Transcript
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On each day of Hanukkah, we read about
the dedication of the Mishkan by the
tribal princes in the desert. It's right
in the Torah. It's detailed in the
seventh chapter of the book of Numbers.
And we read it in our prayers from the
Torah during minion and when we pray.
And on the eighth day, the Torah portion
concludes with the words.
This was the dedication of the altar.
Zot Kanuka. This is Kaneka. So the
eighth night is called Zot Kanuka. But
the sages notice something um subtle uh
but profound.
The final day doesn't just continue the
dedication.
It defines it. It's not just another day
of Kaneka. Rather this is Kaneka. So the
eighth day becomes known simply as Zot
Kanuka. And this is what it was all for.
It all culminates right here in this day
of transcendence.
And on the uh and on the eighth night,
you know, as all the candles were lit
then and are lit now, well, it's pretty
much the darkest time of the year right
now. And if you're not careful, all
you'll see is darkness. But as King
David sings in in Psalm 92,
to proclaim your kindness in the morning
and your faithfulness at night.
When we dare to to gaze into the
darkness with with eyes of faith and
trust, I really believe Hashem blesses
us at least with moments, glimpses of
where all of this is going.
Because yes, we're we're mourning. We
are being brought to our knees with
grief and tears and heartbreak over what
we are losing and what we've lost.
Lights are going out. Doors are closing.
Something irreversible
is breaking. But maybe that breaking is
not destruction.
Maybe it's birth.
For as we know, the night is darkest
before dawn. Which brings me, as Jeremy
said, to Joseph, to Yoseph, to the story
that we're reading about in parallel
right now in the Torah, where Joseph was
sold into slavery. The sages share in
the midash, right? Like the backstory
that is inherited from generation to
generation of of what the Torah tells us
in the midash. It says, "And it came to
pass at that time, Rabbi Schmul
Barnakman began," quoting from Jeremiah
chapter 29, "for I know the thoughts."
This is what it says. The tribes were
busy selling Yseph. Ysef was busy with
his sackcloth and fasting. Ruain,
Reuben, was busy with his sackcloth and
fasting. Yakov, Jacob, was busy with his
sackloth and fasting. Yehuda was busy
taking a wife for himself. And the holy
one, blessed be he, was busy creating
the light of the king Messiah.
So on the surface level, it's clear,
right? As Jacob was mourning, as
everyone was suffering, Hashem was
bringing about redemption in a way that
no one could imagined through the very
thing that they're mourning is what
redemption would be sprouting from.
We've talked about that before. I think
about that when I'm going through my own
challenges. But there's something in
this description in this midrash that
isn't you don't even need to hear it
from the midash. Just reading the text
in the Torah itself. It's a good point
that the midash makes that actually
Rabbi Shalom Rosner noticed. I never
thought about it. We are seeing a a
household frozen in grief. Right. Each
soul trapped in its own reckoning with
tragedy. The brothers are crushed by
guilt overselling Ysef. Rau, who tried
to save him, is tormented by the
knowledge that he didn't fight harder,
and perhaps he should have. Yakov turns
the blame inwards, agonizing over the
moment he sent Yseph to Shem. Even Yseph
himself mourns, wondering whether his
own actions and dreams provoked the
jealousy that tore the whole family
apart. And then almost jarringly, the
midrash tells us that Yehuda leaves and
takes a wife. Who noticed that in the
description? sackcloth and fasting and
sackloth and fasting. Then Yehuda leaves
and takes a wife. So on the surface, you
know, it feels unsettling. While
everyone else is consumed by remorse and
repentance and grief, Yehuda steps away
to build a home. Did he not feel the
weight of what had happened? Was he
indifferent to the suffering of his
father and his brothers? Why would the
Midrash deliberately place Yehuda's
marriage alongside the collective grief
of the family? What is it trying to
teach us by showing us this contrast?
And the answer,
the answer that's brought down by the
sages of Israel is that we are not meant
to be paralyzed in grief and in tragedy
or even in repentance.
Yeah, there is a place for grief and
sadness. There's a place for that, but
we cannot let it consume us. Instead, as
Yehuda recognized, we need to rise up
and rebuild.
And I believe that's also the lesson of
the eighth night because the eighth
night does not deny the darkness. It
doesn't minimize the grief. It doesn't
ask us to spiritually bypass the pain or
just, you know, explain it away. The
eighth night looks straight at the
darkness
and then refuses to stop there.
You have to go through it. Yehuda did
not move on. He moved forward. He moved
through it. He understood something
profound that if the story is going to
continue, someone has to build while
others are still weeping. Someone has to
plant while the ground is still soaked
with tears.
Someone has to bring new life into the
world. Even when the world feels
unworthy of any investment like that of
any new life
that is not a betrayal of grief that is
that's its redemption that's its
redemption this is why the kings of
Israel come from Judah this is why they
come from the tribe of Yehuda this is
why Messiah comes from Yehuda not
because he was untouched by tragedy or
sin oh He was touched by more than his
fair share of tragedy and pain and sin.
Messiah comes from Judah because he
learned how to respond to the darkness
without being consumed by it. He was
able to take it and transform it to
light. And this is what I believe the
eighth night of Kaneka is teaching us
right now. Yes, the lights are going out
in the exile. We can deny it and we can
fight it. And I'm hearing everybody, it
seems like in the exile still doing
that. We have to stay and fight and
fight the darkness with the light. But
the lights of the exile are going out.
We've been here before.
The doors are closing and Jews are being
targeted simply for being Jews. Yes, it
feels like something is cracking,
something irreversible, but it's not.
That cracking is not random. It's the
sound of an old structure breaking
because it can no longer contain what's
coming next.
The Mishkan, the tabernacle was never
meant to be permanent. It was portable.
You know, it moved with the people. And
in many ways, the entire exile has been
like a Mishkan, carrying the divine
presence through hostile terrain until
the moment when it could finally rest.
Until they got to the holy land, when
they could finally build the true
culmination, the temple, that's what
this is all about.
This war that we're in, this is all part
of it. It's called milikdash.
That's what the soldiers call it. That's
what I call it. The war of the temple,
the war of the resurrection.
the war of the revival. We're being
resurrected as a people, revived as a
nation. And maybe, just maybe, we are
living in the moment when when it's all
happening.
That doesn't mean that the light is
gone.
It means it's going home. It means that
the purpose for which it was created has
reached its destiny, its grandeur,
its magnificent purpose.
And those lights around the world are
being channeled to the third and final
temple in Jerusalem.
So what do we do now? Well, we do what
Yehuda did. We do what the eighth night
demands. We build. We light. We plant.
We move forward with courage and faith,
bringing life into the world. My name is
Ari, and I live here on the edge of the
Judeian frontier. And just as the
prophets foretold, the mountains of
Judah are coming to life. The in
gathering of the exiles is taking place
right before our eyes. And the final
prophecy is manifesting as the righteous
of the nations are coming together with
humble hearts here in the land of Israel
fellowship. And now I'm inviting you to
join us along with hundreds of Jewish
and Christian families from all around
the world to experience the beauty and
the holiness and the magnificence of our
fellowship. So click below so you can
taste the beauty and the holiness that
is happening on this mountain. [music]