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Okay, good morning everyone.
Welcome back to the new series
Zabah.
So actually this year we're embarking on
a
very courageous journey and voyage and
program a new approach to
5 years ago I think we did the ha on the
para
four years ago we did original insights
on the para three years ago we did
connecting to the para the para to the
time of the year two years ago we
connecting the opening and closing of
the para. Last year we did
explaining the juxiposition of the par.
You ready for this year? First of all,
it's a very courageous attempt.
May Hashem help us with extra special.
And the first thing I'm going to drop is
the title of the series. Now, I'm not
100% sold. I'm not 100% sold. I was
actually going to put it out there.
Maybe someone has a good suggestion for
the title. But I'm going to tell you the
title even before I tell you the subject
matter.
The title is, you ready for this? You're
sitting, your your seat belts are
fastened. The title is
No
say what? What does that even mean?
It means the waiter carried.
Where does it say that?
Well, it says that in safer. Okay,
that's the first thing.
Now
before I explain the
title,
I'm going to tell you a little bit about
what we're going to do. There are many
perushim
nearly every per explains
the words
theim
sometimes it will even give you general
messages. What I would like to focus on
is the following.
Here you have a guy. He gets up at a bra
and first he tells you he's not
prepared. So he needs to be escorted out
of the room immediately because he has
no right to waste anyone's time if he's
not prepared. Then he tells you what he
was thinking of saying. It's bad enough
we have to hear what he's actually going
to say. Now we have to hear what he was
thinking of saying. Now, this is not off
to a good start. He's not prepared. I
need to hear what he's thinking about
saying. I'm thinking maybe he should
have not gotten up in the first place.
Then he tells you a old stale recycle
joke and now it's stream of
consciousness. He's telling you a bunch
of random ideas. First he tells you
about
then he tells you about
then he tells you about um bad business
decisions he's made and and then he
tries to compliment the and he can't
even do that. He's just criticizing
them. Anyway, you know what's most
absent from this person's drussa?
There is no theme. There's no theme.
What in the world is the guy talking
about? He's just like randomly shooting
shooting from the hip.
Good content has to have a theme.
Otherwise, there's nothing that gives it
distinction as why has this information
been presented together as one entity.
What I would like to try to identify is
what is the theme of the para? Isn't
that a reasonable question? What is the
theme of the para?
Okay. Now before I explain
uh the the basis of it, I'm going to
explain the name.
If I were to ask you how do you say the
word theme in lash and kadesh
there is no word
inan maybe the topic although the word
inyan is not a word that's found in
tanakh
in modern Hebrew the word is tma as in
theme it's just a hebraicized the
English word
the closest word there is to theme is
the word no
means theme. Although it's not a word in
the or it's not a word in the mission or
no is the word that's used to mean
theme. The reason they use the word no
means to carry. What the theme does is
in one short word or sentence it
captures and carries the subject matter.
So in other words, whenever someone
gives a shar, you're entitled to ask
what is the theme? In a nutshell, what
was the person talking about? You don't
have to say what he said, but what was
he talking about? And if the answer is,
well, first he spoke about this and then
about that. If you can't say in one
sentence what the topic was, then it's
fundamentally flawed because there's
nothing that carries the whole subject
matter. I think it's very logical
that any body of work needs a theme.
Okay, now we're going to come back to
that soon.
Why am I choosing the title at least for
now?
Because if you look and say for
Danielle, Daniel and Kanan Michelle
Vazar were captured. And as Jews, their
their diet is compromised. What are they
going to eat already? They can't eat the
bread of the king. It's past palter.
They can't drink his wine. It's yay.
They can't eat his meat. So Danielle
tells the waiter, "Just feed me
seeds. Just feed me." I have a friend
who whose name is Danielle. He wrote a
safer zero Daniel.
The seeds of Daniel.
Okay. So the waiter says to Daniel,
"This is not a good idea. I'm going to
feed you seeds. All the other attendants
of the king, we're feeding them fatty
hog bacon. They're going to be plump.
They're going to have a reddish
complexion. You you guys are going to
look like your uh your skeletons.
Danielle said, "Give us 10 days. After
10 days, our complexion changes. Then
we'll eat whatever you want, but you'll
see. We will subsist on seeds."
So the the waiter said, "What what am I
going to do with the king's provided
food?" Danielle says, "You'll eat that.
You'll take that and this way we'll eat
our food." So the Pik says, "Vay." So
what I was looking for is a word in
Tanak where in Tanak does it say no
where is the word no used in Tanakh?
Now I didn't want to use
that wasn't going to go over you know.
So it says
the waiter carried away the food in
order to provide Daniel with his kasher
food. So what does that have to do with
this topic? So the pa continues
God gave these four young men
intelligence the and comprehension
safer in the whole book the and wisdom
in other words by the waiter carrying it
away that provided Daniel and his
friends with wisdom to explain the whole
safer The explains, see now that
Danielle didn't have to eat that food
that was not kosher, he his consumption
of kasher food endowed him with extra
understanding to explain the whole
safer. So I like to think the whole
safer is a reference to being being able
to uncover a theme that captures the
whole safer
and that was provided by the waiter. So
what I would like to think is this
presentation we're serving as the waiter
to be able to provide understanding not
of an isolated part of the para but
something that carries the whole para.
Okay, so that's the explanation of the
name. Next,
what evidence is there that a para has
to have a theme? Does Rashi speak about
it? No. Does the Ramban
doesn't seem that way? Do any of the do
any of the classic mafarim discuss the
theme of the para? Therefore, so to
speak, the burden of proof rests on us.
Who says the premise of our sh has any
firm stability?
So, I'd like to suggest as follows.
Number one, like I told you, you don't
need evidence.
It's logical. It's logical. Every body
of work for it to have the distinction
of being an entity must have a theme.
Otherwise, what makes it a distinctive
entity? I'll give you an example.
The Gammoran says the Torah begins with
and ends with. It begins God clothed
Adam and his wife and it ends Hashem
buried Moshe. What's the GRA getting at?
I heard from Rev. Miller what the Gumar
is getting at it is that if it begins
with and it ends with that means the
theme of the whole toyra is actually my
friend Dr. Gdali Schwarz said, "Well,
this then indicates the theme of every
para is
Hashem's."
And you know what? That's a valid point.
And maybe in a future year, we'll have a
series showing how the main theme of
every para is the of But that's not
where I'm headed this year.
Right now, we're trying to prove what
evidence is there that a para has a
theme. So the first is I think it's
illogical. Number two, the Ramban at the
end of safer boratious is bothered. Why
is the book of Batius? Why is Genesis?
Why is Safer Batius called Safer Hayat?
Only the beginning of Sepher Batius
talks about the creation of the world.
Why does the whole Beratius talk about
the create? Why would you call the whole
safer safer
if only the beginning talks about the
creation of the world? And the Ramban
explains that it is it is fitting for
the whole book to be called
because the stories and the narratives
of the
created the future and the destiny for
their children.
That means the Ramban feels the safer
called safer must have a theme and that
theme is creation.
Likewise the Ramban wants to know safer
sham is called exile and redemption.
Ramb is bothered. Well, then why doesn't
it end in parish when Hashem redeemed us
and the Ramban develops an idea that
we're not considered redeemed until we
revert back to the level of the and the
dwelt on the Mishkan. That means the
Ramban feels a safer as an entity must
have a theme. So by extension, if a
safer has to have a theme, shouldn't a
para have to have a theme? A para is not
an arbitrary convention. There's a
concept of gan pario. A para is an
entity. If it's an entity, it should
have to have a theme. If I were to ask
you, what about in shas does a ma have a
theme?
Of course, it has a theme. If I were to
ask you about any could you tell me in
one word or at least a sentence what the
maka is about? Of course you could. Even
if you never learned the if I were to
ask you what is about? H let's see if we
could figure out what is
about everyone know it's about what is
about
what what is about the what is about I
mean most you could summarize it in one
word if not a few words
why would a para be any different
the only thing is when we come to a para
it is extremely challenging to identify
a common theme in the para. But what the
first step is we need to to support and
to prove that it must be a para does
have a theme after all called.
So therefore this is the introduction to
the series that at least in week one
we're calling
no
as in carry but also as in theme. the
waiter that's we're trying to pro
provide the service as being a waiter of
providing the theme of the para okay so
that is the intro the inaugural launch
and introduction to the series called
hamelsar no and by the way don't think
this is easy because I had this idea
last year and as we were going through
the paris
I could not identify a
I don't think of even one par.
That's how difficult it was. However,
that did not deter me and it does not
deter me from giving it a shot. Okay, so
let's begin boratious and you'll see how
at first glance it ain't so easy. Okay,
hang in there.
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