You Are Where Your Mind Is.

we all know that told that they did the and there's something that we have to do and go ahead and do something about it goes down and I don't have to tell you the that's when he decided to go ahead and break the and all the ask a very simple and fundamental question if already knew they did the because told him so why did he only break the L as he went down and he saw the agle that's when he decided to go ahead and break it he didn't have he could have done it already before he already knew kilu there was some surprise surprise he got so angry when he saw it he already knew what was happening so why did he have to wait until that treacherous time when he saw the eagle happening so theim that's Al anded one of the great Rim that lived approximately in the 1300s basically explains that it's bigger when you see something than when you hear about it when you see it then it's much greater than you heard he only heard about it when he actually saw with agle so that got him to such a state of if you want to call it Rage upsetness or disappointment that he decided to throw the L we all know that this phenomenon is something that makes millions of dollars writers who goes ahead and runs around the world taking pictures of every news event makes a tremendous amount of money sell in them to all the different newspapers all over the world these pictures because of that we all know that people are much more interested in seeing videos of what happened as opposed to reading about it in the paper and the answer is because Feinstein unly he usually does not do this speaks about this speaks about the sa and he goes what you can't be serious now of course finds m is AER so is not really going in that direction of but he says it's impossible that this could say such a thing tells you something you have to see it to believe it it become makes more in effect of you when hasem tells you something and no he hears it he sees it it's as if you s and it's better than when you side you see it in your Kish you see it in your bones he didn't have to wait to see it with his physical eyes if he heard it with the great words from it doesn't make any sense and he pushes away this terit of the sa and he gives a different terance one terance that he gives is the same as the is that he wanted to break it in front of their eyes I wanted to break it in front of them to make a point to make it clear to make a fundamental understanding that look because you did this this is happening I want you to realize I'm not going to give you a report of what happens look what happens and he broke the in front of them and that's why it says very clearly in the we also know the last words in the whole entire Torah is call is in front of all is because he went ahead and broke the in front of them that's the terets of the Ros which is the same as the I want to just focus for two minutes on the second terrs of rosha and he was to the words of the Forno himself over here in par they both say the same of course Forno the great the great was from the great who lived Mish at the end of the period towards the late 1300 or early 1400s has very WR very very short hand all over tanak has a tremendous amount of beautiful beautiful perim in the whole entire and he basically says like this and like I said R was to his words also that he says he wasn't he was he wasn't going to break the he said I'll be I'll be okay understand they went off we'll try to fix him up but as the him right there when he went down what did he see it doesn't say he saw the the EG is of he saw the he saw the dancing the excitement he saw the Vigor he saw how much they were into it and he said forget about it it's a lost cause goodbye with the you guys don't deserve this you can't have this I see that there's no room for chuva there's no to returning we have to kill the people that are responsible for this action not because of the AA per se obviously it is the AA but because of the amount of sim the excitement that they had with that when you get to such a stage it becomes to a point of no return an incredible from and the that are basically telling us that there's a big difference when you seeu a child that is going off the D and he's having trouble with with with connecting and keeping being able to keep and doing what needs to be done or he's going completely off there's two different types of children that you have to be wary of and the truth is the schools kind of make this fundamental difference more or less the ones that are in the knowhow If the child is doing it because he has Atara it's hard for him to stop and he really feels bad about it but he wants to stop he's looking at the wrong things talking to the wrong people doing the wrong things he's going the wrong places saying the wrong things and but you know he's got AAR and that's what's pulling in there as we callar from TAA so that's a kid that we can work with that's a kid that wants to be that's a kid that has capabilities of finding the sh of of coming back being able to come back but a kid who's happy with where he is a kid who went completely off and he's satisfied with that situation he's there not he's there because he wants to be there and he knows this is the place to be and he completely does it consciously and he wants to be there and he's there with an excitement with a Vigor and and he's very happy about it you should know that that kid's in trouble that kids need some serious help and it's not going to be so easy to get him back it's a very big difference personally I've seen it you know with the different friends if I could say or people in classmates that I've had with um with uh amongst with my children's classmates when I've seen different types of people and I D know noticed and I tried to Veer my children to those kids even if they weren't necessarily perfect but I saw that they were the type and I usually was kind of I say spot on is you could see the type of kids that they're going to come back it's not the kids that are going to stay off forever and it all depends on are there kishkas there is there La there they into it is it something that they're having so much fun with and it's not just fun out of but fun out of a specific interest because they hold that this is it and they're there 100% that is the difference that we see from the and the event that happened it's exactly what happened also here which is connected to P because it doesn't say we all know the of the because of the sud that they had with the m of with that fabulous party that they had in the beginning that led to eventually the of and the question is that we all know that even if they ate non kosher mostly po can say was kosher food but how bad could it have been to deserve CL they want to destroy the whole entire CL because of something that they did that was just let's say eating a little bit n kosher or enjoying a party give him a punishment give him a slap here and there but to go ahead and destroy all of but the answer is as we all know K don't say because they ate in the Mish it says because they had a good time they enjoyed it it was was was pouncing around there in his big day Kahuna he took the big day Kahuna the manora was sitting there and they didn't have any pain no suffering they didn't feel any type of they should have felt some type of it should have hurt them it should have been a little bit of a sting to see such a scenario but the answer is they weren't necessarily holding there we know during the 70 years of the galute over there they actually went down to a certain extent and they didn't feel the pain and the and and what what the the pain of the that came in the that should have came from such a scenario and because of that deserved CLA we see the difference the n what D decided to cause destruction not necessarily the actual party itself as say God here a worse than the a itself is the that are there they there because the never end it means you're there your power is there you are where your mind is if you're you know there's a m with that he was walking around in theud and suddenly while he was in the middle he suddenly felt someone hit him on the back what what happened who's he looks back fourth right who's hitting him suddenly without without any type of hesitation again he got hit one more time who's doing that what's going on he looked around left and right suddenly say he realized that he was in the middle of he was hitting himself and he didn't even realize it you are where your mind is your mind puts you in that place that decision puts you in the place that you're supposed to be and therefore here who are AA is your mind there are you invested in the AA is this is something I do so then it's a problem then we're in a state of danger unfortunately that is the difference between now in the past if we talk about you read D there were always people doing aot but they weren't necessarily parading around about them here in Tel Aviv or over there in America people are parading about things that people did wrong in the past also but they didn't make a thing out of it something of a way a person wanted to do something wrong he didn't dress that way publicly maybe hiddenly but he would act in a certain way to say certain things would never be done maybe you do it behind someone's back or you'd say certain things about different people but now there's a practice known as freedom of speech why limit me I could say whatever I want whenever I want whoever I want about it there's no limitations I can speak about the most important you call them important the highest levels of of congressmen that are in America or anybody else I could speak about anybody I want and have no limitations about it when you get to such a stage you turn something that we call B after the fact to it's okay I can do it there's no maton there's no guilty conscience there's nothing wrong and when you do that you are fully invested in the AA and therefore you come to a state of no return the idea here behind it is to know that yes we've done things wrong but you're always aable of coming back just you should know where it's coming from work on it and that will be the key to the