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Journey to Morocco: The Sahara Desert - The Symbolism of Earthenware
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Transcript
Auto-generated transcript. Not time-synced to the video.
this Tower class is brought to you by
torahanytime.com
okay I've been wanting to have this
opportunity for a bit
a short duration
all the homes over here originally were
made of clay clay plays a very important
role here in the Sahara
an important Russia on clicharas we know
that earthenware in halacha can only
contract Tama from the inside cannotic
contract them up from the outside
Ella it doesn't have it's not matami
from the outside what's the reason for
that all other calim contractima from
the outside
so the huskuni writes that clichards
there's no way to be mataharat you can't
purify klikas the only way to be retire
it is you gotta break it
on Jewish money that since the only way
to retire it is to break it if it would
contract tumor from the outside you
wouldn't have too many kliharas left
they had a different approach to this
idea in Cuts they would say What's the
value of irregular CLE most kalim their
real value is their appearance people
have a beautiful gold goblet a silver
goblet so it makes a beautiful
appearance so it's khashibos is on the
outside so it's kashiba says on the
outside therefore it's matame from the
outside but a clicharas is doesn't have
a beautiful appearance it's whole
kashibos is it's used as receptacle on
the inside therefore it only contracts
Toma on the inside
however the only way to be matirid is to
break it now we know in Adam is
they would say man is analogous to
clicharas how so the importance of a
person the significance of a person is
his inside his makshava his thoughts his
kavana not his appearance that's why man
is compared to a clicharas therefore in
Cuts they would say
that reason teaches the Tara of a person
is
a person purifies himself by humbling
themselves like clicharas so in Cuts
they would say always to remember Adam
Marshall
where the kashivas is on the inside and
the tahara is the San fesh
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