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R’ Chaim and His Chumash Seforim (Part 1)
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– Introduction – Ta'ama D'Kra – Feedback on the sefer – Deeper dive into the sefer – The Steipler on Chumash – Chumash and the Haskalah – R’ Shlomo Kluger learning Tanach – R’ Yaakov Kamenetsky – Simchas HaNefesh on Tanach – Pri Megadim – Menucha Kedosha on Tanach – Chafetz Chaim & Chumash – The Gra and Chumash in his Beis Medrash – Targumim – Chasser / Malei and Mesorah
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Auto-generated transcript. Not time-synced to the video.
Welcome back, Rabbi Dr. Elzar Brut. It's
been a while, but it's nice to have you,
especially because we're going back to
one of our most important series, the
series on the of Kanye.
And even though is already not with us a
good couple years, but there's so much
content that's still being created, but
there's some of his classics that we not
we have not even gotten to. And I think
this
series, I'll call it a miniseries within
the greater Kany
series is going to be about Kanye's.
Um, I'll let Rabbi Brat talk about them.
I know of one time of the which I'm sure
many others know about. There probably
some others that Rabbi Brut could share
with us. But as always, we have to
mention our anonymous sponsor for the
whole ofki series, the ongoing series
sponsored anonymously
have an aliyah. Without further ado, I
would like to introduce my partner,
Rabbi Dr. Alzar Brat.
>> Okay. Thanks for the introduction. It's
been a long time since we've done
already. So okay.
So [clears throat] we're towards the
beginning still of the cycle of learning
kish. We're in the beginnings the first
few paraches still of boratious. So what
I'll be saying tonight and the next few
episodes will be relevant
um as we'll see. So Kyvski like as we've
already learned through the various
episodes wrote on all areas of Tyra. One
area that he wrote about was Tyra Tan.
So his famous work is time in the crow
and there's some other works and through
the next few episodes we're going to
discuss them and what we can learn from
them in all different aspects. So first
is just to mention um besides the time
of the
was there's a work called which we'll
discuss at length we also spoke about
his bryce which is an early work but it
focuses on the parishes of truma
and there he goes intense in depth in
those parishes of the mishkan and the
the biguna but there's other works
relating to with number one is that like
everything else time in the as we'll see
in a mish briefly um it developed it was
started as small and eventually today if
you want to go buy a timera there's a
time of decra then there's three volumes
on the mcgillis already and after he was
nif they put out a time decor on hillm
now to me just to throw out there the
works on millis Esther are incredible
[clears throat] and on rus these the
even if you have an old standard time
from a few years back there's tons and
tons of material because basically he
spent most of his time on PUM learning
and then and this was the per materials
that he wrote. Now there's also in
recent years the Dasita series which is
a collection which is a whole team of
people gathering from all his letters
that he got the thousands and thousands
of letters. So they've put out already a
bunch of volumes on I don't know how
many they plan on putting out if they
plan on doing 52 volumes similar to um
who also the mlugger is already coming
to an end which is multiple multiple
volumes of manuscripts. So we'll have
KVski one bookcase another bookcase's
bookcase but there's also famous farm
that came out already in his lifetime
um a few volumes and some other volumes
by people that were they have a close
kesher kvki and some of them were put
out already in his lifetime these are
conversations that they have with him
somewhere at the shabas table and in all
of them there's plenty of valuable
material um in them besides for this and
this relates to kish as we'll see also
is there's notes that he published
in his lifetime on medish rabba and
relating to all this we'll see how
madrashim his notes on the madrashim and
the work safer hayashar that kineski
also allowed them to publish his notes
in his lifetime about this work so now
to begin the time of the when's it first
published so it seems it's published the
first time in 1969
as a small work um part of the
and um he publishes says it over there
in the first introduction he writes
something to the effect like this
that he has
he didn't look into it properly to see
if what he said is true however
and some are direct
um and then he also went ahead and and
publishes some other contraum and that's
now today known as the which we spoke
about already back in season one.
Um he publishes it with stuff from his
father. Um okay now that's the first
introduction. This is published back in
69.
Um in the sh of the safer which we also
pointed out many times he gives a little
more insight to the safer. He says
So this is a thing that a theme that
we've mentioned numerous times
with his vast of every sing of all over
the full gamut of kerakula bavi
madashi kazaw um so he uses it to weave
together to piece together all different
And we're going to see how it plays out
um like it did in many other things.
Already in the first episode when we
spoke about his work on the Rambam, we
saw how he used his vast
to show and demonstrate thousands of
makers for the Rambam. So he does this
in 2. Okay. Fast forward 1973 about he
publishes it a little more updated um as
its own safer. Um then again in 1987
um and each time he added stuff um okay
now in these in these versions his
father went through it in one of the
places I saw that his father told him to
take out certain stuff obviously I would
love to see what those materials were
that his father felt he shouldn't
publish and why his father felt he
shouldn't publish those pieces and if
they ever came back into the final
edition that was published in 19 in in
2000 and um 12 in in the latest time of
the Quran. Now at one point for most of
the time the time of the Qur was in back
of the Bishkan
eventually it becomes its own safer. Um
now a lot of the additions of the safer
were with and eventually became its own
safer. So today as I said already if you
want to buy the you have to buy the you
could buy the migillas you can buy as
its own safer and the rest of the works.
Okay. So always um I'm fond of uh
mentioning
so first we I always say and is written
by so he's writing about the from the
first time he talks about it when he
says
it sounds like some type of a downplay
um of of publishing the safer. Okay. So
we've quoted numerous numerous times in
his lifetime already. It came out of
safer about his from the family. It's
called
so over there originally talks about the
first time it was his mother. It has
materials of um the they mention also um
the stipler going through it. Fine.
Um, now it it says over here that they
write that didn't know why his father
took out these pieces and even wrote
that down. So I obviously would love to
have that inside. Anyway, he puts it out
to the Why does he put it out with
Bryson? Because there was some type of
thing, you know, like he doesn't want to
the back of the Bryson.
He's going to put out his his some of
his.
So there's a famous story and they bring
it over here also. And that's the story
with
that um he he had a safer
he put out first even though the seems
was ready much earlier. So without
getting into all the details of the
exact story but the point was his father
I think told him first put out then the
something the fact you become known as
aid
um the is more famous than the but don't
worry it's it has its name in the right
proper place in the yeshiva world with
unbelievable kashivas the mashma gets
his mish up there so I don't so I don't
know if he has to worry he had to worry
about Let me see.
>> And the arame is known as the arsame.
>> Yes. [laughter] Yes.
>> That's what he's called. Is called not
the
>> right. So because his father was nervous
like some fathers are. But in the case
of
Bvarim
um um today are part of the cannon um um
without
Roy for its own few episodes. Not for
now. now but the point is someone must
have told him so that's why it was like
put on the back you know it's a back of
the
again this is going with my ready in the
yeah
now fine
so the question is number one right away
does is there any feedback do we know
any feedback already back in 1969 about
it so if you remember way back in uh
previous episodes we started spoke about
the correspondence between
still active and leading cla. So in
these incredible letters we see already
back immediately after 1969 when he gets
a copy to he writes a bunch of kfski.
Okay.
So, Ra Kfski um and I of course, you
know, it's always fascinating to see
they're handling a and a target over
there and all different, you know, and a
dict over there. Fine. Ser and all
different other things. So, Khani writes
him back back in 1969.
Thank you so much for your um spending
time to look at my safer. Fine. Few
years later
um um uh he writes him again. Now this
time this is already going to the um
as I already mentioned there was a bunch
there was a new edition. This is this is
in the second edition of Kki's time in
the Qur. So, so writes to him.
I'm going to send you a bunch of arus.
Some are big, some are not. And he sends
him mish a bunch of aris. You could tell
he went through the safer very
carefully. Over 20 aris about it. Then
he says, um, even though it might sound
like I'm giving you cororet, I'm crit
being critical of something, still
please answer me, etc., etc. Fine. So
Rhyki writes back to him immediately say
literally a week later he says any the
what's his greatest wish that
should look at their that's what you're
doing so of course I'll answer you and
he answers him a bunch of things fine
and then again the next week writes to
him again a bunch of and again he
replies to him um and don't um again
he's apologizing for shar kite don't
worry about it and Um at the end says
and I'm more than happy to have more
point is already right away in Ben you
know these these people as I already
comment to them they live not so far
from each other but they communicated
um they didn't have phones probably
maybe both of them didn't even have
phones at that time and even though it's
only the 1970s you know it's before
emails for us and everything they didn't
have WhatsApp this is how they
communicated and learning and barm a few
years ago this was published okay now I
would like to suggest after spending a
lot of time going through the whole time
in the now obviously I did not learn
every single piece and I'm only waiting
for the five volume set that's going to
come out the next few years sponsored by
some which is going to be mafarish every
tag tag and every mim
that probably will happen and shortly as
it started to happen with some of this
we've pointed this out but my my take is
like this it's not a random work it's
someone who learned Tanakh well over
time an investigation of the library
that he's quoting is going to show us
certain things as well as the style of
the various pieces as I'll mention we
know from the ofki that he will learn
every day
not only And this work is first of all
time has not only pieces on daft tyrus
once he was working on sometimes he
would throw in a few more pieces. So
when they broke it up when they so
originally this tyra then was the nak
pieces were only found at the end of
each para but then when they they
started made it into fancier safer so to
speak so they made it separate so they
already he he felt that every time it's
published he has to add something new.
So you know that go kangasky pops out
another few pieces of ty puts it in
there. So the point is that we're seeing
over here a remarkable display of his
bikus which we've spoken about already
from the first episode and I'm going to
put it in context how this plays out.
Again we also see incredible originality
and as he he emphasizes in the sh and in
his introduction shot oriented he's
definitely veryoriented and we're going
to see certain types of questions that
he's very concerned with. Um but at the
other on the other hand I feel that he's
holding back and part of the holding
back is he didn't want he didn't want
that he's gonna go down as
you say he was putting in his was
you look in the pictures you see what he
learned he spent hours and hours
learning the researching it the piles of
when he used to sit in
so it's not based on you know that he
sat for four hours let's say and he had
piles of and everything But as we'll
see, we'll see more about it shortly.
Lash, a friend of mine told meek's name
is one day he went over to Kvski and he
told him it's about a certain piece in
time in the in the where you bring down
a medish um a far out medish. So um he
told them why you bringing out such a a
medish. It's very simple. There is a
target on the on the right over there in
the Pac. So now and we're going to see
rakowski knew fine. So he so keski
smiles at him from ear to ear and tells
him why does it bother you that I quoted
the far medish instead to say this
wasn't a thoughtout work at that time
that's what his memory remembered so he
was using in the piece of tyra but it's
not like every puk or every piece in
this thing he sat down he went to his
library similar to what he did
and he had the piles and he was checking
everything it was more like oh he
remembers a ramban and the next time he
when he updates the piece he remembers
ai and he remembers a say that that
that's more how he looked at it. But but
there's like something as I what I'm
trying to bring out it was a it was done
in
not to be of someone sitting and
learning um many hours a day.
Also we see it's like a fascinating
thing. These are pieces of that he on
one hand it says somewhere in one of the
places says he he came up with this
stuff during laning. Now it's yua the
stipler. Taka came up with materials for
his birka's parents during laning but
that's more gamatrius and stuff like
that to hear this like fascinating
pieces it's it's it's so hard to believe
on the other handki we're f we are
seeing over the many many episodes that
he was unbelievable about kishan
underrated so to speak in this aspect so
he for him it was easy to come up with
this type of ty but okay now it could be
that part of the nud also was he only
spent a limited amount of time learning
He had letters to answer as we said
every day he had letter letters he had
the to do and he had his bigar that he
wanted to do. So he didn't want to take
away from his bigarum to work on a time
a massive type of parish on whereas
let's say the mal or the mash we just
mentioned they felt was even the
one of his time of his time he printed
in his lifetime say so there's different
kish I don't know how to recon I don't
know exactly you know we need to have a
conversation with kki about this but
anyway bottom line is after everything
is said and done if you look carefully
through this work I'm going to
demonstrate we can see how one can
learnish by highlighting various things
so I don't have an answer when he
learned but he but he obviously did it
over time now
many
discipler they learned
not only that they both were very
so they they they didn't just like do it
in like hey got to be got to get that
school in they learned when they learned
it they learned it but again We don't
have anything from this type that we do
have is is gamatri and we also have
nmuzen but we don't have like even a
type of work
in a letter
as the stipler was known for many years
as the for many yeshiva so he had
millions of letters published beautiful
letters in about
which is famous that he was actually
against a lot of the mal already then
forget about what he would say today so
in one of the letters he says what about
learning. So he says you should do
um afterwards after you do the tarum you
should do rashi as much as you could if
you have time learn extra some extra but
again you don't see an exact time amount
how much time you should spend and so
here it's relative to make some general
remarks and to move from here to explain
what's going on
and especially have been neglected for
centuries on different levels and for
different reasons.
Today I'm not going to trace all aspects
of it. It's a it's worthy of many
different podcasts, but I'm going to
mention just a few different over here
and then plug it in with moving on with
it there was a very
that lived in a Ravis name was monk. He
wrote a bunch. He wrote a lot prolific
and the name is Chu and he grad
also in all aspects of an
um and he has a chuva inf
where he talks about learning.
And in the course of his chuva, he says
that he he gives credit that at one
point in more recent years relatively
the
to blame on why and has not come back
into the system so to speak is because
of because in that period of time the
1800s and onwards they learned to too
much and any time someone would be
learning or especially Na'vi they would
suspect him of minus. So from there on
it became a thing that we stay away
from. So yes you learn and in a certain
level in the in the yeshiva system but
very not as with the same emphasis as
other things. He says um so he writes
and he's talking about the 60 the 50s
60s7s.
It was in that period of time not
anymore.
There's no good excuse not to be
learning it today properly. Okay, but
obviously there's a lot more to say if
someone's looking for a you want to know
if you could learn today. So who was in
the time of man and who was a person who
battled. So he has a chuva and he says
he was asked
He says
he talks about the famous that is also
part of this conversation and what's
what's going on and he says
but
one or two hours in
these areas
for us Americans
this was a thing that he wrote about
spoke about very often and you could
find throughout his writings that are
published
that's been published which is basically
a systematic shar that he gave on
and he deals with this question and then
speeches he gave and he and he would
encourage the learning of
and now again I'm not telling the
conversation today is not about changing
curriculums it's more about adults when
you're older already and you're your own
person so you should make time you have
to make time and that's part of what's
possibly going on between on some level
but I'll just quote one lam from
Kamnitki in his speech that he gave at
one point in the 70s he's talking about
and he says unfortunately too many of us
are also outfitted with child-sized
conceptions of kumish from which we
never divest ourselves we continue to
understand as according to our training
but we have and then he goes on we have
grown up since and so must our
understanding of the personalities and
events of kish mature
There's unbelievable levels and layers
going onish and interpretations of kazal
and it should be done and kameki um I
believe I believe I read once said why
he was to learn was because he wasn't a
r son so he saidim sons were in were not
able to learn this is ver can be
verified through various
autobiographical accounts in different
in whether you were even in for sure if
you were caught learning and you were a
good person, they still said they would
the raid would get out. Oh, he's a masc.
So, on some level was able to get away
with it because he wasn't a rough son.
So, there weren't so many eyes on him in
this small little keyetl. So, he was
able to get away learning already at a
young age. Okay.
So, these are some general um some
general remarks and just to mention um a
few more brief archists. Number one,
there's an incredible work which was a
bestselling work for years and years in
Yiddish called the Nephesh. So
was eventually translated in our
generation one time into um Hebrew.
Incredible Musra safer. Over there he
talks about all different things in a
beautiful way in a way not in a harsh
way. And one of the things he has about
is
and and he he quotes in the famous
Mishna and he talks all about it and he
says that basically if you don't have
the fundamental basics in
Tanakh it has a major effect um down the
line and this is Yua the primagadim the
great primagodim who all of khal from
when his work came out and study it
whether you don't move without the
primagodim in fascinating ing series of
letters that are found in the various
additions especially in the edition. So
he was known again what this even means
he was also a RV but sometimes he's
called a mikra he was a tutor he was a
teacher for for children whatever don't
worry about it it's not for now but he
was also a fan and as we know from the
primadum what he was point is he
emphasized the of learning
and this is something he emphasizes in
in a work another work from a a great
Mhammed who spent years educating um
people in he was a Talmud clearly from
influence from possibly an actual Talmud
from but an Talmud. He wrote a
incredible safer called a safer that was
used by many um how to educate their
kids 13 14 years old and he also at
length talks about the great importance
of learning and interestingly enough
parts of this was censored out in recent
years and then it was put back recent
years and the whole story behind that is
not for now but the point is there's
numerous numerous iss to learn the
learning
just because people always complain I
don't throw out there recently I was
looking I came across across the also
said you should learn make sure to be an
expert in Tanakha Clear writes also and
they write about him also
about his inh and how he was he was to
be um every day to have a seder in it
that and that and it's very important
one has to know this area of Tyra and
how important it is so now
forki is the same way so now way way
back in the early episodes of Kanyevki I
mentioned
that he was influenced by four great
people and we could find all different
things of him will go back to these four
people his father
his uncle the Mishnabura and the vagin
so these four people they were his like
heroes and and everything goes back to
that he's copying or has something to do
with um things that come from them so as
I mentioned already
learning and on this level and putting
out this time of the so
although in time of the taka brings
pieces from the khaz stuff that he spoke
to him or he heard
but we don't have works of the kazesh on
on this area the stipler too even though
again we have materials from the stipler
over here in this safer but we don't
find this same
um type of level that we have by him
over here
in in the time of the that we find by
the stipler
who was his rebi forum in his early
years. So was the stipler. So we find in
the that already um the told them that
his father taught him and without rashi
because he held you have to know but
again not in this level.
So where does it come from? So do we
know anything about
this is interesting question. So in the
work that I'm very fond of quoting time
and time again
son he says that his father was on
chabas he didn't learn
what was his on chabas
he would sometimes learn with others in
rashi
and he says he was harbor on each and he
would say them over and there are people
was writing in those days in the 1930s
that did know what the said
I'm tired. So now the question is so
where does it come from? So as I've
mentioned in the past
numerous um things relating to
Kfki are easily traceable back to the
fourth influence on him and that is the
great villag.
So without going further without go
sorry so without further ado let's
discuss the and what we could see and
plug it back in with
so first of all in all the whether in
the regular pieces are and also I said
there's also we see an intense learning
of
and of
now there is certain aspects of learning
that we find in G and then the people
influenced by him that you don't
necessarily see a major emphasis by but
we'll but let's begin
in the famous letter to his children he
said to them make sure that they should
learn
the children of the grow when they talk
about their father they say the first
thing he held was you have to be baky in
his anakmer
writes that he knew everything and he
was mafarish
This is what he's talking about the
great Zag.
So not only was it but it was also
now just to show this in the famous work
from about the Talman of the
brother. So it talks about one time a
vart that the bra set over in the sheir
on safer
and he was busying it and um
and he was spending the story go part of
the story was that he wasing over the
ver that the rebiqual
spent time on developing in the now we
have the it was published many years
later so we see it wasn't just learning
the it was learning the one of the First
works of the GR published actually the
first work is a mish it's not stap
someone has some nice and stuck it to
mish no it's a work on mish a theme
tons of things are happening in this
incredible incredible work this is
someone spent time learning this of
of
and we see this again and again in
various works of of the there were many
that were missing um some we have
Today's
in his work maps out all about this and
we see this in his just to mention
briefly is Talmud Rivlin who published a
work
has about
and in one at least one of them we find
and this
I said in front of the he was um he
added the following. So we see here with
his rabbi in
Plus the famous magged who was known to
have tremendous
and the also we have from him on
in his we see to make sure you should
have a and with
and we see this again and again the
and others says you should make sure to
learn with the point that I'm bringing
out is that a thing of a real serious
deal of learning it. Again, I'm not
saying how much time, but of learning it
is found clearly of great emphasis in
Bersh and as it's known um which is
going to be the subject of a different a
different podcast to mine the val and
where it came from which is also rooted
in all this what did when they learned
every day for 15 minutes a half hour.
Okay. Now in the learned
he was in the maps
to understand
and all these works were published from
the we see also and now so these
first of learning well is rooted in the
grow and I believe Raeski got it from
that and even the maps which plays out
in Raki's work
and as we're going to and even in some
places
is also rooted in this
another thing that we find as you're
learning
credible incredible
without getting into who wrote the tag
whether whether it's
all these names and what they refer to
but was crazy into these and he uses
them throughout his works especially in
the
so do we find anything about this in the
gray marriage answer is Yes,
his husband on on his father. He
mentions goes out of his way.
He would say it out loud and we find um
in various works of his
um an intense eon and quotations from
Taramunlas and knowledge of the other
Tagum
and Bal. We find this in other
people um that come from the Bagw most
notably in Ramagra's writings and in the
Nativ's writings even wrote a work on
Tarum that's been published.
So this also um is something found that
is into tagamunlus. Again I'm not saying
that is in every piece of tagamulus but
the the the whole concept of
also is found in the base medish of the
now there's a work which we'll discuss
short in the next episode called
that is also interested in and he has
and where he has it from as a source. So
he's taking it to a new level but this
is only based on new discoveries that
was to have in our lifetimes. Now
another thing is something which we
spoke about in the which is a auda
as follows.
learning through Kfki's one sees I
noticed time and time again that he has
pieces where he deals with
and mal he'll say he'll note that in one
place this spelling is in one place it's
mal
and with tremendous and
dozens of times he has beautiful mostly
shadow oriented
to explain this he say he's very into
the
So back in the so first the quote number
one
says we're talking he says
that it's meant to there's there's stuff
going on behind this
was aware of the but already in earlier
work
um we see this and there was actually a
lost medish um that in the times of the
that quote called
the rash brings it down
talks about it. He quotes
and some other about it but in recent
enough years the past hundred years
various additions and discoveries of
this medish or parts of this medish have
been discovered and makes use of this.
So this nakudish
of the also which is already going back
from but it's found in the it's takes
this to a whole new level in this cafer
so what's it what's it coming from so I
also would like to suggest this is also
rooted in the base of the
we discussed in the shitten in is very
important how to spell names of giten
and plays out something known as the
messyra which is there was a special
messiah given over and how it was given
over and what it's given over is beyond
the scope of today but basically how to
spell all different things in the Tyra
and it's it's how to write a and it's as
I'm saying over here to how to be all
types of
so so the
was very into this and um he look at the
and the trap and
there's a shell somewhere. So,
what's in the over here? And then he
says, we're talking about the let me
tell you this a few other times
mentioned. Let me explain to you what's
going on in those and a few times you'll
find
these but these and the
of the but more but
they're found dozens of times. So, so
I'm saying is it's coming from the base
man
gave to um sorry
work on so he says you're working on
and through looking at it
and was from the work that you're about
to publish. Now what about the in all
this? So shraga son-in-law of the GR in
the ado published in in the early years
after the Gira massive work on
the which is one of the themes that it
deals with is because as I said it has
to do with how you write to
he brings a whole thing about how this
was so important that the was in any
um and he was tons of different
Similarly
says he was
and he had all different based on
so this whole of the serious I'm showing
again and again throughout is safer is
this also could link back to the it's
also true that so you don't need this
particular one but since everything else
is linking to the it could be it also
has to do with the now we also see in
the work um of Kyki intense work about
Rashi. Now that's bread and butter for
any person rash. So
tons of times he'll show you the mus of
a rashi. Where is that coming from? Is
massive and medish
um
and all the different
that we'll discuss later on. And then
there's the
and in the we have galore
raan. So again, it's not a work
systematically to be mafarish ramban.
But you see someone that knew Ramban by
heart and whenever it's necessary,
there's Ramban. Interestingly enough, in
the letters
that I quoted with now that they begin
their relationship with what is what are
these
what are these handling?
So you see that
you have to know the now you'll ask when
how much time how much time in the day
are you supposed to learn how to learn
that's you have to ask your own but it's
clear he um was into learning the
Rambata
we already spoke about his his
relationship with
zakanal
that came out in you know a bunch of
volumes in our lifetime it's still
coming out as we speak quotes
So it was he has an intense
um it's the data but it's again there's
I'm being mas that it's the it's not the
same that like the you could see in the
pictures even if I'm learning we know
how he wrote it it was sitting on every
single thing it's every region so the
vert doesn't have oh there's
but throughout the work time and time
again you see he was learning this and
eventually he would plug it in to this
work of timra.
Now
this is the um um the first episode that
to to
of this as you called it a miniseries
and and the idea that I'm trying to
bring out is as follows
learned
whether it was how he wrote his perish
and how much time he spent on it and
whatever but looking at it very
carefully we could see that at some
point in time one has to find time to
master and use and learn the Tumin,
Rashi, Ramban and other and through this
he used it to become beyond creative and
create um he used this data that he
learned over all the years and as I said
I feel that he got it from the vagun now
in the in the next episodes my my what
I'm going to show is high to to point
out some of the farms that he used that
were more interesting that are somewhat
very interesting actually as we'll
And then to plug into to give us an
understanding of some of the verts and
some of the that he said showing certain
styles certain things that he's
concerned with and then to conclude with
a thing that Raeski became very famous
for and that is he became the pik about
names people wanted to know names um if
you can use this name in naming a person
um it actually plays out loyal and giten
how to spell it but which names are you
allowed to use which names are you not
allowed to
um and all different types of questions
relating to this and here the Tyra is is
galore and is galore. It's amazing to
see what he used his vast knowledge from
learning his
through his and more for this also and
we'll we'll have an exploration in depth
of the names and all the different
things with and the like. Okay, so
that's that for this is the conclusion
for the first episode of the series.
>> Fascinating. So looking forward to the
next episode or two. Once again, we
thank our anonymous donor who dedicated
this
of course check out alazar bratgmail.com
and I don't know if you were on here
since you've done it but Brat has given
his spim on David Kamki and Yo Green who
were two prolific writers
and each focused on different areas.
Worth taking a listen at musings of a
book collector found on your local
podcast apps and available if you search
in the old website as well.