0:00 / 0:00
The Jewish Story: The Questions which Drive the Jewish Story Post - 1948
212 views
It is time to get a new season started. This prologue introduces the idea that every story has a topography on which it unfolds. In particular, it is a framing of the season ahead through questions in three dimensions - a people in its land, Diaspora Jewry and Israel among the nations. Next stop - 1967!
Comments(0)
Transcript
Auto-generated transcript. Not time-synced to the video.
poets sister Luigi Hoskins make the best
topographers now I'm far from a poet but
I do love words and you might even call
me a storyteller and when I look ahead
on the road I see on the rise in
mountains and valleys the likes of which
we have not yet seen cuz I'm not my
choir and this is the Jewish story
prologue to season 3 the questions that
drive the Jewish story post 1948 and we
all believe what actors writing our own
script or at least we see ourselves as
freewill agents moving in an undefined
world and I largely agree with this
assumption but nevertheless it's
important also to know that our lives in
the lives of Nations take place within a
complex space and one that's not
entirely of our making or even our
choice the question is how do those two
work together when it comes to our story
well first of all I deeply believe that
we have to cultivate the consciousness
that we are indeed free and we have to
take action within the belief that not
only do our choices matter but that they
can change the world this is the deep
power of the Divine within the human
being our ability to transcend any story
and really make the world have it at the
same time I feel we have an obligation
to use our best tools to map the
topography on which our lives or the
lives of our people are playing out and
that's because to me topography is way
more than a physical phenomenon every
story be it fiction or non has some sort
of landscape on which it unfolds and for
the present purposes of introducing
season 3 of the Jewish story I want to
say that the topography of a story
consists of three essential elements not
surprisingly past present and future so
first we have the inherited structures
of the past these can be economic social
intellectual what-have-you right a lot
of this is the root of the progressive
discourse around structural violence
these aspects of power that are built
into our social and political structures
it's also a lot of the critique that
Marx made when it came to economics and
of course this
the problem of cognitive limitations we
don't just inherit what we know from the
past we inherit how we know and it
always begs the question of whether
there isn't the world waiting right at
the edge of our consciousness that we
simply haven't learned to see so that's
one part of the topography and it's an
important one these inherited structures
of the past then of course there's the
present landscape rooted in the actual
geography where our story takes place
never undervalue the impact that place
has on our experience and that's why
post 1948 with the birth of the nation
state in the Land of Israel our story is
going to take some pretty wild turns
that we haven't seen for quite some time
so there's that actual geography that
makes up the present landscape and then
there are the driving questions which
give their energy to the issues of the
day that's a very big part of the
present and finally last but certainly
not least there are the visions of the
future those dreams that guide and
inspire understanding not only of the
past but guiding our actions in the
present now obviously all three of these
things are bound up together and in my
eyes at least there's only ever really
one topography on which a story unfolds
all the disputes and confusion we have
are just the results of how well or
poorly we map it and that's what I want
to do going forward in the Jewish story
not just to tell the story in the sense
of a linear tale through time but begin
to unearth a topography on which it's
taking place in order to give us a
deeper appreciation and to empower us to
make it go where we think it ought so in
terms of the past we've been engaged
with that for some time and I have no
intention of stopping in season three
don't worry I do believe that the pace
of my linear presentation of history is
gonna have to slow down there's a lot of
research to be done but God willing
that's only going to allow the content
to deepen and I want to make a call
right now actually send me your
questions please send me your thoughts
on what you think matters tell me what
you want to know I can't make any
promises but if you don't ask you
probably won't hear it so like I said
we've done a lot of mapping of the
inherited structures of our past over
the last two years and therefore I think
we have a reasonable grasp of the
pass typography on which the coming
season is going to take place and of
course I think I've made it pretty clear
that I'm always ready to talk about the
future if you know me well the Messiah
is right around the corner and if the
messianic theme ran is a current through
season two at this point in season three
it's gonna need to be an ongoing
discussion and it's part of that I plan
on seeking out people to help them share
their visions with you and I their
visions of the future and I think it's a
critical part of what we're doing so
send me your thoughts there as well who
do I need to speak to who's out there
right now propagating some vision of M
Israel that's critical to the Jewish
story let me know cuz I certainly don't
know everybody so that's the past in the
future two critical elements of the
ground for any good story but right now
I want to talk about the questions that
I feel driving the present because even
though this is the prologue to another
season about the past yeah God willing
it's gonna be devoted to the years 1948
to 1967 every story of course is told in
the present and I have a sense that
there are certain question which are
really present for Ami's rail right now
that can serve as an important frame for
understanding the post 1948 phase of the
Jewish story now we can't possibly ask
every question in order I pretend to
know what all the important ones are but
ahead is a bit of a mapping of some
critical issues some critical questions
and I want to offer it to you within
three dimensions of relationship the
first one is um the art so a people in
its land there's a whole new world or at
least an old new world as they say
that's born into our story with the
return of um israel to an embodied
existence in the land of israel there
will be very particular questions that
emerge from that the second dimension
within which i want to consider our
questions this topography is the Jewish
people in diaspora your people as a
whole who aren't bound by the land in
the third piece oldie but goodie which
has caused no bit of excitement in our
story up there now is the relationship
of Israel among the nations and since
that one is kind of always on my mind
maybe we should start there as I see it
the central question between Israel and
the nations at this stage of our story
is did Zionism succeed in solving the
Jewish problem or not does the
recreation of Israel as a member of the
polity of nations so neatly defined by
the UN in the 40s reconcile this very
old and problematic relationship now
remember the question of how Israel fits
in among the nations was not posed by
19th century European emancipation it's
been there since our inception as a
people it's bound up with the exodus
from Egypt and the Torah at Sinai and
we've been following it in the Jewish
story since the last national phase of
the Second Temple period
I'm sure remember but just making moment
to recall the three Roman Jewish Wars
which it took to establish that the
Judean 's were the indigestible element
of the Roman Empire unwilling to bow
completely to foreign rule this is what
I've been calling the spirit of the
Maccabees that somewhat wild and
powerful notion that sovereignty over
particular geography is necessary to
fulfill our destiny now the Romans
temporarily broke the back of that idea
and they succeeded in uprooting aasif
from our land effectively finishing the
job of transforming the Judean into the
Jew but even once that landed national
element was erased from our story the
problem of Israel amongst the nations
did not go away when Christianity
inherited the Roman Empire the Jews
simply morphed from the ended Jessel
element of empire into the obstinate
refuser
of christian salvation and through this
transformation the mutual national
antagonism that existed between Israel
and the nations as really an embodied
landed form was now cemented into place
by religion making the inability of
Israel to fit the world structure a
theological problem and therefore
transnational there are after all no
borders to religious hatred and there's
been a lot of water on
the bridge in our story since the rise
of Christianity and we've seen that
there are major elements of the Jewish
story that lie entirely out of its
context nevertheless when we have to
think about the rise of the state in 48
we have to think about the origins of
Zionism in Europe and therefore if we
scroll forward from Christianity will
find that the question of Israel's right
posture amongst the nations arises once
again in modern Europe as the Jewish
problem no it first comes up as kind of
a universal moral problem within the
context of the progressive
secularization of European intellectual
culture basically what happened is that
the Christian intellects used to ask
does that you have a right to salvation
and now the secular intellects will ask
is the Jew a human like any other and
that moral question will become a
political one with the spread of the
citizenship model throughout Europe in
modernity and the subsequent rise of the
issue of Jewish emancipation you know
the story if not go back and listen to
season two no matter how you look at it
but the end of the 19th century we're
gonna find racial anti-semitism indeed
asserting no the Jew is not really human
and political anti-semitism saying
whether he's human or not he's not
welcome as a citizen and so we'll find
that from indigestion of the Roman
Empire to obstinate refuser of Christian
salvation that Jew has become the alien
other of modern society and we know how
that phase ends it isn't pretty so
that's my question right now Zionism
harnessed the momentum of nationalism
the freedom of secular culture and the
idealism of progressive thought in order
to do this seemingly impossible in in
1948 the third Jewish Commonwealth was
born I'm there right now but did it
solve the Jewish problem and furthermore
keep in mind however you answer that
question your response will save volumes
about what you believe the question
really was to begin with what do I mean
well on some level we've charted out a
story in which our very existence is the
cause of the problem between Israel and
the nation's I mean in
adjustable obstinate alien those aren't
about our actions they're about our
essence and if that's the case then the
Zionist dream of becoming a nation like
every other is kind of doomed from the
outset but I'm convinced that Israel's
posture amongst the nations is not
solely defined simply by who we are but
it's also a product of what we do so
going forward as we chart the
relationship between Israel and the
nations in the coming season I do want
to keep an eye on that classic
formulation of the Jewish Question how
are we in the nations going to get along
and that's a problem to be solved one
which the Zionists may or may not have
figured out but I also want to keep in
mind a different angle on the Jewish
question which is what's the purpose of
our relationship with the nations
because I'm interested in looking at the
Jew not just as a problem to be solved
but also as a mission to be fulfilled so
the next dimension that we have to
consider is Israel in exile now I know
the Exile has become a bit of a dirty
word in our day so in order to address
it we just have to remember that being
in exile is not simply a geographic
phenomenon it is heart it's really an
inner state defined by the sense that I
belong elsewhere and once you
internalize that you realize that exile
doesn't pertain solely to the national
historical plane of existence it can
begin as an individual's experience of
alienation from essential self we do
things and sometimes we judge ourselves
saying that's not who I am that's not
what I want to do and in doing so we
experience a sense of alienation now
notice that alienation is rooted in the
notion that I am other than I'm acting
meaning I have a chorus sense that I've
drifted away from where I really belong
and I'm living in personal exile if I
didn't feel that way then I would just
call it growth there are plenty of
things that I never did before that once
I do them they become part of who I am
but so long as I feel I've moved away
from some essential self and I
experienced that as alien age
this also has exile exile can also be on
a much bigger scale can be that deep
existential longing that all creation
must unite with the source that will
give truth to that beautiful notion of
an ode Malvado that there is no other
but that's a discussion on a pay grade
slightly above mine for our purposes
even on the national historical plane as
it's generally understood meaning of
people driven from their land exile
still depends on the belief that I ought
to be elsewhere I mean take the Turks
for instance they don't see themselves
as in exile from Central Asia that's
because they left there and now they
live in Turkey stranger that they found
a country to match their name right
Wacka Wacka but you get my point
is that if one leaves and finds home
where they are then they're no longer in
exile and that's why I can tell you
today that many of my American students
are no longer in exile they've come to
Israel to learn but they don't feel that
America is a foreign country even the
softened notion of diaspora meaning that
they live at the edge of the people who
Center is somewhere other than where
they live speaks to them less and less
and in the coming season we're gonna
pursue the development of that
consciousness because upon investigation
it turns out to be powerful and very
interesting parallel to that
foundational Zionist notion of Chile
lotta galoot the negation of exile
because the Zionists thought that they
would have to get rid of exile in the
simplest sense and go back to the Land
of Israel but there's always been a
redemptive stream at least since
modernity within the Jewish people that
has seen the negation of exile as
getting rid of that sense that we belong
somewhere else okay but for now I'm just
framing the key questions and in this
dimension of the relationship between
the Jews of the land and the Jews of the
world I'll put the question like this
what does it mean to be a Jew once you
can also be an Israeli and I see this as
an essential element in the topography
of our story because it will push us to
look past be simply social and political
layers of the relationship between
Israeli and diaspora jure toward
questions of essence what does it
actually mean to be a Jew right now to
be an Israeli one the other both and
there's a lot to be explored here doing
so it's gonna be part of my personal
mission to push us away from a discourse
of technical power which centers around
that question who is a Jew and closer to
a more essential discussion of mission
what is a Jew so that's the first
question then I see in this dimension of
Diaspora in Israeli Jewry but there's a
second critical question that I want to
raise specifically from the perspective
of non Israeli Jew and that is what does
healing from the Holocaust look like in
the Diaspora you know there's a
phenomenon that I like to think of as
historical mastication I know it's an
awkward word but it still appeals me and
it's how we digest the things that
history serves up to us as we travel
along the way I'm sure you have a sense
that this is not a simple question
because obviously some things slide
naturally down the gullet others make us
a gag and some are simply too big to
swallow and this isn't just a historical
question I can tell you from years of
spiritual counseling work that for the
individual the steps of a not choking on
what life hands you be getting your
teeth around whatever it is and then CDE
chew swallow digest our Adel lifetime of
work and therefore the Jewish story
tells me that on the national scale is
not gonna be a lifetime of work but a
work of generations after all we've been
digesting the slavery in Egypt for 3,000
plus years and apparently we'll go on
doing so until that great day that
Jeremiah predicted let it be soon let it
be now but when it shall be no more said
as the Lord lives who brought the
Israelites out of the land of Egypt but
rather as the Lord lives who brought the
Israelites out of the Northland and out
of all the lands to which he had
banished them so I can tell from this
that the process of digesting the events
of the first half of the 20th century is
going to be prolonged and for our
present purposes the question of how we
didn't choke on the Holocaust or the
task of birthing the state will be a
major driver for
story of head and of course digesting
the Holocaust and the state will look
very different in America than it does
in Israel despite the shared elements of
the experience there the lessons that we
extract from both and the methods that
we use to bind their wounds conscious or
not are going to be a major divider and
uniter within the Israeli diaspora
relationship and they're going to cast a
very heavy shadow on what it means to be
a Jew post 1948
alright last dimension now we began with
the posture of Israel amongst the
nations and what 1948 means that
question in other words did the Zionists
succeed in solving the Jewish problem
with the birth of the modern state and
then I asked about the relationship
between diaspora jury in Israel and what
it actually means to be a Jew now that
you can also be an Israeli and it might
just be when I asked that question that
you heard the echoes of an equally
complicated problem and that is what
does it mean to be an Israeli if you are
not a Jew this is a question that grows
more pressing every day here at our fair
country and it's part of a much larger
issue that's going to underlie the whole
season going forward we could take it in
any number of directions but the reality
of a non Jewish Israeli raises the whole
question of a resin ship between Torah
on Israel the Land of Israel and the
civil state one symbol but painful
example just imagine the young Russian
combat soldier who dies god forbid
defending not just the state of israel
really the people of israel now
according to the classical logic jewish
legal definitions it happens to be that
this young russian soldier whose mother
is not Jewish he's not considered Jewish
himself but from the perspective of the
people of the nation and even how would
argue from the narrative this person is
certainly a central part of the Jewish
story and so it comes to a head that on
one hand the religious discourse
does not allow for burial in the same
cemetery as his fellow soldiers on the
other hand the national discourse wants
to elevate him as high as the holy
throne you see the challenge here and I
can boil that challenge down to a very
basic question which lies at the heart
of this dimension on bart so of people
in its land what does it actually mean
to be a people in our land and this is
going to be a big thread for us there's
a few pieces that are worth
contemplating in that light first of all
we've got to look for the creativity
Morena remainder of cook tells us that
one of the real signs of the Jewish
rebirth of the rebirth of a people that
comes from re-entry into land will be
the rebirth of our creative energies
Jewish music Jewish literature the
access to the holy creativity that can
give new forms to divine presence
through our actions and I'm gonna look
out those elements of the story as well
once again shoot me your thoughts I'm
happy to speak to almost anyone that's
one number two we're gonna have to ask
the question about the impact of simply
being home of settling if you will I
hope you remember that back in season
two it actually season one as well we
started this team in the notion that I'm
Israel in exile was an emulsion it all
started with that story from my daughter
about her first DVAR Torah when she took
a fork and some oil on top of water and
began to stir and said just like oil
doesn't mix with water so - Israel
doesn't mix with the nations of the
world and I told you that I became
fascinated not just with the obvious
fact that oil and water don't mix but
with the fact that as you beat the oil
at the fork it breaks up and ceases to
mix with itself as well becomes an
emulsion bound together by an internal
cohesion which we Jews know quite well
but separated each glob of oil from the
next by an external phobia the fear of
the water not only holds the water off
but ends up dividing each little glob of
oil from the next and that's so much of
our history at this point we've been so
broken into subsets of subsets of Jews
over the course of two thousand years of
exile that coming back to our land we
hardly look like speak like or even
think like one another and the whoa not
the only but one of the only solution to
an emulsion is to simply let it settle
you gotta wonder what a nice rail will
look like three hundred years from now
having finally found peace in our land
that's an important one but really what
I'm super excited to finally focus on in
the coming season is the second half of
a phrase that has followed us from the
very beginning of our story me Binet
hata a new Galena may arts a new because
of our sins we were exiled from our land
we've looked at this idea it's of course
a phrase that's built into our liturgy
in the additional prayer of the festival
services we've looked at it as an
expression of a maintenance of a
historical agency because if we were
driven from our lands because of our
sins well then we'll get back there
because of our meets vote because of our
merits it's a way in which our sages
taught us to maintain historical agency
even when all the classic structures a
land a government a military an economy
had been taken away from us nevertheless
we were not just a ship tossed by the
sea of other people's experience but
we're able to guide ourselves gradually
through the darkness of exile on home
well that was the ideal of that phrase
but we've seen how as time passed and
the darkness of exile not only Langton
but deepen that the understanding of
that phrase morphed first from the
notion of historical agency into a sense
of intergenerational guilt I mean
because our sins we were exiled from the
land which sins were those seems like
we're playing out somebody else's story
here and that itself somewhat quickly
became the source of what I would call a
historical existential resentment I mean
it's pretty easy to picture the average
Zionists responding to that line they
thought to Anna Magdalena might say no
because of our sins we were exiled from
our land with the angry challenge that
he has Gil Ezekiel records a vote Yahoo
VOSA machine--a up on Mt Hanna what the
parents ate sour grapes
and their children's teeth should hurt I
know you probably didn't say with the
Yiddish accent but for now with at least
the reality of the physical exile coming
to an end I mean after all if you want
to come home you could just get out of
an airplane
we can finally engage the second half of
that in the vertical line right it's not
cuz not just meet Nathan and Ellie in
America say no it's also the rock new
nod Montana we were literally distanced
or I would say is strange from our soil
and that's what I see to be the task
really lying ahead
what does Ami's rail look like when
we're planted firmly in our land you
know to me I feel like we could tell the
story of the last 2000 years of Exile as
a continual planting and replanting of
the Torah it's almost as if the tour
itself is a seed and where have you
planned it boof amis rail springs up you
plant an acorn in North Africa comes up
as an oak in Spain comes up as an oak
pole in Babylon Brooklyn wherever now
it's true that according to the soil on
the climate and the growth conditions
each oak will look different but they're
all oak trees so we might think that
what we'll get here in Israel is just a
more robust oak a tree at last planted
in its native soil or maybe just maybe
what it actually means to finally be um
Bart so of people in its land is that
we'll discover that the seed metaphor is
not entirely Act and that when we plant
on Israel in its land it's going to
bring forth a growth that we've actually
never seen now there's so much to be
explored there and it's tied deeply for
familiar with it the rough cooks notion
of Torah and red sea sail what is the
Torah that comes out of that mysterious
and powerful combination of the people
of Israel with the land of Israel so
that's gonna be yet another question
that we'll pursue in season 3 there's
one last question in this dimension of
um Bart so of people in its land that I
want to put out there before we wrap up
and that's a parallel to what we asked
before what does healing look like here
now the relationship between the State
of Israel and the Shoah has a lot of
layers and we'll explore many of them
but for now it's important
to put my finger on the fact that in a
certain sense these two events have
served one another
it may sound uncomfortable but it's true
nonetheless because the confidence and
he really you phoria over the return and
the victory bound up with it has been a
major element that's helped us swallow
the ashes that threatened to choke us
from Auschwitz and of course the shadow
of death that the camp's left on our
hearts and minds has been a very
significant motivator in the 70 year war
we fought since then but what I want to
know is what does healing look like when
we're finally people in our land healing
from the camp's healing from the
battlefield healing from 2,000 years of
wandering so we have to keep our eye out
to see if that healing is happening at
all and if so what exactly we can do to
help make it progress so here we have it
a bit of a topography underlying the
Jewish story ahead in the form of the
questions that arise out of these three
dimensions first Israel's place amongst
the nation did the victory of the
political Zionism solve the Jewish
problem or we at just a new step from
the indigestible to the obstinate to the
alien to who knows
now there's also that next question
which is Israel in diaspora what does it
mean to be a Jew and you can also be an
Israel and in particular when you choose
not to and then we have um the arts so
the people in its land the precious gift
that we've received in our time to be
among the first generations to be even
able to ask the question in the last two
thousand years what does it mean to be a
people in our land and for me like I
said through all of these dimensions
underneath all of these questions lies
the theme of healing and I hope you know
by now that this is really what I'm
after
it's true the tagline of the Jewish
story is telling us the story of the
past in order to build the present
identity in the which is motivated to
get us the future which we want to live
but that itself is about telling a
healing story where else the motive
come from other than knowing the source
of my pains and being committed to
fixing them and I'm deeply concerned
with the fractured state of our people
after the long exile and in particular
after the 20th century you can ask my
kids I weep every day about the Shoah
sometimes openly I'm also quite alarmed
about the raw wounds of our hundred year
war that we're fighting here that war of
conquest and therefore wounds that we
share with the Arab people's all around
us I'm also concerned about the fact
that it sometimes seems to me that
there's a certain element of psychodrama
in those wounds that we may just need
them right now for reasons that are less
than clear I'm however with us things I
have to say on some level a most broken
by the thought that they're punished of
them that God wants so much more for
creation that we as a species we as a
people we as individuals are capable of
telling a story that could bring the
whole world together and we're not yet
doing it so that's the goal going
forward to tell our story and at the
same time to unearth the topography of
that inheritance in the past the
questions driving the present and the
visions lighting our future and to do so
in a way that will bind creation back
together so as long as we're here at the
end of the prologue that's the beginning
of season 3 I wanna invite you to take
the time right now to help me make
history go to WWE Josh story CEO there
in the upper right hand corner you'll
see a little box it says be a patron and
you can click on through to give a
little bit of her podcast support and
I'll say thank you now because you'll be
joining all those people who give their
hard-earned money to help make this show
possible to keep it free and make it
widely distributed don't hesitate if
you're not up for a per pod cast element
encourage you to dedicate a show people
are doing it all the time you can reach
out to me at Ralph's Mike Feuer at
gmail.com or you can find me on facebook
at Rob Mike foyer or the Jewish story
podcast just let me know I'm happy to
dedicate a show both to the living and
the
decease so as long as I'm at it I want
to thank the Land of Israel Network
that's the Land of Israel calm for
making a platform that allows me to
reach so many amazing people I want to
thank the partes Institute VAR d s org
dot IL for building an educational
institution that allows me to teach such
a wonderful Jews and I want to thank you
for listening I'm not Mike Feuer