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Tetzaveh - 2nd Portion
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Auto-generated transcript. Not time-synced to the video.
Join as we learn the second Torah
reading for parasa Monday parasa
chapter 28 verse3
the Torah tells us yesterday we started
telling us about the garments of the
that were made for the high priest we
started with the aphod today we're going
to continue with the breastplate
verse 13 continuing first and concluding
with the aphot and then starting with
the breastplate as they were both
connected as we discussed yesterday and
we'll discuss today at length
and you shall make gold settings where
these stones were going to be set as we
mentioned they were going to be in gold
settings.
The very fact that he tells us a number
here when he talks about the idea of the
inserts that the gold was going to be
put in, he takes the smallest number
which is a plural.
Over here in this part of the section,
he only mentions partially of what
they're going to be used for.
But later on when he talks about the
breastplate,
he continues to explain in verse 25, as
we'll soon see, he tells us about what
these squares will be used for. Verse
14.
Besides having the settings, where are
you going to have the stones? You will
also have
you'll have to make two braided chains
of pure gold.
They will be on the edges. You should
make them
and they should be braided.
And you're going to take these braided
chains and you'll attach them to the
gold settings.
Rashi shares of what does the word
shares mean? Like chains
mig
what does the word migb mean? The root
word of the word migbis means like the
edge
to the edge of the breastplate.
That's where you will make these braided
strands.
The word means is that you're going to
take them and they're going to be woven
together, braided together.
It's not that you're going to put them
in rings and then with holes in them,
fold them over.
Is like those that they make for the
chains that are for um for wells that
they want to pick up the water and how
they pick up the buckets and they put a
hook in it and then they lift it with
it. I'm making knots.
or
adjusted should be like the ones that
were made for sacks which are interwoven
within the item.
That means that they take the head of
the rope and it's woven in with a bunch
of strings, a bunch of strands and it's
made into one piece.
And what are you going to do with these
woven strands? you're going to put them.
The ones that were woven,
those that were made out of a out of
this woven type of material where you
braided them together,
you'll put them on these squares.
This is actually Rashi explains that
this is not telling us we are how the
commandment of how to make them
and it's not telling us the Torah is not
yet telling us where they should be
placed or how they should be made. What
is it saying?
And therefore, when the Torah uses the
terminology, you shall make or you shall
put. It's not part of the commandment.
It's talking about in the future when
you will have this breastplate and you
will have the a and you're going to put
these two items together. This is the
way it should be placed.
The reason is because we're going to see
later on in verse 25 when the Torah
enumerates and tells us the details of
the breastplate there. The Torah will
tell us exactly the commandment of where
they should be placed, how they should
be placed, and the commandment of doing
them. Over here, it's telling us of what
we're going to need in the future.
The reason why the Torah is telling us
over here is to let me know that in the
future when I tell you with the word and
I talk to you about and God tells him
about the commandment about the about
the breastplate, you will know what he's
referring to. And therefore he says when
you will make those braided um ropes
which are going to be on the edge of the
breastplate you're going to attach them
to these square gold inserts that have
the sham stones which is on the aphot.
With that we continue into the laws
pertaining in the commandments of the
breastplate.
Verse 15.
And you will make a breastplate of
judgment.
a woven design.
You shall make it like the same fabric
that you made the aphot. What was the
fabric that was in the aphot? As we
mentioned, it's going to be gold,
turquoise wool, purple wool, scarlet
wool, and linen twined. You should make
it. As we mentioned, this had the 28
strand fabric. Four, five of each one
with another one of the gold in it. So,
it was six. And therefore you had the 28
strands as we discussed when we came to
the aphod
rashi.
But why was it called? Rashi's question
here is why is the breastplate called?
The breastplate of judgment. What kind
of judgment is going on here? So
the breastplate forgives and atones on
the corruption of judgment. Meaning that
means this is things which people are
corrupt in judgment. The breastplate
will atone for it. Another way of
explaining it is why is it called a
judgment?
It clarifies the words of the cohain and
what it promises it guarantees truth.
Meaning when they would ask the kosh was
used to ask the kohhane what god's will
is of the Jewish people they would be
clarified through the words of the kosh
through the koshin through the
breastplate.
The ideas
the word mishbat in Hebrew can be used
in three different ways.
It's said concerning the people who come
to judgment in front of a court.
When the people when the plaintiff and
defendant give their exc give their case
and present their case in front of the
judge, we find the word mishbut used as
God says as it says in the Torah mishb
and Moshe brought their judgment in
front of God.
Judgment also can refer to the verdict
as it we learned in the previous Torah
readings.
Do not allow your verdict to be swayed
or as it says also in uh the book of
Deuteronomy.
And it also refers to it also refers to
the actual judgment not only the verdict
that the judge says but the verdict and
the punishment that happens to the
person who then is found guilty
of whether it's a punishment of death or
punishment of lashes
or a financial uh penalization as we
find the terminology is used as we found
previously in the book of uh in the
Torah reading of kamishbot as the
verdict Whereas the judgment which is
adjudicated to this individual, this is
what happens. So you see the word
mishbut can be either the actual
complaint, the verdict or the actual
execution of the verdict.
But over here when we talk about the
breastplate of judgment over here, it's
talking about clarifying and explaining
the words that are being said.
What does it mean that it should be made
like the aphod
using the same materials and the same
tapestry?
Verse 16.
It will be a square
which is folded over
a span long a span long
and a span wide.
Raji
this we're talking about over here the
measurement that we're referring to over
here is a half
is anywhere between 8 19 and 20 in. So
this is what the zerus is referred to
over here. That's the span that we're
talking about. It's going to be folded
in front of him against this archive
that will be on the heart of
so you can have it hanging by the
strands over the shoulder wraps shoulder
straps of the aphod
that are coming from the back
and they come in front of him as we
explained and they're folded a bit. Then
then the actual breastplate hangs from
it
are hanging by strands and rings and as
will be explained later when it talks
about the details of the breastplate. So
it was an actual item that this material
was had one part and the back was folded
behind and as we're going to see theim
was then placed in between
this actual breastplate in the front
will then have
you will then set with gems mounted on
it in four rows
four rows of stone
pit of you're going to have one row
which is going to have containing
different stones emerald carnelian
emerald and topaz and that will be the
first row
which is going to be the first row
verse 17
why does he say that you're going to
fill them I'll shame
because the stones are going to fill
these gold little inserts inlets that
settings that the that the stones will
sit in. So therefore they're called
filling stones.
Therefore he calls them by the name of
to fill mountains.
Verse 18, and the second row sappir,
the second row will be carbuncle,
sapphire, and diamond. If I pronounce
the names incorrectly, I apologize.
The third, the third row, and the third
row,
zaren,
agate, and amethyst. Different kinds of
names of stones. And there are different
colors as well.
And the fourth row is going to be and
are going to be of stones of quagmarine,
onx, and jasper.
These are the 12 different kinds of
stone that were used in the actual of
actual breastplate of the holy temp that
the high priest would wear in the holy
temple as well as in the tabernacle. All
these stones
had to be encased in a gold mounting
had were filled from the sides with this
gold mounting around it. So it had a
gold frame where in it the stone would
sit inside and that's why as we
mentioned previously they were called
because they filled the actual gold
spot.
All these rows will be filled with gold.
They will be surrounded by gold frames.
The gold will be as deep as the size of
the stone. And therefore, as we
mentioned,
it will be filled.
They will be the size of the thickness
of the stone
should be the depth of the of the
inserts of the setting,
not more and not less. It should be
exactly fitted to the stone.
Verse 21.
And on these stones, what are you going
to do with these stones?
The names of the Jewish people, the
names of the tribes of the sons of
Israel will be on them, which is 12.
All their names by their name. Each one
should have his name engraved. Each
person according to his name.
It will go according to the 12 tribes.
They'll go according to their birth. So
too will be the order of the stones. For
example, the first stone that we
mentioned previously would be for ruin
pa for shim. So too, each one will go
according to their birth. The
interesting thing that you'll notice
that over here as well as on the show
stones the went according to the birth
of the tribes, not according to their
mothers. The Reb points out this is a
symbol of unity, showing that they're
all the children of Jacob, regardless of
who their mother is. the unity of the
Jewish people that was carried by the
high priest.
Verse 22.
And you shall then make on the table of
two gold chains, two gold rings, I'm
sorry.
Start again to make
two pure gold chain.
You should make two pure gold chains
braided like cords and they will be
attached to the side gless to the side
of the breastplate. That means coming
from the top of the breastplate. There
were two gold chains that were coming
from it on their edge. Rashi explains
what does it mean on the breastplate
because it's going to hold the
breastplate
to set them according to their rings
like will be explained in the next
verse.
The word comes from like the root of a
tree. The same way the root of a tree
they hold the tree
is to make sure it stays firm in the
ground.
So to these
they will be holding the breastplate
because it will be hung by the aphod by
the shoulder straps of the aphot.
This is the two chains that we mentioned
earlier that were attached to the
settings that were on the aphod on the
shoulder straps of the aphod. There were
two gold chains that would hang down and
they would then be the ones holding the
breastplate in in its place.
Rashi now brings the opinion of where he
many times when it comes to translations
and grammatical Hebrew he mentions him
and over here he says that these to two
words
as well and and are rooted in the same
word
they all come from the word root
the extra that we had earlier when it
was called shares and over here it's
called shar
is because
that there's sometimes an extra word in
the actual uh word which is that we find
in other words as well
where for example something that's empty
but you can also say
three and it can put
but says
however I do not see and I don't agree
with him
because if you look in Hebrew the word
share that has the extra r means a chain
like in the word of the however
or it comes from the word shesh root and
that's why over here rashi says it's
like the root of a tree while previously
he called it a chain gavl as we
mentioned earlier the word gavlus comes
from the word like border
it's the same word as migb like we said
before
you'll put these rings on the edge of
the breastplate.
Anytime it says border, it means an edge
meaning braided. You're going to take
the gold and you're going to braid it
and make it into a chain. Verse 23.
And then you're going to make on the
actual breastplate
two golden rings.
These two rings will be at the two upper
corners of the breastplate which in them
the chains will go connecting them to
the set gold setting which is on the
aphod hanging down in front of the cohen
for the need of the he says that they
should be there
doesn't seem right
that you should put the actual rings on
it to begin with.
Why then does the Torah repeat it again
and say
and you'll put these two rings on two
rings on the edge of the
if you're ready said that you made it
part of the breastplate. So why do you
have to say it again and you'll put
these two rings there?
Then it should have said in the
beginning of the verse
you'll make on the edge of the two
rings. Why does it only say afterwards?
Even when he talks about making these
braided chains,
you have to explain that it's talking
about that it was made because of the
breastplate and then you will attach it
later on
the two edges of the
through its two corners
towards the neck of that means on the
top of you have the actual that sits on
the uh breast of the cohen. You have the
top part of it which is facing his head,
the bottom part of it which is facing
the bottom. These two rings will be on
the top facing the neck of the actual
cohane. The two gold chains will be
coming out of it connecting to the
shoulder straps and the settings which
was of the aphot.
And you're going to have them on the two
corners
to the right and to the left
which are going to be parallel and meet
up with those shoulder straps of the
verse 24.
And you're going to take these two,
you'll take those two gold braids that
we mentioned earlier and they're going
to put them through the rings which
those rings are on the corner in the
corner of the breastplate.
Verse 25 uh verse 24.
These are the chains that we mentioned
earlier.
He didn't say where you going to place
them. So now the Torah tells us where
are you going to put them in those
rings? Where are they going to place?
These are the same chains that he
mentioned previously. How does Rashi
know that? Because if you look later on
the par when Moshe then dresses the
Cohen and talks about the items that
were made, it only mentions it once.
That means these two chains are the same
two chains that the Torah mentioned
previously that will be made on the edge
of that will be placed in the rings
which were on the corners of the
breastplate. Verse 25
and then you'll have you'll attach the
two ends of the two braids.
They will go onto the two gold settings.
Those are going to go and attach to the
front of the shoulder straps of the
aphot as we mentioned previously. And
over here the Torah enumerates it
clearly where the two chains attach to
the shoulder straps underneath the gold
settings which were on the front of the
aphot because the straps came from the
back towards the front over his shoulder
holding the breastplate
on those two braids of gold.
Each one will be each head will be
attached to another one.
They will be placed in those gold
settings. And this is where Rashi says
back to where we mentioned before that
later on it will be explained clearly.
These two gold settings that I told you
were mentioned previously. This is what
it's talking about.
We spoke about the two settings that
were mentioned between the first verse
that we learned today between the aphot
and the and
he didn't explain clearly where what its
purpose is going to be. Now the Torah
tells us and its place. Now the Torah
explains now that I told you that you
made a you made rings in the you made
these braided chains where are they
going to be placed on those gold
settings that I mentioned earlier that
are going to be on the shoulder straps
of the aphot.
Now he tells us where we're going to put
these gold chains which are going to be
in the gold settings which were coming
out of the rings from the breastplate
to the right and to the left
towards the top meaning towards the neck
of the cohain.
You have the two chains going into the
right into the square send setting on
the right.
So you have the two chains. The way it
worked, you had an actual chain that
went through the ring. You have the two
ends. The two ends would then connect
into the gold setting that was on the
aphold that was sitting on the shoulder
of the cohine ven. This is not referring
to the ropes. This is referring to
mishpetses to the gold settings. Where
would these gold settings be?
On the shoulder straps on the Rashi
continues.
You're going to have one gold setting to
hold the chains on one shoulder strap
and one on the other shoulder strap.
What do we have from here?
The shoulder straps of the aphod
are actually supporting and holding the
breastplate in place that it should not
fall and that's the way it was hanging.
You still have the bottom of the can
still bang because on the top it was
connected but it was still loose on the
bottom
would be banging on the stomach of the
and it's not connected properly.
Therefore,
therefore, as we're soon going to learn
in the verse, there were another two
rings that were on the bottom that
fastened it on the bottom that would
hold it tight that it wouldn't bang
around while he was walking.
It doesn't mean that it was by the face
of the cohen because usually the word
pov means face. Over here it's referring
to the face of the front of the
you're not going to put the gold
settings in the back where the shoulder
straps are coming but they're going to
be on the front clap where the shirt
will where the robe will eventually be
worn.
It's going to be in the top four towards
the the front of the and therefore he
calls it
The back is not seen. So therefore, it's
not called the face of. The part that
you see is called the face of. So
therefore, it's folded over onto the
shoulder in the face that you will be
able to see it from the front.
Verse 26,
continuing with the laws pertaining to
the breastplate.
As we mentioned, Rashi mentioned about
the bottom two rings. Now you're going
to make another two rings.
You're going to put them on the attach
them to the corners of the breastplate
which it's edge of the face uh attached
them to the lower corners of the apha of
the breastplate and which
of its edge that faces the aphod.
meaning because the lower edge of the
brace breastplate faces the aphold which
is the the apron part which goes to the
bottom of the cohane. So therefore
that's the way it relates to that part
because it's facing the bottom as Rashi
explains. Rashi says
this is the two corners
the bottom two corners. Remember the top
two corners had the golden chains which
were connected to their breastplate to
the aphoid straps. Now these are
referring to the bottom ones to the
right and the left. What does it mean?
So when the Torah over here is giving us
two clues to be able to give us an
understand where these two rings are
going because I already put two rings on
top. So now the Torah enumerates and
tells me where am I putting these two
rings now? What are the two signs?
Number one
that it has to be at the bottom edge.
How do I know it's the bottom edge?
because it has to be parallel towards
the it has to be towards the the part of
the apron
because the top of the top of the press
plate is not against the aphod because
the aphod wasn't worn on the top. The
aphod was only worn on the bottom
because it was closer to the neck
and the actual apron itself was on the
hips of the coen.
Another sign he gave
that these rings should not be on the
outside.
These rings were now placed on the
inside. That means the rings on top you
were able to see on the outside and the
chains were then connected to the
shoulder straps. These rings were on the
inside of the kosher. So you were not
able to see the rings when you're facing
the apho when you're facing the
breastplate. It was behind it. As you
recall, it was folded. So in that part,
that's where the rings were. As Rashi
continues to explain,
that side was towards the apron
because then you had the actual strap of
the aphot that the coe would wear.
And this strap was then the apron was
then closed and and uh through this
strap on the hips of the Cohen.
a little bit above our stomach also on
both from both sides.
This was reached the exact part of the
So if you had the apron, you had the
strap of the apron, you had the bottom
part of the breastplate would be right
on top of that apron and right by the
strap of the apron connecting them all
together.
Verse 27.
And you'll make two golden rings and
you'll place them
on the two shoulders of the aphod mata
on the bottom
towards the lower edge
mimov towards the front.
We're next to where is going to be
joined by the apho's back as the Torah
continues.
You're going to make them at the edge
toward the two shoulder straps of the
aphot next to where they are joined
above the belt of the aphot. So we're
talking about the two straps now which
came from the back. Where did the two
straps come from? They were right by the
part of where the strap of the aphot of
the apron went up. as Rashi explains as
follows. Verse 27,
going back to these squares um settings,
they were placed on top of the shoulder
straps of the on the top of it
that were opposite or parallel the
throat of the coin.
They would then be folded and come down
before him.
And now these rings that we're talking
about here,
these rings that we're referring to were
put at the bottom of these shoulder
straps. So you had the shoulder straps
coming from the back of the coen coming
towards the front where the front of
them had the settings that the cholen
chains were hang on the bottom of those
straps. the bottom of it meaning where
it would be connected by the apron of
the strap of the apron over there you
would put two rings
that would be connected to the aphot
and that's why it says
meaning that those rings should be next
to the place of where it's connected
the place where you connect the apron
and the sash and the and the strap of
the apron are connected
right below the strap but connected to
the shoulder straps that are connected
because that connection was right
parallel to where the strap was.
These were put a little bit higher where
the shoulder straps would be coming out
from.
So if you have the picture, the picture
would be you have the apron on the
bottom which is sitting on the hips of
the cohane. Around it was a strap which
would connect and hold the apron in
place. Above it from the back would be
coming out two shoulder straps that
would go on top of the shoulders of the
cohane. On the bottom of those
shoulders, right above the strap which
was connected to the apron. That's where
those two rings would be placed
which would be exactly parallel to the
end of the which was in the front.
Then he would put a turquoise thread
through those rings and it would go
through the rings of the as well and and
connect them with that thread to the
right and to the left. The purpose of
this was
so that the bottom of the kosh shouldn't
be flapping back and forth on the
stomach of the
so would be sitting nicely on the robe
which was underneath the kosh because it
was tied to the back of the apron. So it
would be fastened well so it wouldn't
move while the cohen would walk. What
does mim meaning on the outside part of
the so you'd be able to see it. it
wasn't on the inside. It would be facing
the robe.
Verse 28.
The point is that they shall now link
the bottom of the of the breastplate
from its rings to the rings of the apron
with this turquoise string that we
mentioned that Rashi spoke about.
So this way it should be remained
situated on the belt of the aphot
and the kosha the breastplate should
never be removed should never come loose
from the aphot. And this is actually a
negative commandment that the raumerates
one of the 365 negative commandments
that the kosh always has to be attached
to the aphoti.
The word means should be attached.
We find us in other places
when it talks about the mountains that
were next to the valley
after one was not able to go into the
valley between them because very
difficult
because the mountains were very close to
one another.
Therefore, because however, when the
Jewish people went back that way, it was
a very smooth land and it was easier for
them to go. So, you see the word
means connected close to the valley
proving his point that the word means to
connect
that should always be connected to the
belt of the aphot
should never be disconnected.
This is from an Arabic language.
Dunes who dunes. This interpretation is
according to the commentator the fellow
dunes. There were as we mentioned there
were two people who Rashi refers to with
the grammatical and translations which
was and that we mentioned previously.
Verse verse 29
and Aaron will then carry the names of
the Jewish people
with the breastplate of judgment
on his heart at all times when he enters
into the tabernacle.
So this should be a constant remembrance
constantly in front of God.
verse 30.
And now you're going to place into the
kosh into that fold. If you recall, we
mentioned that the kosh was made of an
woven tapestry where it was a front and
then it was folded in the back. What are
you going to place into that fold
theim and
this will always be on Aaron's heart
when he comes before God
will carry the judgment of Isl of the
Jewish people.
on his heart in front of God constantly.
What does this mean?
The itself was not
was the name of God, God's holy name
that was written on
that was placed in that fold of the
breastplate.
The reason why it was called
comes from the word mayor would
enlighten his words
and they would uh make his words real,
sincere, pure.
This was why it was called because it
would make the words complete and
illuminate the words that were needed.
However, Rashi tells us
that in the second holy temple where the
was the breastplate. However, it's
impossible.
A cohen is not allowed to wear a one of
not not allowed to wear only some of the
garments. He has to wear all the
garments.
Though he had the breastplate and he was
wearing the breastplate, the actual was
missing in the second temple.
But because of the writing that was
inside, because of the god's name that
was written in there, that's why it was
called the of judgment
because we find that they would ask in
the judgment of the which was when Moshe
needed something or Yeshua went out to
war, they said he asked the judgment of
the urum. That's why it was called
some what does it mean the judgment of
the Jewish people something that they
are judged about
something which is current a question
and they need to know should they or
shouldn't they do any of the following
according to the medish
because the breastplate would forgive on
those who corrupt judgment was called
judgment
because it would forgive those who
pervert or corrupt the judgment.