Maamar Vkibel 1927 #7 Two types of Leadership Real Faith is in the Unknowm

you have it what you got yesterday you have the text for today too okay okay we are on page um we're on page 199 the first line the last four words oh my billy misper so what the the author is the ability of yitzhak known as the rebel yachts of the sixth laboratory ever we're learning the maya merci bella the qibla that he said in 1927 in moscow so and we're middle of the eighth chapter in this chapter the rebbe had saturating the previous chapter that when we talk about the soul that's invested in the body that animates the body there there's a difference between the head the body and the feet basically the head is the intellect the mind the body are the emotions the feelings and the feet are action if you talk about the aspect of god that transcends that's greater than being invested in the body it's it's your soul as your soul is on high it's your soul as the soul is what we call a muck or a source over there he explained that the the divisions of of head body and feet don't apply okay that's what he said in the previous chapter here he start he continues the thought and he questions his own words about the soul that does invest itself and animate the body he says we see that we see that it says they have their aim is par they're infinite they're in he in english we use the word sometimes ad infinitum in other words they're believed vul so how could you tell me that they're compartmentalized and divided and limited so to this the rebbe's retort his response to this is that nevertheless we have what's called the three worlds of the world of briya which is creation the world of yitzira which is the world of formation and asia is the world of action and he explained that the zoar the holy zoa says that this is the last words on page 198 the supernal mother the holy mother which is this the the emanation the sphere are called beena understanding development just like a mother carries a baby for nine months it's a development period where does where is its abode when does it rest it's rests mekanando because it rests in the throne a throne is represent is demonstrative it symbolizes to be settled you sit you're relaxed you're standing you're kind of not relaxed in comparison to sitting so where does bina find its place in the throne which is bria the world of creation because over there the world the concept of a universe a world begins to take form it's so it the idea has been accepted it's not yet developed fully but it's accepted then he says she'd sweet in the next few words on the first line on 199 the sixth the six other emanations known as spheroids feed on they are in yeshida they're in the place of emotions which is the world of formation okay because the world of formation already it starts forming itself so it's not just a germ an idea and it's not just the development of an idea in its early stages but it's already the process of taking various forms such as kindness judgment uh beauty endurance etc and finally the the seventh of the tense we wrote of the ten emanation which is called malchus royalty kingship regality its home base is asea the world of action so this is where we're at let's continue now um so this is another rhetorical question if this is the case hillel so they they should be limited they should be mispar a certain number and what we learned before is the alamos aim they is have a number they're believable they're infinite how do the two go together so he says it is that the energy and the the light and the vitality in energy is divided to many levels with the era called based on the capacity of each world the zelma malachol you see the energy the force hillel and avi and yoni and that's when everyone else was on which i don't see and true anyway the the force itself is pure it's when it comes into a vessel into a caylee at that time it identifies with its limitation and we call this a molecule be this is the godly energy that invests itself in all of these worlds clause right we're on page 199 guys fourth line the clause not available which comes to be only through the process of contraction which we call symptom or plural the halamus and concealment in order for the light the energy to be materialized it needs to go to what it needs to go through a process which cools it down because otherwise it's too overpowering to be beneficial that process we call simsumim he makes eve he continues to develop the idea it's written we say this twice a day three times a day actually in ashrae your kingship is the kingdom called a loving of all worlds what aspect of god what aspect of hashem is the animating force that actually makes it possible for there to be a world it's malchus is that element that level within each world and each experience that is the mode of of making the the the thing that it animates to be real the marcos.c lewis so it says for example marcos or vazilus of the highest world which is called the world of atheilus who are iron vachayas the gimbal illumise it is the light and energy of the three worlds bria youth the way the light the way the energy is in malcos of vasilus it's still general it's bijla yes it's the energy of malhus as it's not serious that from there will come forth later brief here so it's the general idea it's like the general blueprint an architect makes a blueprint right nothing without the implementation of that you have nothing coming into reality but nevertheless it needs to begin in the blueprint if you don't have it in the blueprint nothing will come marcos darcilus is the blueprint for what will come later so he says although that's true this energy this force of mouthwas the way it's not silus is only an emanation a reflection the hebrew word comes from the word or but it means a mere reflection it's it doesn't have the entire essence of god in it the rabbi identifies this this level of mouthfuls that we say is only a reflection is what we call a hasidis the externality [Music] coming after there's been an interruption of a curtain we learned this earlier several weeks ago or months ago i forget the difference between the parsa remember the curtain and the tsimsu the parsa is light you can see through a curtain yes hillel you want to say something no i just was you we had it in the last safer yeah yes correct in country so he says the exterior of mauro is is such an experience where the energy the light went through at simpson but it went through a light symptom it reminds me in 2001 when i came to israel to investigate the book of damona and i met with rabbi yaakov rabbi rabbi basri of yerushalayim and and rabbi rabbinovats of yerushalayim and rabbi the breast liver leader of yerushalayim i met with all three to and i asked them all if they believed that this was a real book i had studied this topic in the writings of the result and um i was very uh interested in it in this to have possibly a real life uh encounter with um with a person who was possessed by a book which ultimately i did and interviewed her for an hour and 45 minutes with her daughter sitting on the side i wrote it up in my book called soul journeys so that what what rabbi uh rabbi yaakov the the monega one of them and even with the breath of the sea them in may ashore and told me that in his opinion it's a d book cow it's a lightweight book and he said that there's two types of debugging there's a deep hummer a strong heavy handed the book and doesn't like the book we didn't really go further into that but when i learn here in the mind that the parser is a light weight contraction on the ore there are different forms of contractions simsumin is sectionable that the parser the curtain is representative of a light type of it's not enough it's not obscured completely and he says where do we have this type of a of a of a separation of a um of a concealment that's called light weight between axillus and the three other worlds in other words to go straight from maxillus to bria and etc it's impossible atsilos is from the word etslo it's near god hasidis brings the possible no evil dwells there and hasidah says that refers to the world of watsilos so if you're talking about a place where there is no evil that's there currently and presently how can you go from there to a place of bria which is the beginnings of creation and which includes the beginning of evil the jump is too vast says you're right that's why it the the light the energy needs a certain symptom a certain minimization for it to be effective what is that called parsa the parsa analogous to a curtain is some type of obscurity and and and concealment and separation but it's see-through so in other words it it it accomplishes its job of making the light lightweight and not overpowering so that it can relate to what it creates after that which is brilliant i think perhaps the difference is that symptom is reduced to the quantity of the light but the paragon of the parsa makes it of a different quality it's compared to a muscle that a muscle is not the neutral it resembles it but it's not the same as an intro that's yes that's one difference that's correct but i my my memory tells me that i believe that in i think it is my mother of 1904 i think over there or 19 [Music] 1906. he he goes even deeper than that and so what you said is is true on the in the preliminary initial basic explanation um but my recollection tells me that he he questions that in some of his discourses and he goes deeper but yes what you said is correct as a general rule uh what you said is right yes basement i remember we did this i think last year maybe two years ago no no no no um we need a memory a memory a refresher uh we did it we spoke about this in as hilo said in kuntur so maya not two years ago a month ago yeah and you commented on it and you commented on it maybe two years ago we did it too maybe your memory is better than mine anyway foreign he's really now splitting hair so go let's look we'll go along for the ride and put our heads to the paper to the text he says there is a type of a type of influence which we call kirif closeness the objective of the an animation is to be close and then we have something called hashtag of influence but the objective is to be distant a simple example a father relationship with the child is more the cure of relationship a teacher's relationship with a student should be at least initially the distance meaning one you need to first establish who is the teacher and who's the student and many times when a teacher doesn't establish that they become buddy buddy with the teachers and it becomes a disastrous so there is a key kirov there is a both both are influenced both but the objective of both is to make a difference but one uses key roof as its mode of operation and the other one uses rehook as its mode of operation so the principal comes into the classroom in a normal healthy setting the students rise and are quiet still silence there's no shalom aleichem who are you how are you what'd you do yesterday what you do today and then no it's it's you and the principal are meeting each other in the room with the students but it's it's rehook whereas with a parent it's kirov let's continue let's see what he says he brings a martial a parable [Music] of a country is in two opposite forces [Music] the primary and the foundation of the government of kingship of the country is primarily through exaltation exaltation in other words this is the king this is royalty from this perspective the entire conduct of the the the kingship of the country consists of exaltation establishes the earth the leader of a country his primary role is to improve the country this requires this specifically happens when you have judgment beholding medina in all matters of the country when you have law and order that it says i think they they feared him because they saw that there was wisdom godly wisdom in him to do judgment [Music] how is this yoni how does this judgment take effect through um expounding khakiro drisha questioning cross-examining the ho protein in your in all matters of the country of conduct of the of the country from the beginning to the end in all aspects these nasals who have dulladaf he puts down a very important rule here which is relevant to many other places in qasidis exaltation is a separation a distance specifically through these two aspects one that he desires to be to have a good country and he desires that people have it well and desires to be a good king which is all a notion of key roof of closeness but the way that's accomplished is through halfdollar through exaltation and sever and separation knowing that he is the king and that kingship and royalty is not your party and you don't eat pizza together and play golf together with a king it don't happen this is someone who's special and this is something that is so we call this reverence reverence but nevertheless through both of these notions do we have a healthy country this over here ends the muscle now comes the moral the nimshot this will explain to us in the heaven in regarding heavenly the heavenly situation chambers madre these are two levels within kingship within [Music] the first one it's the level of influence but but given and and done in a way of distance the the ocean the river also refers to malchus stands upon them from heaven it's distant the second aspect of malcolm's prince it's the way malchus is already close to its subjects this is as the emanation the reflection of the godhead comes already through the process of the curtain the parser shall be not silos here so here is a very important point the lab is saying here what is the objective of the parser key roof what and and ostensibly we understand what's the objective of the simpson rehook but he doesn't talk about that right now he talks about the first part look what he says that aspect of malchus that seeks to be close that aspect of royalty of the kingship of king of king that desires to be close to his subject requires a a a curtain a spiritual curtain for it to happen so what do we understand from this hillel that the object that the the the the tanua the notion of parsa is kiruf in in other words you might think what what what is the kid share you might think that parso also being that it's okay it's not a heavyweight separation it's a lightweight separation but it's objective is to separate that's what that that's what that ever saying here no its objective is not to separate its objective is to bring you closer but in order to bring you closer you have to be able to meet each other face each other and and not be overwhelmed that's why we have the powers yes sunglasses what do you mean it's like the light is too bright so you put on sunglasses and you can still look that's right that's right cancer review what's the difference between simpson and marsa isn't is that the concept no no no there's a few differences one is what you will said earlier another aspect is that that the parser is a light a light it's a curtain so you can see through just oh hilo said now the sunglasses it's a it's a an obscurity but of light weight where symptom is a heavy weight it's a total obscurity those are some of the basic differences here in this mimer right here he adds another nuance that the objective of parsa is key roof and the objective of symptom is rehook remember right for a king yoni to be effective right he needs to do two things simultaneously on one end he has to be a king royalty and be separate and distant than his people's subjects and at the very same time he wants to have a normal country so he wants them involved so how do you create the two so the muscle that we learned before he said that that a good king knows what he's doing creates the two simultaneous feelings so the same thing is in the or hashem that that is given to the world there's one aspect to it that is come here i like you come let's be close and at the same time there's a feeling is don't get too close because i'm a king and you're only a subject and as i said this this explains elsewhere are the two ideas of vino volcano which you know avinu our father is kirov malcano our king is the relationship of a king and its subject is fear reverence distance for it for there to be a good relationship but here he's talk here he's talking about both aspects in the king itself in malcos itself kitser he explains that that when we talk about the division of the three worlds bria asia and then we speak about voila infinite worlds this refers to the infinite amount of energy within each world itself this is the area that pervades the world so within the air that pervades the world there's differences your kingship is the kingship the kingdom of all worlds the jazz bit and he explains that there's the influence that is close the heroic and there's an aspect of influence which is distant and we explained that both are in kingship alpine marshall based on the muscle of an augusta the conduct of a country with exaltation and judgment let's continue now page 200 chapter 9. um however the save of calamine so until now we were talking about malaco the force an energy that pervades the worlds what about the world the energy that we call it surrounds the worlds and the altered says in chapter doesn't mean it surrounds it's in the world but it's it's style of animation is in an encompassing way an example to that is a miracle versus daily life daily life is everything has a routine everything has an explanation but when a miracle happens when it shatters nature teva that's an experience question that says of savage of calamine it's from god but the style in which god uses to to impact us is through a miracle which shatters our convention our way of thinking a lifestyle so slave of calamine doesn't mean only it's outside somewhere you know in a garden or uh in the in the green fields of betraymesh hills no hashem is right inside of of of your streets in two ways and one way is called slave of colombia so let's see what he says about several columns this energy does not invest itself in the worlds it doesn't permeate and pervade the world's the manner in which it enlivens the world's is what we call the pinas makif in a encompassing way hagam is indicative of a rhetorical question although it is written it says god says the heavens and the earth i pervade i fill so what do you mean it's say this it says animal god says i mammalia i feel here comes the retort to the rhetorical questions this is what i alluded to earlier it's explained avi in chapter 48 of tanya the savage is not to be understood in its literal sense that it encompasses in circles from on high to the amis who kosov because in truth the energy of savith is in all parts of me even in this physical world inside in in usa and inside so if that's the case why do we call it say wave encompassing it's not here in a manner which it its objective is investment and uh theresa means to grasp it to grasp it and get it in other words it's not made in a way that hashem wants us to relate to it like relate to waking up in the morning and living our life and throughout the day hashem wants us to relate to it in a way that shatters convention it's a miracle it's so when you look at you say this is god but god is operating in a way that transcends nature shmuel do you have a good muscle for this anyone okay we have to come up with a good practical muscle to explain yes is that the difference is the sulfate is compared to like sunshine it doesn't differentiate to the places that it reaches into it just shines all over with its force right okay but but but we benefit from the sun right that's the verb the verb is that's doubt it ever says it's not that it's so evil mark of mill milo no the sun is here but the matter in which it's here is not personal that's the difference not personal let's continue he goes back and forth you already pay attention here this is this is intricate stuff here is the molecule in the energy of molecule the light that pervades the world who submits lobbies with nitrous vulnerable it's an energy that is invested and grasped by the world in other words nature relates to it it's here but in a way that it nature does not relate to it as it says kinisgov for god's name is exalted levade for to himself um hashem's name is exalted and uplifted it is only in a way of makif we know about god's name right let's say the name of a king is alamella we know that but if you haven't seen the king and you haven't seen what he does and you don't understand the king all you know is the king is the king of the country it's makif he said earlier in the my mirror that our faith the faith of all ye jews we believe that not only is god in nature god is in the supernatural not uh put in in the words in the mind maravi not only is hashem even malek hashem is also a slave of calamine and now that evan says and the primary belief our primary muna is not in malay but rather the same of why is the energy is the a animation that is understood and it's like we see it right you don't eat you're hungry you don't sleep you're tired mama colomba you don't work you don't have much you don't have panasonic you know mama is normal nature so do do we need faith for that or it's like we see it we see it there quotes the verse from my flesh i perceive godliness and he says in yiddish every man is from conner state he can understand from himself v thus is an islam how it is in the world that's what i told you you don't need you don't sleep you know what i'm saying you don't need to have belief and murder for this it's it's it's it's a phenomenon a natural phenomenon that you can relate to behind the commercial or demarcus biatsway just as man feels in himself that he has a life force that gives him life he sees his body is alive in the morning it's not only that the body okay we're going to stop here because i have to explain this more we'll stop here we're in the middle of explaining the difference between ramallah and saiv and his point being that the primary and moon is the same of calamine i'll talk more about that in some tomorrow have a good day everyone says shalom bye bye