Shnayim Yomi - Terumah - Sh'vi'i - #7

[Music] so in the least aliyah the terrorist speaks about the khatsar mishkan the khasir of the mishkan how it was built um how the skins that were used to cover the mishkan were and there were again a lot of uh ramazan a lot of hints and a lot of usaidis that are in the building of the mishkan and how it was put together but there's one very basic question that really relates to this but also to the entire parish of truma and that is what are these in yadam doing in safer mice say for schmeichel is the story of bethias mitsrayam and kabbalah satyra that's really what this the safer is all about the last four parties truma tetsaba vayakal pakude discussed the mishkan the mission had to do with carbonus that's really what goes on in safer vayikra when it describes all the corbonas so wouldn't it have been better to put these parshas and all of this discussion of the mishkan and these four parshas that go over the mishkan again and again and say for vayikra and there's a reason why it's insane for schmeich you see this matriaryam actually had two taklasim had two purposes the obvious purpose was to take the inaudible so that we would be able to be macabre the torah so that we would be able to be in a position to get connect makaris and receive the torah and understand the mitzvos and the uh the things that we are supposed to be doing and understand what a jew is supposed to be and what a jew is supposed to be like but there was a second tahlish the second catholicism was to come to the billion of the shrine to rather of the of the mishkan and the reason for that is is because once we know what one has to do as a jew and one does it the proper way as the process says when you make this mikdash or this mishkan you want hashem to be in it you want hashem to come and dwell with you together that is why the mishkan the building of the mishkan has is part of safer schmeichel because that's just as important as the uh kabbalah satyara is to build the basa mikdash and if you know from the pesach seder from dayenu you know it it we talk about you know all the things that did up to kabbalah satora and then we end with bingin basa miktus bonalona specia bahira that's really the end of where we're going to go the the the the miktash of the mishkan is the same it's it represents the shrine in essence this is the three type charles regalim the three regardless of shiva says and what is sukis circus is we go into the sukkah we make a a uh some type of a structure and we go in there and akadesh burkhu comes with us we make the sukkalis that sail we make the sukkah for hashrat sashrina for akrishbaru to dwell among us interestingly enough the bill nagayan explains that why is it that sukhos comes right after him kippur should come when they went out of its rhyme they built sukkos why do we do it after pesach and he says because what happened was after circus the day after after after after yom kippur rather we had slicha when we did this took the shrine away from us the day after yom kippur we got slicha maishrabeno announced the luchruma the the the donations for the mishkan for two days they brought the donations on the fourth day they began to collect them and build and the shrine came back on sukis is the yantra it's the the young of benion based on mikdash what we have to understand is part of our avoider it's not just that we do what akerjo asks of us and understand what we have to do but our shul our base madrid and our home has to become a miktash we have to be makadashit we have to make them holy we have to do the things within them that in gender kedusha that in gender the the srinah should be there we want to be they are present with us we want to be what's called marouza we want to be wanted by hashem not just that hashem should say it's okay you know you go your way you'll go my way i give you sleek up no we want to be marutza we want khadesh we want to come back to the time when hashem wanted us and that's what we do by making the kedusha in our shules and our base madrid and in our homes [Music] you