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Nachum Segal Book Interview 2 9 2025
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okay well good morning everyone happy
Sunday happy Super Bowl Sunday or as not
my pun but not's pun happy super book
Sunday as Friday I was I was blown away
with that this morning as the second
Sunday of the farm sale we are
privileged to have in conversation Mal
seagull and Rabbi Dr Ari Lam speaking
about n's new book 1.8 million minutes
in counting over 40 years of radio
broadcasting on uh on the Jewish world
and Rabbi Dr LM is the co-founder and
president of Soul Shop Studios looking
to engage and interact the Gen Z
audience for um for Jewish digital media
content so without further Ado they have
much more interesting things to say than
I do but it is my privilege to introduce
them for us this morning thank you
br good morning well I'm really excited
to be here um we have uh we have done
something like this before and I'm going
to try to make sure there's zero overlap
so uh no no cheating from last notes but
I'm fortunately I'm here with a guest
where I know there will be zero overlap
in the story so I hope so I'm just
thinking does that me I can't tell some
my best stories
again uh there there as the book is
called 1.8 million minutes in counting
there is so much material there's I mean
in our last conversation we covered
maybe 1% and I'm excited to get to 2% in
this conversation thank you um so just
uh over chabas I was uh at Min with a
friend of mine who came to me out of
nowhere he didn't know that we were
speaking and he said you know it's
funniest thing I was just talking to my
dad and I was going through his uh High
School yearbook you know's in his high
school yearbook SE and I was like oh
tell me more I'm speaking to him
tomorrow she said you know his nickname
was stretch and I said I'm almost
positive that that was the name of his
first show s with stretch so can you
give us a sense of you know before the
JM and the am before the nakam seagull
Network before the you know major
phenomenon that we all know and love now
where did this all begin appreciate that
and uh ironically enough and that's why
this morning is so special for me it
began right here this entire career and
everything I've written about so far and
that I continue to enjoy every single
day all started from half a block South
from here which is now a parking lot you
I'm sure when you were an undergrad knew
it as a parking lot but we knew it as a
building that was a combination of the
dramatic society and the radio station
and someone asked me on the way up here
today they said uh what did you major in
in college I said well officially
sociology but honestly I just lived at
the radio station the entire time so I
guess I majored in radio but there was
no official Major um and then what
happened was and and this this story is
well documented but it's a reality I'm
standing half a block from
here excuse me in a
line excuse me in a line trying to apply
to get a radio show on the radio in
those days remember it's not like now
radio was was was such an
exclusive um not not exclusive meaning
like an exclusive Club but it was it was
such a unique uh project such a unique
um aspect of campus life here and radio
stations in General on college campuses
were so you know interesting and diverse
and unique and active it's it's very
different today so I'm standing on a
really long line to apply for a show
because my mother as I mentioned in the
book you know said she thinks I would
enjoy this type of
thing and um you know I'm filling it out
the application everybody including
myself wants a rock and roll music show
and some guy says to me who's standing
online with me says what did you apply
for I said a rock and roll show and he
says oh boy I said well what's wrong he
says well if you apply for a rock and
roll show you have like a 40% chance of
getting a show if you apply for a Jewish
music show you have 100% chance of doing
show took out my pencil immediately knew
nothing about Jewish music finance
major that's Arbitrage opportunity right
there say
that so uh I applied for a Jewish music
show became simple with stretch on
Thursday nights Thursday nights had this
unique atmosphere on the Yu K because
there weren't many people around right
they either had gone home or they're out
but those who were around that small
Niche they you know needed something to
do you know were a little looser with
their schedule and their studies so they
would gravitate toward listening to was
literally you know you could turn on
your radio and listen through the campus
transmitter so that's how it all started
I did a couple of years of that I became
a board member and then actually general
manager of the of the W radio station
and then the
greatest coincidence if there's such a
thing in life occurred when uh WFMU at
the time which had a morning Jewish
music show they were desperately looking
for somethingone to take it over
thinking that it was just going to die
out and it wouldn't be there anymore for
the community and somebody gentleman's
named Norman ler of blessed memory
decided to call Yu saw in the directory
or heard in the directory that there was
a position called director of Student
Activities dean of students the great
Larry Waxman and he calls Larry who
picks up the phone and Larry was a uh a
tremendous um mentor of mine he said
I'll have someone for you in 20 minutes
and sure enough that's what happened it
all happened right here all this magic I
just described happened right at that's
why this morning when I am steing at a
table that says featured titles and
they're taking a picture of me with this
book I'm like wow this is so mindblowing
why you FM still you know right in the
center of where this all began so I uh
you know speaking of Larry Waxman and
from one great educational institution
to another um you know often times when
people come up to me and they say you
know I know your father so I say is this
under the C marha category or other
category atory CU it's all cam so what
is the you know I think when when people
think about the rise of nakam seagull
you know those who know know that uh
that Yu plays a formative role in it but
what's the influence that c marha has on
on on you as a performer on you as a
teacher on you as a as a radio
personality and on the entire Endeavor
that's right well the marot piece was um
again once my mother put the suggest
because it happened era of me going to
be a sta member of K Mara she said when
you get to Mara you're going meet a lot
of guys from Wu I hear every radio
station I think it's something you'd
enjoy I never would have thought of it
beforehand but she was brilliant enough
to know her son very well and um I get
to to Mara and I just you know I start
speaking to people about the campus
experience and what it's like not just
the radio station but everything and it
all sounds so amazing to me and so
incredible I think I in fact I think
Larry was shocked when in September he
saw me Yu in 1981 like I'd been there
for the summer and he knew that I was
enjoying being part of the KRA but I
think he was shocked that I actually had
decided
to you know to come here as an undergrad
and um and I think that that's what the
camp experience was for me you know Mara
has its own unique many things we can
discuss about how great it is uh but um
I think that's what it was for me just
that I really gravitated toward the and
got this incredible impression of what
was going on on this campus so you
really come of age as a you know radio
personality as Talk Radio in general
nationally is becoming a massive and
massive massively influential phenomenon
um you know the fairness Doctrine goes
the way of the dodo you know as you are
you know you know as this era and it
enables this era so as this era is
growing you actually meet Rush limbo for
the first time uh in New York City in
1988 at moshing I believe and uh you
remember moshing I I heard the stories
um so how does that how does the wider
um The Wider culture of what's happening
on radio at the time influence the way
you think about it well there's no
question that you know being at the
right place at the right time being part
of the golden era of radio and I know
that some would argue that there was a
golden era in the mid 20th century and
there was to an extent and certainly
radio was very influential and Powerful
but there was just something about as
you say the talk radio and all the
different formats that were being
featured at that time around the country
and the influence was obvious I mean
rush and many others you know started to
have this incredible effect uh on
government officials and on the
community leaders and on uh certainly
the world of entertainment etc etc and
then some of them he more than anybody
was able to blend all of those together
you know he was entertaining and could
become part of pop culture and comment
on pop culture the same way he was able
to incorporate politics and government
isip so um so I enjoyed that era um and
its growth and frankly unlike today
where you know the the the ears are you
know have many many options and uh
listenership is very very fractured I
mean know that's obvious to everybody
and we play a very different role than
we did back then but in those days we
were really an essential source for
people to obtain information that never
have have gotten anywhere else you know
people today still say uh especially in
my generation you know they'll say to
their spouse they'll you know the spouse
will say how did you hear about this
well you don't listen to JMM so how
would you know in those days it was
really true every mazeltov wish every
community calendar announcement every
you know development of news from Israel
every featured guest who had you know an
important book or an important you know
opinion to state that came on the air
that was true I mean the most obvious
example of this is when schma kbach
passed away I would have to imagine not
completely because not everyone's
listening to me directly but through the
ripple effect of JM am he do in a
Thursday night we announced it early
Friday morning from the ripple effect of
JM the am I can't imagine what
percentage of the Jewish World knew
about it because we had reported his
demise so yeah that was quite an era I
want to come back to like some of those
key moments in in just a bit but I I
wanted to move into something more
focused on you so one thing that struck
me reading the book is you have these
amazing pictures I mean the whole it's
it's it's um and I I will say even as
I've kind of grown older and and and
reading has become such a source of Joy
I've not lost my enthusiasm for picture
books um so this is this is great even
for that reason but one thing that
struck me is every you know for every
picture you have with you and a
celebrity or you and a famous Jewish
musician or you and a you know president
or a prime minister there are three
pictures with you and your children and
it I think you know when when people say
uh uh you know a budget for example
reflects your priorities how you spend
your money reflects your priorities or
you know the way you uh you know if
you're a sports fan uh like I know we
both are um when you're a GM you know uh
who you hire and who you bring on really
reflects your priorities it's it seemed
to me that those pictures really
reflected your priorities and one of the
things that uh a listener you know any
longtime listener to to you will know is
that your family is an indelible part of
the personality that you bring to this
entire um this entire show and one thing
that that I didn't realize and that I I
learned reading the book is that
actually some of your your major
personal Milestones both tragic ones and
joyful ones are directly intertwined
with with the show and I I was
particular particularly struck um I was
particularly struck by the episode where
you have your father on um and so so you
know and you lose your father shortly
after that as a that day so can you you
talk a little bit about how uh first of
all I that story is incredibly powerful
incredibly powerful I mean I was I'm I'm
a crier people know me I'm a crier but I
was crying reading that chapter um can
you talk about how you have thought
about um the growth of your family and
your connection to family as you've as
you've gone through this career there
are a couple of points first of all
again in 2025 not everybody would get
this radio is such an intimate medium
yeah and if you're going to speak to
people especially in a niche Community
like ours a niche audience like mine if
you're going to speak to people on a
daily basis it would be almost almost
impossible right everyone has a
different personality almost impossible
to not include the audience a in your
discussions about family to not include
your family in discussions with the
audience is always you know unless again
you have the discipline to completely
keep it separate um but in my world the
free form radio you know without any
executive producers let's put it that
way you know I had no reason to do that
if I felt that something should be
mentioned or that uh you know a
milestone especially a positive
Milestone should be acknowledg and
certainly I'm going to do it but one of
the one of the most brilliant um
uh inscriptions that anybody I have a
policy I don't know you don't I think I
share this you want I have a policy I
don't keep any books I don't keep
anything you told me this yeah but if
it's a book get inscribed to me it is
kept that's the policy what's going to
happen eventually I don't
know we're gonna have to see what
happens event but that's my policy so I
have some incredible
inscriptions so uh we have this both a
running joke and a tradition in our
house as the kids were growing up I
would say in their teenagers they were
getting older the one of the sources of
our darvar Torah on chabas would be Sian
rahav mayor's book that was it okay and
we would always you know I would do a
big introduction became this family joke
etc etc so when I met her I said to her
I just need you to know that this is
what happens in my in my house every
shabas like you need to know and she was
of course flattered and she thought it
was hilarious and we spoke about it
anyway she signs her book to me and she
writes T nak remember the real show is
is on chabas that's amazing that's great
and I'm like if anybody has ever
encapsulated what the most important
thing in our lives is with all our
accomplishments you're a very
accomplished fellow nothing's more
important than family absolutely nothing
and that's the that's the number one
priority and it's not always easy to
juggle it it's not easy to do it you
know there there are challenges TimeWise
and otherwise but at least to remind
everybody that it's the most important
thing you know this I I think it's in
the book because people were speaking to
me about it the um I once said uh I once
said on the air I love you to my wife so
we had two reactions to it one was how
how terrible that in a public
environment you would go ahead and say
something like that to your and the
other one was from women who called me
some who I knew I saw and said thank you
for what you just did because my husband
now has no excuse to say that he can't
open tell me that he loves me so you
know these so these types of things are
are really important to me the funny
thing is as you bring up about the
pictures and
stuff I you know I don't know if every
family's like this and I don't know if
every father goes through this but when
you have thank God a wonderful
collection of sons and a wonderful
collection of daughters so there's
always you know some conflict uh you
know is uh this is a very sexist house
and you know the boys overrule the girls
and the girls don't get a chance for
this it's that no matter what you do or
say or demonstrate you're never going to
win the battle at least in my opinion so
what did I do on the book I made sure
that the only children on the cover of
the book would be my two daughters so
that forever they can acknowledge that
and make sure to uh to realize that uh
that they got Prime real estate so I
actually had that as a question as a
girl as a girl dad I clocked it and
appreciate it that's funny that's good
um so I you know one of the uh one of
the things you think about if if you
love music I have I love love love love
music music in general there are
Landmark moments in music history 1938
spirituals to swing concert at Carnegie
Hall all black musicians playing in
front there's Woodstock in ' 69 there's
the Beatles at sha stadium in the 70s um
for Jewish music there's uh there shy
mlitz and ding putting on you know
bringing Jewish music to Lincoln Center
in 1988 and you actually locate that as
the the the moment when Jewish music
kind of makes that leap into the public
Consciousness because a lot of things
happened that night first of all yeah
what was that what was first of all they
actually proved that people are leaving
to are willing to leave Brooklyn and
other Jewish areas to come to Manhattan
for show which was a big leap in 1988
trust me um that's number one number two
they were willing to pay a minimum of 50
bucks a ticket which in 1988 is and
believe me there were that many $50
seats available trust me so they were
willing to prove people willing to do
that and uh and also to utilize Jewish
music to support a really important
cause remember that concert which they
thought was going to be a one-off was
there just to save the C that's what it
was there for the government helped TK
all through the year they were not ready
to give grants for the summer program
the community was made aware of the fact
through Shia and Mortal K and David that
this Camp is going to close if they
don't have the funding and they took a
risk that people you know if they're
given a good night of music are going to
respond you know with generous donations
and that's what happened and a lot of
people you know from many different
communities stepped up and yeah that was
a um and just the atmosphere you know
Lincoln sent there was um there's
something about it you know the boxes
the lighting the the
Acoustics the um even the massive doors
just to just to walk from backstage to
the stage you have to wait for a couple
of guys to open these massive doors
which is you know so elegant it's so
beautiful
um and yeah so that night was definitely
a game changer so let's get into it you
have been a I mean one of the driving
forces behind the rise and popularity of
Jewish music and I think I kind of think
you know like when you think of of great
musicians so or when you think of great
fixtures of any musical industry so pop
music you have great musicians you have
the the lenons and McCartney but then
you also have the you know the great
band leaders who some of whom didn't
even play an instrument at all if K
Kaiser you know is one of the
bestselling music Ians ever in American
history didn't play a single instrument
um so and then you have the disc jockeys
like you have the DJs who just drive
popular taste and you're one of those
figures you're maybe the figure in that
respect so if you are this may be
impossible for you to do but I'm going
to push you if you had to make the Mount
Rushmore of Jewish musicians or bands or
whatever it is who were like the top for
who goes on the Mount Rushmore of Jewish
music in your career well I mean to be
fair this is a question I normally
wouldn't answer because I don't think
it's fair for me to be put in that
position but to be fair how could you
not include M David and a freed only
because between their longevity and
their
popularity and their mental kite yeah
they they've been there from day one at
a certain point you're LeBron playing at
a very high level for 20 years correct
so you know LeBron's going to be on M
rmore you know that's the obvious I'm
trying to think who I would put in the
third and fourth positions I mean I
personally would have to put kach
because of his
influence um and a fourth that fits into
that the the truth is I'd have to put AB
Rottenberg there
wow and it's not just the performances
he's had such a ripple effect on so much
of the industry uh people write a
certain way because of him people
perform a certain way because of him
people take seriously what they're
saying through music because of him it's
a great pick and that's uh you know so
he deserves to be there and thank God
there's only
four um and when it comes to the DJs
look again I think I was very lucky that
I was in a certain era you know America
was was very very focused on Wolf
manjack and and um and cousin Brucey and
a million other really solid music DJs
who helped promote you know secular
music throughout the
country and I think that I was at the
right place at the right time for this
in in the 1960s and 70s I don't think
you could have convinced a Jewish high
school student to spend any time
listening to Jewish music how do I know
cuz I was one of
them when the 1980s and 990s roll around
the legendary I'm sure you've heard of
her uh Mrs Newman of blessed memory from
Brea is saying something to me that you
made it cool for Jewish teenagers to
listen to Jewish music now first of all
if that's true then that's got to be
worth some points up there anyway who
grew up when I grew up that was JM and
the am was our Avenue into it so and and
it made it very comfortable in car pools
during an era when to listen to news
reports about you know different things
was very sensitive
to say the least I me there certain
scandals we can you know including the
presidency
the90s um so that was very important and
what was I going to say so right so Mrs
new made that statement and the and they
found I mean you made it cool to listen
to Jewish music like made it I think
that it was a um it was just the right
time for it oh but that's what I wanted
to say in my own home and I'm sure that
till today this still goes on in my own
home I always used to say that the
musical atmosphere is different Monday
through Wednesday than Thursday and
Friday Monday through Wednesday my kids
could have a regular secular radio
station on and you know and be up on all
the all the all the women and men I am
not familiar with you know in terms of
Music Thursday and Friday you don't have
an opinion on the Kendrick versus Drake
B okay no I would sound like a fool if I
commented on that but
um oh but Thursday and Friday all all of
a sudden if you paid careful attention
to my living room and listen to what's
going on in their bedrooms Aon cats
aming scho cats K and God forbid in our
home if an hour before shabas someone
dared to turn off Aon cat till the last
minute you got that's
the you have to listen to arage music
until cand lighting time and that was to
me that was just I don't know I again
you know you see you know where my
career started and you know where we're
sitting so the blending of many worlds
is really important to someone like me
that to me is just uh incredible that
the soundtrack of Life Changes depending
on the you know on the upcoming
religious days I'll tell you why by the
way AB rber is such a great pick because
I I remember even just listening to like
the Journey albums he's laying out like
a hashkafa and I think the closest thing
anyone has ever articulated to my
hashkafa is the JY I was
like someone once said to me you know
what do you think of this of these
English Jewish ballads or I asked them
and their answer was their answer was
it's AB Rottenberg light AB Roden light
I love it meaning no one's ever going to
be a it's sort of like I what I always
say no one's ever going to be kbach but
if anybody was ab's got 5% of it like
he's the only one that's got a you know
part of it and his messaging through
these songs you even the simple songs
you you go he'll argue with you about
Journeys 3 you know about whether
there's actually good you know the
messages are really done well in that in
those songs or not you know we've had
discussions about it but uh but but what
he's able to do through those songs is
absolutely remarkable I mean it's it's
it's it's amazing to think like he has
so much of it is ahead of its time he
has the influences ofus like he's
anticipating nius by by decades so you
have from you have all the you have all
of the storytelling you have Zionism
right but but and you have like a a sort
of like a common sensical religious
Zionism you have your shalim you have
what you're looking for is right there
at your door you know you have the you
have the the you have KIRO stuff in it
you have a sensibility you have uh
appreciation for sports like you have
the kind of the just great again Common
Sense morality baseball Joe deio was nth
man he also took on topics that in those
days remember the first Journeys is 1984
in those days no one's talking about the
crisis he makes a song about it in those
days no one's talking about those who
Trav to India to try to find themselves
he writes and sings about and it's a
very powerful song so you know yeah he
he's definitely ahead of his time I'd
also say he's a product of a certain era
I don't know if somebody you know who
grew who grows up today just like normal
from right can grasp the the things that
he's talking about so true somebody who
you know he's he's you know 60s and 70s
that's that that's where he's you know
being developed and I think it's only
someone from that era again you know you
know I I think most people would be so
afraid and hesitant oh yeah to write
there's no place like home the song
about you know traveling to find oneself
they'd be so you know they worry about
what people will say and how it's going
to be taken how it be accepted not
accepted even and I don't know if it's
important today he demonstrated that he
even has like like an astonishing
ecumenicism like the atheist convention
he has he takes seriously not just the
Jewish guy but the Muslim guy and the
Christian guy like he's taking them
seriously it's like wild stuff I'm
looking at ZK cuz we have a non-jewish
friend whose favorite song was the
atheist convention and yeah it's such an
important that's a song that anybody of
any background could listen to and like
oh yeah like you know and you have
non-jewish listenership like we'll get
to that in a little bit I want to stay I
want to stay on Jewish music for just a
little bit one thing that that really
strikes me as um as a core interest of
yours is like when you think about
Jewish music so for several decades it
is you know there there is an Israeli
tradition but it's of music but I uh you
know but but it's very like either khim
folk songs or you know people who spent
some time in Israel but they're
Americans and you know everybody is
inevitably like even people who are
based in Israel and see themselves as
Israeli ass social but you mentioned
Aton cat scho cats they're very
influenced by schak um at a certain
point and I can't exactly pinpoint when
but at sometime in the last couple years
it felt like and it feels like in a
wonderful way there's kind of been a
shift in the center of gravity towards
Israel where now the major acts who are
doing wonderful things is ISO Akiva even
Omar Adam to you know is is bringing a
whole different tradition and so how
have you experienced that shift well
first of all all the people you just
mentioned would never have been on my
show 5 10 years ago right right they
would have been almost undiscoverable
certainly right I would never have
understood the hype with which they're
being accepted in Israel but I think
this all comes down to I talk about you
know business school I think it comes
down to a really practical thing and
that is that today when someone finishes
recording a song in Israel 10 minutes
later it is in everybody's phone around
the world that's true now I don't mean
everybody meaning they're not trying to
sell it and distribute it you proper
streaming channels but I know in my case
because of my position you know our
music department I I can walk in
tomorrow morning and there'll be 10 new
downloads you know that have come from
Israel and um and they've UND they've
always understood the importance of the
American Market they've but they never
knew how to reach it I got to hire a
distributor a publicist someone who
knows how to how to call this guy n
seagull like they never nobody
understood the today it's like you know
10 minutes later the entire distribution
is done so I think that that practical
element is important and look the um the
other thing is and this was um predicted
by my late friend mayor Ward who I write
about in the book years ago and that is
that the yeso effect the fact that there
would be somebody who and and again
happens to be from Israel who's able to
reach from a nonform people with the
same music is mind buug that's wow that
he predicted it I thought he was a
little bit too all in on it but he ended
up being completely right and now of
course the other names you mentioned are
the same thing I mean you know the
Madison Square Garden thing I could sit
here till till tomorrow analyzing why
you know why it did what it did in terms
of selling out with is shaio and whether
that's an aberation or not you know this
we we can do that at the sh table next
time I see you but the most important
performances are on Shas you say that
again that's where the real show is um
but um but I think that the the
incredible bridge that they have been
able to create between from and non and
Israel diaspora and whatever other
elements you want to toss into it has
been a real game changer in Jewish music
it's amazing cuz I I remember growing up
my mom used to laugh mom's from
Cleveland and she used to say remember
when Yehuda exclamation point was huge
so she's like I knew the chick boys they
were bids all of a sudden they're
singing o now it's the opposite you have
like morai Shapiro all of a sudden has
an Israeli accent you know because the
influence of a lot of this is and it's
not just Mor Shapiro it's yobi and many
others it is unbelievable but this is
also you know it's so funny I think
about some of the different what was one
of the biggest battles I always fought
early on in my career uh there were
certain issues that were I mean Kisha is
always an issue Zionism is always an
issue you there always issues now 40
years later people know exactly who I am
say make less of these issues whenever I
would play a song in the 1980s with
shame Hashem the phones blew up how dare
you today I played the entire o y year
on Friday which had shame sh no one said
you
word because people are used to the fact
that these artists they literally are
using Sham hasem in so many songs and
and people are used to it plus the
element that were never the ones that
complain about it they always felt it
was fine the ashaz were like you know
the briskers couldn't handle it you know
so
um I'm trying to remember what you asked
me well you know it's just like there's
this kind of like you know the Israeli
directional influence that used to go
from there to here and now it seems to
go and I'll tell you something you know
I always made a big deal it's one of the
things I wrote about in the book that I
felt before October 7th I was really on
the bandwagon since 2008 since that
economic downturn I was always on the
bandwagon that now instead of a diaspora
jury depending on Israel Israel's
instead of Israel depending on diaspora
jury diaspora jur is now going depend on
Israel I was so so sad that I was so
wrong after October 7th that's just not
the case and it's and not a bad thing
it's just a sad thing that the reality
is that we had an obligation to have to
do God knows how many things in order to
help prop up our brothers and sisters
Israel post October 7th but this
influence the Musical one that didn't
change that's still now as you say
coming more directly from there to here
than from here over overseas I want just
because you mentioned the uh user
feedback that you get the the structure
of the book which I loved is that it
really is built around user feedback
that you get and one of the best
recurring bits in the book is you'll
have an email where someone writes you
this really like passionate verging on
Angry email about how what you're doing
is a disgrace and then the next email is
from someone who's like keep doing it I
love it it's made my day you changed my
life I'm from because of this thing and
H how how have how has your interaction
with your listeners and your audience
you know shaped how you are as a radio
personality and how do you understand
the different pockets and segments of
your radio audience how do you balance
them you know there's a chapter how
would you like your show yeah and it's
everybody thinks that it's their show to
mold however they want
um look the the I used to have a folder
in the 1980s called hate mail that was
the folder right we got real letters and
that and by the way none of those are in
the book Because if you think some of
these are bad those are really really
bad um so I I think it I think I
honestly think it was the volume that
was able to keep me sayane in other
words I took every letter and
interaction and feedback very seriously
and to Heart
and you know how it is you know you take
things a lot less seriously at 35 than
at 25 I was doing this in my 20s and
like you know say to myself oh my God am
I as bad as this listener thinks I am
but I think the volume you know we had a
lot of really positive stuff going on we
had the fundraising Marathon which
elicited a lot of positive comments so
that was very very helpful in getting
through all that um listen to
interaction it's funny a lot of times
I'll speak to somebody who's really
upset about something and then when you
speak to them you see they're not that
you know they're they're not upset they
they point of view they wanted to get
across and you know 99% of the other
stuff they don't uh you know they enjoy
Ed cot used to say that if you agree
with 90% if you agree with 90% of what I
of what I say you're normal if you agree
with 100% you're insane so you know I I
think that's sort of the same thing
um now the immediate response and
feedback app comments texts emails it's
a completely different for ball game I
mean I had a I had an
episode oh gosh it must be were we
married yet I don't remember um where I
I made a derogatory comment about how we
are overmedicating our children in
regard to someone asking if Ridin was K
of
P do you remember this yeah
so the everyone went crazy I mean
everyone went crazy I had not only did I
have to go on the next day with a
disclaimer but I literally had to speak
to I don't know 30 35 listeners that
were you know completely um affected by
what I said talk about influence and
then on top of that we had to do an
interview the following week explaining
you know why so many children and adults
you know need medications that etc etc
so you know you you never know I once I
once had situation where where the
person doing our yiva league sports
report now you know how serious this
could be yiva League
Sports May made the following statement
they ran up the score against the other
team I was required in order to get back
in good graces of this Yeshiva very
powerful Yeshiva in the Yeshiva League I
was required to get on the air the next
day and explain that we didn't mean run
up the score we were trying to tell
everybody that they're so powerful a
team that they you know dominated and
routed them so you know I I actually I I
said I said jokingly to a friend mind is
like the worst thing that ever happened
to yiba League Sports is Ryan Terrell
why because it used to be when our kids
would be like we have to have lessons
and we have to play every single day and
we have to be like what are you going to
do make it to the
NBA oh was that funny now Terrell is
here and we're like well I don't
know that's Jacob Stein that's same
thing so so um the so I want to
transition one thing that's that's
fascinating about your book is that you
you can think of JM and the am and
actually this this is um I think
implicit in the transition from JM being
Jewish music to being Jewish moments is
you know originally and this is how your
career starts you're a you're a dis
jockey you know playing music and you're
talking about stuff around it but you're
you're a musical figure right what is
amazing as you dig back into the
archives of the show is you become the
voice for a community and certainly to a
community that's narrating basically
several decades worth and continuing to
narrate several decades worth of Jewish
history and and world history um and one
of the things I found most interesting
was you know of course you expect nakam
seagull to have something to say about
major events in the Jewish world or
major events in Israel but what was so
um amazing was to see how many
incredible events in American National
History or in New York history you were
an essential voice on whether it was the
World Trade Center attacks but you know
one that stuck out to me was you play a
role in deciding the Giuliani dinkin
election yeah that was no question about
it so how what what was that like that
particular election and how did that
help you think about the role you play
whether you like it or not in in the
political role when David hinley of the
Daily News asked me what's it like being
you know going through this whole
process I said I don't know I have a
microphone it seems everybody wants it
you know it's quite a feeling everyone's
fighting over my mic uh like a guy in
the steth who had the safer tow R it's
like well you want a minion very good
very good so yeah that was um I mean
that particular episode was just and say
first of all it's a campaign so it lasts
for weeks it's not like it's you know an
EP an incident that a few days later
it's gone this is just building up and
everyone's on one side from the Jewish
representation of their campaign going
how dare dare you how dare you put on
the and everyone on the other side was
how dare you you know hey I don't know
what you want guys I'm just you know
you're getting the same treatment as
Seinfeld like they have to record two
different episodes one with Giuliani one
with D at the end of the very good so um
yeah that was that was that was unique
and that was uh really cool obviously
and what was interesting about it you
and this is what you're pointing out is
the Jewish Community swung the election
yeah now giuliani's guys were really
angry when we would say that to him
after the election he because that they
felt like they owed us and they felt
like you know they got to be there for
the community a 50,000 votes but it's a
lot of votes and it was a really
contentious race in a lot of very
interesting Jewish neighborhoods not
just Brooklyn everywhere in the city and
I mean he can't look I mean there were
events everywhere there were Town Halls
that some of which I hosted there were
uh you know I remember during one of the
campaigns visits to Staten Island to
synagogues and visits to Brooklyn and
Queens like this was always a very big
big um a a very big constituency and it
still is obviously a very influential
one I was I was the other day I was um
as an aside just because it's funny in
my opinion um I happen to speak to
Anthony Weiner and uh I I I really do
feel bad for what has happened to him
because I felt he was one of the best
guys in the world of government not
everybody agrees with me I get it but I
I I I'm still in touch with him and he's
running NAA city council and frankly I
wish him the best of luck and all right
anyway so um I said to him I said' one
of the best stories happened with you
say what are you talking about he I said
I was sitting in a dinner at the Young
Israel of not the Young Israel of
congregation in queed I'm sitting at the
dinner congregation in queed and I'm
minding my own business and they're
making speeches and he because he's the
congressman in that District walks in he
sees me so he comes over has the
speeches going on he comes over and he
looks at me and he goes tell me what is
this a one state crowd a two State crowd
so I I reminded him about I said I
prepared you for that speech I told you
exactly what you need to say so yeah
there's been a lot of uh a lot of
crossover into the world of politics
that's for sure but what's amazing is
you know I think the temptation of a
lesser person in your seat would have
been to both sides everything and there
are times where you get you you know you
you but I think julani think it was both
sides everything it was but what's
what's you and it was and you actually
go out of your way to kind of educate
your audience you're like I just want
you to know what's happening so you're
bringing on people from both sides and
you describe in the book um you know how
you do that on several occasions what
was fascinating about about uh about
dingens Giuliani though is that you
don't hide in the book that there were
real problems under dinkin for the
Jewish Community specifically for the
Jewish community that needed to be
addressed and one thing I I one thing
I've Loved about your show over the
years is that you want to educate your
audience but you also don't hide your
opinions when it's important so you're
not shy about your Zionism you're not
shy about particularly where you fit on
the spectrum of Zionism you're not you
know what I mean like you you know what
perspective 2024 might prove your point
yeah because in 1988 we actually had I
don't know how many shows about the now
who would it have been it would have
been Bush versus help me out folks Bush
was it Bush Gore 88 first first Bush
you're talking about 88 was Bush Gore
was Bush no no it wasn't Bush Gore it
was can't believe I don't remember this
this is unbelievable I don't remember
this um anyway yeah bush dakus
Bush lakus it was Bush lakus we had so
many shows with people coming on from
the community about both candidates in
2024 do you think I could have done one
show about other candidates yeah I'm
with it is a different world in the
Jewish world and I think that that might
prove the point that in those days it
was much easier or important to do it
and now I don't know if it's even
worthwhile you know my I remember my my
grandfather Shel once telling me um that
the two favorite people he ever met uh
in his career because you know he you
know given his position and his and his
personality he met so many wonderful
people the two people that I met in my
life I was most excited to me were the
two people that I believe the only two
people I've ever met he said who I
believe loved every single Jewish person
no matter who they were the laab jbi and
makan um and
I and I you have had you know a career
like that where you've just not just you
know been in the room at a Kana dinner
but you've actually really spent serious
time meeting with and speaking with some
of the most important people who've
shaped human history and Jewish history
from presidents to Prime Ministers to
generals um you have an amazing picture
with matore in the the book what what
were what was the best or one of you
know or some of the most you know
impactful people that you met who made a
a rosham on you uh among those who are
no longer with us do you know who I
would put in that category Joseph Gru
wow Joseph Gru who I had the opportunity
to spend two long sessions with I was 20
years
old and he heard me speak somewhere as a
20-year-old and thought I was some
Superstar I got to give the guy credit
you and he he we got together occas on
two occasions in his office just to
discuss he wanted to discuss my future
he um we discussed Jewish Education you
know talk about love he he put his money
where his mouth is he loved Jewish youth
Jewish Education and Jewish future maybe
not exactly the way we portray theba but
among those who are a living and I'm
sure so many people watching this would
agree with me Rabbi grman wow he you
know that my one of my sons told me the
other day we were we were together in
mcdal ACH I think it was 2010 2011 it
was their seventh grade trip to Israel
and I think you were there GK and we
spent the day with
him what an experience the love everyone
has for him the love he has for
everybody else you know when I see him
and which is what every five years he
treats me as if he's been waiting six
months in that very spot till I got
that's how that's how you know which is
unbelievable to be to be made to feel
that way so those are two of the names
that come to mind there I'm sure there's
so many others do you ever have any
moment on air that was just totally unex
do you know I I always say any question
that starts with did it ever or did you
ever after 40 years he answerers
yes do you know that I was doing an
interview with an author I think it was
by Sutton about six months ago and as
I'm doing the interview over the phone a
bird flies into my
studio and I turn to a friend of mine in
the building and I say do you know that
I think this is a first I don't think
this has ever happened before I could
you imagine I had to continue the
interview while at the same time trying
to figure out how to get this thing out
it was so crazy so surreal but yeah
that's one of the great things about may
as well just interview the
bird I this is one of the great things
about
my about what I do that you never know
what's going to happen next that's
amazing and that's the reality and um
and that's you know both for good and
for bad I um you know when when the show
is ending we hear bad news God forbid a
terrorist attack in Israel you know I
have a general manager who who uh did a
show every Wednesday morning after me
and so 911 was on a
Tuesday so uh in those days in 2001 I'm
sure you remember every other day a bus
was blowing up in Israel unfortunately I
mean it was the height of of one of the
Inus so he walk this is Ken he walks
into the studio in about 5 minutes
toight is about to end and he says tell
me how to do one of these disaster shows
you do them all the
time so you never know what's going to
happen and uh you hope it's uh you know
good news and not bad um but again it's
one of the things that just are so you
know exciting about it literally when I
open the mic at 6:00 a.m. I don't know
what's going to happen during that show
you know my my daughter right now has an
amazing amazing teacher shout outs to
Mrs Rosenberg um she is a uh she's a
West her family is all from the West
Side very close with my family um and so
you know
she you know had a real relationship
with with with my grandfather of blessed
memory and so on the anniversary this
year of the uh the JFK assassination she
brought in and read parts of his Jia J
gay assassination my and my daughter is
there and my daughter is there and she
you know has her stand up it was very
cute so I I and so she came home that
was an amazing way for us to talk about
a hopic perspective on Assassin you know
assassination of JFK was it mean for a
you know a world leader to be
killed you know your show spam
so many massively important events and
also crucial events in the lives of
individuals like was there a moment on
air where you ever just felt the weight
of the moment the gravity of the the
situation the gravity of the situation
on the air that's a good question I'd
have to think about that
um I mean 911 might be a might well 9
was not really on the air 911 I am
called right before the show ends
by a staff member um a plane just hit
the World Trade Center I said no wonder
because we were right across from we
were right across the river from the
World Trade Center I said no wonder
there's a million people in our parking
lot they're all looking toward New York
and and then the drama for me 9/11 was I
didn't get home till Thursday meaning I
stayed in Jersey because they threatened
if you try to get through the Holland
Tunnel or whatever even if you approve
you live in Manhattan you're not going
to get back the whole thing so I did the
show Wednesday morning and then Thursday
morning and then made my way back to
Manhattan so that for me that drama was
more of the uh you know what everybody
was going through just in terms of
trying to get their life back to normal
um and try to get somewhere because you
just couldn't move anywhere at that time
um the weight on the air you know I I
have to say by the way that I don't know
how well I portray this in the book but
I think my father's visit on the last
day of his life actually was a weight on
the air because when my father informed
us on Sunday this was a Wednesday that
he went missing when he informed us on
Sunday that he was going to come to the
radio station to pay tribute on 25th
anniversary remember he was 91 years old
um I I I I was trying to give in him not
to do it I said we don't even have a
chair in the radio station that you'll
be comfortable like you know some a 91
year olds you at least be somewhat
comfortable but he refused to listen and
and wanted to make sure to come which he
did and that I think the weight of that
day started to weigh on me I wanted to
make sure not to mention his name on the
air by the way that the best part of the
story is you have your producer at the
time maybe it was mayor
um you have him introduce him so name I
would have to say his name publicly
really amazing and I wore Tha which I
don't know I think I mentioned it on
that show that it was the first time I'd
ever worn an in a chai in studio know on
the road and there was another thing I
forgot what it was that we had arranged
for him um but anyway so that the weight
of that was uh and then of course the
whole you know he came to the radio
station pay tribute to me he ends up and
he he was in fact an effective driver at
91 years old we didn't expect the fact
there would be a massive downpour and he
would take a detour you know on a road
that had no barrier
um
but but um I forgot what I was going to
say um but the way but but then people
of course as you can imagine sh shim at
any point where this must be like such a
burden for you he comes to pay tribute
to you know to say some kind words about
you and then literally drives off to his
death like how do you how can you wrap
your head around it and I will tell you
that as much as I understand that
comment I never felt that way it was
like I don't know I felt it was meant to
be or felt that that the whole
experience was so beautiful until the
disaster I don't know but it was even
till today it's not 2025 this was 20
eight even till today it's like I can't
grasp it but I can wrap my head around
it you know what I mean like that part
of it doesn't really bother me but parts
of it are difficult to
grasp you know going back I may have
mentioned this to you before but going
back through the you know Jam archives
one I mean there's so many moments that
stick out to you but one that really
caught my ear was it's an interview I
believe in
204 uh it's Joey Bodner in Gaza City oh
wow in a hotel
right and he's talking to you about how
beautiful the group of people the group
of people how beautiful it is how
gorgeous it is and the soldiers are here
and here the isan Seminary kids and and
when I heard that it struck me I mean
like you know obviously this you know
especially for the last year and a half
but certainly since' 05 you know Gaza
has kind of been synonymous with you
know a Haven for terrorists and a a
place and it it struck me both in Tanakh
you know where that area is I mean the
pisan cell there for a reason it's one
of the most beautiful places on Earth um
you know but all the way down to' 04
Joey bogner's describing it like it's
paradise and anybody who lived there
said it was
Paradise how have you experienced and
understood particularly from your seat
as someone who has to explain it and
narrate it to a to a wider community and
listening audience how have you
understood the shifts in
uh Israeli history in the last you know
several decades well you know what they
call it an Israel conceps yes yes where
everyone is on not everyone where many
people are convinced that if there's an
effort to make peace and to live in
peace that it actually can happen um so
how have I understood it I'll tell you I
I I think I've I don't think I don't
think it's a way of understanding and
then transmitting that understanding I
think it's a bit different I have tried
to
normalize what many people have thought
are abnormal activities for Jews so Joey
bodner's on the air likely with a group
from Ben Sher and Tink I assume yeah
Joey bond is on the air 20 years ago
from there so I can emphasize to people
that yes a regular normal te- neck Jew
not the settler look and not the you can
actually go and visit Gaza and make a
statement and be there for the Jewish
people Etc same with Judea and Samaria I
you can ask ZK who's our great
videographer today we took a trip to
Judea and Samaria
you got it in 2001 that was challenging
to say the least but people are
listening 6,000 mil away thinking wow
in and in K and N is in you know
Mito so and then of course the biggest
example of this and I hope this makes
the point this answers your question is
that we normalized travel to Kevo
nobody and I mean nobody would ever
think of spending a shabas in Kon before
JM and the nobody great point and we
went ahead and on every now you're a
loser if you don't go correct every
opportunity weekday
tour any excuse godav any opportunity we
are convincing people that they should
be among th those who are going and of
course shabbaton I can't take full
credit for it there are a 10,000
Israelis who are already doing it but
Shabbat Kon from our standpoint making
it a really hip cool and interesting
thing to do to spend
shabas is amazing final point I get to
Kevon on one of those
shabat and a young lady walks up to me
and says I'm here because of you and I
said that's very nice what do you mean
she said well my parents were convinced
that it's completely unsafe for me to
come here for shabas then they heard you
were coming they said oh fine no problem
at
all trust me I don't know why she
thought I'd be the one protecting her
but this is the impression that people
get uh when they hear it on the air so
yeah that's I look in general the
Zionist
piece the future of the Jewish peoples
in the state of Israel it's something
I've always believed I continue to
preach it uh I
I I shudder when I think of how many
Rabbi leaders don't use the opportunity
to State it it bothers me tremend I'm
talking about from theic world to the
most modern world it bothers me
tremendously that people that they in
their positions don't take the
opportunity at least once a year like I
always say
onab can we not talk about the the shear
of of uh of koses and instead talk about
that this is the holiday that's the
beginning of Jewish nationalism that the
end of this holiday is us actually
getting to Israel can we please do that
so you know so that's frustrating to me
so I try my best from this you know
bully pulpit uh to emphasize just how
important Israel is and to encourage
people to travel to Israel even now with
prices the way they are and everything
else I'm not demanding that people
follow through you can't make it that's
fine but have a plan make sure that
you're thinking in your head here's the
next reasonable time that I can be there
and I can enjoy time there one of the
most interesting chapters in the book
that I was surprised by even though I
guess logically you you must have known
it was true uh you whole chapter on
non-jewish listeners um how how do you
explain that phenomen I mean it listen I
I suppose um you know one of the real
advantages of the era we currently live
in is that Niche is back you know like
you like I will listen to a podcast on
like the top 50 Indian classical music
songs of all time I have no hook into
this world it's just super fast I could
never be in a car with
you this this this is how I keep car PS
out you know
um but you know like I I you know one of
the real media trends of 20 you know the
2020s has been just going all in on
Niche audiences and saying I want to
listen to an obsessive talk about the
thing he or she are obsessed with but
you know when you were coming of age in
the radio industry this was the era of
Mass Appeal you know everyone had grown
up on The Brady Bunch and gilan's Island
and silver you know so so how do you
understand and explain having a
listenership out side of the Nicha
audience that you're targeting no it's
funny because uh I have actual emails to
proven and other an some of them in the
book They're amazing and other anecdotal
um uh episodes where people just want to
be part of family and community and when
they listened to the show they felt like
they were part of something uh I always
say that you know among the non-orthodox
the Friday morning JM then was their
shabas like that was their it's not to
take shabas candle lighting time here by
Udin the next day they'd be golfing but
this was their OB this experience and I
was responsible for doing that for them
and I'll never forget a nonreligious
staff member at
WFMU um an erif tishu it was a weekday
ER of Tish and RBI goldwaser was uh I
delayed putting her goldw to our Torah
on and I was so frustrated on myself
that I had not gotten to it it was
supposed to be 7:30 I didn't do till
7:40 and I'm so frustrated in walks
Meredith this staff member and says to
me I was just listening to the last
couple minutes in the car I didn't
realize tomorrow's Tish I have to make
sure to have break fasted my family I
said what you actually know what Tish is
you're like the funniest thing I don't
know to what degree she fasted or didn't
but just you you never know who's
listening and what they're going to gain
from it and how much it's going to
impact them um and even today by the way
I I came across emails recently I mean
during the the the the digital era where
still non-orthodox or non-jewish people
are listening to the show which is just
amazing a lot of people like good radio
yeah seriously like good I do a show in
Israel every day for an hour so I met a
guy named RAB ketki and kirat safer says
I listen to you every day I said RAB
ketki first of all you don't know
English and secondly you're yeah but I
just love hearing your voice I said okay
you know there you go so people just
like good radio so golden Thro like Rob
Stewart that's great there you go so
speak speaking of speaking of good radio
I want to close it out with just looking
forward so we're in an era now where the
entire game has changed right so in a
sense you know in a sense radio is back
um but in new forms right so you have
podcasts now you have live podcasts that
are huge there video stuff right I mean
Mo most podcasts now listen to on
YouTube I actually watched on YouTube
now um you have in the music world you
have streaming you have Spotify you have
iTunes um you have apple music right so
what does this new look like for someone
who came of age you know and who started
broadcasting in like 84 yeah it's it's
it's just a matter of trying to get
people's attention in other words if I
can get your attention especially if
you're in my Niche you know potential
audience I'm going to get I'm going to
get you y you know if I'm going to get
your attention I guarantee you that once
a week at the minimum you're going to
listen to what I'm doing on my network
what and what are you excited for in
this era because it feels there's so
many opportunities like you can reach
people in so many different ways I think
that I mean again when when it comes to
me and my excitement it's all about
Israel and eventually you know the goal
is to spend a good part of the year in
Israel and broadcast from there and
bring whatever is happening in Israel to
the diaspora you know even more so than
we're doing now um and I think that
that's really one of the only major
pieces that's been missing from my
recent shows is the personalities that
are making a difference in Israel
especially ones that speak English I
started doing a little bit's been on my
show like you i' start started doing it
a little oh um Ariel Kahana has been on
my show so I'm sort of you know getting
there but if I'm in Israel in the next
year or two on a more permanent basis
then I would hope that that would be you
know just like I've introduced music
from Israel to an American audience I
hope to introduce more Israeli
personalities to the American audience
that's amazing the book is 1.8 million
minutes and Counting celebrating and
contemplating my first 40 years in
Jewish broadcasting by nakam seagull
this has been an absolute privilege
thank you Ari by Dr
AR that so fun