tanua reveals the heart it brings out a deeper place in the heart yes and that's why people can sing an old song you could sing the same song 100 times 200 times a thousand times and not only don't you get tired and bored and exhausted but if you love the song even an old song that you've heard a hundred times it still arouses you it still affects you with gili hatsunu because the tenure the stanzas of the song capture something that resonates in a very deep way we all know the difference between verbal communication and music if i'm sitting with you my dearest friends yeah and i share with you a story or i share with you an idea you heard it already i seared it and you heard it and then tomorrow i share it again okay you heard it a second time and then i share it again at some point you're gonna say rabbi why why anything new to say very often especially before corona i traveled a lot and i would give lectures and speeches there's always the guy who comes over and says this we heard already this story you said two years ago this joke you said three years ago this could not you and about him you hear it all as a song but other people don't hear it as a song in other words i was once i was once at an event with uh murder hype and david and he gets up to sing and he's singing all of these new songs and the crowd says no no no we want the oldies we want the oldies so he gets up by the mic and he says you know this is unfair rabbi why why are you speaking here at this event it was a few days and whenever he repeats something that he said two years ago they attack him you said it already we want something new and me i'm trying to sing something new and nobody's interested all they want is you know from there from the 1960s to 1970s he says that's not fair i don't have to prepare anything i get up and i sing all the oldies they don't even want the news he says what what's the difference that's that's what altareb is explaining here fascinating difference when somebody's giving a speech or somebody's giving a shirt what's the focus the focus is the data the information the ideas the words i heard it already i heard it once twice three times five times ten times how how many times can you say it even the best story in the world the greatest joke in the world the most exquisite insight in the world at some point people are going to get boring they're going to stop coming back a negan if this is your singer if this is your composer and you hear that he's singing a song that you already heard a thousand times live and then you hit it another three thousand times in your bedroom as a teenager and now you go back to hear it again and we all know when you're in love with a song you can hear it again and again and again and again and again and again and again and yet again and you don't say stop singing the same song give me a new [ __ ] sometimes you want a new niggin sometimes the song is not working for you you need to change songs but we all know the power of a negan he says even a negan yoshi even a night a night is an old song you know that altered has a song one of his songs they called nigel and it's like a song you could never get bored of [ __ ] why is this because a [ __ ] is not about data it's not about oysters it's not about information what is a negan says princesses a negan takes you to a place where you could be moved by the soul itself and not because of a comprehension of something that the soul understood and as a result of the understanding you have an emotion you have an experience you have a value me doc because of the ladies in the state of who ato hashem delays no thought can grasp him no thought can grasp him allah and therefore the only appropriate reaction is hispylus which means in haleiw the pure desire of the heart but that should affect to the core of the soul the loyalist prince mark and not just a superficial awareness and that's what a negan represents and that's why before krishna you have to sing and that's why hazal call it suke de zimra the verses of song it's not just because it's taken from tehillah which are called miros names israel it's because before krishna remember in the basement and the kayan the cayenne they were responsible for the carbonus they were the ones who would sprinkle the blood and offer the fat on the mizbaya or the animal on the mesbah the altar so that it got burnt up in the fire as he spoke to the beginning of the moment that there was the fire that came down remember the a shall milo the avaraba that came down avas oil mahaptano and the animal the nephesha bahamas by davaning i need to allow it to become subsumed in that fire in that flame of divinity and what is that that's baruch hashem by sri he says the fire from above is the atta that hashem cuts reveal to me comes in that's what he explained and that's when he went into the whole thing of kriyasyamsa where do we mention kriyasyam suffundavaning we mentioned krisham's right before shmainasra right before we start the borough because kriyasyamsuf is going to be the boroch the al-madiskasi coming in thomas that's why in ezras we mentioned kriyasyamsaf we also mentioned korea psalms of once before by the end of sukhiti zimra it's two places we mentioned kriyasyam so al-tarab explains the avoid of the cayenne name is that's going to be by astra and already the preparation for that by krishna as explained in many my mara but before that you need to go to the negan before that you have to sing before that you need suki is the concept doesn't necessarily have new information the information i read yesterday i'm reading today the only way you can appreciate psychedelia is if you learn how to sing you have to learn the art of music the art of song is not about re telling me new things new ideas no we could sing the same [ __ ] in every day it could be a [ __ ] yoshim sukudaism is not about the information tell me something new people said i already darven yesterday a diamond two days ago how many times are you going to tell me the same words i already know hallelujah because you're not in touch with the [ __ ] there's no zimra zimra is a song the ability to be able to sing what is music what is it music is not about words the deepest and the good don't have words in fact we know especially in the world of khabad that the nagunam without words were always considered much deeper and much higher than in a good and with words because in a goodness with words are the nagunam that are channeled through information in other words they're channeling information even though those words may be very holy and beautiful the negan without isis is a negan that tries to go beyond it's a negan that takes you to a deeper place it's not about explanation it's not about definitions it's not about ideas the hindus of a negan is that it triggers a deeper place in the soul as he says in the kudasai of a much deeper place in the song the holy madrid cerebral the madrid sarah i heard the story from the laboratory ever myself in 1984 the shabbos after purim and he said that he heard this story from hasidim that the majid who was a great composer had to go to berlin for surgery the problem was that they were afraid to give him anesthesia because because they were afraid he won't be able to survive the anesthesia so you know the story it's an incredible story so the major cerebra told the doctors that he's going to he's going to compose a song and he's going to sing the song and when they see that he's in the midst of the song they could perform the surgery and that's what he did i believe he composed the song that they call in madrid's ela esker and they only sing it on his yard site you'd gimmel kislev they sing it on his yard said maybe mkipperosa it's a song that has so many stanzas i think it has 36 stanzas it's a very very long song and i remember the rabbit thought the lobster would hold over the story about the mujit sir i remember he said the moderates of the zeta for the high ticket margin sir it was then in 1984 it was the grandfather of the margin sure in 84 but he passed away that year the next year so he described it then he said it was it was a semi-experience of what we call cloisonne of course he was alive he wasn't dead but the song was so powerful it took him into a completely different reality what is dr ebba telling us here psychedema is not about more information it could be the same song you're saying yesterday but the negan brings out he says a space that's inside gilui haleigh his pilot it's not coming from comprehension and this is what allows the person to tune in to that place of atta the negan is basically a yearning and a longing to go out of definitions to go out of the world of language to go out of the world of separation to go into the world of oneness that's what a real [ __ ] represents and you'll hear especially you'll hear it in the balatanya's negro vest the very profoundly named that people some of you know there's many that we don't there's many that there's many that people don't know there's hundreds and hundreds of lagoon they all have a common denominator it's this there's the longing there's the yearning of the neshama to go out of all the trappings i'm not looking for definitions i'm not looking for explanations i'm not looking for words i'm not looking for data i'm not looking for information i'm not even looking for inspiration i'm not even looking for inspiration so what is it i'm looking for atahua that place of oneness so the al-taraba says that is not about information it's about the negan absolutely a person could say the words and say the psuchem but it's not touching the core of his heart in other words he's not getting into the song it's good words and he has kavanagh and that's amazing piri shamil is listen just to understand the word it's a govaldika thing he says angel avoid the tama it's a good avoider just not avoid the tama by the time it means it's not the whole it's not the whole it's a giveaway thing if you could read sukkah simran understand every word you're saying trust me it's not very nice he says angel avoid the tama i didn't get into the negan there's a negan there's a negan you want to see where you see the difference but you told me a jew told me that he doesn't listen to the shirim live because he needs to hear it on double speed he doesn't have time he's stressed he needs to hear it on double speed so that's why he listens afterwards so that he can be double speed so this year was an hour it's only a half an hour right if the shear was 45 minutes even better so uh le bazil heard heard this so he says no no no no no no no no no he said it's like it's like singing a [ __ ] on double speed yeah you're hearing a song a beautiful song and you put it on double speed he said oh you'll do meditation yeah you'll do meditation on double speed okay relax relax very very fast put down your feet make sure your feet are very very firm on the ground okay be mindful notice your body notice your body body okay now right now let's go let's go let go of everything the very notion of double speed is a war against meditation [Laughter] so the brazil said that siddhis you can't do on double speed because it's not about the information it's about the niggin you can't do a [ __ ] on double speed i mean you could but but it's not the negan yeah yeah imagine it's not the nic it's not the [ __ ] the whole why could it's not the information if you're looking for information double speed is much better if your brain can absorb it okay do triple speed do triple speed when you have to waste even a half an hour the negan is not the information the negan is that i get lost in the reality i become one i go into the kamaem layamakasa that's what the negan is that's a whole different reality it's all different experience information let's let's get it over with the negan if you want to get it over with it's not the negan now you'll understand after kris yamself what happens the jews sing why do they sing it says half-liver fella why do they sing we don't have so many songs in the torah later there's going to be a sheer impartial it says in madrish that there were ten songs in history the tenth song is only going to be when mashiach comes what's the uniqueness of shira oh yoshi moshe of nay israel then they sang and how did they begin now you'll understand who you know i sing you have to hear his words now what's king shirley shem i think hashem god because he ex what's going god he is exalted god is exalted aloof sublime great grand or in the words of the infinite ain't scythe what's going on he's exalted above being exalted in other words he is so exalted he doesn't even have to be exalted ki he's exalted above being exalted he's going from being god what does this mean so he says in other words a world in which everything is nullified in the oneness of infinity alma descartes that's the mayan that's goi in other words you have mamala kalam and that's not gai that's the way alakos is malubush is manifested in diversity and identity from almadesgalya from the symptom of almadescalia comes the i there's me and is you and we have to connect on that level from save of calamine comes what alma discarsia what's almost kasia a world in which there's only oneness because infinity encompasses everything so i don't feel but i what do i feel i feel that i'm just an aspect of infinity and therefore there's no difference between you and me because infinity is being channeled through you and through me there's no distinction of identity this is where ultimate attachment comes from this is where ultimate oneness comes from that's save of kalama that's guy ki god is exalted he's above he's transcendent hashem is not only mammal he's also savage ki guy what's going on he says guy god is guy is a savage the guy here no thought can even grasp it not even the singular thought of bitter matias and this is what we say ato hashem there's no way that we can measure up to his holiness erech means value like erichen estimations right you say eric three o'clock estimation eric has to estimate to define value there's no way that we can we can have any error to his kedusha that's that's the words the alternative says it's much deeper s because he's not in the realm of worlds at all so even slave of kalauman is not ba eric to him what's kedusha kadusha is kadashim to you you're aloof you're sublime kedusha is save of kalam and right kadash kaddish is you're separated you're distinct you're designated so qadda you should save of kalamatsu he says even his kedusa has no error to him in other words even slave of calamine is already a certain definition within divinity and that's the definition of oneness and infinity ashira hashem so what do i do with kigai god what do you do you start singing you stop speaking and you start singing the hest when you're the hair key guy go you stop talking what are you gonna talk you stop thinking isis won't capture it so you start singing that's the zimmer because of this they could be kriyasyamsof what's kris yamsev kriyasyam is the fusion of how could they fuse how could they be together how can they live together how can the sea open how can i walk in alma disgusting as though i'm from ahmedabad is galia how could you go bey basic or to go back to our big to go back to our illustration from yesterday's class and the class before can you be completely connected and completely authentic if the therapists among us can answer that question they'll be able to help a lot of their patients can you be completely connected and you can be completely authentic are the two mutually exclusive in other words till now we're thinking alma discuss is a state of oneness i wanna lose myself alma this guy i wanna find myself i'm a disgusting i wanna be you i'm a disgusting i wanna be me i'm with this guy i wanna be me i'm a disguise i wanna be you alma discusses i don't want to be or better i want to be not almo i want to be to be or to be not that is the question but they're mutually exclusive to be is to be self-determination self-assertiveness these are my needs this is who i am to be not is subsuming yourself bitter bitter macias yes not a simple thing to navigate and both are very true if i live in water fine i live in water i never emerged you know that there's a shitty in halacha your little holds that fish are not a hat you know that it's a mishna fish in other words a woman or a man who has to go to the maker goes to the mikveh and fish gets stuck a fish gets stuck somewhere in your body it's not a katsitsa you know why because he says fish is like the water itself it's not a separate machine that walk is not like that but but it's a [ __ ] in other words the definition of fish according to this opinion is water it's not separate there's no separation because that's what happens to the fish they become submerged and covered completely by water not a separate machias the eye of my mathias is the divine eye and that's a very deep part of every soul it's attachment i can deny it i can run away from it but this is the truth alma disgust is the truth we say every morning elekine tahoe as we discussed many times tahiri is the neshama natsilla's complete oneness but there's osama desgalia zama dasgalya right you made a comment to me yesterday and i got insulted did it ever happen to you anybody made a comment that he got insulted or nobody what happened i have needs i have emotions i have an identity may even be a little petty sometimes may even be petty often i have my insecurities this is all operating in a place of ahmadis galia i have my wishes i have my desires there's i versus you i told you dude and now we can begin talking or i should say now we can begin singing but it's actually now we can begin talking because in it and do this talk so the altarebu says you're right the two essentially are very different they're different paths marine life live in water to rest your life lives on earth i can't live in water water is not a habitat for man or for mammal and and earth is not a habitat for fish they live in water i live in dry land and that's how it is i can go into the water i can go into the mikvah for a few seconds but i have to emerge if not it spells the end of human life or mammal life it's called drowning two bouviers what happens to the egyptians we live on dry land we live in a world of identity of distinctiveness and yet we keep on talking about kriyasyam says the alternative is only one way that can happen and that is you have to go back to hawaii le vada when you go to avaya le vada now the ata and the who can come together the levine allow the kayanim to do their avoider suki de zimra comes before kriyash manasera ashira la shem the negan takes you out of all of us the nikken takes you out from all of the trappings the niggin brings your soul back to the source back to the core the the only adequate response to ki goya if it would only be gaw then there could be other responses the response to save of calalman the response to bittel could be other responses what really creates that shiri hashem is king he's above being god he's above being so he's above alma di also ahmed is also a definition and the song real song real music defies all definition and all description it's the spy los angeles is that the nephesh itself in its deepest place is moved by the deepest core of reality that is even beyond transcendence even transcendence can't grasp it that's what the real negan searches for and therefore you're not stuck in alma discussion they could be kriyasyamsov what's kriya krishnamsov is the transformation from ahmadis the concealed becomes revealed i can walk through the sea the sea becomes dry land what does this mean in a real way what it means is that the two can become synthesized and integrated in my life even though naturally there's tension between the two nonetheless they can be integrated that even when i'm living in a place of al madisgalya which is a place of consciousness and a place of identity and a place of self-awareness i should still be in the yam in a place of alma discarsia in a place of complete oneness even when i'm an am i should still be in fm and even when when i am present in a very real world and in a very real self i should be able to be walking beside hayam that's what kristian suffers christian is the complete fusion of the world of oneness and the world of diversity by introducing the third component which transcends both oneness and diversity and therefore can synthesize them both and integrate them both because it's not defined by this or by that to live in the paradox is the only way to fuse attachment and detachment at the same time yes because ultimately in that space they're not paradoxical and this is what we have to appreciate you see there were those who cherished paradox as a goal in and of itself there are those who love the concept of paradox they love the concept that it should be tensioned there should be a war there should be a conflict and you never make peace if you ever read the lonely man of faith by rebjosha barcelovatrix the kernel of he speaks about his loneliness even though he has so many friends and students he's still lonely because faith is a lonely journey and he speaks there by the two adams the adam of of faith the transcendent adam and the utilitarian adam the one who wants to conquer the world uh rabbi jonathan sachs zacheronel of raqqa wrote an essay about rabbi sullivan's lonely man of faith and his main point there is that uh despite the powerful and profound brilliance of the essay he feels rabbi sax wrote that the balatanya introduced another dimension and that is that in the ultimate source of everything there is there's unity and it really comes from the question if we see life as tragic and depressing or we see life as joyous and it probably goes back to the debate if simpson is kipshutta you're not if simpson is kipshuttai which means that god is not really present in the world then we ultimately have to escape reality to touch the divine which means the world is a depressing place at best we can say you've got to live in paradox so even though there's nobody like the altar who discusses paradox and discusses conflict and discusses tension and much of the tanya is devoted to the tension in people's lives his bottom line is not tension but actus unity the bottom line is not some people glorify tension they glorify depression a little bit they glorify the fact that the world is tragic right you know kierkegaard and his ilk the world is a tragic place let me just shut this [ __ ] it's not the [ __ ] i want now they they they glorify they glorify the tension the paradox the problems now it's important to acknowledge the tension to acknowledge the paradox to appreciate that there is conflict but ultimately to know that at the end of everything there's actus there's unity so that's why daniel are making a comment on your comment that you have to live in paradox yes you live in paradox but you live in paradox by introducing that which can ultimately synthesize the highest and the lowest the infinite and the finite and this is back to the discussion for those of you who heard the mayamer basila gandhi topshin khafala from the rebbe that we learned over five weeks that they're on the yeshiva.net we discussed this point at length a lava lola midis of the ramak's view the belgentive's explanation and the balatanya's explanation the focus on vessels the focus on light the ramak is light the basham divas vessels by tanya explained that you have to fuse the light and the vessels even though there's a paradox and that's the paradox here between ahmadis is the world of attachment where i want to lose myself ahmed as galia is the world of revelation where i want to find myself almades gassy is my need to be connected and submerged and i have no i there's no i the i is just submerged in oneness that's a world of infinity ahmedaz the world of language the world of articulation the world of identity the world of specific identity the world of individuality i'm individuated i am i that's how it is and even if i'm a spiritual person but nonetheless this might need to be me and we live in both places we need one we need the other and as i said one is dependent on the other if i'm not attached i can't be me because i'm missing something essential and if i'm not me i can't be attached because i feel that you're obliterating me here we're now coming to a new depth and the new depth is that really they're one this is this is this in other words the need to polarize between the two is only coming from our perception outside of atmos when you appreciate atahu hashem doesn't have to be defined by infinity it can also be defined by finiteness it can fuse infinity and finiteness it confuse oneness and diversity so i can be i and you can be you and there is that separateness and the boundaries and the respect and nonetheless and nonetheless in that diversity lay the absolute attachment and oneness that comes from a place that transcends both and therefore can synthesize and fuse both and that's imran before davening before krishna and avani sukudaism is ashira when the jews seek how do you respond to chris yams of krishna is the fusion the fusion happens from atomos from that which transcends even cyber for this you have to start singing no definitions not even the definition of bittel because bittel is also a definition so now you'll ask me so why did i say yesterday that it's two different experiences because the only way you could come to this place a fusion is if you first experience the difference if you tell me if the timer would have said ahmad is all the same thing then then there's no creation and atmos everything is the same but the way it's experienced by us there are contrasts between the two and that ability to be able to go from one to the other and then back to the other and not stay stuck in one form or the other form that always comes from the place of atahu hashem la vada lanara is somewhat of a restriction of the energy it's the way god's infinity encompasses all the worlds and nullifies all the worlds that's also a definition it's a very transcendent definition but transcendence is as infinitely removed from god as imminence is removed from god the oneness and the bitter is also removed from the truth as much as individual individuation is removed because even oneness is a certain type of definition it's a certain type of articulation and therefore he says he is not begetting he's not begetting and therefore they can be the synthesis of the two i have misunderstood hasidis up to this class wow what does that mean what do you mean you have to explain what you mean that you misunderstood this up to this class some people's souls are so rooted in this galia or iscacia that they're avoided to fuse is so hard to experience maybe the fabrengans were instituted to help other types of souls rub off on each other and by osmosis we experience resolution in our souls yeah that's beautiful that's what a real that's what a real fabrian is i mean i had never realized that resolution was possible i was stuck in the paradox mode okay that's a very important observation here when i saw your comment about paradox i i felt that in other words we we romanticize paradox we love saying that things can't work out that that war is inevitable that tension is essential and when you start learning tanya yeah there's a war in efficiency bahamas and the banana he fights his whole life and he never wins it's almost like we glorify tragedy but lahavdil we don't believe in greek tragedies that's for the greeks not for the jews in other words at the end of the day life is not a tragedy life is a celebration life is not about tension life is about oneness yes there is tension and the only way to get to oneness is by acknowledging the tension because if i don't acknowledge the tension i'm not creating oneness i'm just amputating one side right it's like if you don't acknowledge that your spouse has a different personality you're not going to become one it's just i mean like the t-shirt i'm easy to get along with once you learn to worship me so tension is a prelude to develop the consciousness of oneness i have to work through the tension in order to be able to fix the tension in order to be able to see where the tension is disturbing us because that will help me become aware of where we have to bring in the unity but in the ultimate summation of things the usaid of the balshemptev and the balatanya was that we live in a space of hope of of joy of positivity of oneness of fusion of simcha and that's why you'll see that there are different streams of consciousness among the jewish people there are those who by osmosis have picked up on the side of paradox and therefore depression is the motors apparently of judaism subtle depression but depression in other words at the end of the day i'm faking and i'm fact at the end of the day we're miserable yes we're not literally miserable we're doing good things and we're going to get illam haba we're going to get reward but ultimately life is somewhat of a tragedy it has purpose it has meaning god has his reasons god is good everything is going to be rewarded but ultimately life itself is is is is there's a depressing element to it and the more sophisticated you become the more depressing it becomes because the more you're sensitive to the paradoxes to the tension but the aside of the balsamic the assailants the the side of teresa was anointed enough it doesn't only mean that god permeates everything it means as an extension of that that even the paradox is really only a prelude to a deeper oneness in other words paradox allows you to tune into the oneness that confuse and synthesize paradox that's the use of paradoxes we don't worship paradox worshiping paradox i'm going to say this now very sharply worshipping paradox in an adela way is avoided it's worshiping duality and that's avoided zara duality i don't mean literal love i mean subtle of a desire we don't worship duality so what's the use of paradox we always talk about paradox right quantum quantum mechanics all about paradox subatomic particles moving clockwise and counterclockwise simultaneously light are both particles and waves schrodinger's cat is both dead and alive don't worry if you didn't understand these terms i also didn't it's fine i just sing when i hear these terms i don't speak about them i just start singing there's no way you can understand quantum physics without singing so stephen hawkins once said that when they start talking to him about quantum mechanics he pulls out he opens his draw and he pulls out his gun meaning he realizes that there's no space for his life anymore you got to stop thinking you have to start singing so we speak a lot about paradox but the value of paradox is only as a prelude to be able to help you become aware of a deeper truth that can ultimately help you make peace between the paradoxes that's the ultimate value of it and that's what we see here kriya syamsov was making space between ahmadis and ahmadinejali how do you make that piece ki goyga if hashem was defined by slave of calaman they can't be kriya samso either i'm in a state of oneness or i'm in a state of individuation either i'm on dry land or i'm in the sea either i'm a fish or i'm a human being and that's what mauritian told hashem i can't me and you got the wrong guy there's no one noisy i have no one i can't live in a world of identity that's not my world i can't speak i can't communicate i can't articulate truth for me articulating truth is the greatest war against truth articulating truth is the worst thing you can do for truth truth must never be articulated or defined truth must be experienced experienced in the cessation of i and hashem had to say no i am the one who gave a mouth to a person me some peloton that's what altered explains in terrorish we learned it last year i'm the one who transcends both alma descartes i could say you will go and you will speak and moisture speaks it is a whole safer called words much as words so what does this mean in my life what does this mean in your life it means that we have this tension i want to be you i want to be me i want to be completely attached i want to be completely authentic in the place of authenticity i want to be me separateness individual the place of attachment i want to melt away in the ultimate scheme of things kriyasyamsof was the prelude to matantara he started over the miami why was kris yams of so necessary because kriya syamsuf was an objective in and of itself to be able to say boroh should live and should live in my identity that is the void of the kayan that's the fire that comes down within efforts of bahamas becomes one how do you get to that fire how do you get to barakata zimbra so the zimbra is the levine of nagina because what happens because i'm so if they have to sing or shirl hashem why singing because that's what a negan is a negan is going out of every level of identity if there's identity then negan wants to go away from it and the kiddush in this mimer is not only does the negan want to take you out of the identity of mamali the real negan wants to take you out even of the identity of [Music] bitter is also an identity it's an aloof identity it's a sublime identity but it's also identity what type of identity is it it's the identity which defines reality as being completely nullified in infinity but atsmus himself hashem himself is not defined not by saiv not by mamali not by finiteness and not even by infinity not by being channeled within a particular vessel and structure but also not by defying the vessel and the structure where can i learn more about attahu hashem le vada the three states ah we say it every day in davaning it's an amazing peace and davening i'm going to encourage you when you starving to focus on these words by the way this is the reason that hasidim especially in the world of chabad with davin in the middle of dominating they would start singing constantly they would start singing they could start singing for half an hour what's the connection who's singing and it wasn't just singing you know because they got bored let's sing a song this was the darkening experience because the negan is what helps you go from the words to the experience of the words from the words from the information to the experience of the information that's what the negan does and you can't always describe it in words and that's why it's called success even the words of such a similar are called a negan because they're not here to give you information they're here to what he says it's not saying the words or even understanding them it's the negan that touches the nakuda salive that's why they would sing so we say like this in the morning yeah remember this this is the taken of the mimer but you start off there's ata there's who there's hashem which is and then everything could become fused the shamayim the area it's the yamim the khalashev and that's the prelude into kriyasyams of aziosha comes right after this piece after ato they could be kriyasyam and then you could say ishtabah and say habboyker zimra and then you can get to krishna which is bringing down the fire of the karbanas one is the levine saying now the kaiyanam could do that avoided the livium used to sing while the cayenne them would do that what's the singing the singing is a sheer elasha so you're saying that mia of maisha was initially stuck in iskacia and hashem showed him the fusion principle yes this is the mimer you should learn the mymer tyra parsha shmois me if you go to the yeshiva.net and you go to torah you have their section entire terror er go to parsha schmoys you'll see a mimer misompella adam there's quite a few classes on it it's a long mimer relatively speaking he speaks about this fardham and ashkenazim it's phil and sharon over there he discusses this more at length can you elaborate how negan discussed here connects to the alternative description other my marim that zimmer is pruning la zamer arizon suki de zimra is pruning you know when you have to prune when when you're involved in agriculture you have to prune you have to weed out all the components the weeds that may undermine the promotion and the growth of the plant or of the tree so it says that zimra means a negan and zimra also means lizame aritsim which is pruning it's cutting we have karma katysma right you should harvest your vineyard it's basically cutting plucking removing uprooting that which has to be removed from the ground what's the connection of this zimmer to this zimbra he discusses in a minor i remember the connection between the two but i don't want to just say it from memory because i don't remember it clearly so i have to look it up please neder i'll look it up but there's a mind mare in which the balatanya discusses uh discusses the difference the gemara says that david malek failed because he called the terrorismires zamira is he was punished for it so you want to know according to this why was he punished for calling the titus middles oh this is a good question so when we started our shirt here in muncie in the morning we learned the mimer and derek mitzvah mitzvah's masaha oro in the cottage from the tamak sadiq in which he explains that at length why david was penalized for calling the toyota's mirrors and how was he penalized he forgot which halakhah that you have to carry the iron face to face there's also a piece in tanya and kudos where the balatani discusses this so that's a very good question but it's not it's not for now but it's a very good question the connection to pruning you're saying somebody's suggesting maybe may be pruning layers of yeshs yeah that could be it could be that's what it is pruning layers of yeshus i'm not sure but as i remember that there's a mimer where the balatanya discusses he discusses the the the connection between the two next question by the way you can unmute yourself somebody has to be unmuted you cannot unmute yourself if you want um which the negan comes from and takes you to the place of kiga ashira lashem you know why i'm going to sing ki because guy go if it wouldn't be guy god maybe i wouldn't sing maybe i would be able to find that energy within myself but because kigai god therefore i break out in song when i see kriyasyamsof when i see the fusion of alma disgust in ahmedaz all i can do is break out in song because it's an overwhelming it's not an experience that i have words for so i could start crying it's very very emotional some people will describe moments in which their eye touches that cosmic eye and they start crying there's there's a very deep emotion to it because all your structures break down and the positive counterpart of that is when you realize the fusion of it you start dancing you start singing so song is the transcendence of the person song is the art of transcendence song is basically not about articulation of life but song is the longing to that which can't be articulated now in that itself there's two states there's going from a mali to saiv and then here he says to something even deeper there's not getting stuck inside of either because losing yourself is also a form of articulation it's articulating the infinite as defying the finite and therefore so how does that lead to sheminastra kushminas we said in the beginning of the my mush when answer is the end of the first paragraph he says okay so he says when the nephesh of bahamas becomes one with hashem the a shalom isaiah of calaman comes into your soul and that's baruch becoming atta baruch which is accessing the who of the levy who comes into otto which is right in front of me in other words there's the fusion of the two how can the fusion of the two happen through the song the psychedelia is a preparation for that fusion in other words if we want simple english not to keep it so abstract the only way i could fuse the two realities in my life is if i am ready to completely surrender all of my definitions and go into the deepest place of reality which is called atmos hashem's essence which doesn't really have a name and over there i'm not going to be stuck not in mamale and not in savif not in ahmedaz i don't have to remain aloof and sublime nor do i get stuck and paralyzed by the pain and the tension of my individuation i can fluctuate between the two because i can fuse between the two and i can walk peacefully from the sea into the dry land and from the dry land into the sea i don't get stuck in any particular structure not in the structure of individuation and not in the structure of transcendence in other words i don't become paralyzed in any form of reality i don't get pounded in the form of individuation which keeps me confined into that limited confinement of my self-conceptualization nor do i get stuck in nullifying that which can also be a form of escapism very deep escapism very spiritual escapism but i can get lost in that process where nothing matters anymore there's no i there's just oneness and i basically detach myself from people i detach myself from people's concerns i detach myself from people's feelings i may even detach myself from my feelings i don't have to get stuck in this place or this place we run away here or there because we're afraid of the paradox we're afraid of the tension you have to know that atmos is not afraid you could be in dry land and walk into the sea you can come from the sea back in dry land and the sea itself becomes dry land that's the avoid this hashem that comes from sukhita zimra sukhita zimra is like the surrendering of the solar shira la shem can go i go all those leftist i could sing once that happens now you could start singing about kris yams of and then you mentioned kriya samsuf and where do we mention writes here in this mimer in ira there in his explanation of the mind that it says in terrorism that the first parish of shema is the second part of shema so the levy levy the levine that's where we do kriyasyamsof because ashira hashem that's the avoid of the levia man in that bracha that's what we do moshe was also a lady moishe the way moisture is introduced in humish it's a strange thing somebody from the house of levy went and he took the daughter of levy doesn't say who amram we don't even know how much his parents were until partially very strange his parents are introduced as being from the house of levy brings based on this minor we understand that he brings us a levy comes in the word liviasam levy comes in with leviathan leviathan ye love each eli my husband is going to accompany me levy means connection levia like to escort somebody you're connected to them you accompany them you you remain attached to them that's what levy is is the ultimate fish that's submerged in the water um is going to give us the suit of livia and sherhabar the complete fusion of the two worlds so how is maisha's birth introduced valley you know why it's not wasn't about amram and it was about levy leviasan maisha was not a creature of dry land moisture was a creature of water maisha was a creature of of calaman even moisture starts singing israel why because moishe is the one who ultimately learns about this fusion which part of the neshama is iscacia and which is well in this mime where he says that all of them could be experienced in escasia and all of them could be experienced in his galilee he doesn't make a distinction in this mimer he says that all of them could be experienced in two ways and as galia they're experienced as separate madregas in escasia they're experienced as one madriga you say singing comes from a deeper place than words is this with instruments or without many jews listen to classical music written by non-jews is that music from a holy deep place or not listen music comes from a deep place music comes from a deep place but it just comes from wherever you're the depth of your soul is so mozart and beethoven right and bach tchaikovsky they had deep souls non-jewish souls deep souls and their music is an expression of their soul so yeah music came from the depth of their souls you hear or you sing the negan of the altered la haveda that music came from his soul a soul that's rooted in atmosph the music is going to express atmos einstein a soul that's rooted in the so a song that's rude in the soul of a baltivore even if he has idealistic moments you're going to hear in that song also grumpkin you'll hear in that song yeshus and those who understand music and our music connoisseurs are very sensitive to this they know immediately uh they know immediately what it is so there's some very very powerful music there classical music enriched and enriches many people but it's an expression of the soul of that particular composer and his state of the neshama you hear a [ __ ] of the al tired you're hearing a negan of an ashama that was aligned and was a channel for atsuma saint seif and that comes out in the niggen some of that music also may have been a channel for um amsoil but the difference between the nashoba the although they had kadusha his um conditions yeah so the caduceus comes through yeah yeah yeah you hear the katusha you hear the bittle you hear the h so if you hear the course listen we have a principle in kabbalah ain't believing there's no good that doesn't have a mixture of non-good and there's no non-good it doesn't have a mixture of good so sometimes other songs channel very deep human sentiments and very deep human emotions and can sometimes bring people to a very deep and higher place but you have to realize that it's ultimately an expression of that person's character that person's identity that person's souls that person's life with its virtues and its vices you have a negan that was composed by a tsadik by a kaddish by a rebbe or by a real ivan hashem and their neshama comes out in this [ __ ] then shaman comes out on the [ __ ] and you see where you see what the negan does to you you see you see where the [ __ ] brings you to somebody who told me that he he told me he only sings songs of a certain certain jewish genre i told him why don't you sing why don't you sing i told them why don't you sing he says they're too serious for me they're too introspective they make me think too much and they may cause me to do truth i don't want them i don't want to i sing for entertainment i don't sing for for introspection they're too deep and you see the nagunam there they're very they they go very very deep the mummers go very deep the gemara says that uh his map was he didn't stop singing the greek songs this revealed that deep in his heart there was something that was rotten because songs represent something deeper do you think that talking about and understanding the paradox is a way to get to that synthesis or it's a feeling an emotion that we have to experience instead i think we have to be able to talk about it but at some point you have to be able to sing it you speak about paradox as the separation of the unified entity into two opposite poles but it's really the breaking down of the oneness is the the differentiation hashem created when he created the world from an absolute archus we spoke the previous the first sheared about the higher waters being separated from the lower waters earth being separated from heaven our job is to resemble the broke to reassemble the broken up puzzle to gather the sparks to return the differentiated pieces of the world into unified oneness the reconciliation of any paradox male female magnetism electricity ratsoy shove particles waves is merely the very first step of the reassembly and the reuniting which is the purpose of our creation beautiful beautiful i'm reading a comment on the yeshiva.net from today's sheer if song is deeper than words why didn't god create the world with song and not words why didn't he give us 10 songs he should have given the ten commandments through songs why is everything about words why is tereshabic salvatore shabbat comprised of words not songs excellent question how do i know it's such a good question because that's going to be the next paragraph in the mimer the next paragraph and the mimer is addressing this issue why didn't why wasn't the world created with song why was it created through words and letters and the torah is also defined by words and letters taylorship examination that's exactly the next paragraph of the mimer with altered begins to discuss this whole process with how it relates to the words and the letters of the world's creation and also the words and letters of torah when we're submerged in the hidden liquid world in the womb of our mother in the womb of god we're taught the whole torah it doesn't say that we're taught any songs why because as we're learning here that the song actually comes from a place that transcends any type of learning in the womb of our mother we learn the whole target what does it mean we learned the whole terror in the womb of our mother how do we learn the whole turn in the womb of our mother the point is malambda noise rakula we experience the actus of torah the save of calamine of tyra the infinity of tyra that's what happens in the womb of our mother when we're born we process information the older we get we process information in a differentiated way in the womb in alma descasia we don't process information in a differentiated way we process information in a holistic way so the fetus learns the whole terror meaning the fetus learns the cloud of torah the holistic unified energy that encompasses the whole torah the kedusha harim says via dabrilla kim is khaladvaram she gives such a beautiful interpretation hashem spoke all of these words meaning hashem gave the jewish people the whole torah the whole terrorship ixal the whole terrorish of alpe all of mishnayas and gemara bhavli urushalmi gaon and russian and machiranum chaos the intricate and infinite layers of depth of the whole terror call advance all these words lamer that a jew should be able to declare anno in other words the ultimate nikuda of khaladvaram leimer is hashem if i don't get to the hashem i'm missing the neshama to be able to bring you to the anointing to be able to bring you to the place of oneness enough that's what the fetus gets in the womb in the womb the fetus gets called aterakula the oneness of terror the collateral then when we come into our world we come out of the womb we come out of the water we come out of the amniotic sac then begins the process of differentiation of individuation now everything that i learn is an individual idea and you have to be able to go back to kala tarakula beautiful questions is imra all about song so why don't we sing that part of davening why put words into the zimmer so that's what al trebba says that even the words of such a december are not here for the information but it's here to expand the experience to explain the things in a way that your soul gets excited in other words it's even the words represent the concept of a song we know that there's something called perix shira the songs of all creatures these animals instinctively sing just like they instinctively eat and drink everything is instinctive no need for mommy to teach the young to sing humans don't sing instinctively would we ever sing if not taught how to sing does a child does a child of tone deaf non-singing parents ever sing if not taught by another would an infant on an island by himself ever sing yes aaron says yes the void of the kyani had to be perfect even an aaron thought would disqualify the avaida but the la vie musang didn't have to be perfect a tone deaf or off-key lady or one who had an errand thoughts did not disqualify the song also the highest point was the kai and godlanim kipper of the levy there's a story somebody says here there's a story that the sam cypher said that he would give up half of his islam in order for him to have a hush a talent a skill a sensitivity to the world of music because it opens the heart words if you repeat them are boring but a [ __ ] you could sing again and again because it takes you to a place of infinity and then he says something very interesting when people speak you can't hear people speaking simultaneously even if you have 10 people saying the same words if i'm listening i can't hear anybody speak by a negan you can have many people singing the same niggin and you can hear it why because speech represents ideas and ideas are all about diversity my opinions are not your opinions so that's why if i'm communicating you have to be silent if you're speaking i have to be silent i can't absorb simultaneously two opposite perspectives but a negan represents the infinity of the soul where we're all part of oneness and therefore we can all sing simultaneously you can also hear japanese songs or chinese songs because it's not about language it's the universal language beautiful okay are you going to talk about that last paragraph eventually you talk about why about the songs and about the tunes you see there's one yeah we still there's still there's still three par there's still three paragraphs to the mimer god willing we'll uh we'll uh resume it next week okay somebody brings here from the vilnigan quoted in pasa wow the villenegon said that all of the wisdom in the world algebra engineering music are all ultimately a prelude and a prerequisite to tyra he said without music you cannot understand most of the reasons of the torah without music you can't understand the secrets of the songs of the livium you can't understand the secrets of the tikkune zaihar with song you can expire from the sweetness and your soul becomes one with god you can also resurrect the dead through the secrets that are hidden in torah the vilnigan said that maisha brought from har sinai many nagunam and many midis interesting wow beautiful stuff you have no um yeah okay i'm going to wish you a beautiful day and a wonderful shabbos rabbit to everybody god willing will resume the sheer monday morning and i wish you all an amazing uplifting inspiring shabbos my love and blessings to all of you you understood the word is spilos comes from the word paula which means an effect it affects you i tried to make a definition for myself this is the definition i came up with cause it is happening back on yourself i think so it's causing an arousal in oneself through deeds actions thoughts effects beautiful yeah yeah yeah despise means when the soul is affected transfixed aroused and he says that's what a [ __ ] is a negan is not giving the soul new information that it didn't know it's not a sheer a negan is tuning in to the soul's innate appreciation of true infinity that's what a [ __ ] is yeah so there's the [ __ ] that takes you from a malay to save from individuation to cosmic oneness and then there's the niggin that takes you even further ashira la shem ki goyga and in many ways maybe that is one of the differences between different types of nagunam you know there are anagunum that take you from a place of an individuation to a place of oneness and then there's a negan that takes you to a place of atmos where oneness and individuation ultimately can be fused into one seamless whole because you reach the space that transcends heaven as much as it transcends earth it transcends infinity as much as it transcends finiteness it transcends as much as it transcends mammalia doesn't have to look a certain way so even when i'm in my individuated identity i don't get stuck there trauma is getting stuck in my individuated space and i get stuck i'm like in a prison i want to let go of that so i run away and i melt away into oneness but i have to come back into myself and that's kris yamsev that the dry land doesn't only exist in dry land it can exist in the sea in other words even when i walk through alma descarcia i can bring that into my very eye but how if i'm bringing it into my very eye it's not almo disgusting anymore i'm invisible i'm not invisible and that's the kiddish of the my mirror that atmos could be visible it doesn't have to be invisible so it's showing one thing um torah doesn't hold by feminism or masculinism the second thing is that um well yeah basically that that hashem also is beyond feminism and masculism because utah here is looks like feminine but it's really masculine or you know maybe it's both yeah yeah atta's you the truth is when you speak to a woman you say act without a hay act yeah it's for carrots you would think utah would be the feminine and would be the masculine but it's for characters and it's so essential the word is so essential describing hashem that it shows that hashem is you know beyond uh beyond masculine and feminine yeah hashem is beyond masculine and feminine and that's why he could synthesize the two so this means what do we learn from this mind man never get stuck anywhere don't worship any reality even the reality of bitter you sometimes have to go away from you have to go back into a place of of of experiencing yourself and experiencing the other it's like what we spoke about is the sith of the altar by you spoke about it on khadala tavis this year that he said in atsilas the geshmakas satova tanayidan you have the mascular vatsillas his geshmak is in and over the vatsilla says geshmaq is in other words to do a favor to somebody else doing a favor to somebody else recognizes diversity need differences a person in a different space it's really the ability to tune into where you are because oneness is amazing it's beautiful but that's the point oneness is necessary it's a place of truth but it can also be it could also be a distraction of truth even can be a distraction of of the real ms yeah that's how you know that these my mother are ms right he doesn't get stuck anywhere ever it doesn't let you get stuck anywhere you want to jump into mamala nizgut you want to jump into saiv it's all good it's all holy it's all divine don't get stuck don't get stuck if you get stuck it's ego rebbe does the story of the holy husband yeah yeah when when someone saw the man and he was speaking to him he saw such a holy planet he asked him where he's from some pss now you ever hear torah you remember torah for the pss now how can i remember anything i went through the camps for four and a half years i don't remember anything yeah please please you must remember something and then the whole hashtag goes over there's a fountain of water and he washes his hands and he puts on a garter to speak in his ready's name to speak about his rebbe and he says yeah the rebbe had children we had so many children we would have shot us together and in between each each part of the suda the reddy would give over a little tour and then he would say and yiddish maybe the rep jason could say it i have it written somewhere the main thing is to do a favor for another another person the greatest thing in the world is to do a favor the holy deployment is coleman of pierce now everybody have a beautiful shabbos named i mean love light hope healing authenticity wisdom truth and redemption we're waiting for goula we're waiting for the ghoulish lame any moment ah don't bring up the explorer don't bring him up he was a piece of garbage don't bring him up don't bring him please he said that the media is uh just a keyboard a tool for the powers that have the control of the media wow yeah the media is only the keyboard for the government is what he said wow yeah and he was real garbage [Music] you