Preparing video...
0:00 / 0:00
Intellectual Emotions
14 views
Maamar Lecha Amar Libi 1941 #7
Categories:Torah/Chassidus
Comments
Transcript
Auto-generated transcript. Not time-synced to the video.
yesterday we began we we spoke about
the virtue of us
we didn't use those words yesterday but
it's the same idea
mind over matter so we spoke all about
the importance of using the mind
particularly through what we call his
bona not his bonus
and again i just emphasize that this is
this is classical khabadas
you know rabbi arya kaplan all the
shalom has a book
jewish meditation it's a great book
i would say that a large part of that
approach is based on breslif hasidis
which is um one form of his body deduce
well one form of his blindness more in
the in the realm of his body
uh isolation
i'm very close with his son he went
again very nice
anyway but uh the khabar system of his
binance is a very different one and and
we see it constantly in the my moral
learning
and you know it's just
if you're ever wondering why do kind of
more people identify let's say with
breast lift
than chabad in in i'm not talking about
about us i'm talking about in the
ideology and philosophy
because this this what we're discussing
here
is his hard work
his abundance is hard work and people
want a quick fix or uh easier work i
mean that's the truth
that's it's not that it's not that those
people that
you know that uh are practicing uh
brussels
can't do it they could do it if they but
it's just a whole different
approach and you have to really be
invested and it takes a lot of mental
work and time
it's a it's a different it's different
in other words it's easier to say to
hashem god
hashem i need this please you close your
eyes you shake you cry you
you dance it takes time too but it
it's just but to think about the
intricacies how god creates the world
why it creates the world
what part of god is here and do i
understand it correctly
that's more philosophical and more you
know
cycle oriented in in in the breast lift
it's more meadows oriented i'm not
saying there's no seiko there hospital
there is
it's tighter but i'm saying at the end
of the day
it it it goes more along and feels more
natural to the
emotions to the middles and the khabak
feels more
you know is seijo and as we learned
yesterday
and i love those words that there ever
said yesterday i want to read them again
he says
to um
you he repeats the the concept he thinks
about the concept
in his thought
[Music]
once and twice and again and that in
a nutshell is the approach of chabad
meditation
if you if you're wondering that's in
those five six words you have it all
okay yes
but is there any um parallel
in in the way that his
bite is where it's verbal
right and with someone speaking out you
know speaking and his violence
is more concentration right
is there any verbal part of this
violence or it's just totally mental
in in in chabad it's uh totally i would
say
it's it's it's it's mental yes the
his abundance itself is is is mental
um the learning in other words remember
his bone in those
meditations meditation is not learning a
my mercy this that's learning
that's studying his bonanus is a mental
process
absolutely in other words
by by speaking out yesh me ayan god
creates the the the existence
in in in a manner where he's here but
yet how could he be here if
he's all awesome and omnipotent how can
he
be present in a in direct way
you know so we have kind of uh uh a dual
experience happening
you we we we say those with we say those
words when i'm lear when we're learning
with each other
when when you're learning a mimer of
course you're supposed to say out the
words
but when you're beating miss blaine then
you only i'm glad you asked the question
because
it's very important but when being miss
binance it's
thought i i repeat to your famous saying
that
um i think the the um
my cop the soccer traveler um what's the
name of the safer
no it's beautiful thank you thank you
so the shame is schmooze says it says in
the theater
that yaakov uh
[Applause]
loved rahul right and he hated the
um leia you know pretty
pretty pretty strong words so shame
ishmael says based on kabbalah
that rahul represents
[Music]
dibor and leia represents
machiavelli and he says
i'm sorry just the opposite but just the
opposite i think yaakov
loved thinking and he hated speaking
well most people we like that you know
the power of the gab
we're all talking and talking and
talking yapping and hucking and talking
giving our opinions
we love to talk how many people do you
see that they love to sit and think
and think and think and i'm talking
about real thinking i'm not talking
about naraskaite
few so the sahaja yoga says
this is yaakov he represents
the true jew who who loves
makshava but makshava is
is a more difficult process it's a more
difficult
approach so it's natural that
real chabad hasidim of old you know and
even
they were there were less i mean what do
i mean in other words even amongst
kabbalah
you had those khasid who were more
practical
oriented and you had less hasidim who
were
oriented in chabad itself
and that's the reason why we study and
are encouraged to study every day
and twice a day this in yeshiva we
learned an hour and a half before
chakras
and an hour and a half uh before my riff
in a sense
if this you know you're the beginning of
your days with qasidic thought then you
enter your days with hasidic thought
because it's in the thought of a person
that one identifies with something
in a very powerful way let's continue
now
he talks about the meters and he says
we're we're five six lines from the
bottom in the middle of pay in the
middle of the paragraph
nevertheless there will not be
the birth of an emotion
that's that corresponds to the thought
to the
saga
unless there is a tentativeness
by the heart
the heart must take
must focus and be attentive
to begin with why
not because middle eastern come from the
seiko from the
direct intellect itself
they don't come automatically
from the essence of the intellect
one second what do you need oh
oh it comes only following
listen to this you'll need when the
intellect
ms almin conceals itself hides itself
takes a backseat
and it doesn't shine in its full force
of
intellect only then can a meter
an emotion come to rise
um
[Music]
so what type of me that do i have when
seijo obscures itself says the rebel
the safe the media that you have at that
time is
enlightened by a sacral that's gone
through
the simpson process the contraction
process
and therefore this
it's a different essence a different
quality a different mojos
in a different manner
i'm sorry so we have three things here
listen to this we have seiko
we have midos and we have bahrain
practicality you all knew you you you
you spoke about this last week mice
remember i told you
that that there's difference in mice and
medius i believe that's what he's saying
here
for there to be a bahama a result
there needs to be a reduction of the
sacral as the sacral illuminates the
media
because if the sacral is in its full
force
the meda still feels the cycle
and if it still feels the cycle it's not
ready to act it's ready to philosophize
how do you get amida how do you get an
emotion
to lead to an actual result of bahrain
it requires that the seiko
should take a back seat
that's or as he says here to go through
the process of symptoms
[Music]
if the sacral were to be in its full
force that would not come about
an emotion in the heart kihim is final
sichuli levad
you know what you would have that ever
says you would have
emotional intellectualism
he said he came so he could give you a
share
tell him thank you the khawayrim yoyoli
just told my wife he specially came so i
can teach you guys
you see we're all together anyway anyway
so listen to this point
what is this spider sickly you know when
when when when we learn these things
it's i always struggle try to try to
find the psychological
ramification of what this would be you
know that's what that's why when i spoke
to rabbi twersky i've run towards
when i interviewed him years ago and he
explained the the the sadiq
russia and benin of the altarebus tanya
in the beginning
in a psychological way i'm talking about
30 years ago it was fascinating
you know you know because
see this has its language as you as you
see you know very well
learning together
and to take those terms and ideas
and to to apply it to the world of
psychology and therapy and and and the
issues that we deal with
is uh is it requires an expertise in a
way you know
and the the difficulty is how do you
know
this ex this emotional
quality and issue that's identified by
psychology is what the mimer means
that's why i'm always asking hillel you
know for for ideas of
what he thinks this means in
psychological terms for myself
simply to concretize what we're learning
so so too here we're learning you hear
about an idea called
hispilos shikhli
what does this philosophy mean
is final sickly means that
the seiko the the cycle
also goes through a a process
of emotions of emotionalism let me give
you an example
and and if you have other examples share
them with me but the example that i
that i think of is
god hashem
and this is based on david mello's
passage until i'm 74 i believe
kirivas ello kim li teif david melo says
the closeness of god
is good for me i like being close to you
god you have three ideas here
you have elokim god hashem
you have number two kier vasilokim
closeness of god that's already what we
call
the emotionalism within the
within the intellect hashem god
elokim is the sacral
the notion of god now
god could be close or distant
so david miller says the closeness of
god
he doesn't yet talk about himself
what is that closeness of god that's
already some
emotional bent within the cycle
in other words the mind moves from
abstract
intellect to a sensation that
closeness is also important
and distance is also important
but before you go to stage two
when you're still in stage one talking
about god hashem
closeness and distant are irrelevant
it doesn't score points it doesn't
fathom hashem
whereas in the state stage of closeness
kirwa selokim
closeness is absolutely
the uh the approach that david ahmed
wants
because he doesn't say rihook
may hello kim distance from god which
you might say elsewhere and tell him
talking about god's awesomeness
aloofness
exaltedness but that's not what he says
he scared of us eloquent
so obviously kirfa
touches this the god the godhead at in
that
stage and then yoni says kirba say lo
kim
lee litov
is good for me
here he moves from
the emotionalism within the intellect
to an actual emotion of the heart lee
me i
so this is an example brought in other
my mother
to explain what his pilos sichuli
is his palute emotion
sichly of the mind
let's look into inside how he uses the
words in yiddish now
the fact that he becomes
impacted moved
within his intellect
because he he senses yoni that beautiful
yiddish word
you don't got another word you know
certainly there's words you'll never get
like
kiss kiss like i've told you you know
it's in the kishkis
you can't say it in english you try with
the
gishmak is another one of those words
ages
so we say the delight and pleasure
but maybe maybe it's my own stick
because i'm
a first my yiddish is my first language
exactly it's just you know so in english
you say a great a great guy
okay but anyway so that ever says see
that the fact that the mind
already has some notion of uh
of uh of a meda
this is the geshmach of the saga
in other words before hillel before
you come to the second stage in the
first stage
geshmach is worthless it means nothing
because geshmach is already a sensation
of feeling an emotion
a movement in in pure abstract cycle
when for and when thinking about hashem
and hashem's
purity and essence any and all sorts
of movements and notions
make no difference yeah he wants the
biggest mark he'll be
schmuck he wants not to in other words
from god's perspective from the essence
if hashem is not ishmael
is not god of course he's god and when
he's a geshmak
is he more of god no no
that's the mistake people make he if
he's mortgage smack
because a regular person right like you
said a kashmaka guy right
like a shimaka guy oh such a guy i want
to be around so in other words what
touches you is
the gishmakite
and if he's missing the geshemakai you
say i don't want to be around him
he doesn't turn me on he's no good
there's many of them but if he's schmuck
oh
right so what does that mean that what's
touching you is the gishmakness
and that and that's that's not pure
essence
that means that that if not for the s
for the kashmakai
this essence is worthless and you can't
say that about
because hashem is the creator of
geshemakai
and as a creator
when he wants geshmach to be an issue
and be
good he makes it that way and when he
wants geshmach to be
worthless he's the same god and he makes
it that way
so here we're talking and so this is why
that ebba says
that what the his pylo sickly the
the in the emotionalism
within the mind within the intellect
is demonstrative of the gest
[Music]
and the true ideal emotion of of
emotional with
the emotions within intellect it is not
lo it is not
only masternode spoil minimus variables
that he's impacted because this idea is
so sweet
and so geshmak is so delicious
you know what you know what gets to me
he says
that this godly idea within this
idea the god sorry the godliness
within the idea this is where it's at
whether it's geshmach or not is
irrelevant
any type of comprehension of godliness
although it's transmitted
through the human intellect in the human
mind
this is the whole idea of studying the
inner
esoteric aspect of
and to meditate while learning livoid or
the hospital to explain and to elaborate
liats made to yourself hassage
that it should be understood in your
human mind and and
again if you cannot explain
what you're learning in your own words
you do not fully understand it okay
nikoi hi claude remember
this rule there's a famous saying
in yiddish
felt in havana which means
if it's lacking in explanation la has
beer
it's also lacking in understanding
if you only you cannot explain what
you're learning
this whatever you're learning that means
you don't fully understand it and the
same is true for me and streams when
he'll
say for everyone and that's why
and you know and this is a it's a
sensitive issue because sometimes you
have these
big and they have a terrible
and lousy ex way of explaining
they can't explain something well have
you ever had such a teacher
who's a genius who really you know
but is lacking hasbora
so i don't know maybe it's true maybe
it's not true but
the how to reconcile that with
if you're lacking in husbara you're also
lacking in havana
so maybe we could say that there's two
levels in havana the two levels of
understanding
so on one level he's not lacking and on
one level he is lacking but anyway let's
let's go on start for now
you're saying we had reviews like that
like that
and when it came to asbara they just
give you a whack on the head
no but i i remember yeshiva you know in
in
mississippi in high school you know we
had each year and our 10th grade rebbe
rabbi garfield color washold
he specialized in asbara when he
explained to gemara to us it was like
feeding us and then rebuild khanna
mashpee of course he fed it and
you know it's it's a bit a big a big
hush a big hush
but for surely the more you are able to
be moz beer
in your own words you know after
learning such a sheer
you you have to later on you have to you
know if you really
you say do i understand this in my in my
do i
do i understand and not does rabbi dolph
understand does that the previously
understand it and and do
i hillel and yoni do we understand it
and you have to find your own
words and process it
to prove to yourself
that that's understanding and the same
is true for any
part of learning and the same is true
and again
this includes you know secular learning
you know whatever whatever you
whatever you're studying whatever you
studied and it's
it it's it's it's very important what i
see my
i saw over the years my daughters that i
didn't feel that
they got that in school and and you know
and maybe
maybe you know the traditional way is
not that way but a
a smart smart a student who wants to
take their learning to a
to another step needs to endeavor
in doing this and this was a bulk of our
time in yeshiva when we were you know 19
20 21 those years i remember this was
something that we spent time how do i
take what the rabbit says in the mimer
and what our mashpia taught us in the
sheer in the class
how do i understand it in my own words
let's continue
so that through the parables and
you've on the usag
this will give us understanding
of the godly ideas
through this process the godliness
of the idea will be felt within
the application the intellectual
application as
fields they get the kite for the indian
now what is he saying here a little
it could be you're studying some
something about hashem
and you understand it but when you're in
the pro in the
in the pro in the stage of understanding
it's stripped of the godliness
the godliness is not felt what's felt is
the mind
i understand it says that but that too
is no good
never lose sight of the fact that what
you're learning is
about hashem godliness
and if you lose sight of the of the
elikus
the divinity within the seiko
then then then you're not learning
godliness you're learning seiju
so what's the difference between
learning sakura
of of of um of git and kedushin
rosh hashanah or the half the cycle of
mathematics and science
both are seiko okay so the answer is
this is torah's sacral fine but it's
from the perspective of seiko
not the perspective of torah it's the
same idea
that's why that ever says it's important
to
come to a point where you feel the
godliness in the
circle if you're learning a concept of
god
he says we see in actuality by half of
his being i saw that gospel
is in comprehending something material
to something spiritual
[Music]
when it comes to understanding something
in the material physical world
you'll need the the greatest type of
wisdom
and depth of that idea that you're
studying
um since it is bound to some physical
material thing
that is and this physical material thing
limits i'm sorry is bound by the
physical and material conditions
although it's a very deep concept
nevertheless
what is always felt is the physicality
of the item
in other words when you study
mathematics even abstract mathematics
it's always related to an equation
to a formula the formula is
augasmius it's maybe
the spirit of more spiritual than than
then not maybe it is more spiritual than
a tangible apple and a car of course
but nevertheless it's bound
with goshmis let's continue
for example the notion of creation
ex nilo that the world was is created
from an iron from a
aspect of god that we call nothing
because it is so awesome and we cannot
relate to it
and we say
who can create
this type of creation only
the creator hey kabory
even if you understand this idea of
creation ex
nilo very well
because then nevertheless
what's the primary feeling
godliness i'm not talking about apples
i'm not talking i'm talking about how
god creates so i'm
i'm swimming in god i'm feeling god
so yes i'm trying to concretize god
kind of schlepping god into the world
but what's primary in that
thinking god let's continue
they get lucky verses there in them what
is my primary
mode of thinking it is the godliness
that's found there
the ainus
and it's not yet applicable to feelings
of the heart
it's still in the minds
so it goes back to the point this is all
like a long parenthesis
and in order for there to be an actual
feeling and arousal of the heart
who are you today el aleve
it is through making the heart be
attentive so so so
what is he saying he's saying as much as
you think about hashem and you learn
about hashem
and you're blind if you do not engage
in the next stage which is a voice
what does your voice mean make your
heart
be attentive in other words spend
time in getting your heart
to resonate with the idea
and with the goblin as an idea then
if you don't do that it won't be
the media in its best form or maybe
what kind of like sensitizing the heart
that's right that's right sensitizing
the heart
but but yoni it takes a vahashevosa
attentiveness so
like what does this say i don't know if
he's going to speak about it maybe he
will
what does it mean to make your heart
attentive is is making the heart
attentive an intellectual process or an
emotional process
what do you think hillary
i'm sorry raise this question again
we we conclude the chapter that without
vahchevo
there won't be the hisorus hamidah the
arousal of the emotion
in the actual heart now i'm asking this
fascia voice
this attentiveness of the heart is that
an emotional process
or is that an intellectual process
um well
i'll put it let me put let me respond to
it a little bit differently
i think that what he is talking about
when he talks about the heart is he's
also talking about
what we would call the physiology um
that when when we when when a thought
uh creates a physiological response
within us
that's an emotion that's what we call an
emotional response
so um so it when it comes to
uh when it comes to gastricity emotions
we want very much in our lives to
to put a mental break
on on our physiological responses so
that we don't have
automatic responses that take us into
the dark realm
but at the same time in in our quest for
godliness
closeness to hashem it seems to me what
we want to do is we want to arouse
we want to contemplate thoughts
of uh thoughts of the greatness of the
gentleman so
in order to create more uh
more of a physiological response within
us
the spiritual emotions the spiritual
emotions
so that's the way i understand kind of
the way he's
developing what what he's saying now
okay let me think about it i i just i
threw out the question because
you know not that i have a an answer you
know
just a thought okay
it's really what it's beautiful
yeah yeah one of the clearest sort of
explanations of that as a bad
meditative experience that i've seen yes
yes it's very very um it's very
elaborate that way
have a great day everyone we'll talk see
everyone tomorrow take care
take care of bye-bye