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Q&A Series - Part 1 - Video Production Process
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Went through a bunch of questions people have asked me about the video production process. If you have any more questions, drop them in the comments and we'll make another! {I'm Gonna be posting a lot more content on this channel in the coming weeks - Full behind the scenes videos of Music Videos im working on, Q&A, and a lot more cool content!} Like & Subscribe! Intro Smooth moves with a camera without using any stabilization in post Premiere or Final Cut Good Starter Camera & Lens Making a cheap Music video Outro
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[Music]
hey guys what's going on we're gonna do
a little question answer series a few
months ago i put a little question thing
on my instagram if anyone has any
questions about the process of making a
music video or making videos in general
we got a bunch of questions we're gonna
go through them question number one how
do you make smooth moves with a camera
without
using any stabilization in post the
obvious answer to that is
a stabilizer slash gimbal whatever you
want to call it you need a gimbal or
stabilizer to get smooth performance
shots it is
the number one thing that you need to
get it takes a little bit to learn how
to use it once you use it your shots
will be smooth now again there might be
some jolts or some bumps
most of these programs i use premiere
pro have a effect called warp stabilizer
a warp stabilizer will only work on
shots that are already smooth they just
have some minor jumps if you have a
camera that's going like this and you
add warp stabilizer it won't work so yes
you need a gimbal you need a stabilizer
that will pretty much make the shot
smooth and then you if there are certain
jolts you can add the warp stabilizer
effect which will smooth those out one
thing you should keep in mind is a
gimbal is not the always the answer
smooth footage isn't always the answer
for a long time i thought oh yeah
gimbals you have a stabilizer you have a
gimbal that's it you're professional for
a while all my shots were smooth until i
realized that certain times you're not
meant to use a gimbal you're not meant
to have a smooth shot for example in the
semi-liner video i'll pull up the clip
here
when shua is running through the dining
room trying to find some liner the
camera is shaky there's some smooth
footage some shaky there's a lot of
shaky footage because i'm trying to
bring out a certain emotion trying to
show that he's he's nervous he's he's
trying to figure things out he's like
he's looking around he's trying to
figure out what's going on if he was
running around the camera would just
[Music]
perfectly smooth you wouldn't feel it
now he's running around the camera's
shaking he's banging into people and the
camera kind of keeps panning back and
forth and it gives you that feel it
brings you into the video it captures
the audience so yes the gimbal is not
always the answer
but gimbal is definitely something
that's extremely extremely important i
have designed weeble s i actually just
ordered the dji rs3 depending on what
your camera setup is certain times you
need more weight so you need to have a
stabilizer that's capable of more weight
but they're all good they're all great
get yourself a stabilizer but don't
overuse it next question
is it premiere or final cut
i use premiere pro i have no preference
with any of these things i always say
whatever you're used to use if you're
used to premiere keep using premiere if
you use the final cut keep using
premiere people stuff people start using
davinci whatever it is stick to what
you're used to i say the same for
windows and apple whatever you used to
stick to if you want to change you could
but just be ready for a big adjustment
they both all these things are very very
different again they're all video
programs but they take a while to get
used to and i don't know i just spent
years on figuring out premiere and i
always say with adobe programs you could
always figure new things out i still
figure new things out on adobe i would
say whatever you're used to whatever you
started on just keep doing it unless
it's just a terrible program you know
what i'm saying next question what is a
good
camera in the lens to get now again this
very much depends the other day i posted
on my story about
how amazing and awesome b h is any of
your questions and anything you want to
know about cameras lenses lighting or
anything you call them up they give you
information you tell them how much you
want to spend and they'll tell you
exactly what to get they're amazing if
you're wondering my opinion
let's say you're you want to start doing
videos or whatever it is i would say i
started off with the sony alpha series i
think it was like the sony a 5000 or a
3000 they have different versions i
don't remember exactly which one they
had but they're not that expensive you
could probably get them for like a
couple hundred dollars they're great
cameras regards to the lenses there's a
lot of different options to get
depending on how much you want to spend
because literally there's tons of sigma
lenses there's sony lenses for whatever
your range is a couple hundred dollars
one thing i i think is very important is
don't get like a ton of equipment right
away i myself happen to not have a lot
of equipment people i know people guys
that are doing this that have like 20
000 lenses and 15 000 cameras and
yeah it's an exaggeration but i have one
camera and one lens right now sometimes
i'll have to rent lenses if it's very
important but
you don't need a million pieces of
equipment i think my music my music
videos are pretty good quality and they
look amazing so it's just i think it's
proof that you don't you don't need a
million things you don't need you don't
need a crew of six thousand people you
don't need again obviously depends on
the project but i always say you don't
need to overbuy
over buying
is silly i'm trying to make a music
video for a friend what is the cheapest
way i can do this
honestly you want to do a cheat music
video it's really not that hard i've
done this for singers i've done this
remember in the beginning when i was
starting
locations there's tons there's tons you
go to new york you can go to be to your
backyard in your house to a pool you
know make a fire like there's so many
ways you could get a free or cheap
location but you have your camera you
have the singer just walk around just go
to random places and by each location
right let's say you go to the city he's
walking down the street my only tip i
would say is get three shots that's
always i say is the minimum a wide
medium and a tight now again how wide
how medium how tight that's up to you
now again you might want to get also
let's say b-roll right you want to get
some let's say you're walking through
the city right so you get some bureau of
buildings so other people walking by of
you know a ball rolling down the street
or a cat or whatever it is but cheap
music videos are very easy to pull off
just walk around new york or go into
your backyard or go to a nice house just
set it up shoot a couple of shots in
each location
and there you go there you have it thank
you guys so much for watching if you
have any more questions or you want to
know certain stuff about the process or
about video production leave it in the
comments hopefully i'll make another one
of these soon i'm going to start posting
a lot more behind the scenes of every
music video on this channel i plan on
bringing a behind the scenes
videographer on almost every single
music video shoot there's a lot of
really cool stuff to see a lot of really
cool things to learn about the process
just from watching those make sure to
subscribe and turn on notifications and
there's going to be a lot more of these
question answers and behind the scenes
of projects like much longer like like i
know a lot of the behind the scenes i've
posted like a minute longer or 30
seconds you start doing like 10 15
minute ones where you just see
all the all the details and the process
and the hard work that goes to making a
music video really interesting a lot of
cool videos coming
see you guys next time