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participate
in this very event has
to see firsthand the amazing work of the
kabura the amazing work of rebi
Eisenberg who's devoted and dedicated le
the nephesh to the success to the
well-being of every single member of the
kabura
it's very heartening to participate in
recognizing the efforts and
accomplishments of yadidi
rev nisan
And he should
should continue to go al
to the Herzog family for opening up
their home
for the yeshiva for the kabur should
always have this
and it's very meaningful to me to be
here tonight
for the you know the rebish
interacts and is manifest to Isra to us
personally in many different ways and
each particular name of Hashem reflects
one of the ways that was manifest to us.
So on the one hand the reun's existence
is intrinsic.
He's what the Ramal calls
mak he just exists. He's not dependent
on us. He has no needs. There's nothing
we could do for him. And in that
capacity, we refer to as elim.
But on the other hand, Hashem created a
world
and the world needs him and Hashem gives
to us.
So even though he doesn't need us, we
need him. And in that capacity,
But there's a third dimension that
Hashem is manifest and that he interacts
with us. And this is
a dimension that we focus on on
Rashashana,
not as elikim,
not as adim,
but as mel.
And we are accustomed to thinking the
Ram says in the Hashem that what does it
mean Hashem's mel? That's the elevated
exalted status of of that's Hashem's
power.
It couldn't be further from the truth.
That's not what we mean when we refer to
Hashem as mel says Ram Khal. It's
exactly the opposite. Hashem in his
capacity as Melik is referring to
Hashem's supernatural humility
where Hashem wants to associate with us.
Hashem wants us to think of him that he
takes pride in us and he's honored by we
being his subjects.
Contrary to popular thinking, malus of
Hashem is not Hashem's exalted nature.
It's Hashem's extreme humility.
But what's interesting is how we
coronate Hashem. The Gomorrah says,
says,
[Music]
"That's how you make Hashem king, by
blowing a horn, maybe a trumpet." In no
palace in the world do they take a horn
of a ram and coronate the king. What
exactly is the significance of
coronating
with the you see there's an entirely
different element of coronating Hashem
which in a certain sense is the exact
opposite of Hashem's humility and it's
coming from a a completely different
angle altogether
friends imagine if I were to tell you
that I met a guy in bar and I asked him
what do you do for a living
cars you sell insurance. He said, "No,
you didn't hear the news. I'm a mel."
Really? Who are you a mel of? No, you
didn't. I have an ant farm in my
backyard. I'm the king of the ants.
Could you be a king of ants? That's
ridiculous. That's absurd. That's
laughable. You can't be a king over
ants. In order to be a king, there has
to be a commonality between the leader
and the subjects. But the leader is
somewhat more exalted and elevated. You
can't be a leader over ants.
But friends, as laughable as it is to
say that a human being is a king of
ants, how could we consider
our king, the dramatic difference
between a human being and an ant,
the almighty a man? So how could we
refer to hakadeshu as our king? What
commonality is there between
and mankind
says hutner? This is the key ingredient
to understand what it means that hashem
is our king because indeed we are
supposed to think there is a commonality
between
and man. And that commonality came on
the great day when hashem created man.
man was just a goof. And the says
instilled in our being the living soul.
And as
when someone blows, they blow from
within themselves. And the instilled
within each and every one of us what we
call the
the divine spark that gives us endless
potential, infinite capacity, infinite
ability. And in that sense, it is
accurate. It is true. It is genuine to
say is our mel but only if we recognize
that we are
only if we recognize that we are
so something very interesting when we
say that hashem is our king on the one
hand we're bringing hashem down in his
humility that he wants to associate with
us and on the other hand we're elevating
man to the status this that it's
actually intelligent to say
that man and have something in common.
So how do we correlate?
So we're putting our attention to
humility and bring Hashem down to us.
The only way to coronate Hashem is to
elevate our own esteem in our own eyes.
You know what's very interesting? It's
Hello
have something in common you know what
we learned in the same yeshiva actually
yeah
there was a
some time till you get out of the first
Mishna you know but we'll explain that
at a later point the month of an
that means you know what you need to
focus on
the The word ani the beginning of l is
the word ani. Do you know who you are?
Do you know what your ability is? Do you
know what your is
in this world? Do you know how important
it is to
that you've dedicated yourself to the
that you've dedicated yourself for that
you've dedicated yourself to a higher
lifestyle? That's being
recognizing how dear, how beloved, how
it's
in preparation for rash.
You think it's a coincidence that we are
hashem on rashash. You know what
happened historically on rashashana?
Rashashana is the day that Baru gave us
the nama until Rashashana.
It was a shallot. It was a mo
and what were we? We were not yet
eligible that Hashem should be our mel
comes the great day of rash and instills
within us the
now there's a commonality between us
could be
actually you wouldn't believe it
my family comes from the city of Sakucha
my greatgrandfather was the last rv of
the city of Sakov, not the Reb, the Reb.
He was a Talmud of the Sheamish. She is
a son of the Abnea.
She is brings from his father the AB.
that you know whatifer is
says is a reenactment
of
we're reenacting we're recalling we're
tapping into we're accessing we're
commemorating the event that makes us
eligible that should be our mel what
event is that the great blowing of
in fact
says, "I am the
when Hashem blew our soul within us, the
was the bow to in fact says
the nose,
the is reminiscent of the nose." I guess
it depends how long it is.
But it says the is reminiscent of the
nose. It's a reenactment of
if you want to beem,
you need to elevate yourself. You have
to believe in yourself. You have to
recognize the infinite potential and
capacity that you have.
I don't know if you're into classical
music.
In 1957,
a year before the great musical genius
Arturo Tuscanini passed away, his
biographer
visited him to complete
the biography. Now, Tuscanini was the
greatest musician in the world, but he
was out of his mind. He was a madman.
But people tolerated him because he was
a good musician. Nobody could lead the
orchestra like him. He died at 89 years
old, 1958. This is now 1957. The
biographer calls him up. Arturo, I'm
coming over Tuesday night. I want to
just finish up a few things. I have a
few last questions to ask you. Tuscanini
said, "Get lost. I can't meet Tuesday
night." Tuesday night, I have something
very important. Said, "What do you mean
very important?" Monday night football
is Monday. What do you have Tuesday?
Says, "Tuesday there's a big concert in
Europe. I used to lead lead this
orchestra and they're playing the
symphony on shortwave radio and I need
to focus completely on listening to this
composition. I need to hear if the new
conductor could lead the orchestra
the way he should. So the biographer
said, "No problem. What time does it
start? Starts at 8:00. I'll come 7:45.
I'll put myself in the corner. I won't
make a peep." Tuscanini said, "No,
you're going to you're going to be
rattling around. You're going to cough.
You're going to sneeze." He said, "I'm
not going to make a sound."
Okay. Tuscanini says, "Do me a favor.
You better keep your word." So, Tuesday
night comes 7:45. The biographer comes
into the room. He sits there like a Evan
Doy. He doesn't make a peep. 9:00 the
concert is over.
He turns to Tuskan. said, "That was
astounding. That was masterful, wasn't
it?" Tuscan says, "That was atrocious.
That was a disaster. That was child's
play. That was terrible."
Biographers looking at him like, "What's
wrong with this guy?" Tuscanini says,
"There's supposed to be 120 musicians,
15 violinists. Only 14 violinists showed
up."
Biographer says, "Look, uh, nobody
better than me knows how out of out of
his mind this guy is. He He's crazy.
The next day, he wants the He's having
second thoughts. He decides he's going
to call up
the manager of the building where the
symphony took place. And he's going to
ask him what happened that night. So, he
calls up the manager. He says, "I'm an
American correspondent."
And I just was wondering how did the
concert go last night.
And uh they said, he said, "You wouldn't
believe it. There was a little mishap.
120 musicians were supposed to come. 15
violinist only 14 violinist showed up.
The guy is floored. He goes to
Tuscanini. He says, "Please be,
but please tell me how in the world did
you know
that one violinist didn't show up."
He said, "That's the difference between
me and you. You're an amateur. You're in
the audience. You don't know the
difference between 15 and 14, but I'm
the composer. I hear every melody. I
hear every tone. I hear every beat. I
hear every decel. I know how 15 violins
are supposed to sound. And when I heard
that dramatic difference between 15 and
14, it crashed on my ears. Something was
missing.
Sometimes we wake up in the morning, we
think there are a lot of Jews in Bar
Park.
It matters what I do. It matters when I
dive in. It matters how much kabona I
have. It matters when I learn, how I
learn, how I conduct myself.
And the answer is the guy sitting next
to you in Shul, the guy on 14th Avenue,
the guy down the block, he may or may
not realize the difference,
but there's a conductor up there. You
may see him or not. Actually, I just
came back from Los Angeles
and I did something a little daring.
Instead of getting an Uber, you ever do
this? I got into a Whimo.
>> Okay. I got into a Wo
and uh the car pulls up. I open the
door,
sit down,
and she says to me,
"This may seem a little futuristic,
but don't worry. Everything is under
control.
Just don't touch the steering wheel. The
driver has it covered. That's a big mus
hos.
That's a big muser husk. So to the guy
down the block, it may not make a
difference. To the guy next to you in
shul,
not everything will make a difference.
But to the great conductor of the
orchestra,
every little his kazus makes a big
difference in the world. It will make a
difference to Hashem. It will make a
difference to the Jewish people. And it
will make a difference to your family.
But if I could share with you, we are
not just lone musicians playing for the
conductor of the universe. We're much
greater than that. You know, there's a
little if I could share with you. This
is one of my pet peeves if I could
mention. You know, we have you got a
minion. So you have a guy he comes into
I'm sorry if I'm saying this
at least according to the if you have a
different mas you speak to your own he's
the guy saying he's sayingd he's saying
he's saying he's saying the carbon that
is up to and the guy is still in mis
so he's a nice guy he's a good guy he
just didn't dab with a minion that day
according to the Mishna ding with a
minion means You start
with it. Okay, that's the opinion of the
Mishna. You'll speak to your be it as it
may, what do you do if you're short on
time? So the mission says you got to
skip. What do you got to skip the
halalucas?
Let's say you don't have time to say all
the halalucas
a halleluah. And let's say you have just
a bit more time says Mishabura based on
Rashi the third halleluah and all the a
bothered what in the world is special
about the third halleluah actually the
third halaluca is the only halaluca that
we don't praise Hashem
all the other ones we're praising Hashem
the third halaluca we're not praising
Hashem we're talking to nature we're
saying heavens praise Hashem earth
praise Hashem kings praise Hashem what
is so significant ificant about this
halaluca says of Isaac Sher the third
halaluca is the centerpiece of suk de
zimra
because we're depicting man
not as a musician but as a conductor and
he's waving his baton and he turns to
the sun that shoots out energy at
186,000
miles per second. The sun that shoots
out 384.6 six septillions watts of
energy and we say son praise God and the
sun doesn't turn around and say you're
talking to me who do you think you are
no the sun knows who we are the son
knows the world is created for you and
he's taken orders for you from you and
you say to the malim malim praise Hashem
and the angels don't say you you just
started learning what are you telling me
what to do no the malim know the world
is for you and he takes orders from you.
And then you turn to Kings. You say,
"Donald,
come on. Let's go. I know you put in a
full workday. Nobody in history ever
work worked like that guy. That guy gets
up early in the morning is working all
day." But we say, "Take a break, pal."
Praise the president of the United
States. We turn to Kim Jong-un. Whatever
he's busy with, we say Kim praise Hashem
says of Isaac Sher the of all of
Yahadus,
you know says the pes and all avoid
Hashem says
the pes of all Hashem.
That's what we're here tonight to
understand
before
You need to know an you need to know who
you are, what you could accomplish, how
beloved you are, how dear you are, how
hush you are.
So, it's a great honor for me to be here
this evening to pay tribute to this
amazing Kabura, this amazing yeshiva,
this amazing institution in Kali,
Israel. You're the pride of the Jewish
people. Everyone admires you. You know,
I was thinking, you know, Hashem created
the world with the letter H. Why? Easy
to fall out. It's easy for anyone to
fall out. If you're an FFB, if you're a
BT, it's easy to fall out in this world.
But there's this hole all the way on the
top. That's the PES of Chuva. That's the
That's the from
admiration.
You could somehow give us an ali and
keep us on the straight and the narrow.
My humble blessing to you. You should
continue the desay,
the Torah, the Shayan, the
Thank you very much.
Thank you.