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Rejuvenation: Theater and Theology
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Yael Valier is creative director of Jerusalem based ‘Theater and Theology’. She tells Eve how her personal search for explanations of why bad things happen to good people led her down this path of intellectual, spiritual and artistic creativity and also ultimately prepared her in some way for the recent death of her son. Why are English speaking Orthodox Jews attending plays with originally Christian themes? Are theaters the place to discuss God? A thought provoking, even pain-full talk with a talented and deeply devoted Jew. Yael has now gone international.
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[Music]
hi everybody Eve hair oh I'm
rejuvenation for the Land of Israel
Network it is a very cold day in Israel
beautiful rain with of it
January 9th 2019 and some pre-taping
this for a couple days from now I am
sitting with the El Valle AO I've
actually known for a long time she is
creative director of theater and
theology I'm so glad I remember to say
that when in alphabetical order
Irie ran into her at ly mood UK a couple
of weeks ago where she was presenting
some of what she does so this sounds
like so totally intriguing white is
theater and theology high even I'm happy
to be with you today
theater and theology is a theater
company based in Jerusalem performing at
the Hahn theatre that makes people think
I'm I love theater
I love theology and I decided to combine
the two all the production's I do have
some kind of theological underpinning
that doesn't mean that they're they're
necessarily heavy to get through I do
comedies too but after every production
I interview a scholar either Jewish or
Christian so far about the theological
underpinnings of the show that the
audience just sat through and enjoyed
okay so I think theater we all pretty
much understand what theater is but I
would like you to describe see what you
think theology is how do you describe
what is what is theology I mean we all
think we know what it is like study of
God study of religion but how do you
interpret it okay good question first of
all I didn't know that thing about
Josephus cool yeah okay
so I'm I'm not approaching this as a
philosopher and I'm not too worried
about pinning the meaning of theology
down exactly what I'm looking for is a
place that will make people think
exactly about what you said religion God
how we handle religion nowadays how
religion changes or should chain
and what motivates us as people and how
you know all our existential crises
shown on the stage so I mean I think in
the olden days from what I understand
everybody believed in God or in gods but
what we have today is that it's not
that's not a given and I'm sure there's
a lot of people then who are gonna be in
your audience who for them God or
religion maybe even if they were born
into a religion it's not really where
they're sitting do you then want to wake
up questions with them is there a God is
their religion or you're very happy for
them to see it as kind of a theoretical
interesting thing but nothing that
relates to them
no good question absolutely I'm
interested in shows that that are deeply
relevant to audiences nowadays and when
I'm looking for a play I'm looking as a
first of all as an artist it has to be a
great play and then I'm looking for the
content so for example my last play
Hail Mary by Tom Dudzik a great
playwright living in in the USA right
now go check out his place and I
actually renamed with his permission I
renamed the play to off the Derrick
Dolorosa which has a twist that
Christians and Jews in Israel could
appreciate so his comedy Hail Mary or
off the derrick della Rossa is all about
a young novice she wants to be a nun she
teaches in a Catholic school and she
wants to revolutionize the way religion
is taught to focus more on the love and
less on the strict rules things that we
all think about Jews or Christians or
Muslims or anyone how can we make
religion meaningful to us beyond the
rules and the comedy is all about her
her successes and her failures and after
each production of this show I talked to
people on a spectrum of religious
practice from a secular humanist atheist
Jewish educator
all the way to a a her ad and
ultra-orthodox educator each time a
different person about how they view the
struggles of this young nun are her
doubts legitimate you you asked me
before about doubt short doubts are
legitimate we all have them are her
doubts legitimate are her complaints
about the way we teach religion
legitimate is there room for the rules
and regulations what positive aspects do
they have all these things so the
audience sits through the play has a
great time laughs their way through it I
hope they're not analyzing too much and
then the analysis comes so tell us a
little bit about like your background
how did you what did you study
I studied theatre but did you also you
didn't study theatre I'm getting a head
shake yes so how did you get into this
position where you are here you're
producing yeah you're producing theater
shows and directing these shows and also
I want to know before I forget do you
have original content or do you tend to
do like what you did with Hail Mary or
off the Derek della Rossa which is a
great name to just kind of adapt
somebody else's work to what you're
doing here okay um well I don't know
what you mean by original content all
all content was that you write your own
play okay
no I for the things I produce I don't
write my own actually right now
something I wrote with a Toby Kline
Greenwald ten years ago is being
produced right now I am a musical about
the Prophet Devorah but that's not my my
theatre company isn't putting it on
somebody else's that's exciting for me I
look to put on plays by contemporary
playwrights
two plays ago I put on a play by a
Jerusalem might and the play I'm just
begun production of is also by a
Jerusalemite marionette singer so I do
look to promote the work of M
playwrights local playwrights I don't
remember the rest of your question is it
in English it's always in English
yep always in English there's a
a tremendous amount of English speaking
acting talent in Jerusalem there are
many english-speaking theater companies
some at a really high level and a lot of
actors out there it's a it's a rich
world pretty surprisingly given the yeah
and it's a fun world to be in okay so
the the first part of the question was
what your background was right Wow okay
well my formal studies were in a
psychology clinical social work and
grief counseling so nothing to do with
theatre I actually have studied a
physical theatre with rooty Tamir who is
an Israeli physical theater and mime
artist she's superb but that also is
it's tangential to the kind of theater I
do I got into theater just over I guess
15 years ago living in a front through
the razor spirits company
I think you've spoken about raise your
spirits on your show before it was born
of a need to do something positive
during the Second Intifada when life was
hairy around here since then I've gone
on to act right and direct for different
companies in in Jerusalem also and when
I desperately wanted to put on a
particular play because I loved it so
much I wasn't able to find a theatre
company willing to put it on so I
decided darn it I'll start my own and I
thank God it's gone really really well
what is that entail to start a theater
company courage and frankly a monetary
risk because and nobody's going to put
money into some harebrained scheme like
that so yeah it it entails finding the
perfect play you know for me as a
director and finding the actors and
doing all the producing stuff that is
tough you know finding rehearsal venues
show venues doing all the
publicity doing it legally which means
paperwork and you know doing getting the
licenses and doing doing all that stuff
but it but it's worth it the specific
direction that you've taken which is to
work the theological aspect in so where
does that come from for you I've spent
the last ten years in the think tank of
rabbi nuts on Lopez Cardozo I
interviewed him last year amazing yeah
he's an amazing person actually and and
he came along and did me a great service
I would say not not on purpose although
I guess what he does I take it back it
was on purpose though he didn't know it
was particularly directed at me I heard
him in a lecture about just over 10
years ago and he said something
astonishing and greatly comforting for
me which is that God is not benevolent
now why was this astonishing and greatly
comforting it's because I had gone
through sort of a tough religious period
I would say for a number of years where
where I was struggling with that same
realization or opinion that God does not
seem to be benevolent and to see a guy
looking all traditionally Orthodox with
his beard in his suit and his great
accent standing in front of an audience
and saying look God has not been
Evelyn's and he can't you know he
explains himself I wouldn't let it stand
and anyone who hears me say this should
not you know go out and and think that
they know what rabbi Cardozo thinks
without investigating further but it was
a very comforting for me and I thought
hey look at that
I can be an Orthodox Jew which is you
know I want to do and I can have respect
for orthodoxy and I don't have to sort
of bend my mind to trying to think
something that I don't believe and so I
became an instant fan of Rabbi Cardozo's
and I had been
reading theology and philosophy on my
own for a number of years trying to
figure this out and I joined his think
tank half a year after I heard him
lecture I was lucky that there was a
spot open and I got it and so I was able
to do the thinking in a in the context
of a small group of interested
passionate diverse people and so I've
never stopped being interested in the
theological aspects of life and with my
love of theater it was natural for me to
combine them may I ask what was there
something particular that kicked off
this you know search that you had let's
say that accidentally landed you because
you believe there's no accidents you
know ten years ago with Rabbi Cardozo
like you were open to hearing what he
would say because I'm sure there are
other people in the audience that night
who said okay and then left the room but
it hit you probably at a time where it
you needed to hear that anything going
on there you can share with us that
might have primed you for that moment I
mean that's a great question and I
really don't know the answer I don't
remember if there was a particular
trigger I think what happened is I would
say that I'm a realist perhaps it you
know someone else would say I'm a cynic
and I keep my eyes open
and if you look around and you you hold
as an axiom that God is all-powerful I'm
not sure right I'm not sure but let's
say we hold that as an axiom then that I
mean it's embarrassing to say this
because I sound I feel like I sound like
a you know a teenager why do bad things
happen to good people
but you know when when you start to
think about why do bad things happen to
good people one of the conclusions one
of the conclusions that you have to
consider as well maybe God is not
benevolent I don't know if God you know
has reasons or what you know there are
all these things that we can
a but from a human perspective if God
can if God has the power to allow good
things to happen and doesn't then God
doesn't seem benevolent you know we can
answer yes free choice or not free
choice and all that stuff but that's
what I saw and it was yeah it was a
crisis for me for several years and I
actually started to read a lot I went to
Calvinism first which sounds crazy but
and I've has since spoken to two
Calvinists about this and they actually
disagree with me but but from my
perspective Calvinism seemed unflinching
in that they believe that God pre elects
a certain number of people and that
everyone else is going to hell and so
this seems very harsh and I think it is
very harsh and I don't I mean I it
doesn't it's not relevant whether I
believe that or not what was relevant to
me is that it seemed like an approach
that is willing to believe that God is
not benevolent because it seems to me
like a benevolent God would not do that
and so I went to the Calvinists first to
see well how do you cope how do you cope
with a god that's not benevolent of fur
for fairness sake I will tell you that
Calvinists answer which is you know
because because it's not fair I think to
represent them without doing that a
Calvinist would answer that nobody
deserves salvation since we're all born
in sin and therefore it is benevolent to
save any number of people because that's
showing God's grace it and I don't buy
it as it as a Jew that's hard for me to
swallow but but you know to be fair
that's a that's like healthy just answer
as far as I can make it out I'm sure
it's much much more complicated and
nuanced then I just represented it it
almost sounds kuzari like what you're
doing you know the famous
book of faith the middle the middle-ages
book that was written about the king of
kazaar who's inviting everyone to kind
of speak as represented as their
religion and eventually you know he
chooses Judaism I mean your search here
is very interesting because you're going
out of Judaism to find whatever true I
don't even know if I want to use the
word truth but just to get the
information as part of your struggle and
as part of your search right I would
state strongly that I was not interested
in becoming Christian or Calvinist or
anything like that at all but it
interested me to go to see and another
philosophy that was dealing it seemed to
me with him that's that my same problem
I was also at the time this was many
years ago I'd say more than 15 years ago
I was interested in looking outside of
Judaism because I didn't want to get any
Jewish people involved in my struggle
because I didn't want to have a bad
effect on anyone I don't I'm not
interested in trying to make people not
believe in God or not believe in a
benevolent God or not follow Jewish law
and so it seemed to me a better better
thing to start outside of Judaism I'm
not sure if that was wise or not but
that's what I did I've been just putting
together a couple things that you said
the 15 year mark that's also when you
joined raise your spirits and got into
acting and that's also when we were
living in a terrible time period where
horrific things were happening to really
good people and I think that you know
people look at Israel and they see
terrorism and Wars but we're living in
it and and as many people hear people of
faith and I'm not saying religious
observance intentionally we're
constantly having to struggle with why
on earth that this just happened so it
seems that you took that what was
happening around is politically if you
will and turned it into like trying to
find some personal answers for questions
that a lot of us struggle with it I
don't think that you're unusual here may
be unusual and that you went to the
Calvinists maybe that but so when you
say the
didn't want to bring anyone into it even
the closest people around you your
husband if children this was like this
was a very personal search for you at
what point did you come out and say this
is what I'm doing well you ask good
questions yeah actually I I kept it
personal for a really long time
eventually I started talking to my
husband about it because I can be quite
convincing and when you know when you're
debating theoretically with yourself
it's okay but when you're playing
devil's advocate with somebody else it's
it's not necessarily okay luckily for me
my husband is an unbelievably straight
stable loving faith-filled
person lucky me
so first of all he wasn't shocked by
anything that I thought or said and I
knew he wouldn't be and in May I realize
that I should have discussed these
things with him earlier than I did
because he's just so wonderful and you
know he was the he sat and he listened
and and didn't try to do anything silly
like tell me I'm wrong or anything like
that yeah and how about your kids my
kids were little it's very hard to
handle this kind of thing when your kids
are little right because they're going
to they're little they're not supposed
to be thinking about why bad things
happen to get to good people they're
they're supposed to be learning in
school about their religion and and
about how God loves them and and things
like that um so no I didn't discuss it
with my children and I don't think it
would have been appropriate to and more
than that I remain dedicated and now
even much more so I'm in a much much
better position than I was 10 years ago
let's say in that there was a time when
I thought oh well my conclusions might
lead me
to understand that that let's say
religion is irrelevant I didn't want to
come to that conclusion but and I was
afraid of it and I might have but I
didn't and now I'm much much more
confidence in where I stand
practice wise I think that I love being
Jewish I never stopped loving Jewish I
loved being Jewish I loved Judaism I
think that it's a wonderful system and
way of life and I think that it really
does it's not going to magically turn an
immoral person into a moral person but I
think it does help us become better and
I think that it does help us become more
giving and more loving not just toward
each other but in its training of love
for each other we become sensitized to
to greater and greater circles beyond
our family and our own communities and
Beyond Judaism and so I I advocate you
know I think judyann's Judaism is great
and I also think not only Judaism but in
particular Jewish law is fantastic
training for a meaningful and moral life
so that's where I would love my children
to go and I don't think it's a you know
it it wouldn't have been relevant to
start talking to them about my
existential crises when they were little
what happens though is that as your kids
get older you become more and more frank
in your discussions with them which is
fine for the older kids but I have six
kids and the younger ones are still
little when I was having sophisticated
conversations with the older ones which
means inevitably my my younger kids
became aware of these issues earlier
than I would have liked them to and
there's not much I can do about that and
I don't even know if it's bad um I think
it's just a different way to grow up
I found that around my table as well
where I have seven kids and definitely
the younger ones are exposed to things
not just religious discussions but a
whole lot of other things and a much
earlier age and
other kids because they were hearing
their older siblings talk about this in
that so yeah it's very different we have
a large family that little ones tend to
grow up I think in some ways a little
too fast and we prefer them not to do
that so in the recent past though have
you
has your faith been tested okay you're
asking because one of my children
committed suicide a year and a half ago
a little less than that just over a year
ago no the short answer is no and the
reason it's no for me is because I
already went through all that in other
words and I'm sort of grateful that I
went through my crisis before my son
died I already went through a period of
wandering about God and wondering why
bad things happen to good people and so
when it happened in my family it it
wasn't a shock I mean it was you know I
mean that aspect of God's God was not a
shock I didn't suddenly wake up to a
grim world I I don't walk around
thinking the world is grim all the time
by the way I thank God I'm a pretty
happy person actually I can attest to
that when I think of you it's with a
smile on your face and I would say that
most people feel the thing yeah I don't
know how that works but I'm grateful for
it so it wasn't it wasn't an existential
shock for me I already I already knew
that that innocent people suffer and so
this time it became personal but but
that but I had already gone through a
long process of many years of coming to
deal with reality and I'm grateful that
I had gone through it already so that
those phases of grief you know the the
kubler-ross right the phases of grief so
one of them is anger so you didn't have
that because as you said you'd already
come to grips with the fact that bad
things happen to good people no I
wouldn't say I didn't go through anger I
didn't go through
at my son actually because this is gonna
sound shocking but he had to do what he
did now I'm saying that from his
perspective
could he have hung on I don't know I
mean no actually apparently not the
reality says he couldn't um but should
he have or were there wait bla bla bla
you know um maybe but from his point of
view there's no way he would have killed
himself if he didn't have to kill
himself from his perspective and so I'm
not angry at all I'm relieved for him
that his suffering is over it sucks for
us but I he was a he was a very straight
deeply religious person highly concerned
with morality there's no way he would
have done something like this if he
didn't have to because he didn't think
it was right so I'm so you know it's I
can't be angry with God yeah I'm always
angry with God but I was I was angry
like I said I was angry with God before
that it's not like I'm suddenly become
angry with God is suddenly realized that
that bad things happen to good people
ever we keep saying the same thing but
it wasn't it wasn't a shock for me and
so yeah I expect more of God I think
that we are dependent on God as babies
are dependent on their parents and that
we there are things we seem to make
excuses for for God that we would we
would take children away from their
parents or put parents in jail for for
abuse when when God does this to
humanity we seem to think it's fine and
dandy I don't get it
maybe maybe there's something lacking in
my faith as this you know I'm I don't
feel guilty
perhaps if I had more faith I would I
would think that
well God must have some good reason
that's beyond me and Who am I to ask and
leave it at that so anger yes I know so
were you able to help your husband and
your other kids through this because of
this already
you know realization or that you had
come to before all this happened I think
that as a family we've helped each other
tremendously I don't think that that
that my feelings about God are relevant
to that question maybe as my kids have
absorbed it over the years and we've had
very open religious discussions in this
house for you know years and years so my
kids know that there's not anything they
can't say about God or about suicide or
about anything else we never kept this a
secret we're not ashamed or embarrassed
or anything it's been tragic how many
people have come to me since my son
killed himself to say oh you know my
family member killed him or herself too
and we never told anyone or my parents
said we had to say it was an accident or
that's just awful
because it makes it makes recovery to
the extent that one can recover so much
more difficult so I would say that as a
family we've helped each other
tremendously on an on many fronts why do
you think that is that people don't want
to talk about it
when it's in so many families or almost
there including in my own so many of us
have know people who either committed
suicide or were just going to and for
whatever reason intervention didn't
why do you think there is some as you
use the word stigma about suicide so
first of all I think that the stigma is
much less than it used to be and I have
not felt stigmatized at all
maybe because we're so open about it I
don't know but I think that there's
definitely a religious stigma or there
used to be at least and I understand
that there there used to be sanctions
against people who had committed suicide
or families whose loved one had
committed suicide the people who had
committed suicide used to not be buried
with other people etc I think that one
of the things I love about Judaism is
that it adapts I think this is
mind-blowing
for for such an established entity to be
able to adapt and Judaism lives in the
modern world and learns from the modern
world in the modern world we understand
that suicide is not wicked and people
don't kill themselves because they are
lightly taking God's gift of life or
anything like that and and so our Jewish
attitudes have changed also there was no
question not for a second about where my
son would be buried and whether people
would attend his funeral and whether
people would come to comfort us as
traditionally in Jewish society they
would not have as a as a deterrent I
suppose I take back I don't know you
know I'm not a I'm not an expert in
Jewish law so I can't comment so I think
that people are still embarrassed for
those reasons they the our traditional
beliefs even though they change we still
have a collective memory and I ice I
suppose that that affects us do you
believe in an afterlife
hmm no that's a really tough question
because that's a big question in Judaism
um
right I actually think that in Judaism
we don't worry too much about the
afterlife and if that's something very
different from Christianity and I don't
worry about it either in other words
nothing would surprise me there's either
a God or there isn't a God if there
isn't a God
there's there's nothing and in terms of
my son nothing is better than when where
he was and so that that's an improvement
for him as far that's a terrible and
tragic thing to have to say but it's
true
so that's fine by me if there is a God
there is either an afterlife where there
isn't if there isn't I won't know if
there if there is I'll find out if there
is it's either gonna be good or bad yeah
if there is I can have absolutely no
idea of what it looks like and I think
that nobody else can have any idea
despite everybody's theorizing and so I
don't spend too much time worrying about
it right well that Christian idea of
Heaven and Hell I think is something
that's kind of impacted Judaism I don't
think it's inherently Judaism again I
might be wrong but my read of Judaism is
that's something that especially
Ashkenazi Jewry european-based jury or
what used to be European based jury that
lived with Christians for fifteen
sixteen hundred years was affected by
that and that's what I find so
interesting also about rabbi cordosa
is that even though his background is
Dutch and from Jewish on his father's
side and not on his mother's side he's
very very open about that for those of
my listeners who heard the interview
with him he talks about the very
distinct tradition not just traditions
but thought processes between Ashkenazi
and the Middle Eastern Jews and where
we've gone and I love how he says like I
scream nosy Jews are colder maybe
because it's just a colder climate and
so the truth you know the whole ideas
become like that so yeah so that's a
question that but it's one of those
things that like you just said we don't
know so waste a lot of brainpower
thinking about that and I think people
should be good in this life because you
should be good because you live in a
world not because you'll get heaven or
hell if
not okay that's that's something that's
gonna kick that can down the road so
tell us a little bit getting back to the
theater and the people that you have
speak do they get you I'm sure they get
you thinking because you're just that
kind of person but are you looking at
the audience when you're you know when
you're having the conversation you
invite a theologian for lack of a better
word to come and talk to the audience
are you fascinated by the give-and-take
afterwards and the kinds of questions
that people will ask absolutely and the
whole point of having the scholars come
is in fact to have a dialogue with the
audience which is one of the reasons I
prefer to do my plays in a very small
theatre I'd rather do more performances
but I do it at the the small theater at
the pecan which by the way was built
over a thousand years ago and the
Crusader period you know that because
you're a tour guide I love I just love
doing shows there it feels so so good
anyway so I do my plays in the small
theater there which holds 70 people I've
tried doing it in the big theater and I
find that the the closeness of the
intimacy where the audience is lost so
yes I always leave space for time time
for debate and discussion with the
audience I pull them to see who's whose
point of view we are which character's
point of view on stage they most
identified with and sometimes I argue
with them and sometimes not it's a lot
of fun you do realize that this ties in
your training because to some degree I
would imagine it's therapy for people to
be able to have a safe place to you
brought out the issue they haven't so
they're really just responding to
something that's already out there and
perhaps it's creating a safe place for
people to discuss things that they
wouldn't feel comfortable discussing and
another kind of mulu absolutely and
after every production I have people
write to me and say hey let's let's
continue the conversation hey I've been
thinking about this too and I want to
emphasize again because we're focusing
on the theology aspect which is
important to me that the theatre aspect
is also very important to me
I strive to have a high quality theater
production for people to watch and I
know that a certain percentage of their
sorry a certain percentage of the
audience is going to leave after the
performance and not stay for the
discussion so it's important to me that
the play be excellent also and so so
sometimes I'm gratified because I get
emails or calls saying hey I loved your
show
sorry I couldn't stay for the discussion
and I love hearing that even if they
couldn't stay for the discussion because
it means that the show was was good too
so what's your typical audience you have
young people there do you have older
people there mm-hmm that's also a very
good question I'm actually striving to
get a white a wider audience I would say
50% at least of my audience tend to be
Orthodox Jews which is not surprising in
anglo Jerusalem but I am slowly getting
a wider range of practice in my audience
I think that's because I invite a range
of scholars it's not it's a it's not
always an Orthodox Jew or an orthodox
theologian um and I'm getting a
following of Christians also which is
great I've struck up some friendships
and working relationships with with some
Christian clergy who have come to see my
place I'm going to be leading culture
day at the radish bone monastery on
March 1st for Catholic seminarians
because a priest came to see my last
play loved it came to see it again came
to our house for Shabbat discussed the
issues and and now I'm starting to work
with him so I'm going for a range I've
also had you know there's a Mormon
University in in Jerusalem and I've had
Mormon audience members coming because
we're all dealing with the same issues
not I wouldn't say weird
dealing with all of the same issues but
meant we share many issues and we're
discussing them and we have the same
existential crises and the same need to
to laugh and to be entertained at a high
level and so so yeah we're we're
reaching we're reaching the audiences we
want to reach so the obvious question
since we're in the Middle East is how
about Muslims it's a good question I
would so love interview you you make me
feel so good when I look for plays I
look for plays with that are first of
all good place and with theological
content and so people have asked me well
why did you why have you been doing
Christian place and or plays with
Christian content and my my answer from
a theatrical point of view is there good
place and they talked about what I want
them and what I want to talk about it
people have been so I read a lot of
place I haven't yet found a play that I
would be happy to produce that involves
Islam or Muslim characters there are
there a couple that I I've considered
but I would love it if someone said hey
here's a play a are you willing to
produce it and I loved it the things
that I produce have to be I'm not I'm I
love history but I'm not interested in
putting on things that are just
historical or just political I'm really
interested in the the theological aspect
that's relevant to audiences today and
so if someone gives me a play that is
that that underlines an issue in Islam
or in Islam and Judaism together that is
relevant right now then I would be happy
to put it on I also tend there are good
plays out there well written that have
content I'm not actually interested in
having on my stage it's an interesting
challenge being an Orthodox director and
it's an interesting challenge directing
in Jerusalem because there are certain
things I'm not going to have I'm not
going to have naked characters on
I actually just read a play that was
excellent excellently written but I
can't do it without having naked
characters onstage I'm not going to do
it I'm not gonna have people fondling
each other on stage that actually rules
out a whole lot of stuff um I don't
really mind curse words if they are
necessary to underlying underlining an
important point but a lot of plays just
have curse words all over the place not
because it's artistically or
linguistically necessary I'm not gonna
put on those place and so the shock
factor yep not interested
I don't mind shocking people for other
reasons but I'm not interested in in
wasting oh you know shot the shock value
for the sake of shock value I'm just
wondering if the Muslim audiences aren't
ready for what you're doing it's not
that you know that aren't the plays but
I'm looking at it now from the
perspective the audience from people
coming that I think it's great that
Orthodox Jews are coming to see plays
that are coming that are the written by
Christians are coming from a Christian
perspective because it's showing a and
openness to just discussing God and it
doesn't matter where it's coming from
but also I think of security and one of
the things that I'm finding and that's
why it's not surprising to me that this
is happening in Jerusalem is that and
I've started talking this to people
about living in Israel we're in our
slippers here there's a confidence that
comes when you're home a security that
comes from your home you can be open to
different things because you're in your
own nest and and maybe that's why it's
you and it's Jerusalem now and that
you're having these audiences of you
know people who might not be comfortable
going to play like this let's say in New
York or in Melbourne or somewhere else
but in Jerusalem it's okay because it's
a Jewish cultural world so you can take
the risks to step out and think about
other things because you know what's
home is that youth do what do you say
about that idea I think you mean it
makes intuitive sense that you're right
I would also keep in mind that I'm doing
things in English right and so people
who tend
to move to Israel or from
english-speaking countries tend to be as
certainly to Jerusalem tend to be Jewish
or Christian you know Christian there
are Christian educators here educating
Christians who come through in English
if I were doing things in Hebrew there
would be much more of an opportunity to
involve Muslim content and Muslims and
that is happening as far as I know which
is not I don't know
tons but as but I know some about what's
happening in the Jewish theater and
sorry in the Hebrew theater world and
there is more of that in Hebrew would
you reverse to somebody taking your
place and translating them into Hebrew
first of all they're not my place and
absolutely not I hope that my next play
Miriam met singers play in a stranger's
grave and excellent play I'm really
excited to start production we're having
our first table read this Friday I hope
someone translates it I actually have a
translator in mind and I hope she goes
on to produce it in Hebrew because it's
all about something that that Israelis
are talking about anyway and that is the
the conversion crisis and the power of
the rabbinate to confer and withdraw it
seems conversion status which is
provoking a crisis so in a stranger's
grave is all about that from one
family's perspective that's something
that robbing our town cordosa talks
about extensively as well so since
you're in English have you been invited
well I met you at lamode which was you
know I saw you there in England so you
were out of the country and you were you
were showing your play in in the UK have
you done this let's say in the United
States or in Canada and other places
have you been invited and could you do
it if you were invited or was it too
complicated no it's not too complicated
at all I was delighted to be invited to
Lee mood and it was fun to present there
and the audiences were gratifyingly
interested they had fun we had fun
together I did mostly for
of my sessions were based on excerpts
from either plays I'm producing or plays
that of which I'm a cast member if some
even if someone else is producing them
and one was a straight lecture and they
were all well attended
so that was gratifying and yeah I could
certainly do that I I have a spoken in
various venues this is the first time I
was invited to go outside of Israel to
speak but it's not uncommon for me to be
invited to to speak about this stuff and
and to run programs that are either
experiential or or lecture style so if
someone's listening and they're thinking
wow I'm wherever and this sounds like
something that I think my community is
ready for be interesting how would they
get in touch with you so people can
write to me at Yael why AEL at theater
and theology dot-com or they can just go
to my website theatre and theology calm
and contact me through the website
that's theater with an ER I debated for
a long time
should I spell it re shall I spell er
you know it's sort of high-class to
spell it re but oh absolutely and I
actually grew up for many years in
England even though I don't sound it so
I thought I have an excuse to spell at
the British Way but I decided to go for
go for the plain old American spelling
so how are you how do you kids are
reacting to this like this kind of a new
career last decade or so what what are
their feelings about what you're doing
they think it's cool well actually most
of my kids are are have acted
some of them extensively and so I know
we we overlap we know a lot of the same
people it's weird when your kids grow up
and you get invited to the same parties
from from you know not because not
because you're the mother or the son but
because you are cast members or
directors or whatever it is one of your
kids was with you right in England one
of my kids came with me he loves to
study and he also he
he loves studying religion and politics
and language so he was just in seventh
heaven he and I spent three days in
London before going to see productions
and going to museums it was wonderful I
have a I have a son I have two sons who
are actively involved in the Jerusalem
theatre world right now not necessarily
in my productions although they have
been in my productions ones also a
ballet dancer he's a he's dances
full-time ballet in contemporary so he's
in that world so to them it's not so
surprising to have a mother who's in
theater that everyone they know is in
theatre yeah okay so what a like where
do you see yourself in five years if
somebody would give you you know wish
list I know you're producing plays in
your but like what's your to have a long
term a little more there towards you
have a are you just kind of rolling with
it and seeing where it's going or is
there some place that you're trying to
get to I've learned that in good ways
and in bad ways life is full of
surprises I'm so grateful to be where I
am now I can't think of anything more
wonderful and I I can't believe how
privileged I am to be doing meaningful
theater in Jerusalem when I think about
it I get all choked up at because my
mind blows and so in five years I would
love to be doing more theater and I also
I also work in translation and I
specialize in translating rhyming
children's books so I feel from Hebrew
to English and I feel so grateful to be
doing that because I can't imagine a
more fun job and the other thing I do is
I I do regular voiceover and dubbing
work for various companies if you have
small children you may have heard my
voice on the Fox networks baby TV
channel although you probably wouldn't
recognize it and so when you ask me what
I would like to be doing in five years I
love doing dubbing and voiceovers for
for children's animation and I love
directing
so I would be delighted to be doing more
of that and hopefully I'll be able to be
doing more more more of what I'm doing
is which is you know it's a blessing to
be able to say that and I feel really
really privileged to be able to say that
so God gave you a gift and you're using
it I guess so
I wouldn't want to put it more
beautifully than that so I'll leave it
at that okay yell failure thank you so
much for Wow just for being you and for
sharing it with my audience
repeat the website one more time theater
and theology calm everyone
you heard it here leave Harrow
rejuvenation on the land of israel
network thanks to Ben and to Tabitha and
tal for bigamy thanks for having me take
care of you Betty
goodbye for now
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control of the Golan Heights is critical
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