Transcript
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sounds like sounds like someone uh
might be unmuted there's a lot of
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noise coming
from me
says
good morning everybody welcome
[Music]
so this week we had a woman's class on
tuesday
and the title was
elisha the prophet
amon the leper
and
a young abducted jewish girl
we delved into the story
in
the safer malachim
malachim base parikh kings 2 chapter 5.
the fascinating story of naman who was
the military commander
of the syrian army who was a leper and
he comes to the prophet elisha to heal
him and alicia sends him into the jordan
river for a dip seven times
and this was all initiated by a young
jewish girl who was abducted by the
syrian army and was serving as a slave
as a servant
in the home of naman and she ultimately
got her
master her master's wife naman's wife to
send her husband to alicia the prophet
and the
class delved into the details of the
story and uh
particularly the way naman speaks about
god and rachel speaks about god and
easter speaks about god and maisha
speaks about god
which
emerges to be a very fascinating
discussion
you could watch it on the yeshiva.net
the replay of it
last night
we had a class
it went a little longer than i expected
it went for two and a half hours so you
need double or triple speed
unless it's music
and
we learned about the secret of jewish
history
this was a seoul of the lobovich rebbe
on
which deals with the offering of a
mother who gives birth a woman who gives
birth and purchases tazria
and ultimately deals with
the ultimate source of fortitude of jews
throughout jewish history
it's also on the yeshiva.net
we now continue
the mimer we began by the rebel the
tzamak zadek
derek mitsubishi mitzvos
missouri in the midst
we're on page 210
eight lines from the top please open
your source sheets if you're on the zoom
you have your source sheets if you're on
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your source sheets if you're on youtube
you can open the source sheets by the
yeshiva.net
what did we learn last time
we learned a fascinating example
of the concept of metaphors and parables
the main point of last class was
the gemara says in sukkah
that sikhs
even the mundane
matter of fact
simple
conversations of a talmud
require learning
says that
the great sage of
would communicate peer ke desta
which literally means chapters of folly
to his students before he would learn
the gomorrah says
in shabbos
that rabbi would say a joke before the
shia and that's my sadiq explains
it doesn't mean that
would say foolish things
it doesn't mean
rather would just say foolish jokes
but because these are people who were
saturated with torah
so then even those things that sounded
anecdotal or humorous
there was so much depth in it
because
these jokes or these types of
conversations sichus holden represents
the overflow of their cerebral power it
represents moisture emotion when
somebody is really entrenched in true
wisdom and authentic wisdom even things
that come out
as a matter of fact they don't convey
the full depth
of the person's mind and the person's
heart and the person's soul there's so
much to learn in them
because even in the leftovers the
residue if you want to give a very
simple and maybe a little bit of a
foolish example but maybe it works and
that is you know sometimes you go to a
wedding and the shmooga's board
is so so
filled
with so many foods so many dishes
excessively
and the richness and the quantity and
the quality is so superior so one would
say even that which they're throwing out
could feed
a nation you know sometimes i once went
to a program
and i told the director i said you know
with the food that you throw out from
this program
you could feed so many hungry families
and to his credit he created a program
where all the leftovers from the program
gets distributed to people in need
sometimes you come to an event and
there's so little food that people are
fighting over the food
what's going to be left over is going to
be garnished a few crumbs if you go to
the garbage it'll be a few crumbs
nobody's going to want it
when you have
somebody who's filled with toilet filled
with penemius
filled with divine energy a real talmud
hong kong so that even the leftovers the
moisture in moisture is also so rich
somebody else when they make jokes
there's not really nothing to hear
um
you have to give an example
would stand
and give dollars on sundays
some of you have been there
and thousands and thousands of people
would come by thousands
men and women and children
secular jews religious jews hasidim
modern jews
orthodox all all forms you had often
non-jews coming la the language was
coming you had politicians and you had
celebrities and you had
writers and journalists all types
i remember yeah
yeah
you were in front of bob dylan he came
for dollars yeah bob dylan would
sometimes come shabbos too come to
fabregan
and the rebbe would often quip that ever
would often
communicate with people humorously
it would seem like you know he's saying
equip a cute vart
but today you look at it if you look at
a video or you hear what the people
repeat or
i saw i saw i saw it many times myself
it's tricholimured every word
every word there
was was was
full of kedusha
and full of love
and full of godliness it looks like such
a scholar he's not saying a miami he's
not saying a sick he's not writing his
kedusha toyota it's conversations you
haven't it's a conversation of a few
seconds
it's richard limwood
mckenna's learning and learning and
learning
another person their mundane
conversations may take a bit whatever
taylor
said went one step further
and he said
this is the concept of here
we speak about here here represents
the overflow
from the brain
so when you're talking about we now go
back to the theme of the mind when
you're talking about atika kadesha i
don't know if you remember go back to
the previous classes it's important to
get the whole picture we talked about
so then they hear
it's not just leftovers that don't have
much they year actually contains a very
intense level of energy because even the
filters
and the instruments that condense the
energy
will still communicate a very powerful
form of energy
why then did he ask
do we say
that the flow of atika kadusa is through
here
i understand that here also has it but
why does it come precisely through here
a regular talmud is not going to say a
whole day i'm going to say jokes
you say a joke most of them
which is the deepest divine revelation
it comes through here for this it's
said i'm going to explain this
through a parable
and the parable is going to be a parable
we're going to use a parable to explain
the parable for here and what's the
parable that
malachi says used to communicate through
3 000 mushalum 3000 metaphors
kings one chapter five malachi
rib mayor it says in sanhedrin
would gave 300 parables and when he died
we shall masturbate
why when the mayor died there was nobody
to give parables why
there's two types of mashallah there's a
parable i want to tell a story
i want to tell a metaphor i want to give
an allegory that's not the point here
the point here is something more
profound
their wisdom was so profound in order to
be able to communicate it it needed to
be dressed up and camouflaged by a
parable and that's what a real martial
is
last night in our in our shirt was a
classic example for this
the mishna at the end of kingdom rebel
yeshua says
when a ram is alive it has one sound
when it dies
suddenly has seven sounds
because the two horns
are turned into two trumpets
and the skin is turned into a drum
and the intestines
are turned into strings for a liar
and the large intestines are turned into
strings for a harp
and the two thigh bones are turned into
flutes
so from one sound you have seven
because the organs of the ram become
musical instruments
that's what the bear sure says
and the laboratory says
a parable is trying to explain something
what
profound wisdom do we gain through this
metaphor with the dead sheep with the
dead ram versus the living ram
and the commentators struggle with this
and they say it's just some comparison
to what the mishna says earlier about
the birds that a woman who gave birth
brings and sometimes there's a confusion
and a first she had to bring four birds
and she ends up have to bring seven
birds it's like the ram after it dies
there's more sounds
he says what what explanation does it
really give and throughout the season he
shows how there is a profound
halachic enigma
within the carbonyl letters within the
offering of a woman who has to give
birth and there's a profound enigma in
jewish history
because adrian the emperor of rome asks
of yeshua says in madras
how does
the jew how did the jewish people live
it's a little sheep surrounded by 70
wolves
and yeshua speaks about the shepherd
that protects it
and it's this ram this sheep that he's
addressing and he shows how the parable
of the sheep
explains and enlightens us to a very
profound idea in halacha about how
something that is born in doubt can
become more powerful than the source and
the progenitor that brought it into
being like the live sheep has one sound
lyrium has one sound and after the death
through its deterioration it grows much
stronger
whenever there's a muscle whenever
there's a story an allegory a metaphor a
parable in turner
it's in order to explain a profound idea
that couldn't be explained without it
you know you'll see it
with a lot of children's books you want
to bring out something very
psychological and very deep you ever
read the book who moved the cheese who
moved my cheese
who moved my cheese right
all these types of stories they're
really making very significant points
about life
but if you just say the point most
people won't retain it or won't listen
or won't internalize it they won't get
it
so the marshal brings it down a notch
so that somebody from a different world
should be able to really
perceive the wisdom in a very
concretized fashion but the rebels says
for some parable wasn't enough he needed
a parable for the parable and a parable
for the parable all the way till parable
3 000
and then from 3 000 you can trace it
back to 299 2998 2997 all the way back
to metaphor number one and then to the
idea red mayor needed 300.
and now we continue inside eight lines
from the top 210 the line starts
the marshall relative to the nimshot
martial is the parable the nimshal is
the theme that you want to convey
through the parable the martial relative
to the nimshal is like a thick garment
a dense garment meaning it eclipses the
nimsho
sometimes you give a marshal and people
don't even understand in themselves they
only got the story they didn't get
what's inside the story because it's
like a thick cloak that eclipses the
message
and this is a metaphor for the here
they hear that comes from the follicle
there is some
emptiness
in the here
is
when talking about eve that the sire
the here
has this
emptiness inside of it
this hollowness obviously
infinitesimal so small
and it receives nurture
from the brain that's my hair grows just
like nails grow yes there are no nervous
nerves in the hair and that's how we can
cut the hair without pain not like
cutting other parts of the body so it's
a condensed form of energy but it
dresses up
some energy that comes from the brain
through the skull and goes into the hair
the nikra hamashal maestro
and that's why a parable is called
maestremachen
the overflow of one's brain the residue
the relationship of a muscle to an
himself is like the relationship from
here to a brain
the hair also captures the energy of the
brain
here is alive when it's attached but
nonetheless the energy is so condensed
it's so filtered that's like the muscle
the muscle receives its identity it's
wisdom from the nimsho it grows out of
the nimsel but you can't compare it to
the brain you can't compare it to the
theme itself because it brings it down
to a whole different level it brings it
down to a very concrete mundane and root
level it's like a thick garment
similar personalities even the parables
even the metaphors even the overflow of
their cerebral power has tremendous
benefit
and has profound holiness and has
intense wisdom
to the contrary
it's not they also have wisdom they are
indispensable
without all of these garments without
all of these
ma without all of these masks without
all of these michelin of dressing up the
idea they would not be able to
communicate their soul to other people
the gomorrah says in aravind about red
mayor
gimmel that the reason allah is not like
you're
the sages of his time could not
comprehend
the ultimate depth of his wisdom they
didn't understand them and therefore
they couldn't do the like him because
they didn't understand him so he says if
ramayana wouldn't give us 300 parables
to convey his wisdom through one parable
and the parable still needed another one
and that needed another one in other
words every parable needed a parable it
was so deep and that parable also needed
a parable now it's fascinating how do
you how is it possible you have to bring
down an idea 300 levels even if it's a
deep idea
how is it possible that there's an idea
that you have to bring down 3 000 levels
good question
good question but this only shows us
how real wisdom works real wisdom
there's a level
and the same idea could be traced back
to yet a more abstract state of
consciousness and awareness which can be
traced back to yet a more transcendent
state of consciousness back all the way
to the beginning because the beginning
is infinity and infinity you're not
going to contain in the brain
that's why it says that
is called
the ultimate muscle so the altered says
in terror in the mercy of islam
esther we learned it
you have it on the web on the issue with
that net that alter ebba says that tower
is a marshal for kadmain i shall islam
for insight
all of turtle captures infinity
through a muscle everything in turn you
could be learning about muktsa
you could be learning about the carbonus
that a woman who gave birth has to bring
you could learn about the carbons of
azov you can learn about the symptoms of
saras
you could learn about hookah's body you
could learn about laws of not paying
interest
you could look you can learn about the
laws of my animal growing your animal
it's all a marshal ultimately foreign
however when you're talking about sages
who are who are of a lower stature at
least relative to shloiman
is they couldn't give such types of
parables
their parables were just for
entertainment purposes
like the gemara says in satan the
mission of the mars says in satan when
the mayor passed away butler muslim
the phenomenon of those who can
car who can
weave parables and communicate them is
finished why
nobody gives metaphors anymore nobody
tells stories anymore
why you insult all these people he says
no it's not an insult it's just an
understanding what the martial is
you have to know what to expect from the
martial
their wisdom is on a small on a lower
level relatively via lease
not to insult anybody but they can
convey the idea without parables without
examples other commercial he the idea
itself can be communicated
so the real art of mayor
to weave together parables is not
necessary you may need it because people
are bored or people are lonely or people
want to laugh or people are entertained
but in terms of the idea itself
you don't need that muscle the idea is
palpable enough it's already on a lower
degree on a lower level
hamstrings
for their words they want to create
parables it's ultimately dwarim talem
it's wasted words because there's no
need there's no need
you know the story it's an old joke
there was once a professor who
worshipped himself more than anybody
else and he worshipped himself more than
anybody else worshipped him he thought
he was the most brilliant man on the
planet
anyway he was at the scientific
conference and this professor was going
up to the podium to speak
and the person organizing the conference
as the professor was walking up he says
remember remember
you have 12 minutes
not a second more 12 minutes you know
people could speak for an hour two hours
three hours hijack the conference you
have 12 minutes not a minute more
and the professor in disdain and scorn
looks at this man and he says
what do you expect me to say in 12
minutes
the man looks at him and he says calmly
speak very slowly
so
in other words another worst thing is to
explain a joke
but he's what am i going to say in 12
minutes you know i have to speak for at
least 12 hours and the person says well
do you even have anything to fill up 12
minutes with just speak slowly if you
speak slowly you'll be able to fill up
12 minutes so you always have to know
how colorful is it
he says sometimes you're martial it's
unnecessary it's
obviously he's he's judging things here
on a very high standard
because we tell stories and we tell
jokes and we give parables right look
who's talking
but you have to really understand the ms
the ms is that misha meister mayor
butler marshall
the michelle okay
there's i guess entertainment purposes
in them
so in that sense it could be productive
but the point is the real concept of
muslim shalom the way the mayor
personified it the way slime amal
personified it it's me so it's gone
because the level of wisdom that's being
communicated is not so
infinitely abstract and transcendent
that we need it so then it just becomes
waste a waste because here's the
principle when something is unnecessary
then
as we say in halacha coliette kenotl
dummy right anything that's extra
it's like missing it's not just you add
something else to a speech why not no no
if you add something that's unnecessary
it's like you take away something that's
necessary
it's a beautiful formulation in halakhah
it's good to remember call yeter kenneth
we have it in ilka strafis when you add
something that's not necessary it's like
taking away something that's necessary
and i'll just give you an example for
those who speak or teach when you're
giving a speech sometimes people feel
they have to put in more and more and
more and more and more as my wife always
tells me
less is more
less is more more is less
meaning sometimes you add things you add
things if it doesn't really belong there
it's very talented
maybe in another context it's fine but
here if it's unnecessary
it's not refined if it's not refined you
don't need it it's like a symphony it's
like a yeah the musicians are
playing a beautiful ballad a beautiful
symphony
and then they decide you know what let's
let them use let this song not end let's
go let's go on
it's called yeti
you're not taking away from it
the beauty is this is the song the song
has a beginning the song has a middle
the song has an end you don't just add
things
the same is true with communication let
me put in something else if it's not
really necessary as they used to say
what's a speech get up
tell them what you're going to tell them
then tell them then tell them what you
told them and sit down
and if i do anything else it's called
stusm it's very battalion
okay so now
now that zamasu finished his metaphor
his metaphor was about a metaphor right
that's uh that's the the beauty here the
metaphor that the tsa
has been explaining is a metaphor about
a metaphor he's using the concept of a
metaphor
as a metaphor to explain the contrast
between atika kadesha and malchus
in the spheres of hashem the tenth
sphere is the highest is artik that's
called kesser the crown
it's the subconscious the super
conscious it's called attic and the
lowest of the ten is called malchus
malchus is that energy which actually
becomes condensed and vivifies all over
the world it's called malchus malchus is
the actualization of the divine energy
to vivify and animate and create and
sustain all of existence that's called
malchus
it's also associated with nukva with
femininity
so that
now says alpha you've been called
this will give us a perspective
for the spiritual realities
of
the flow of energy from attic from god's
infinity cannot be absorbed in the world
not even in acilis why because they will
all
cease to exist
they will all experience bitterness why
because in the presence of ain't scythe
if all the doors of pers if the doors of
perceptions are cleansed
if the doors of perception are cleansed
and everything appears as is infinite
there's no room for otherness so even
the highest state of consciousness known
as atsil is the highest world cannot
exist in its present form if
there's a flow from atika kadusa from
ainsaith
because in the presence and the
revelation of infinity
there's no room for anything outside of
infinity everything melts away in the
presence of infinity there's no
separateness there's no i even the most
sophisticated spiritual eye even the
most divine spiritual levels outside of
ainscife
will cease
to be separate they will become
completely subsumed so you must have
garments they're called here's cyrus
cyrus is the kabbalistic
metaphor for
dressing up
condensing
filtering restricting contracting
the energy of ain't safe of attic to be
able to be communicated and he gives
them a a
a marama come here a footnote
you could look in the cedar that's the
city that was written by the mittal arab
it's a commentary on davening by the
altareb
on this piece in barak sharma kenoitas
it's known in kabbalah
abba and ima as father and mother which
is a metaphor for khachma and
they get their nurture from the masalas
from the energies of kasir of atik
through here
here as in here as in cyrus this this
this here
foreign
but once the divine energy is already
shrinked it's already condensed
it went into what we call the femininity
of the air
rampant are the six meadows
the small face
in contrast to arrogant which is the
long face
and basically very briefly just in a few
seconds the difference is
your emotions the way they are in their
primal state they're very intense that's
called are hump in the long face the
arampin are the way those primal
emotions are manifested in our conscious
emotions that's called zayramp and it's
a small face because whatever comes out
consciously is just a very miniature
reflection of that which is happening
subconsciously nukva is the femininity
the femininity that receives from those
emotions
and that is responsible for the
actualized life that a person lives
so once the light of attic gets
condensed in the level of nukva now the
ray that comes from it
is the ray that comes through it
in terms of noise that which is an
overflow
you cannot compare to the overflow of
atek
and from here they can be
a nurture
unique
the superficial forces can receive their
nurture from it
as the light continues to condense
and diminish
from the here
of that light from the noiseless
novelists are like the leafs that fall
off the tree
the novel they can be the possibility
for external forces to hold on
and hold on in a very intense way
um
and that's why the livium and the desert
were commanded
to shave off all the hair on their flesh
their beard
they hear on their scalp they hear on
their head and anywhere else on their
body why
listen to this
the path of the living
fire
their soul was always looking to depart
from the container from the vessel
every day the livium would hold the
concerto in the mishkan they were
vocalists and there were musicians and
they would sing they should shalyam they
would do this while they were pouring
the water the cayenne was pouring the
wine on the mizbaya following the carbon
in the morning and they would have this
concert of music which is a form of
ecstasy clay sannefesh their soul was
yearning and pining to go up in the fire
of divinity and depart from the kali
and since their avoidance hashem is
primarily departing from the vessels
so the light that remains in their
vessels is very limited he called ikaro
oil
because their primary oil goes away from
the kali that's the personality of the
levy that's that
so if the flow from the levine will come
from the residue of the light that
remained in the kali it's so condensed
it's so limited the kitsainum the
external forces could get their nurture
so that's why the lady had to shave off
his hair
because from the here of the lady comes
in
this is only in the desert afterwards it
was already was not that state of
consciousness even though the lavium
always represent the koi sanefes but you
didn't have that level of intensity that
you had in the midbar under the tutelage
of moshe and aaron and the clouds of
glory and the shakhanti basalicam
shalom dwelling with the jewish people
in the desert
the kayanim are very different the
kainen didn't have to shave their hair
because the kaiyanam's avoid is very
different like we say in tehillah
was yesterday's yesterday's yeah
the scan iron the long beard of iron
what does this mean
there's two types of souls there are
souls that know how to come down into
caleb and there are souls that run away
from caleb
the levia
were spiritual artists
they were spiritual musicians they were
also physical they were also musicians
they were spiritual musicians
their soul was going away from the
caylee what's left in the caylee
very very little oil because their urge
is about running away
ascending like another navier ultimately
died in the fire not even a view where
kyonema was wrong for them to do the
levium every day their avoidance hashem
was about the fire and the passion that
consumes you when it consumes your soul
it's always ascending it's escaping the
containers now that's amazing it's
amazing
for the part of you that transcends
containers but it's painful
for those who need to receive nurture
from
containers right so to give to give
again a very very simple example just a
very simple example
there's no communication like the
communication of music right
the sound of music the energy of music
but now i want to ask you a question
what if a poor child
needs a piece of bread to sustain
himself
how does he communicate that through
music
and how do you communicate it back
through music
here you have to talk about the bread
you have to bring it into caleb music is
a very very sophisticated language but
it's not a language
that can be
can be
can be employed when you need to feed a
hungry person bread you can't just can't
do that
why because music takes you out of the
kalem
right in here somebody needs a very
practical small
simple favor
here the music becomes counterproductive
and that's what happens sometimes to
spiritual artists they're amazing
they're amazing for those who go out of
the kalim but for those who are in kalem
and those who need that limited form of
communication and energy connection they
can't deal with this
for them it's painful
this doesn't mean there's no place for
the lady the lady is a major part of
avoidance hashem it's that
yearning of the soul
is the negan of the altered
like a ram
like an aisle is an isle is one of those
actually i think those wild mountain
goats that pines
on the flash floods of water
streams of water my soul yearns and
pines to god my soul thirsts there's a
thirst and the levy
the levy sustains that thirst the lady
sustains that fire that yearning
what we call ratsay the ratso
and the light that stays in the cayley
is very very small and you know what can
happen
if all we get is that light
it's so condensed it's so filtered that
actually there could be negative energy
that comes from it negative energy could
get a foot into the door through symptom
because whenever the energy is very very
restricted it can also be distorted it
can be misconstrued it can be used in
different ways
that's why you'll see that sometimes
great great artists allow injustice in
the world
they're good people but they live in a
higher plane and they don't understand
what it means to have boots on the
ground and to stand up to injustice you
understand what i'm saying they're holy
they're aloof but they're aloof they're
sublime and to fight injustice you have
to have boots on the ground you have to
be very practical you have to be very
concrete your odors have to be urdus be
calam
sometimes spiritual artists are great
they're great for a concert
but the ear and the cayley is very small
there's no practical application and
therefore what happens is the parasites
can come in
the parasites come in the infections
come in the bacteria the fungi start
feeding off
off their energy in the calym
this is the cyrus of the levines and
they had to shave their hair
they had to shave their hair because
the oil in the cayley was so matsumsum
so now to have a furthered symptom which
is represented by the hair would only
feed the hit synonym so you can't afford
that symptom so they had to get rid of
the cyrus
it's a very very subtle
idea very subtle idea
this is the whole idea of sikh ascolin
the talmud
is full of richness and depth it's not
but
the overflow they hear is tusum
again the martial shloima malek's
marshall remains marshall is not some on
the contrary it contains the depth of
the idea but somebody else's mashallah
are a waste of time at varan bethelem
from atika kadisha the cyrus ah
they're so holy there's no unique and
that's the hero of the nazir the hero of
the nazir has that kedusha it's the hero
of the beard it's the hear of the pears
the levium is the opposite
here the cyrus
represents such a symptom as we said
before famalcos
malchus is amazing divine energy but
it's condensed it comes into the world
and to come into the world it goes
through a major major symptom so the
here that comes from it has to be
protected
the levy is the extreme because the lady
is always flying up so the earth that
remains in the kali is very very small
very very condensed and therefore
from that level of oil if you have here
it's going to be so condensed so
restricted
that the energy afterwards can be
distorted
so the levy had to shave the here only
in the desert afterwards not
nazis here we learned earlier
is a reflection of atika kadisha
and the cyrus of atikakadisha not only
not only
are they not
capable of feeding the kids in them on
the contrary the only way you can have a
relationship with artikadish is through
the cyrus because atega dishes ain't
safe and the only way ainsworth could
communicate is through the symptom of
the cyrus but that's
that's like the martial of shlaima the
martial of ramayana
but once the earth goes through a major
symptom itself so now a symptom for the
symptom can create problems
you understand a simpson for insightf
kevaldik
a simpson for simpson aye now you lose
the plot anoishi haster astor
the
the concealment is concealed
the fact that the light has to be
concealed of course there's no inside i
can't communicate with any surface out
here
but when the tsimsumba comes with
something when the hester becomes a
hester
when the cover-up becomes a cover-up
[Laughter]
when the cover-up becomes covered up now
i don't know the difference of light and
darkness
now you lose the edelkite now the hair
can be something
that couldn't create distortion and the
levy the levees here in the midwest had
to be shaved
the nazir is now that it touches here
because the whole kedusha comes through
the here because it's the cyrus that are
connected to attic and that's the beard
and the pace of a jew of a man of jew
the kaya names avoided was not to go up
there avoid there was to go down so
their oil was in the caylee so there's
no danger from the hair of the cayenne
the ladies avoid there was cloisonne
efforts to go up so the herd that
remains in the caylee is very very
restricted so to have further
restrictions of that is going to
compromise the light and therefore they
had to shave their hair but the cayenne
they're avoided was the exact opposite
to come in to kayla
so therefore their light was in the
vessels not up not not detached from the
vessels
the levium they were the ones that were
responsible for the music in the
basement music is the avoider of islam
that's music
all song is that
the kyani's avoided was
to come into the cayley
so therefore their cyrus
capture the energy they don't
further obscure the energy
when the energy is already obscured like
it's by the livium and the caylee
because the main energy is outside of
the cayley so indicate the energy is
obscured to obscure the obscured energy
could become a source for clipper
but to obscure
divine intense energy
that's exactly what you need so then the
here could be holy
this will explain also why the mitsura
has to shave
this
we explained in a previous mitzvah
amitsara
this is going to be an incredible
explanation now
what's saras what are the symptoms of
saras symptoms of taras is
that
literally
somebody has healthy skin
and a white patch
develops in a certain part of the skin
these are different shades of white it
could be white like snow
white like wool
white like the lime on the heckle of the
basamiktus
the the plaster they used for the walls
of the or white even like the shell of
an egg chrome baits
but the here develops that whiteness
which represents
the first step and then the here in that
patch is transformed into white here
or the patch grows
there's different symptoms and that
makes a person a mitsura and they become
tami
what does this represent spiritually
it represents
that the natural color of the skin is
substituted
by a whiteness and what this represents
is that there's a certain flow of holy
energy that comes through the body
and it departed it left
and instead a leprosy takes over
and the leprosy represents what he's
called dinim
means harsh judgment
and now when there is white here what
happens
when there is white here this means that
the synonym the kliphos are now
receiving nurture from this person
and that's where there's tomorrow
there's impurity and a person needs to
re-evaluate his life
[Music]
so that saras represents
that there's a certain energy of
godliness that flows through the body
that departed it ascended it ascended to
a higher space
instead
there is a harshness in this person
dinim is a harshness
and whenever there's harshness it's very
easy for clippers
to come and get their energy and that's
what the white here represents
it's not the natural color of the hair
that was there originally it was
transformed into white which represents
that there's a certain
deadness
a lack of vitality of the blood
that comes from the blood the lack of
warmth and that's the white here
now
uber
it's in establishment
it's forbidden let's say somebody
developed symptoms of leprosy you know
what you can do just cut it off your
body get it out get it out of your body
cut over the hair
cut out that part of the skin maybe
just get rid of it you're not allowed to
you're not allowed to cut the semonim of
toma why
you cannot remove the nurture of the
clipper
by cutting off the sign of thomas
from where they're getting their nurture
for it
you're going to think shabba friday
you think that by cutting it off you're
going to get rid of them
they're going to become stronger
here's the rule in life and you read it
here first
you can do 10 books on psychology
whatever you resist whatever you resist
persists
you think you're going to cut it off
you're going to get rid of it no no it's
going to get stronger
yourself hashem does not act like a
tyrant with his creatures
he doesn't
choke them ukushima finance calls
just like hashem gives parnassa to all
the holy forces he also gives some
energy to the situa
as much as they need until the end of
days when they're going to be
obliterated
and since toyota demands that they
receive a certain form of nurture from
your soul and from the garments of the
ten spheres of god in which your soul is
rooted
so this messiah cannot take away their
nurture without justification
they can become much more powerful
by giving them what they need
they don't have to grab more when you
stop giving them what they need when you
choke them
when you take the ear away from them
when you want to suppress them and
repress them you know what happens
they come back with a vengeance
what does this mean
this has tremendous ramifications in
life
whatever is coming up in my system
is there for a reason
if i deny it if i delegitimize it if i
make believe it doesn't exist if i just
cut it out of my life i'm not getting
rid of it
i think i'm getting rid of it no it's
there
it has it's space it needs its space
there's a reason it's there it's an
alarm clock
it's a wake-up call
it's a symptom of something
dysfunctional by cutting off the
negotium of your skin you're not getting
rid of it
you're only causing
it to come back in a way that you're
unaware of it so it's going to leak
from your subconscious self and it's
going to contaminate your entire life
not just one part of your life
you have to let it breathe
what this means emotionally is
incredible don't be afraid of any
emotion that comes up inside of you
contain it have compassion for it have
empathy for it don't just cut it out of
your life and say you're not going to
come to my body
shake it's a noise it's not going to
happen
god feeds everybody god feeds everything
if it's alive it's alive because it
needs a certain part of your soul you
need to work it through you can't just
get rid of it
this is what the deck is teaching us
the goat
the scapegoat that was sent to the zozo
mountain
and eglarufa the calf that's decapitated
after you find a jew slain in the woods
and you don't know who killed them the
zorya says these were all gifts to the
sitra
this goat and this calf is a gift to the
situation why are you giving a gift to
the sister the answer is you have to
acknowledge the existence of sisra in
your life if you don't acknowledge it
and you deny it
you're just going to cause them to
become stronger because if they don't
get the meal that they deserve they're
gonna grab
all the food
they're gonna contaminate all parts of
you they're gonna leak into the
functional parts of yourself as well
we all have to deal with stuff don't be
afraid don't deny it don't repress it
don't suppress it don't bury it don't
forcibly extricate these things from
your life
you need to feed them how do you feed
them
freedom doesn't mean you sell your soul
feed the means
you acknowledge you empathize with
compassion without judgmentalism without
the need to deny to repress to make
believe it doesn't exist
you have to realize that there's a
certain energy they're feeding off and
until the right time
is not here you can't just throw it away
the richness here that's why the words
of the torah is be very careful
not to cut off the negatives why be very
careful it's about security
because if you cut it off it's going to
endanger you because they're going to
come back with more power whatever we
repress is not gone it just leaks out
with more ferocious power in a way that
we can control it
what you
resist persists
what you don't resist
could slowly slowly heal allah derek
the way to remove the nurture of cetera
for my life is through truva through
introspection
through healing through repair through
tikkun through understanding what's
going on
but then you'll bring back the awareness
and he will be able to remove the
externalities alpi toyota through a
cayenne as explained in a previous
mitzvah
vikash overlap
when you return to hashem and you become
healed based on tara not based on my own
intuitive feeling that i want to destroy
all parts of my life
and now
not getting nurture
oz
yourself now you shave your hair
afterwards while the mitsuri has
symptoms he's not going to shave his
hair
afterwards he does have to the aflapisha
tormented
external forces can grab onto it
because they represent harsh judgment
and whenever you're harsh
even if your harshness is coming from an
idealistic place
it can cause
tremendous pain the sibas
so therefore
the here still has a very very small
level of light
it doesn't have the full flow of the
higher holiness from where holy garments
come and that's the holy here
and therefore
the cyrus which represents a very
retributive very restricted form of
holiness the kid saying them can grab on
and therefore you shave them
once the messiah goes through this stage
and now the holiness can flow through
him now you don't cut your hair mayhem
because from the here of the pais and
the beard
on the contrary they capture the holy
garments it's like the holy martial it's
like the holy sikh is
so again while the mitsura is going
through the tzaras
now the clippers are actively getting
their nurture you can't just
artificially
make believe they don't exist you have
to deal with them that's what suva is
that's what healing is once you heal and
you become taher
now the messiah has to shave why because
since the light is very very restricted
in him
the light is very restricted so
therefore you don't want there should be
room for more distortions
which is what here represents an extra
simpson so you shave the hair
once the meteria goes through that stage
and goes back to his primal state of
holiness and divine consciousness now
they hear of the pace and the beard
becomes a manifestation for divine
holiness and therefore on the contrary
even though as a mature when he became
pure he shaved his beard he shaved the
space he shaved all the hair on his head
like the lithium in the desert now you
leave your beard you leave your pace for
the pay is in the beard capture
tremendous tremendous holiness
all of this
becomes the source to be able to
understand the paradoxes of here the
hero of the nazir the hero of the levy
the hair of the leper
and
finally as we will discuss in next
week's next class the hero of the woman
explaining why the married woman
halachically covers her hair she doesn't
have to shave her hair but she covers
her hair as we will see
hashem in the next class which will
resume monday morning 7 30 a.m plenty
wishing you all a wonderful day
it's clear you want to ask questions
rebecca
thank you i agree
[Music]
are beautiful yeah i have read them
okay some of the comments somebody wrote
taking tylenol for a fever
won't get rid of the illness it just
removes the symptoms
yeah one second
taking tylenol for a fever won't get rid
of the illness it may remove some of the
symptoms
so that's very important in life
that whatever you resist
persists
because as long as i'm not dealing with
the core issue
just denying it is not going to make it
go away
so you can't just cut off the semanam of
saras there's something dysfunctional
happening in my life
my skin is expressing it my hair is
expressing it
i cannot just make believe it doesn't
exist by forcibly
cutting it out what do this mean
psychologically sometimes i'm
uncomfortable with an emotion
i'm uncomfortable with something
happening inside of me so what do i do i
say oh no no no no no no no
i'm not feeling this way
what happens
it doesn't go away it just goes into
hiding okay you don't want me to be on
the surface i won't be on the surface
i'm going to go beneath the surface and
i'm going to come out
in many other ways but in ways that you
won't be aware of and suddenly so many
other parts of your life get
contaminated that's called
strengthening the soil the external
superficial
toxicity in my life that's called
kitsanam becomes now strengthened and
more more intensified there's an
unbelievable idea you have to gift
the sitra akhira with the goat and with
the eglar ruffa these are certain gifts
not because we want to surrender our
soul not because we want khalipa to
exist but because we acknowledge with
compassion and empathy that we still
live in an incomplete world
that we still live in an incomplete
psyche that this is part of our journey
that all of the toxicity is not just
there by mistake it's feeding off
something and it's an opportunity to
heal it's an opportunity that's what's
true is truth is healing truth is
introspection true is repair it's an
opportunity to tell you what is going on
when you're experiencing negative
negative emotions don't make believe
they don't exist be curious be
inquisitive and find out what are they
teaching me about me what do i have to
work on they're feeding off something
they're feeding off somebody is feeding
them i am feeding them my soul is
feeding them
which is part of my journey and now let
me find out what i'm feeding how i'm
feeding
and can i work with it to the point that
they don't need to take
they don't need to get this food anymore
because if they don't need to get this
food anymore then they won't get this
food anymore and that's the process of a
cayenne and that's the process of chuva
and then you become pure and then you
shave your hair before that you can
shave your hair before that you're
shaving your hair as a form of
repression afterwards shaving the hair
is a form of
protection you understand the difference
between repression and protection
very important difference
there's repression and there's
protection there's boundaries that are
healthy
and then there is denying what is really
going on in you repression or resistance
is not acknowledging what's going on bow
injuries is i know exactly what's going
on and i'm creating the proper
boundaries so that i could remain safe
the mitsura has to shave his hair later
when he becomes pure to create
boundaries
not to allow the sirens to misconstrue
the energy because the energy is in a
very vulnerable
small state so you can't obscure it even
further
it's like sometimes when you're giving a
shear giving a marshal is
counterproductive because people are
going to get the wrong message
i once gave a lecture in virginia about
simpson it was a two-hour lecture and i
started off with a joke to explain it at
the end somebody comes over to me and
says that joke was a good joke
i'm like okay thank you for the
compliment
after two hours he compliments me for
the joke so sometimes saying a joke is
actually it's the wrong thing you know
sometimes people get up out of cuppa and
they just say joke after joke after joke
and you're like
they're just so obscuring the energy
is marrying akala it's a holy moment
don't make it cheap jokes are amazing in
the right context
you know when you're in a real intimate
conversation with somebody and they're
pouring out your heart and you start
making jokes what is it
you'll say what's wrong rabbi used to
make a muslim this is no no no no rabbis
most of the business was a conveyor for
authentic energy your jokes are a
distraction for authentic energy you're
not comfortable you're awkward you're
not being open to the moment you
understand sometimes that symptom is
beautiful it allows people to experience
the energy but sometimes that simpson is
the ultimate symptom sometimes when that
symptom is matsumtsum that simpson is
counterproductive when the symptom is a
channel that symptom is amazing
when the here is a channel gewaldek wow
when they hear becomes itself an
obstruction
so you have to protect it you have to
know what it is and now to obstruct that
becomes a double obstruction
when somebody's having a real intimate
conversation with you you start making
jokes
those chokes are really really really
they're not on target they're off color
as we say they're just inappropriate why
why it's good you're conveying a mat
you're not conveying a message you're
running away from a message
you're running away from us you're in a
very small space you're not capable of a
real conversation so you're running away
through these some of them don't go
there now that symptom is fake there's a
symptom that's real there's a symptom
that's fake
when the symptom is real and good and
productive that's the holy here and when
the simpson becomes
an obstruction of truth now you have to
be very careful with that
and these are deep concepts and i know
these are new concepts we haven't
learned them before it's the first time
we learned them so i know that it's new
even for people who have been there for
quite a few years this is something you
need to learn and study and study again
and study again and study yet again
like if you didn't understand all the
details that's fine
this finishes the first chapter of the
mimer you have a few days now till
monday you could learn again
the first few pages of this mimer
because we still have to explain the
aspect of
woman's here that's going to be next
class and then somehow then goes in
to
the whole realm of paranosa how people
make a living and how people support
their families and different attitudes
and the balance between being
responsible and living a life of
oneness and divine consciousness and
serenity in the meantime i wish you all
a beautiful and meaningful and inspiring
day yes
thank you
you should have tremendous
it's a pleasure to have you
and hashem should bless you with
tremendous hatzlacha
see you here again monday i'm actually
flying today to mexico
for a very
mexico city
mexico city for uh for a
a long uh a very big shabbaton with the
community there
so uh
we will see you we will see you by azer
hashem
on monday morning
in the meantime i wish you all hatsallah
sending love and blessings
to you
and to your loved ones and to all of our
people
the world
a little
bit uh
i managed to have to listen again and
again and again this one was a very very
challenging one
so but it was of what growling so good
thank you i hope that it has probably
gives me the guidance to be able to
grasp
[Music]
everything has to be quick you know
they
that's this generation quick fix no no
no we have to be we know better that we
have to be patient
and housing
thank you have a beautiful shopping
the way i just want to say
very often people think that the idea of
not repressing your emotions and running
away from yourself
is a new psychological phenomenon you
know pop psychology
and it's you know the liberalism of
2022.
but here you have the tsa marseille
grinding a mimer
in the early
in the late 1700s or early 1800s
and he's basically explaining
that the way to deal with clip and citra
is not just
cutting
cutting it out of your life making
believe it doesn't exist because it's
getting you making you uncomfortable and
what's going to happen when you do that
is
it's going to come back stronger
that's such a powerful powerful concept
it it teaches us how we really have to
be honest and authentic
and deal with every part of ourselves
and not be afraid
and have the courage to contain it
and on the contrary by doing that you
can actually heal
you can actually allow the kitsanam to
relax
and not to have to get nurture from you
because you fix what has to be fixed
and once you fix what has to be fixed
the situacra falls away because
it exists only because i'm giving it
nurture based on where i am in life and
that's part of the system that god
created
and only when i really really
work those things out in myself
could they ultimately you know cease to
have that
reality to have that
existence in my life
i just want to clarify that
okay
ready is uh is a sonic able to um
use that concealment within the
concealment the simpson what's in it
simpson is it a power that anxiety can
use or is it just a bad a bad
thing
well everything can be used but that's
the point
that simpson is productive when it's a
channel for energy for good energy
when it becomes a distraction for energy
it can be misconstrued
that's what it means it's misconstrued
it becomes a distraction it takes me
away from truth
again it's like you know when somebody
gets up and starts saying vulgar jokes
and it's not funny anymore
you know what i mean
rabbit said jokes no no no no don't
compare
you know when you sometimes use humor
i don't know if you know what i mean
like sometimes in conversations that are
very real and somebody starts using
humor it's like what are you doing
what are you doing
you know there's a time for humor
there's a time for humor no question
you don't have to preach that to me i
know that
but there's also a time for no humor
it's like you have to know when when
humor is capturing a truth in other
words if i'm standing in front of a
crowd and everybody is uptight and
intense
and they don't know if i'm normal or
crazy and i crack a joke right it's the
best thing i can do
it brings me down it makes me human i'm
vulnerable i could laugh about same
things you laugh
but if we're in the moment of a very
profound
exchange that's intimate and
heart-wrenching
it's like what are you doing you're just
escaping
into
an inauthentic world
so when simpson is a channel for energy
it's very very powerful
extremely powerful on the contrary
it's the way to communicate energy and
that's the muscle of shloima and rib
mayor
and that's sichua's
and that's the year of attic and that's
the payes and that's the beard
why did the ladies
because the levium departed from the
caleb their avoider was to ascend the
cayley
and the the light in the vessel remained
very very restricted
so if that light goes through another
symptom
it could become misused
i'll give you an example
okay
because because their connection was
through transcending the vessels
so in terms of what was left in the
container it was a very miniature form
of energy
an example would be
let's say parents have a father or a
mother or somebody in there let's say a
father
right who's
who's celebrated by the world and is
really a great saddik and a great talmud
but they don't have a father
because he's so
he's so big and he's so holy and and
he's there for the whole world and he's
he's
he's completely not
uh
limited to his household it's beautiful
for everybody else but it's painful for
his children why is it painful for his
children because children need a father
who's small
who's simple
right a father who could sit down on the
floor and forget about the world and
just connect with his children in a very
small simple humble way that's called
going into caleb
so sometimes the great light it's
amazing when you're up there but for
people who need the small light they
need the cayley
the lavy was that spiritual artist in
the desert who was outside of the cayley
and the light of the caylee was very
very small and from there if that light
is obscured further
if that light goes to its simpson
it could be completely compromised
and sometimes misconstrued and
misunderstood
so it's really a mushroom
it's all a mushroom the chianim and
levine is a marshall of course it's a
balance
we want to go out of caleb but we also
have to come back into kayla
yin and yang razia and sheif
transcendence and imminence
[Music]
mostly in the middle somewhere
some of us need to go out of caleb moore
some of us need to go back into caleb
more
like you and me
purim we spoke about breaking the kayla
you remember is that kaiser cause you've
got to break the cayley ah the lawyer
you've got to go out of the kaylee
you've got to break the cayley under the
cuppa
but then you have to go back into the
kali
right the acronym of adalaya is yada aad
because
they got to go into other
and then the here becomes amazing
because the hair becomes a channel
did you say artists have
big iris and small caleb usually
very often very often real businessmen
have big caleb
because that's what business is like
bottom line bottom line the market what
do people want
artists it's about self-expression
right the hardest thing for artists is
dealing with editors dealing with
marketing
van gogh
i don't know
how he died i think a broke man
they sit in their basement and they draw
art
and it's amazing for themselves
my father allah was an editor of a
yiddish newspaper
he had a lot of great yiddish writers
the problem is
an article needs a limit of words
right but these writers want to express
themselves so you give in an article
with 6 000 words but you only have a
place for a thousand words so my father
was the editor and the day later i
remember he would be on the phone
comforting all these artists who felt
that he killed them
murder would have been better he killed
them he destroyed their creativity and
yet this is an expression a schreiber
starts from hearts fellaini
fellaini i don't know how you do that
but a writer doesn't die from heart
failure he dies from the mistakes on the
printing press in other words he dies
from his article being
patched up
right kill your darling so now you have
editors and you have editors you have
editors who don't know what they're
doing so they tuck it take your article
and they destroy it they take the soul
out of it you have real editors what do
they do
they make it palpatable it's called
simpson they channel it
they they cut it they they
they put it in a frame that people can
eat it that people can digest it
because if it's just infinite expression
it's beautiful but nobody's gonna get
anything out of it you need to come down
that's called caleb
okay
everybody have a beautiful day thank you
for joining us it's a pleasure to be
with everybody
thank you very
they're very much