Preparing video...
0:00 / 0:00
Maamar Zochor 1934 #15- clarity vs. probelbity is diff bet essence and manifestation chacham - bina
17 views
Categories:Torah/Chassidus
Comments
Transcript
Auto-generated transcript. Not time-synced to the video.
we're on page morning round page uh 148.
in the mimer zucker also malik
this is the 15th sheer by the way oh
so it's two separate books right
my show so
this is the first one
yeah the the first one i found to be
much more complicated to to to
understand
have you have you have you looked ever
at the first one
i don't think so i don't think i looked
at it yet
right
which is the first one this one yes yes
okay
okay okay
so this this one is yeah ten keys for
okay yeah i have it that's the book ten
keys and it's it's it's much it's easier
to understand i think
okay 148 let's get to the mimer
yesterday we have some
very important uh
learning and discussions
about jochem and bina
you know many times in the shiurim i i
talk about issues that are relevant to
many other places in qasidis
so you can always go back to it when you
encounter those ideas at in other places
in casitas in tanya
et cetera et cetera
so
we're talking now about what's called
the etzem hasecho versus the hispastut
hasejo the essence of of an intellectual
thought and the extension of an
intellectual thought
and uh we gave numerous uh examples to
to to compare to understand it better
yesterday
and i will continue um
in this discussion we are on 148
in line number
four the last two words on the line
he's talking about the difference
between hakma and bina
there's three components of the mind
concept comprehension and concentration
and now
he'd go so yesterday we spoke about one
difference between khochman bina
now masha is adding a second difference
and so they are also different
the indian hampshire
you don't have it
i'm 148.
no no
remember
at the top of the page the third line
and the value
you're right sorry
yeah
yeah sorry thank you let's go back
where
thought we were at the
top of the page 147 third line down no
i will go from there but we're not we
want we'll go from there okay
well you know they need
and what is the element of understanding
of bina mavin navona's why she used the
term yesterday
as the comprehension
but this is only innocent
it's only an extension of malach
in every idea
the
element is the essence of the idea
and the second
element of of of the brain this is
referred to as bino or hassaga
comprehension who havana so indian this
is the comprehension of the idea
not the idea in its raw germ form
and it's the kuda but it's in
an expansiveness through comprehending
it
and therefore it comes it's developed
believe we brought him with many details
of uribu has been with many explanations
and although we say
how does one understand something
properly specifically through being uh
through comprehension
why the goodness has called uh when it
comes to the kuda of kokum of the idea
hagam shiode is a indian although he
knows it's right
avalyn and music are dying but he
doesn't comprehend it
right well the saga but at the stage two
which we call comprehension
the idea is now understood through the
details
so you would think
abroad you would think
that
therefore which of the two is is is
better is is is really more important
beena
nikola makin says the rather
nevertheless
is just dealing with the outside
external aspect of the idea
hasaga is not tapping into the essence
of indiana i told you yesterday
the the line that i like can i use
hasaga is the way you take the idea and
kahma is the way the idea takes you
and when you're taking the idea
there's less it's less pure because it's
really you
it's the way you filter it
right
and the way you filter it
is not as pure as when the idea filters
you when the idea filters you
it's more
pure it's more pristine
so in other words
let's say in mush's field in art
you have an idea a brain flash comes to
you you want to draw this you want to do
this
if you could stay on course
and and go with
with that initial idea
that art will will
will be so special and so uh unique
and it'll draw people in
when you take an idea even though it
might be a genius idea
but you kind of
water it down
through your mind
and you process it
less of less of the the the the purity
and other doubt unadulterated
essence is there and it's not as
attractive
you know now yes it's attractive to a
shallow person who looks for
fascinations and colors
but someone who's looking for the truth
and looking for essence
they disregard all that it reminds me my
show of a story that the frida karev
tells about
his father a shot this is important
because to everyone but to you
especially because you're
an artist
he says that
went to a museum at some point i think
in germany
and he saw
uh a i think like the metropolitans
whatever the equivalent was at that time
and he saw a beautiful painting
of a bird
resting on a leaf of a tree
and it was exquisite
the colors and then and
and he came back and he told the frida
kadabra
oh he said referendum
as fascinating as it was
it wasn't a good drawing
so they all wondered rabbit you're so
fascinated by the colors about the about
the the craftsmanship of the artist and
all that
he says
when a bird rests on a leaf
what position should the leaf be in
the weight of the bird
weighs on the leaf
so the leaf should be bent
it should be it should go down a little
bit because the bird weighs on it
and he says take a look at this piece of
art
and you'll see that the leaf
is
not
inclined and not bent
this proves that this artist
didn't get the essence
you ever hear that uh story in my show
no yeah i did not hear this yeah
it's in the secrets this is this is
printed this isn't you know messiah this
is messier so
what what what i'm why am i i just
reminded myself that that's the
beautiful thing with your little city
you teach others you talk it out you
remind yourself of things so why did
this come to me
because we're talking about essence
and
it says here
that in the position of bina
which you would think i get i like that
used your lesson yesterday my
grasping
if i'm grasping it hey that's
that's better than anything else right
yes
creativity you're a genius in coming up
with an idea but if you don't grasp it
through the details
big deal
that ebba says at this point in the
mimer just the opposite
that the truth is
in the
stage not in the venus stage
because in the stage
the idea is unadulterated
in the beta stage the idea is already
adulterated
i want to make sure you understand this
when you when we start developing
articulating
understanding
yes
it makes us feel better but the idea is
no longer pure
now
it doesn't have to be that way
if you're able to do what what
okay i just introduced to you a new
concept
within bina
in other words
the ultimate is that within the details
of comprehension
what should be felt is the purity of the
idea and that is a great feat that is a
great accomplishment
to be able to say to stay
true
to the mission
how many times do people have great
ideas and then
as they start developing the ideas they
go off to the right and the left
and
it's gornished it's a it's a big nothing
because what happened is although they
started off right on the right track
their ego on some level
schlepped it into the wrong field into
the wrong place
and that's why you have to have always
the nakuda of
the nakuda of truth
guiding the beena and we call that
the same letters
have the bina inspired by the by the
hakam
today
i'm sorry
rabbi
it's
[Music]
well then they have what to learn from
from this mimer let's go back thank you
let's continue
on
when it comes to the nakuda to the
hawkham position
the
what what shines
and this essence
of rum this essence
when in the stage of understanding which
is bina it's concealed
and the light the energy that's felt in
the comprehension
comparison to the element of
is taking us for a mind right
he says within
its cochlear itself there are two stages
one is the intellect of the power of
and this is the second is not the the
into the intellect of
but the seeing
it's known as the primary idea of
israel
and this is the idea of seeing
something
with the mind's eye
you guys see me and hear me properly
hello
you seeing hear me good
yes
yeah the lid
no no no the last minute
or so about the last minute okay okay so
let's go back it says here he says here
that in
itself there's two levels one is the
sacral of
the habeis
the seed of
and he explains
the primary aspect of hofma is
to gaze to see it's the mind's eye
the here is
it's the primary aspect of yadi of
yavriya and it's truth
so
one moment
we're having uh connectivity problems
okay okay we're back
i don't know i'm i'm having you know
issues i just say with the internet in
this area but we'll try and we'll go
further we'll do our best if we get cut
off again we'll have we'll resume i'm
sure monday okay
so he says there's two aspects within
the seiko within
and the mind's eye which we call
and he says that the the mind's eye
position
is where the truth of the of the
information is
the person sees the very core essence
faculties
that that um that connect with each
other
nevertheless
when you see something you see the
essence uh when you hear about it
you don't know the very essence
you only know what you hear from your
friend
um
and based on what you hear
you understand how the thing should be
the essence in cain if so
hearing isn't the essence
but rather just the extensive extension
the library is
when you hear something you don't get
the essence you only get an extension
still not
hello
do you hear me do you see me is it clear
forget it
you