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Okay, everyone shabis as we prepare for
sha we have a lot of
unbelievable insights forum and
for uh it's very interesting you know
the concept
of that we've been
doing that we've been doing every Arab
shabas the
term actually comes from
Sherashim comes from Sherhashim and
we're going to try to apply that model
to Sher Hashim itself.
We know we've been connecting the
beginning of each para uh we've we're up
to already parini we applied this model
to migill we applied it
to and we're going to apply it to
hashir as we know is the greatest of all
the
songs in the beginning of tells us
hashimite and norm and normally the word
is a reference
to however tells us based
on that when it says in
it's
melim the king who peace belongs to the
king who peace belongs to it's a it's
the song
of it's the song of
um toadeshu
The song that is elevated over all
songs that were ever
said from his people is to the point
where said the world was not like the
day that was given to Israel. All kuim
are
kaideshim are is
kaideshadashim. By the way, how many
songs have there been in history?
Theiel brings in the beginning of sherim
that in the history of the world there
are 10 songs. The first song was said by
marish when he did and he was protected
by the shabas. He said ms
marabas. The next song was said by saw
the yams yashir. The third song Tarum
says was said when the beer was revealed
to Cl in the
Midbar. That was
um Yashir Israel. The fourth song the
Tarum
says was the song of by
his. The fifth song was said by Yahoshua
when he had a silence the sun and the
moon and Givvine and they could not sing
Shira for 36 hours. Yahoshua took over.
The seventh
song, the sixth song was said by Barak
and
Devira when Hashem delivered Cisra to
them. The seventh song was said by Kana
when she had a child. The eighth
song was said by damel when he hashem
performed miracles for him. The ninth
song is the 10th song will sing. But of
all the songs is
considered.
Okay. So how do we connect this to
uh the end of which ends
So two interesting things over Pes I was
together with my friend Raichel cast of
Los Angeles who made a bar mitzvah for
his grandson and they gave out two
editions of Sherim. They gave out the uh
McCroce a new art scroll mcro gadis and
they also gave out the illuminated
shirum of Rabbi Yona. So we'll say that
uh from each first we'll say
the ones says that the reason why is the
greatest of all the songs is because
every other song is unidimensional which
means they discuss one subject either
the past the present the present or the
future the matter says discusses three
and the medish uses a very interesting
term oce
means the past, past history. Parro
drowning in the
Yamsu is the present.
When Clau is singing to Hashem, they
say, "Please Hashem, we want to hear
your voice."
And
um it's present tense because when we
learn about Hashem is constantly
communicating with Kalis and also
there's an element of the song called
OIS are signs. Signs refer to the
future. The future now the final puk of
Sherim says the medish is where the song
turns to the future.
is Kessus saying, "Hashem, flee the
exile and take us with you." So that's a
song about the future. That's called
future. The the beauty of Sherim is that
it not only contains the past and the
present, but it also contains the future
as well. We're in the final p. So it
comes out like this. Shir hashir. This
is a song of all the songs. The greatest
of all the songs. How how is it the
greatest of all the songs? The answer is
look at the last puk. The last puk is
about the future. The fact that the song
encompasses the past, the present and
the future. The last puk. So that's what
gives it it its exalted status. So
that's one connection between the
opening of sher shirim and the end.
Here's another. You know we say this is
the song of all
songs. So the
penultimate reads like
this. Those who sit in the gardens,
friends attentive to the voice, let me
hear this. Who's talking? Rashi learns
is talking to Kessus Israel. He's saying
you're scattered in the exile. You're
grazing in the gardens of others. You're
in the base and the base
medish. The heavenly angels listen to
your voice. They are
blohim and they come to hear your voice
in the
basicness. Then after you sing, they
sing like it
says that's that's and
then
however there are other ways to read
the namely Hashem is asking the Jewish
people
please I would like to hear your
voice. I would like to hear you sing.
Please sing to
me.
Please sing. We would like I would want
to hear you
sing. And Clausalis responds no sorry we
can't do it. Why can't we do it?
So the rash says like
this
says you who are touring and being in
the gardens and the orchards and people
hear your voice. Your voice is so sweet.
I would like to hear your voice. To
which Kesso responds, "Oh, you want to
hear my voice? Here's what you got to
do, Hashem. You need to run away from
the galos and bring me
to and return my
judges. You need to redeem me. When you
do that,
my will sing. I'll be the I will
bring. In other words, we say to you
want to hear us sing. You want to hear
the you're not going to hear it
until in other words if you really want
to hear it you got to bring us back to
so that really connects the opening of
to the end. So in other words, this is
the song of all songs. But if you want
to hear us sing, if you want to hear our
sweet voice, you're saying our voice is
sweet. You're saying you'd like to hear
our voice, then you well, we're not in
the right context. We're not in the
right circumstance. You got to bring us
back
to Okay, so those are two connections.
Number one, the reason why sherim is the
greatest of all songs is because it
talks about the future where the closing
pok and this is the great song but reun
if you want to be able to hear it then
you need to run out of the gullus. Okay,
that's offering number one for today.
