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Rebbe's Hagada #1a - History, Tell the story. Kiddush details, practical advice - RC Dalfin
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So good today we're learning the Hag of
the Reba. This is the first of the
six six part series Hashem.
So I want to give a general introduction
to understand
uh the Rebag.
It was uh 1946
which actually is 80 years ago
that the Reba
received instruction from his
father-in-law the previous Reb
to compile
the Kabad minhagim the Kabad customs in
an organized way for the Pesak Sedar and
the Hagad.
Now,
until then,
the the the
details
of Kabadim
were for the Seda were not
were not clear.
Although the Reb put together the Hayim
in 1943, which also was
part of the reason for that publication
was to gather Kabad customs
and to have inspirational thoughts for
the day based on
and uh instruction of the labbas of
various times.
But in a in in a systematic
hagoda manner it didn't exist. So in
you we could see kind of the trajectory
of the previous Reb's
desire
the the way the way things were in
Europe not only in Kabad but it for most
maybe not by the yeis in Germany but
for Most of Judaism, I'm talking about
Orthodox Judaism, Toro Judaism,
things weren't really organized very
well. You know, this is the custom. You
do this, you don't do this, this is the
way we do it. This is the way the other
people do it. That type of language and
familiarity
wasn't wasn't prevalent.
Now, we do have
of customs that go back hundreds of
years, but I'm talking about the man on
the street
who was, you know, surviving even when
he wasn't, you know, being pursued by
enemies.
Nevertheless, you had to make parnos,
you had to make a living. and uh you
didn't have time to think about
well should I raise the cup 12 in 11 in
or 14 in? I mean like come on
and and I'll tell you something
having
European parents and and grandparents
who live through this era that I'm
talking about.
I I I heard it. You know, I remember
when when when I came back from Yeshiva,
as I was growing and learning in Yeshiva
in a in the free world and I would share
sometimes with my grandmother
something I learned as far as we do
this, we don't do it this way, you know,
and things like that. She kind of like
dismissed it, you know,
and she was uh a survivor. Came from a
from a home with a father with a beard
down to his, you know, to his belly
button, you know, uh came from
scholarship and and and andism,
right?
But the the the culture in Poland and in
Russia as well was such that
was such that this was not this was not
important. What's important is you have
to go to the mikvah before you get
married. My grandmother told my my
sister and maybe she told us too but I
forget. My sister reminded me how how
they would check on you if you're going
to the mikvah before you get married.
This is in 1935
Poland
outside of Warso.
The you know so
what what was what was important then
was the the the basic you know the DNA
and and the basic ABCs. uh mind you you
know of of of Yudishkite you know the
the the details this way that that
wasn't even though they you know they
baked
kalas let's say for latter kalas you
know that was my wife's
grandmother who was Russian kabad
Russian
so I'm not saying that they didn't keep
mhogen god forbid but the the structure
and the and be putting in writing and
kind of this is the the forim
and this is the for and this is the
forim
we we we didn't we didn't have that this
is all a new phenomena
and all I mean from post holocaust now
within post holocaust itself
I I would say that kabad labage the
previousb andba were from the first or
maybe the first who really
put an emphasis on this. Now
the the previous if you read his talks
in the debur and other places you see
that this this was very important to
him. So when he comes to America in 1940
and he has an opportunity, he's not
running for his life and he has a person
like his son-in-law who is this you know
genius scholar and he's so and he's also
very well-versed in sciences and things
like that. So he utilizes him to start
documenting Kabad customs and in Kabad
customs there are different customs.
their customs of what's called for the
household of the Raayan which we call in
Hebrew Minhag the customs Bav
of the the Reb's household
and generally minav
were not for the public in other words
if one wants to emulate the rebas you
could do that but inad was usually seen
as as superficial
you're not a reb you're not the son of a
just know your place. Okay?
Over the years, whether it's proper or
it's not proper, not going to go into
that. That's a whole faber for itself.
Many more of these min
um are emulated by the common.
Okay. Now what the Reb does in this and
what he did in the is he he kind of
suggests if you pay attention carefully
which min is just for the Reb's
household and which min is also for
every person
and that's one of the unique things of
this
if you're aid or you want to follow the
dabage customs
then this is a must- readad kind of
because it puts everything in its place.
So for example,
it tells you that a at a certain point
where the the the world world meaning
the Jewish world the the the Torah world
will lift its cup, right?
it's it lift its cup
and cover the matzah.
So, um
the Reb will make a comment on that how
he saw it by his father-in-law and how
his father-in-law seemed to imply it
should be documented.
Okay.
So, so
I I say this because not everyone
is following or wants to follow or needs
to follow these customs
exactly cuz unless you're kabad or and
you want to have a seder,
you don't need to follow all the
customs. But I'm teaching that. So,
please understand that that's where I'm
coming from. That's one one one piece of
information before we get into the text.
The other thing is that when you when
you understand that the Reb wrote this
in 1946, he used his style. Every one of
us writes based on our style. The Reb's
style in writing is very succinct.
This we saw we saw this here in 46 with
the Hagada. We see it later in his
discourses and sikas
in general in general theba did not
write his own you know that right
the alterba didn't write his discourses
and theba as a general rule didn't write
his discourses
when khan prepared
that the rebba had said vbrang and he
submitted to him the reb would make
notes some notes on some things but he
did not WRITE THEM. HE SAID THEM. So you
know if it's on a tape you can hear the
tape shabasive
you had to memorize it and that's what
we did through the
process called
review
where every month of Shabas
after
Mala or having a Shabas meal uh we came
back to 770 Arabel Khan would re be the
lead reviewer of what he remembered from
the fabangan and he did a good job at
it. He remembered everything pretty much
and there were
bakarim and you know who were all around
and some had good memories and they
added to that and it was a two three
hour um experience which is for another
discussion. I I was there many times and
it was a very special special
experience.
So
but the Reb's style was when he did
write let's say this is very succinct.
So that leaves the reader and the
student and the learner a hard job. We
have to decodify
his kind of brief notes.
Okay.
So
in the hag that I'm using here, Rabbi
Emanuel Shakat, who was a great Torah
scholar besides a writer and a
philosopher,
he he did an excellent job in in doing
some of that.
So
this hagoda is not a hagoda like you
have let's say the hagod of the moral or
the hagod of this sage and this person
this rabbi they're writing in in great
detail commentary on the hagod
the reb is the rebba is looking to to to
insert kabad customs into that hugger
for
right he's also looking to understand
why the text which is based on the
alterb
the alterb
the text of our hagod is the alterba's
text it's not the rebba's text okay the
rebb's text is the is the s succinct
notes
the commentary whose text is this it's
from the balatana sid which differs ers
from other texts
maybe slightly sometimes but it does.
So, by the way, as an aside, if you're
using, let's say, the Maxwell House
classical hagada that you might remember
from your youth and your grandparents'
home, it's a good haga, but it's not THE
KABAN. NO PROBLEM. If you're using an
art scroll aud,
you know, depending on how and what you
want for your seder, you should make
sure you have the right agoda. You could
have several audas, you know, but the
text in in in the IS JUST LIKE THE TEXT
in the
and that includes val the vowels, the
valization,
um the the the commas and and and the
words um etc. Again, I'm not not going
into, you know, the Reb does some of
that
in in his commentary where he looks at
the different uh textual changes between
the alterbased
our Hagada and others. That's part of
his commentary and that's why it's
succinct and it's it's brief and you
need to really open it up because
and you have to have tremendous
knowledge. And that's the third point
third third point of the introduction.
When you go through the Reb's Hagada in
in detail, which I I did with Aabusa
several years ago,
you will see
that this man
this person has so much knowledge of of
all parts of Ta. It's amazing cuz he's
not just giving you references to
Gomorrah.
Gomorrah,
Cababala, Madrish,
commentaries on the Hagoda.
It it's really it's really u
mind-blowing
to see. In other words, people say the
Babba was a genius of Torah that when
you learn this, you will see it for
yourself. You don't need to believe
anyone. Just learn the I think this text
in particular
we just finished the Reb. You don't
really see there Talmud his knowledge of
Talmud. You don't see his his knowledge
of
um
medish. He quotes a medish. Fine. But
it's
right. But in the Hagoda
in his commentary, you see his vast
knowledge of all parts of Torah. It's
it's, you know, so that's just uh again
a very fascinating thing when you when
you're able to pinpoint
clearly that the person who writing this
commentary has this vast knowledge. So
it gives the the reader and the learner
he doesn't need to be aid he can be a
litak he could bearic he could be
anything if he wants to see a certain
depth in in in you know the words and
and in the text and and in the flow
let him take a look at this this
and finally one more point before we get
to some textual things here.
What did the Reb want with this Hagas? I
told you he wants to to clarify customs
for the seder in the Haga.
He wants to clarify
the the overall
purpose of the hag. What is the purpose
of the two words?
You shall instruct and tell your child
the hagada. As much as we want to
pontificate
and inspire
uh adults, it's a very nice but it's the
wrong timing. The timing the and I'm
talking to myself because that's my
interest right
but the truth is that the time of the
aoda is for children. Now if you have
adults who are children because they
don't have the knowledge so they fall
into the category of children but the
idea is
you shall tell
what do we read in one of the passages
whoever increases telling the story of
the exodus
is praiseworthy.
So there's a famous comment that's
repeated over and over probably said by
many different rabbis and and
sermonizers
called
the more you increase in telling stories
sapper seur stories your praiseworthy.
So here you see how the haba is should
be said in a story
the haba is written in a story like
manner and that's our job as parents
adults
to be to work on communicating the in
such a manner and the reb has that in
mind. Now, now you ask a qu uh you have
to ask a question.
HOW IS his commentary on the Hagada a
story? It's it's scholarship. It's it's
the epitome of scholarship that I just
told you about. And I think that the
answer is very simple. The more you
understand the scholarship, the better
you can tell the story.
Because when you are studied in in in a
text and it resonates with you, you can
tell a very fine story. The less you're
knowledgeable of it, the story the story
is is NOT A GOOD STORY. IT'S you know so
it so I want you to you know have this
in mind as we as we learn the as much as
we get we're not going to get to all of
it but as much as we get to it that
remember it it's that focus and
understandably you know some of us like
myself and maybe some of you who are not
you know we're guests at another
person's table by my I'm by my children
you know so they lead my son leaves the
the seder it's not my place to become as
he asked me to. But you know, so we have
to bear that in mind too, not to
overtake the TABLE AND BECAUSE I WANT TO
TELL YOU A STORY MY WAY, THEREFORE go to
the side and that's rude. Okay. But at
the same time, there's enough time
sitting at a seder to share uh some
thoughts. So I I hope that u you you
will um gain from it. Any questions
before we go into the text? Yes, Misha.
>> Yeah. Um, Reverend Dolphin, I just want
to ask maybe, and this is maybe my own
thing, maybe during the next few days,
one of the challenges I always have with
the Seder, especially more recently,
recent years, is like
it feels like just to be able to get
through everything
um, and not to lose everybody, you know,
is a challenge. So I asked myself like
when is there even an opportune time to
even share something and so forth. So
I'm wondering maybe
if there's an a moment there's
opportunity
maybe for you to give over help us or
help me I with just some practical tips.
>> Okay. Well I I hope that will be
accomplished and I I I relate very well
to what you're saying and that's what I
I'll be doing. I'll be highlighting
points and
some of them you could share
while you you're reading the hagoda and
then the others
during the meals some during the p the
that meal the next day you know it's a
very difficult thing to remember you
have to keep the kids interested
and you have to keep the flow going
and another thing is to have other
people. It should be interactive. Other
people, you know, like if you have
guests, if you don't mind, share a
story, share something. DOESN'T HAVE TO
BE 5 MINUTES, 3 MINUTES, 2 MINUTES,
you know, and you if you're leading the
seder, you have to sit down and organize
how and where. And you can you know you
use a pointer in your hagada which
hagada you're using which which saying
you want to you want to say over and
then which you want to give to someone
else to say things like that. So if you
took the time before
I I I I mean before the week before like
next week you know when you have quiet
time and you organize yourself you'll
see you'll have a much better better say
there. Um,
>> Reb Revy, just just another thing on on
Mosha's question. I was going to ask the
same question, but just something just
an added point. The the I I always find
it that we're running until we get to
like it's always this thing you got to,
you know,
before and and we literally make it by
the skin of our teeth. But it that I
think the pace I think that's something
we should figure out like what we
shouldn't be like that like we're like
running you know like it's nice to tell
the story and everything like that but
like what things to stop and what things
not to stop and what the pace is keep
everybody engaged and finally make it to
the aikoma you know with enough time to
actually do it properly because really
that's the most you know that's one of
the most important things
>> is okay so again
Every one of us has a different
section in the seder that we were turned
on by, you know, we like most. I can't
tell you that, hey, uh, this passage
that I'm explaining, you must explain
that. No, if that doesn't talk to you,
then you don't share that. You don't,
you know, you just read it and you go on
and and and one second. And as far as
the um the alpha kan the second, well,
you don't do the second night. to narr
but those of us in America you know
there's no timeline we can go on uh but
but the first seder um you just I think
during the meal you have to kind of do I
have more time or less time yeah and
that's it's guess what it's one one
night a year where you have to either
make your meal shorter or longer that's
what you have to do But not why why on
why should you you know rush through the
hagoda I mean really rush through it
and and they do this by the way I know
many kabat houses and you know cuz
they're catering to a different crowd
and in a different way. I mean, I I led
a I led a seder for my daughter in Tel
Aviv uh last year, right? I was there
last year and you know, it was 40 50
people from all over, but
there were parts I I had to rush
through. I can't keep, you know, I got
to mitzah,
right? So,
you want people to make
matzah and to eat matzah. That's a
mitzvah. And the same with Mora. So
you're going to go into dashing on on
every passage and they're gonna walk
home. They're going to leave. So or in
in the case of of of everyone here and
their family and their grandchildren and
all of that, you're going to lo the kids
are going to not be involved.
So I think that that's that's primary
focus.
And you decide during the meal if you
have more or less time. That's that's my
suggestion. Okay. I want to get now to
the text. So
>> just one just one question before you
say which Hagada are you using?
>> I'm using
this Hag is called Hag.
It must be six different vers uh six
different prints and it was printed. It
was translated by Rabbi Emanuel Shakat.
>> It's English.
>> Yeah. It has It has the Hebrew on one
side with the Reb's commentary
>> and it has on the other side his
translation of the commentary. Not full
translation of the commentary. He
chooses, but he does an excellent job.
And because he such can you check if we
can get that here because I haven't seen
it here in the swarm stores here.
I'm I mean this has been reprinted or
reprinted. I'm sure that uh they have it
in the Kabad in Kabad or or maybe
someone you know I imagine
and and because because Rab Shak was
such a authentic you know great scholar
um it's very reliable you know his his
comment his translation is is very
reliable and again this is not a JI type
of a commentary it's a different
approach it's they just put out a
beautiful new one I just saw it the the
day and it's excellent for people who
you know don't have much knowledge and
it it's it's with colors coded and again
if you think that's the one for you use
it um but this is this is more of the
classical reb with commentary so I I
want to I want to talk about uh the
kdesh
and again I I'm going to tell you what
kaba does and what others do as much as
I
So
in most in most or many circles
when you make uh kdesh on the night uh
and the night of pes someone pours for
you the cupad
doesn't do that we don't have anyone
pouring for us.
Okay. Number two, there are some that
not only pour the cup, but they place
the cup in your hand.
In Kabad, we don't do that either. Okay.
>> Do they
for benching?
>> I'm sorry.
>> They do it for benching in general the
custom.
>> Okay. No. Well, let let me say this. So
what I saw by the Reba was that
he Rabbi Menlik who was the Russa poured
his cup of wine and then the Reb took it
himself. He didn't put it on the Reb's
hand that I did see. Now
>> it's a common custom to put put to put
it like in a person who's benching or
something.
>> Okay. And that's what
>> that's not the custom.
No, no, that's not not not the custom
kabad. But again, all customs are holy
as if they have a source. So now the
night of Pesak, the four cups
are are are necessary not just to drink
half cups, but our uh custom is to drink
full cups. Full meaning the entire
thing. Now, it's better to drink wine if
your health allows it, not grape juice.
Therefore, if if you if you're going to
have a large cups and drink only wine,
um you you might get a little shiker, a
little intoxicated. And if you don't
want that, maybe you want it, but if you
don't want it, get yourself a 3.5
ounce becker or cup, right? And speaking
about that, it's better to use a becker
than a glass. And it's better to use a
glass than a plastic cup. And if you're
going to use a plastic cup, according to
the Misha Feinstein, you should use two
two cups. too plastic because it gives
it more hash. The whole idea is more
importance and significance. You know, a
flimsy cup is a flimsy cup. So, if you
take two, it's less flimsy. But, of
course, it doesn't compare to to a
glass, which I've used. I mean, people I
don't have behas for everybody, so we
use glass, which is fine. But a beer, of
course, is nicest. Instead, if it's a
silver becker, it's even nicer because
it's the night of freedom. So, we take
out
>> with with no with no stick. Right.
>> Okay. So, the kabad custom is not to
have what you call a stick or a what is
it called? A base. But just
a regular becker without without Yeah.
Without that. But again,
>> without without the stem.
>> Without the stem. But but again, you
know, someone asked me, is it better to
use a becca with a stem according to
kabad than than a than a than a glass or
or probably a bea with a stem. Okay. But
yes, now
what is the particular way of holding
the cup? And this is true not just for
the seder night, but for every time you
make kdesh according to the kabad custom
as the writes it.
You fill up the cup in in your right in
your right hand. You transfer it to the
left hand. This isn't of the Reb. So you
when you have an English translation,
you'll be able to read it on your own,
but I'm just giving it over. Then you
transfer it from the left to the right
on the palm.
You put IT ON THE PALM of your hand with
your four fingers like this
around the cup. So the cup is in the cup
is in your palm. four fingers here and
the thumb over here. That's the way you
the becker is held and it should be at
least 12 12 in from the table. So a lot
of some people they HOLD THE CUP RIGHT
DOWN. NO, IT'S SUPPOSED TO BE UP. NOT
NOT UP OVER HERE, but you know 12 in 12
in, right? Then when you say the
you lifted a drop, you lifted a drop,
right?
So,
and the reason for that is because the
wine
is gura.
The wine is coming from gvura which is
strength but also discipline and
justice.
So you want the wine to go into a kali
into a vessel. So when you not only into
the cup but the the position of the palm
putting it there is like the vessel the
vessel and by having the five fingers
which represent also the five powers of
severity it's five of gura around the
vessel then there's the integration
between the kali
of of of of kind of and gura and the
integration works well. That's the one
the reason I believe that the Reba
writes a picabo.
So again, if you're able to do that, do
it. And and then you could do it. Once
you learn how to do that, then do it.
You'll do it every single time you have
kdish. Make kdish. But again, pes night,
you need to drink. And a lot of pe I've
seen people they're they're not they're
not careful. They're not careful. What
they do is they leave over some wine,
then they fill up the wine. No, every
cup has to be completely finished,
then you refill it.
Okay? Now,
if someone can't,
so then if they need some grape juice,
you mix a little bit. You know, you have
to but but I I do want to say that
that if you can't
if you if you can, you shouldn't be
drinking grape juice for the for the
four cups of wine according to
the kabad and not only but custom again.
But if it's going to hurt you and
whether it's diabetes or you know you
know ask your local doctors here um what
to do you know and and
>> cuz cuz that's different rebi because I
think most people hold roastes enough I
think that's a specific kabad thing
right
>> well it it's definitely kabad and I
can't say it's only kabad but so rov
posts the majority of the cup that y is
referring to throughout the year we
follow that too but pes night because
the four cups correspond to the four
languages of guula and redemption and
other reasons um we are careful to drink
the entire cup and um if you're telling
me if you're telling me others don't
aren't careful about that I guess that's
that's a difference
>> not just about the Boston the Boston had
got a
Right. Okay. Right. Right. So, okay.
Good. Thank you. First of all, tell so
so is sharing that that it's not just he
says in Boston they do the same thing.
And that other point I was going to get
to uh that you should drink most of the
cup in in in A GULP IF YOU CAN. If you
can. That's what he that's what he just
cited and that's we do that too.
But but again you know you have to you
know be careful and not
>> one thing in one gulp the whole thing.
>> Most rubbo
>> rubbo mostu
>> you know you do your best you know.
Yeah. And and guess what? Now, since you
mentioned that, I'll skip over to
matzah, which I'm not at yet, but
supposed to eat the matzah within nine
minutes or so. Again, they're different
timing. 7 minutes, 8 minutes, 9 minutes.
I'm I'm saying 9 minutes.
So,
not only and you have to really swallow
it down at one time.
Now, did you ever try eating a half of a
Shura matzah, which is pretty much the
kazayas, the shear of the kazayas, the
amount?
It's It's a hard job. And in in one
second, in addition to being a hard job,
it ain't a pretty job because the matzah
you're leaning and you're eating and
it's crumbling
and you know, you want to look like a a
mench, not an animal. You know, it's
it's but
that's what I do. I try doing it. I try
as much.
So you know it doesn't look great when
you stuff yourself with a matzah but
that's what it says you should be eat
you should be you should to be begin
with swallow the entire kazayas at one
time.
So you do as as much as you can you know
you do as best you can but so if you
just eat a piece of matzah and swallow
it you're not doing that.
And by the way, this is this isn't this
is
this is
um you do as much as you can. So if you
cover your mouth and you know and you
just you know do it slowly, you can get
I I don't know if the entire kazayas but
much of it down. Okay.
the the thing with the um
with the cup that I mentioned before
is important. Oh, I see we passed the
time already because
the night of Pes it's all about
you know feeling rich feeling free right
so
we also put it's brought down in the
hagoda you know some nice caim on the
table if if you have that you know again
there needs to be a b there needs to be
a balance between
you know luxuries and ostentation
iousness which is not the spirit of PES
to being ostentatious at the same time
to be to have to have show freedom and
and you know in that that that that
mode. So um if you have a nice kay a
nice dish it would be nice to take it
out and you know put it on the table. Um
if you could use it great even if not um
some people you know they have expensive
vessels and and they do that and these
are a different different minimum.
Okay so tomorrow we will learn more and
uh join us. I'm glad everyone got a
chance to to be here. Have a great day.
>> Thank you. Bye
>> bye. My bud.