Transcript
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progress okay good morning friends we're
continuing
learning one is required to with the
canellation notes one one is supposed to
Lan the kishma which is an
interesting means the is saying you need
to you
should um
is saying you should now this comes
from
in in Poland we don't do
this nevertheless those who are
punctilious they're but it's not the
custom where we live
says so it's not
the one should pause and interrupt where
they're supposed to based on the
context so that what you're saying has
meaning to it not
just in other
words in other words you should pause
and read it in a way where your words
have
meaning therefore you should read it
slowly otherwise if you just read it run
through it then it changes the
meaning now that's very interesting
because later
on we know that if if you make a or vice
versa you have to go back even by if you
run over you have to go back so it
sounds like even though in kishma you
don't have to sing it as a but you do
have to pause but if you
don't articulate the words where
the is a stop or Z if cut is a stop it
could be an
issue okay um now the
are now some people they L it but they
have absolutely no kavana for what
they're saying so it's not enough to Lan
it thear is to have the kavana of the
meaning of the
words someone who's not used to laning
the song could disturb theana sort of
reminds me of what riller writes about
his experiences in the Y Inka he would
write that Inka there was they did not
sing obviously they didn't sing to
kadka but moreover there was no there
was
no no no this is how they said
[Music]
it because in they held a distracts
from
kavana when you're let's say singing
kades oh
what's okay nobody's thinking about the
meaning of the words they're thinking
about the
fact that after October 7th everyone
says so he's singing from so nobody's
thinking about the meaning of the words
they're thinking about why the picked
this and now they're thinking about
um so it's in a way it's distracting a
tune that that's not connected to the
words is not really ideal but what what
could we do but in they didn't use
either they held it's also it takes away
from the focus of the meaning of the
words anyway so that's what m saying
don't get carried away with the tune
because it could be
distracting when you say the
words you
should feel handle the arm
Fain when you
say you should feel the
SH now it doesn't say you should kiss it
it doesn't say you should kiss the it
doesn't say you should kiss your
hand so when you
say
the
also those who put on
before when you
say there are those
who
now it's not enough to
bees should not be
done but rather in order to remember
thein and what it says in
it
m
so the question is do you need to get up
and
be when you
say you're supposed to be in the you're
supposed to be Mas in the what about the
mza it's good question right says brings
name that you don't have
to only something with you're wearing
and is not something that's on the wall
also the reason why you're is because it
say to come
to and to be in
them but not
by
also
says not
really only only if you're wearing a b
of compos but it's not like which
is if you want to know about kissing we
discussed that in a Wednesday night
share
okay some have accustom to sayma
aloud some say
quietly whatever your custom is you
should say the first out loud and that
is the custom
says why
not why not what's the
sh why would you not if someone is you
see so that's nice he's saying the words
for for me but
who's I guess the listener is
so what if the one who's saying it is
already was
already why not why don't we say
Aras um I would say yes but sh says it's
depends that the tour brings thees where
the thees was ready could he others
according to the then by
also why would anybody argue why would
anybody say that you can't be M someone
in so the P brings and the P brings in
the name ofak the says kishma is a MIT
of Korea and not because it
says so what why don't we
say unless it's like you said it but
Korea is different than deor maybe Korea
is different than
debor not sure I don't really hear why
that would be a reason not that you
can't be might to someone the in brings
that
everyone has to do it
themselves the MIT
is so I am a I just I want you to say it
for
me
correct oh you're saying that by Milla
the Mitzvah is to read it yeah that's a
good point the mitah Milla is also Li
and you could be might someone so I'm
not sure what this far the and the is
okay and it's better
than yeah I don't really I don't really
hear why that should be the
of maybe I could hear that you can't
be but why why can't I be and you be me
in the cre
I didn't say say I didn't say anything
so that saying like Okay so it's all
it's all in my
mind no no you have to come
to so that's what that's why because
there's no way that someone could be Cur
something and I come to that why and I
come to that why I I am coming to it I'm
thinking I'm through your Korea which is
considered like my Kaa is not but
thinking is not the mitzah
thinking it is I did it was
because that's like I said
it it has to be yeah I hear I don't know
you hear a difference
okay that will only work if you
understand it
that if you're going to use you better
understand Hebrew if you say it yourself
you don't have to understand it but if
someone is being you you do have to
understand it why would that
be why should that
be the deu brings that by the you could
be even if you don't understand
it
[Music]
okay very interesting
now only this is only these restrictions
are only an individual being
individual an individual
being
one person being two
people then they then they could be even
if the listeners don't
understand that's you know we would have
to work what would the be
that I mean this we have in many
instances
that works more ideally if there's
aor if there's only one and one there
are it's more restrictive so here's one
example of that that perhaps you have to
be able to
understand but it seems like this is the
of the
Shir I'm
sorry simply it does seem like you could
use um according
to okay so we're going to hold it over
here have a good day
everyone uh I want to
ask