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Learning From G-d How to Create Space | Heichaltzu #14
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For Source Sheets: https://rb.gy/umz6ok This class was presented on Monday, Parshas Shoftim, 2 Elul, 5782, August 29, 2022, at Bais Medrash Ohr Chaim in Monsey, NY. To sponsor or dedicate an upcoming class click here: https://www.theyeshiva.net/donate To watch more classes & to read Rabbi YY's articles visit: https://www.theyeshiva.net Follow Rabbi YY Jacobson: Youtube: https://www.youtube.com/c/RabbiYYJacobson Facebook: https://www.facebook.com/TheYeshiva Instagram: https://www.instagram.com/yyjacobson Twitter: https://twitter.com/YYJacobson Linkedin: https://www.linkedin.com/in/yyjacobson/ Telegram: https://t.me/RabbiYY
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Transcript
Auto-generated transcript. Not time-synced to the video.
Okay, welcome back,
so uh
this week we're still going to continue
this base in our sham.
And then after that we're going to go to
what is Shoshana.
A tishrei Shoshana Mima.
We know that.
Today's sheet is dedicated
by Joseph Markov in honor
and in the merit of Fredel Basara and
Aaron Halevi Ben Sarah. May Hashem bless
them with a shlema
complete and speedy recovery with many,
many more good, long, happy, healthy
years
filled with joy and and health and
prosperity.
I wish you a tovis.
Amen. Can you hear that soon?
Class is also dedicated
by Ryan Newby
in the merit of all those who are
wandering in darkness that they too can
find meaning and direction in the wisdom
of the sages.
Amen.
That's a beautiful blessing.
Including myself. Everybody thanks you,
Ryan.
And also dedicated to our friend Adam
Ben Sarah
for a complete and speedy recovery.
A for shlema, he's with us online.
Adam hasn't been here for a while.
Everybody says that Adam that they miss
you.
I also miss you.
We hope to see you back very soon. You
should have a craver
and a shlema
and a
shana tovis.
Okay.
We're going to have base
base
page
chapter 22 dollars.
Let me just summarize one point, one
major point, two major points that we
have been exploring.
The first one
was delving in to
the nature of unity
which includes
diversity and differentiation.
Which some people could think
is conflict. It could be it could be
conflict. It could be seen as conflict.
But really he says it's a deeper form of
unity.
And in its source, he says it's the two
names of
you can get a look at him. Look at him
it's plural.
It represents the diversity of creation
the
pile of it.
The divine energy that
sustains the individuated
characteristics of every created being
on all levels in the physical world and
the spiritual world within the physical
world itself all of the different
species and categories and really every
creature that has its own unique
chemistry DNA.
But that itself comes from you to give
up again.
But
we're looking at the source of it.
But we're looking at him.
The the whole creation the name of him
is used because the happens to him
through the name of him and that's why
it's individuated. But I'm always never
alone.
This 10 different utterances, 10
different statements through which
creation happened. When you say 10
those 10 are the sources.
But from those 10 as we know came
literally endless diversity.
At least endless in our vocabulary.
Because those are
all the 22 letters of base.
And you have the roof in
the configurations of letters
which create
all of the differences between one
created being another created being.
But the source from that is you to give
up again. You to give up again name of
Hashem is my soul Hashem came in
and Hashem hot.
And what does that mean? It doesn't mean
that you to give up again everything is
one. And then
suddenly everything is different and the
two names have no connection.
We say Hashem who came.
The way we define it, we call it Hashem
and we call it him. Because a name by
definition is the way we perceive it, we
define it. So we call it Hashem, we call
it him. And it's it's Hashem who came,
it's one.
In other words, not really two names. We
give it two names cuz that's how
our vocabulary is limited. So we give it
two names cuz it's two it can it's it's
perceived as two experiences. But really
Hashem came. And what does that mean
practically?
It means he said that in the source of
oneness you have all of the diversity as
well because
undefined
the undefined reality of of infinity is
not defined by it being undefined.
That's also a definition.
It's not defined by being unlimited.
That's also a definition.
There's a famous safer in Kabbalah it's
called the Kodesh.
It was written by a Judah may have been
God by in the 1400s. He was from Spain.
So he writes he has an expression there.
And so if you can share the belief that
you can believe
she might have been able to believe that
you can believe this.
In other words, as much as you talk to
say Hashem is infinite, unlimited
if it's only unlimited that's a very big
limitation.
So unlimitedness includes also the
ability to be limited or or in other
words, the ability to be defined.
But over there it's not a contradiction.
All the diversity is part of the oneness
because it comes from a place that's
deeper than definition. So the undefined
and the defined completely become one.
The way it trickles down into a defined
creation is shama and shama came.
Shama represents the in the year
within the differentiation and shama
represents the diversity of the year.
And that's the only real type of unity
because it's a unity that includes
all of the aspects of creation. It's not
a unity that
that has to reject or repress or deny.
And in every person it's that way.
The way that the explanation is not just
an abstract explanation in a and
philosophy
spiritual philosophy. It's a very
practical idea because in every
relationship it means
that the differences between people
are not what threaten the relationship.
That's actually what can create
the real the authenticity of the
relationship.
In very practical words
say for example
in a friendship
or in any relationship in a business
relationship. The most obvious is
obviously in an intimate relationship
for example marriage.
So there's no question that generally
speaking
each spouse has a different personality.
Right? That's that's how God made the
world. People are different.
Even from the same gender. Certainly
from different genders, different
natures. There's different natures and
genders but also every individual, every
man, every woman they have their own
their own authentic identity.
And sometimes there's this frustration,
you know, can you be like me? Can you
just see it my way? Can you think like
me? Can you can you
operate like me, function like me,
right? But everybody knows that's a
that's not going to be materialized so
fast.
Very good.
You hear two partners who always agree
with each other, one is useless.
So for some people it could be a source
of tremendous suffering or or at least
contention or discord and we know that's
how it is. It's called
this.
The opposite of shalom, the opposite of
peace.
What we're introducing here is though a
deeper perspective.
And that is it's not just
be nice and be tolerant. That's also a
good idea. It's not just compromise,
make
that's also a very good idea.
But it's much deeper than that. That's
all just be a gentleman, be nice,
compromise
put a zipper on your lips.
Okay, that's
sometimes that's good advice. Maybe not
always but sometimes it's good advice.
So you have to stick it.
Yeah.
Wise person knows how to be quiet. You
don't always have to say what you think.
But there's something much, much deeper
and something that that's missing in the
conversation and that's why it's missing
the tickle, it's missing the healing.
And that is
it's precisely
through our disagreements that we can
actually connect.
Because it's our disagreements that
allow
every one of us
to truly create space
and appreciate and learn about the
other.
You understand what I'm saying? And
that's the idea. That
becomes a source of
Hashem who came.
It's not just a a some random mistake.
Hashem who came. You have to be able to
see the differentiation and the
diversity with different glasses from a
different perspective.
Now that takes work and it's it's
vulnerable.
For example, in a relationship between
two people, what would that look like?
It would look like
if
if we never I don't want to use the word
fight, but let's use the word fight.
If we never get into a fight, I'm just
using a blunt word, but you understand
the point.
It just helps people understand it
better.
If we never get into a fight,
we never connect.
Cuz it means one of two things. It means
that that part, we're both gentlemen, so
we don't go there.
So that part never connects.
We only talk about the 30% the 20% the
10% the 40% where we agree on.
What about the other 50%? I'm not
married to you over there. And you see
that sometimes. Very civil people, but
half of them is not married to each
other. Because if they do get married in
that part,
it's going to be a third world war.
Nobody wants third world war. We already
had two world wars.
Right? We don't need another Russia and
Ukraine monster in our house.
Zelenskyy and Putin. I'm not going to
say who's Putin and who's Zelenskyy.
That you'll ask your mother and them.
To make uh the the the sack that
Slava Ukraina.
Huh?
So sometimes people do that. So yeah,
you see it probably in your office.
People come in, they're very nice. But
half of them are not married to each
other. They can't be.
So you say, "We get along very well."
Yeah, the part of me and the part of you
that get along is not who I am. It's not
who you are. So it's fine. People do it.
And you know what?
It sometimes it's better than outright
conflict and combat and screaming at
least on some some level. But on another
level, it's also poisonous.
It's also tragic because there's a very
deep disconnect.
There's a very deep Then you have the
other extreme. The other extreme is all
of us are married to each other and
there's fireworks.
I'm in and you're in all the way and
there's constant fireworks
and explosions
in one form or another form. That's
another form.
Another way is, and it's just an
extension of this is,
people start forgetting about certain
parts of themselves.
I was once in a Shabbaton in Florida.
So it was Friday night. There was a
dinner there. So there was a couple
celebrating their 60th anniversary.
Okay.
He says there's no stream.
Okay. It's the small.
I don't know why.
So I was uh
I was uh
I said I was at a Shabbaton there. There
was a couple celebrating there. I think
it was their 60th anniversary.
So I asked the husband,
Huh? Yeah.
Yeah, okay.
So I asked him how
you know, 60 years and you're both
smiling.
So he tells me in front of his wife, he
says, "Yeah,
I was half blind and half deaf for 60
years."
So 50% of the things I didn't see and
the other 50% of the things I didn't
hear.
I'm like I'm thinking to myself. So I
turned to, you know, says, "Great." I
turned to her and I say, "And what's
your secret?" She says, "I was
completely blind and completely deaf."
I said, "Ah."
I told him I won't start up with your
wife.
She said, "I wasn't partially blind and
deaf. I was absolutely completely. I saw
nothing. I heard nothing."
It was humor, but there's a message over
there.
In other words, if I turn off
my ability to see, my ability to hear,
so whether it looks like I'm a gentleman
or sometimes it's repressed. Yeah, I
told you once there's a t-shirt, I'm
easy to get along with once you learn to
worship me.
So there could be deep unity, but it's
by definition not deep.
And that's the idea that real
needs to include his
It needs to permeate. Stuff
It needs to penetrate
our differences.
Because it's now it's now there's
there's a third perspective.
And what is it?
There could be peace
because we're not really connecting. All
of us are not connecting. There could be
war because we're trying to connect. And
then there's a third element. And that's
what we're talking about
that that
We say every morning.
The 13th method method of learning the
13th
method that says I am a man.
The says that the 13 I am a man means
the 13
are connected the 13
the 13 principles of faith. You can say
I am a man from the
the 13 I am a man means corresponds to
the
I am a man.
In it says that it corresponds to the I
am a man I am a man. The 13 attributes
of compassion.
I once saw the
says
The only way you can expound is if you
cultivate it all the 13
inside of you.
Somebody who cultivated I am a man
in their own life.
Now
you could explain Now you can understand
it.
Each one is a
It's not I am an intellectual way of
interpreting it. So what's the 13th? The
last one?
Two
that that
that collide. They deny each other.
Good said.
So what do you need it for? could have
written the There shouldn't be two that
that that collide with each other. You
don't need a solution. I don't need a
mediator.
Don't fight and don't bring in somebody
else.
The answer is if there's no
that that you're missing something
fundamental.
They're not really connecting.
Because each
is bringing out a certain truth
in its full glory in its full beauty.
But the other brings out an opposite
truth in its full glory. So they're
that that
So if you don't have that, you're
missing something very real.
Now you need that
that should say, "You know what?
The two can actually work together."
But that needs a
That's transcendence. That's a third
component.
That's the that
that that
Practically again, what does this mean?
It means that in the places where we're
different, that's where
we need to and that's where we can
really really connect. That's where you
connect to me and I connect to you.
Because that's what makes you you and
what makes me me. The part that makes me
you and you me, that's not a to connect.
You understand? It's the part that makes
me me. Where I am lonely.
Where I am alone. Where I am I. Like the
said, right? I am I and you are you.
The the the that
Huh?
Works better in Yiddish.
But I think that wrote a book. Now if I
am I because you are you, you are you
because I am I. I am not I. You are not
you. If I am I because I am I, and you
are you because you are you. I am I and
you are you. Now we can begin to talk.
But what does this really mean? What it
really means is
are you connecting to me?
To me, to my isolation.
To my individual
I am I
I am I. The
I am I I am I.
The I am I I am I.
I am I I am I
I am I
I am I I am I I am I.
Can your wife take you out from your
place of
I am I? Can you take her out of her
place of
I am
Oh, after that after
I am I, who's your
I am
The part that the 20% that we agree on
that we should go out we should go away
for that.
If you can agree on that, it's good.
Or you should go into to Miami because I
hate.
Right? That's not my
I am
My
I am I is where I'm alone.
I'm
I am I and you're alone.
And if we're then we're going to
disagree,
that's why I'm I am
Oh.
If if I can create space for that and
you can create space for that with
respect and then even grow from the
experience,
that's where unity happens. That's where
you're taken out of your loneliness.
You're toifes.
So, people avoid
Somebody once told me, "I avoid conflict
like the plague." It sounds beautiful,
but it can also be very misleading.
Avoiding conflict like the plague
doesn't mean there's real unity. It just
means I become blind and I become deaf.
You pick up your hands and you say, "Gei
handle mit dem."
You know that feeling? Gei handle. Gei
gei. Gei handle mit dem.
A
such achdus or some chaya.
Ich macht.
You're frustrated. You're angry. You're
cut off. You amputated a part of
yourself or part of the other self.
That's the That's the havana here.
Just to bring it down in a very
practical way. The Hashem who Elokim
that the shorish of his chaukus is also
in Hashem.
It's not like your loneliness is evil.
Your differences are bad.
But this
is very It's a very vulnerable process.
For two reasons. First of all,
to expose your levadoi is very scary.
It's easy to talk to you about things
that everybody
that you agree with. That's not a big
deal, right?
To expose levadoi, it's it's scary.
I have to be able to be comfortable with
it.
That's number one. And number two, I
don't know what the response is going to
be. So, it can also It can be even
scarier.
You know, once that comes out,
you know, are you going to look at me
and say you're a monster? I'm out.
Or are you going to go like this?
Yiyush, despair. Or are you going to be
able to embrace it and make space for
it?
This toifes.
This is This is the important stuff.
Very important. It's a very scary place.
That's why we don't want to go there.
Huh? Right.
Synergy, right. Synergy. Yeah.
So, if we're just talking an inyan, you
know, even politics, you see what
happened in America from people having
different opinions. Look what happened
in the United States.
Right? How many families people I get
emails my sister stopped speaking to me
after she learned that I voted for Plony
Almany.
You voted for somebody I can't talk to
you anymore. Why? Cuz you're a criminal,
you're a meshuggener, you're a
terrorist, you're a tzeiya, and you're a
psychopath, too.
Cuz you voted for Plony Almany.
But you could understand people disagree
about different things different When it
comes to a personal relationship, over
there it's much more vulnerable. I'm not
disagreeing about an inyan, a sugya, a
question in halacha, how to teitch a
gemara, how to teitch a tosfos.
Right? It's It's It's me. It's levadoi.
That's vulnerable. It's It's It's It's
naked.
We learn shabbos the gemara says in
Sanhedrin, a melech ein ro'eh oso
k'shehu arom. You're not allowed to see
a king when he's without clothes.
Why? It's a very vulnerable state.
He's not the same melech anymore. It
says the melech, a king, you're not
supposed to see him in the beis
hamikdash and in the mikvah, in the
bathing out when he takes a shower
without clothes. Not Not because the
melech doesn't take off his clothes.
Everybody knows a melech geht in beis
hakisei like everybody else.
But over there you're not a melech
anymore. You know, you're one of You're
one of the boys.
You know, in the shvitz, everybody's one
of the
So, the And the melech has to be a
melech. He has to remain a melech.
There's a certain element of malchus.
When I strip from my garments, I'm not a
melech anymore. I'm vulnerable. It's
It's vulnerable to be vulnerable. That
was brilliant, no?
It's very vulnerable. It's scary.
First of all, I have to be able to to to
know it in myself. And I have to be
ready for your reaction. I don't know
what your reaction is going to be. It's
risky. It's taking risks.
But over there, that's where achdus
happens. That's where unity happens. A
unity that includes
the differences.
It doesn't deny them. It includes them.
On the contrary, it's created from them.
That's Hashem who Elokim, the way it's
translated in the avodah and daily life
of a person.
And to explain And to explain this more
in its source,
how the two really are one, even though
they come out in two opposite siurim,
cuz really they're one, because in the
shorish,
in the shorish, in the source, in
Hashem,
the infinite and the finite or the unity
and the diversity
are really one,
because paradoxes are not paradoxes over
there,
because true infinity can include
paradoxes and they're both one.
The way they come out in the world is as
paradox, and that shneim shulchanos zeh
zeh. So, if you wouldn't have shneim
shulchanos zeh zeh, you're not going to
help. You're not going to help the
situation. You're missing something
fundamental.
You're missing two extremes. Yeah,
you're missing one of them.
So, you need the shneim shulchanos zeh
zeh.
In simple terms, you need the conflict.
You need the machlokes zeh zeh.
That's what allows the two psukim to
really connect.
But only if you have the kesser shel
shlishi. If not, it's fireworks.
So, the 13th principle is a very deep
middah. It's not just a principle. This
is a middah in life
of today when you say to Reb Shmuel
Maimon, "How am I going to approach
conflict today?"
Now, I have to just identify how hard it
is, because
if you expose your levadoi,
often what I'm feeling is that it's
threatening me.
It's threatening me.
And because it's threatening me,
or it means that you don't like me and
you're so different than me and you
don't have a place for me. So, what do I
do? Either I run away
or I attack.
They call it, right? Fight or flight.
What is that? What is that? Either I
attack.
So, what do you do when I attack? Either
you run away.
So, there's no levadoi anymore. I'm a
chaya. Done.
Shalom bayis. Or you attack.
And this sometimes can go on for 50
years.
In different ways, but that's the
nekudah.
Or you freeze, which is another form of
I don't know. I don't feel. I don't
know. So, everybody stays more alone.
So, we have to understand that. And And
that's a normal feeling. These are
normal feelings.
These are normal experiences.
But when you can tune into that place of
self-trust, real self-trust,
because your authenticity
comes from
Not It's not a mistake your
authenticity. Your individuality is not
a mistake. It's rooted in the divine
source. So, then your connection and
your oneness, your authenticity and your
connection merge.
And to explain more how those two are
one, he started to say when you study
Yud Kei Vav Kei,
you see that there's a process of
creation. There's the Yud, then there's
the Kei, then there's the Vav, then
there's the Kei. And the main point that
he said was Yud represents tzimtzum,
because the mashpia, the giver, before
giving, you first have to be able to
suspend all the information that's in
your head
and only leave that nekudah, that
seminal point that's going to be
susceptible to the mekabel, to the
recipient.
And then from the Yud, there could be a
Kei, because that Yud is still too
small. It's too condensed to be able
to be communicated to the recipient.
And that's why it's called ayin.
Ayin from two perspectives. From the
mashpia's perspective, from the giver's
perspective, it's called ayin. Why?
Because
it's nothing relative to all of the
light that was there before. Everything
had to be condensed. And from the
recipient's perspective, it's called
ayin because it's still too abstract.
It's still a nekudah.
That Yud won't do anything for the
mekabel.
So, Yud This is As we'll see, this is
the beginning of the next point. How the
Yud and the Kei Vav Kei represent four
steps in communication
from the creator to creation. And from
every mashpia to every mekabel, every
teacher, every parent, every mentor,
every guide, wherever I'm giving and
you're receiving, there's four stages of
Yud Kei Vav Kei. And the first stage is
Yud. And Yud is takes a lot, because Yud
basically means I have to really be able
to understand your world, your
perspective.
If I'm just giving you my world, I'm not
giving you. I have to be able to tune in
to what you could be mekabel. And for
this, I sometimes have to shrink all my
wisdom into a Yud.
Only a Yud is left. Because if it's
about self-expression,
it's never about the other person.
So, I have to be able to have the
courage to create what's called
tzimtzum, to really shrink
and condense my infinite light Hashem
Hashem does this his infinite light into
a Yud.
Now, that Yud is still not going to do
anything. That Yud now has to become a
Kei.
So now, let's go let's let's see a
little further here.
You can ask, yeah.
No, the guy I was asking where where Oh,
half base.
Half base.
Oh, half gimel.
I'm going to read this a little fast.
It's a very It's a deep chapter, but I
want to get to the nekuda. I'm going to
So you don't understand every word, it's
fine. It's just uh
I want to get to the point here.
In the revelation of the nekuda of a
yud, there's two elements.
The beginning is the yud, the way it's
still concealed
relative to the recipient. It's a tiny
nekuda
and it can't yet It's not yet available
to be expanded and therefore received by
the recipient. It's like a nekuda.
A mavrik The mavrik is like a lightning,
like an epiphany, like a light bulb goes
in your brain.
And there's just a point.
But there's no tzfisa yet in oisios.
It's not yet defined by letters and
sentences and paragraphs and words that
it could be communicated and explained
in length and in breadth.
We grab things through oisios. Oisios
are the kalim. They're the instruments
through which we could communicate.
They're the packaging.
Here, it's just a nekuda. It's an
epiphany. So that's why it's a yud.
To to to illustrate this is, you see it
practically the baal seichel gadol.
Somebody who's a real baal seichel,
a genius, an intellectual.
These people, I don't know if you've
ever met such people. They're so
creative.
He says it's literally like there's a
flow that doesn't stop. They're
constantly inventing things, constantly
new ideas.
Amtzos means like Amtzos like a
new idea.
You have brains that they're constantly
If you speak to them, they're always
this this this this this current and
there's this flow. There's this mayan.
It's like a
waterfall
of a new idea and another idea, another
idea and they They create thousands and
thousands of companies in their brains.
Right? Thousands of patents. They're
They're very very creative.
If you ask him to explain, he can't
reveal it, explain it.
Why? Why not? Not because he's fooling
himself.
In his own mind, there's a revelation.
There's There's something very real
there. But it never settled into the
kalim of his mayach.
It never really comes in a hisyashvus
into the vessels of his brain. It's a
mayach. It's like It's like it's It's
like a shooting star.
You know, Halley's Comet. It hovers over
him. It's like barak kamavrik. A
lightning. It's pitch dark in the desert
and there's a thunderstorm and there's a
lightning and suddenly, for a split
second, there's such brightness. The
problem is
it's gone a moment later.
It was here and then it's gone. Barak
kamavrik. It never finds a kali where it
really settles and is internalized.
We know it also with inspiration. It's
like a fleeting moment. It's a fleeting
hisgalus.
It doesn't become mugbal, defined,
metsuyar,
sculptured, formed
in a tziur, in a form that contains it,
that captures it.
For him, he said, "Oh, I know." For him,
it's enough. Why is it enough?
Because he gets it.
In his own terms, he gets it. For him,
it's called a gilu. But for somebody
else,
it's complete helem, complete
concealment.
Nobody else can can can relate to it. It
didn't reach a place of hisyashvus, a
place of tzfisa.
Just like in your own brain.
We often talk about chochma and bina.
We're going to He's going to explain
chochma. With chochma, it's a nekuda.
You have an epiphany, but if somebody
says, "Can you write it down?" I can't
write it. "Can you say?" I can't. I got
it. "What did you get?" I don't know.
He's
You're not lying. Achshish kinshanik.
It's just it did not develop yet, did
not develop into something that has a
kiyum.
The moshol he's given for this is a
child.
You have the seed of life. You have the
egg.
But in order for the embryo and the
fetus to develop, it needs 9 months. And
after 9 months,
the mother can give birth to it.
But sometimes you have unfortunately
something we call
miscarriage. What's a miscarriage? A
miscarriage means that the system ejects
this fetus, right? And instead of a
child, blood comes out. Why?
It wasn't viable. Whatever was Something
was missing that it didn't It's not
something viable. It's not something
that's sustainable.
So you have that spiritually as well.
And you have it with seichel as well.
So even in the world of chochma, we're
talking still the world of yud. Yud is
chochma. Hey is bina. So hey is where it
gets developed. But even in the world of
chochma itself, he says, "There's the
yud, the way it's a nekuda
and it's not even defined as an idea
even in chochma."
There's a parenthesis here where he
explains it more about achdus, but I
want to go after the parenthesis. The
parenthesis goes for like uh
I don't know, for like 10 lines till the
middle of reish mem hey. The line starts
with b'chinus. He's just explaining what
he means and he says,
There's the way that the idea has a
tziur sichli. A tziur sichli means it
has a tziur, has a form of an idea
that the mekabel, the recipient,
has the ability to be a toifes. It's
l'fi erech. It's relatable to his world.
But then there's an avaya. There's like
a flow, like a current of electricity
and it's not relatable.
For the genius himself, it's fine, but
he's onto the next thing.
He doesn't have the patience or the
skills to even let it settle.
In chochma itself, this is called the
ayin part of chochma, the no-thingness
even of chochma.
It didn't even take root in the brain of
chochma, the part of the brain that's
associated with creativity and new
ideas.
It's still like a light without a
vessel.
Then you have
Then you have the second part of yud.
And that is There's a nekuda.
It's not ayin. It's already a nekuda.
It's a point. It's still not bina.
True relative to bina, which is
development, it's still called ayin.
But still, it's called gilu.
Because there's potential for it to come
into bina.
It's like you have an idea and you know
if you work on it, you could develop it.
It's It's going to stay with you. It's
not just a lightning. IT'S HERE AND it's
gone. It's over.
There's nothing to hold on. There's
something. Even though it's not bina
yet.
For b'chinus habais b'nekuda d'chochma,
she b'chinus nekuda sichlis b'gilu b'kli
mayach l'fi erech habina. It's already
relatable to bina. You're going to be
able to work with it. The yud will be
able to become a hey.
With the first point, it's a nekuda.
It's so abstract. It's not yet a
metzius. You can't call it a reality, an
identity, not because it doesn't exist.
But its existence is is is too abstract.
It's too transcendent.
And Tehillim it says, "Mishalei may
machshavos." Your thoughts are truly
deep.
Which means
where do we get new ideas from? You have
a new idea, where did it come from?
Where did it come from? Also comes from
you, but it comes from the what's called
your subconscious.
It says this is called maskil.
The
that produces the seichel.
So that first point, it's still
hovering between the subconscious and
the conscious. That's where it's called
the eye of chachma. It already left the
maskil, but it didn't yet assume
consciousness is a whole different
reality. For something to be conscious,
it has to go through a tremendous
tzimtzum. It has to have oisiyos.
Pre-verbal awareness is of a different
reality completely.
That's maskil.
And for it to flow from maskil into
seichel, he says, there's two stages.
One is the way is in a state of eye.
It's also called the kesser aspect of
chachma. The eye of chachma. And then
there's the way already comes into a
tziur where it's an epiphany, it's an
idea. It's still not concrete, it's
still not elaborate, it's still not
something you can explain. For that
you're going to need binah.
But at least it assumes some form of
some form of hislahshus.
So he says shnei madregos b'nekudah
kumasha yesh nekudah she'eino b'tzuras
oisiyos.
When we speak about these two points in
the yud
is there's a nekudah that doesn't even
have a picture.
Ki gam a yud hu b'tzuras tziur oisiyos
b'chol ponim. Shemayah l'eis gilu. Even
a yud, a yud is very small. That's true.
It's small.
But it's it's it's a picture. You could
see it. It's a tziur. Aval nekudah l'vad
b'li shum tziur hu shemayah al b'chinas
helem v'helem d'hispashtus b'liti
avshali l'havino b'sogos d'binah.
There's a nekudah that's so seminal,
it's so small, you don't even have a
shape for it.
We can't describe it because the moment
you make a shape, it already has its
tziur.
But a real nekudah is
the yud represents essentially
something.
It's the smallest nekudah. And the
smallest nekudah is really a nekudah
that doesn't occupy space. We just can't
draw it, so we make a yud.
So he says that's the first inyan. The
first inyan is
a nekudah doesn't have its tziur because
it's completely helem, there's no
hispashtus. There's no extension. She
b'liti avshali l'havino b'sogos d'binah.
And then you have madregah habais hikima
b'tziur oisiyos.
Then you have the second level of the
yud, the way it comes into the form of a
yud.
There's some expansion. There's a yud
ub'vais koitzin l'maalah ul'matah. A yud
has a point on the top, a point on the
bottom, some space. It's not spaceless.
The first element that we're discussing
of chachma really doesn't have a space.
We call it yud because we don't have any
smaller nekudos, so we call it yud. But
really it doesn't even have a nekudah.
The second level already has a nekudah
that has some dimensions. It's not a
hey, but it has something.
The
of the yud, the the the breath of the
yud represents that which is revealed in
the vessels of your brain. She avshali
l'havino b'sogah. It can be developed
into comprehension. It's like an embryo.
It's like an embryo that can be
developed over nine months.
The lower, you see a yud has three
parts, right? There's the body of the
yud, there's the koitz. The little line,
the little thorn that goes up, and the
koitz that goes down. If you take a look
at any yud
right, you see it in the sefer Torah or
even if you look here at this yud.
Right, there's a little little line
going up, a little line going down, and
then there's the yud itself, the body of
the yud.
So he says the
koitz is shemayah inyan hispashtus
d'eishel binah. V'eino she'eish b'koach
chachma l'havino b'sogos d'binah. She
heipech b'chinas chachma b'etzem she
b'chinas ain vel. The
koitz is that the yud is gravitating to
go to binah. In other words, I'm going
to allow myself to go into a place of
binah, to go into a place of
explanation. Which is really opposite of
chachma because chachma by definition is
eye,
it's nothingness, it's concealment.
V'chanal b'chinas eye and chachma
b'chinas helem l'gamrei. As we said the
eye of chachma, the kesser of chachma is
complete concealment. V'gam b'chinas
hispashtus d'chachma d'hu b'chinas
nekudah d'eye. And even when chachma is
hispashtus, it's expansive, it's still a
seminal point. Shekol inyan seichel
nitzas b'nekudah klalis adayin ub'chinas
eye l'gabei binah. Even when chachma is
in its full grandeur, it's called eye,
nothing, nothingness relative to binah.
And it's not defined and limited like
binah.
It's called water that flows in many
different directions, it's not
congealed. When you make the water into
ice, that's like binah.
The water now has a fixed, but when the
water is flowing you could bring it into
a cup and freeze it and it becomes a
tziur of a cup. You could put it into a
bowl. You can turn it, it's like molten
like like like when when it's molten,
you take metal or the glass, you melt it
in the fire and you could reshape it in
many ways. That's chachma, it's more
eye.
And then binah is when it's congealed.
So chachma gabei binah is still called
eye because it doesn't have that tan
tangibility.
Ub'chinas binah ub'chinas hispashtus
davka b'libi protum ub'agbolah mamash.
So binah is the opposite. V'zeh ikar
hafeirish b'chachma l'binah. This is the
main difference between yud and hey,
chachma and binah. Chachma toifes kol
davar b'klalis davka b'helem
d'hispashtus.
Chachma grasps everything davka in the
most general way without hispashtus.
Without expansion and extensiveness and
details. V'koach binah hu litzos kol
davar b'chinas hispashtus b'libi protum
davka.
Binah is the opposite.
It wants more details, it wants more
nuances, it wants more examples, it
wants more manifestations. Chachma wants
it to be as abstract as possible.
It wants the nekudah, the core.
And binah is about development. V'eim
kein ain mafkin zeh mizeh. Two
opposites.
V'hamchaber hu koitz
d'yud tzu an atiyah l'binah.
So the koitz,
the lower the lower line on the bottom
of the yud, that's the gravitation to
binah.
V'inyan k'mashei kasuv b'sefer Yetzirah.
It says in sefer Yetzirah
one of the earliest kabbalistic works
have eye in chachma
v'chachaim b'binah.
Interesting expression.
I want YOU TO UNDERSTAND CHACHMA
and I want you to have chachma in binah.
Have eye in chachma. You should have
understanding in chachma v'chachaim in
you should have chachma in binah.
L'cheira aval l'maaseh chachaim
b'chachma v'have eye in binah. If sefer
Yetzirah wants to tell you have chachma
and have binah, say chachaim in chachma
and have eye in binah. Ela shezeh inyan
skalah d'chachma u'binah.
Sheyesh b'chinas binah b'chachma v'zeh
have eye in chachma. Yesh b'chinas
chachma b'binah shezeh have chachaim
b'binah. Sefer Yetzirah is not trying to
tell you you should have chachma in
binah. He's talking about the
integration of the two.
Have eye in chachma.
You need to learn about binah in
chachma.
V'chachaim b'binah, you need to learn
about chachma in binah. What does this
mean?
So this is what he explains now.
Let's see this part. Be in the inyan
b'makor
to understand this.
Chachma and binah have two
distinct sources. V'einam t'luyim zeh
bazeh, they're not even dependent on
each other.
Even though they're connected.
Chachma brings to binah and you can't
have binah without chachma. K'mashei
avshali l'havino. Nor b'li mayan,
there's no river without a well. You
need to go back, the river gets its
water from the spring. Binah comes from
chachma. K'mayin kol mayim nasimim nahr
b'hispashtus. Every well, every spring
will turn into morph into a broad river.
So chachma brings to binah.
And binah comes from chachma.
Where?
Uh one second.
Uk'mayin kol nekudah d'chachma b'leil
d'hisagas d'binah. V'chol hisagas
d'binah hi b'makor nekudah d'chachma.
Every nekudah of chachma, like the well
morphs into a river.
And every river comes from a well. Every
binah comes from chachma.
It's because the system is that they
connect, they become integrated.
But really don't mix them up. Everyone
has its own makor, its own unique
identity, even though they connect
afterwards.
Again, like a husband and a wife they
didn't grow up in the same family. They
each have their own parents. Later they
could connect and you want them to
connect, but don't mix them up. Everyone
has its own makor, its own source. Look.
Huh?
Right, that's what he's saying.
Uh so let's see. K'mashei narah b'chush,
we see this practically.
Very interesting.
He's going to describe two types of
people.
Yesh mi
shehu baal havana
ub'al hamtza. L'hamtzi hamtza'os
sichliyos chadashos b'chol eis. V'eino
baal hasaga klal l'havino adavar al
buriyo. V'li yesh nitzas um'siyach
v'heitev b'mocho.
You have people
he's a gevaldik baal hamtza.
He has tremendous new ideas. Baal hamtza
means like an inventor, huh?
An inventor.
Always new ideas. New concepts, new
reality, a new way of looking at it.
Govaldek.
But to say as I first state,
he really comprehends it and it's
settled in his brain, no.
You see not.
And you see when he starts explaining,
nobody knows what he's talking about.
It's a
It's a He has a in Hakma. Very creative
mind,
but doesn't have the ability to
integrate, to internalize.
You have another person, book factor.
YOU GIVE HIM AN IDEA,
HE develops it after the letter. Nobody
like him.
But he could never come up with it. If
you leave it to him to come up with
ideas, it's going to be a disaster.
He finds something in a safer or he
hears from somebody, he just hears three
words. He doesn't have to hear more. But
he has that ability,
yeah, I see it has better explanation.
It's like become settled. He can
illustrate it, integrate it. It's a
different Kush. It's almost a different
Kush.
The first person has a Kush in
creativity. He can create something new.
The second person, I can't do anything
new.
If you give me something,
I'll package it like nobody else.
The publicist.
PR man intellectually.
And the second person feels like an
impostor.
You know what an impostor is? You know
what about the impostor syndrome? I come
in with the vivid.
He's like an impostor with vivid.
Huh?
Check.
A few days I got enough.
I finished with the word I got enough.
Impostor syndrome means you have this a
lot of times with public speakers.
They feel like they're going to have
them. They're thieves.
Cuz it's not
It's not really my material.
What is it from? It's coming from this.
Right?
You have a person if throughout history,
huh?
Mitzvah Mitzvah. But what's the idea?
The truth is, but here he's telling you
you don't have It's two separate in
Yiddish.
THIS ONE HAS A KUSH IN HAKMA. This one
has a Kush in It's different parts of
the brain.
But should do it right in the brain.
Somebody has There's a genius. The
genius is an Indian of Hakma. It's like
these these these You had philosophers
or or or thinkers in the world of
Yiddish also, the world of the world of
Govaldek and so.
You sat with them and every moment there
was something new.
But they didn't know how to bring it out
and therefore sometimes they don't get
the publicity.
And then you have the second guy also is
going to have it.
Now, here he's not saying it as an
insult because we're talking in an
honest way.
He needs to hear in a good way. Once he
hears in a good way,
he just knows how to bring it out in
himself.
He knows how to develop it. He knows how
to turn it into a a heftier.
What does this mean? It means it's two
separate Kush in the
Kush. Almost two separate Kush.
And you could see it. You could see it
constantly.
Yeah.
Yeah. Yeah. Yeah.
Yeah.
We see also sometimes, in most cases,
Kush is going to reach them.
You have it, he says. You see also a
person has an idea.
He doesn't know how to explain it.
So you say, maybe back off. I can't back
off. I see it.
But I I can't bring it out. What should
I tell you? He doesn't have the ability.
The Kush doesn't give birth to them.
And he says something amazing.
We learned this in the first few years
ago when we learned this lesson.
A chick that's born on Yom Tov.
He prohibited it.
What's the difference between this and a
calf that's born from a calf?
He was quiet.
No, you would think if he was quiet, he
would say, "SORRY, YOU'RE RIGHT."
He did not back off from his position.
Why?
He
was quiet, but he didn't change his
position. Why? So that
explains
because
he knew he's right.
He didn't know how. But he didn't know
how he's right.
It's a fascinating thing.
He couldn't explain it.
Huh?
Yeah.
He doesn't mean he knew he's right
because he was an action. That's not
what we're talking about. For sure. Then
it's
We're not talking about that cuz I'm an
action. Cuz I'm afraid to say. But the
that didn't exist. If not, they wouldn't
be
they'd be charlatans.
The word was
but sometimes there's an you could see
it.
But somebody says it's not true. I saw
it. It can't be.
You say, I met this guy last night. You
didn't. He's in Australia. I saw him.
You are fantasizing. You know that
you're not.
You saw him.
Maybe one day you'll find out how you're
not.
So this is just a marshal. He saw it,
but there was no Kush.
No,
it means that he was quiet and he
he he just didn't answer, but he didn't
he didn't back off.
Yeah.
Yeah. Yeah. Yeah.
Yeah. And the interesting thing is that
most of the in this
past like that.
They passed
If you look in the footnote,
not that we know.
Look in the I'm sure I've passed
it
with a
rush and I have a lot of so.
Most of the all that I did not back off
and they passed like that. They accepted
that.
I
passed it with a lot of so.
They passed like that.
Behind the same Kush and the answer is
it's not a Kush. It's two separate Kush.
A person has a skill in dancing, doesn't
mean he has a skill in writing.
A person is athletic,
right? In one name doesn't mean he's
athletic. It's a different skill.
You know, when people write a book,
so they think they're experts on every
every area in the under the sun. They
interview the guy who wrote a book. He
wrote a book about anthropology. He
wrote a book about elephants.
And suddenly he's an expert on
everything in the world. It's It's two
separate in Yiddish. There's Kush
There's them.
She has the call of them. Mark with the
Kush. The Kush
is in the Kush.
The Kush is in the Kush.
In the
Yiddish, you have Kush in the Kush.
Kush in the Kush in the Kush.
That's Kush.
The Yiddish is Kush. So it says in
Kush comes from the Kush. Kush comes
from the Kush. It's Kush in the Kush.
It's Kush in the Kush. It's Kush in the
Kush.
Not just it's two distinct sources. It's
opposites. Why? Kush Kush Kush.
The word Kush, yeah? Kush
Kush. Kush means you guard. Kush
Kush.
Whoever guards the fig tree eats the
fruits. Kush is to guard.
Why?
Behind the Kush Kush.
When you guard something, what do you
want to do?
You want nobody should have access to it
and it shouldn't leave, yeah? You guard
a chicken, you guard a dog, you guard a
treasure. What are you doing? You're
creating a boundary. You're not letting
anybody have access to it and you're not
letting it go out.
So what is that spiritually?
Kush says,
I don't want to Kush.
I am. He wants He wants it to remain
completely in its source, in its most
deepest abstract TRANSCENDENT KUSH. LESS
KUSH is the better.
Cuz once you go into Kush, you're
missing the core. You'll always see an
interesting thing.
That when you have an epiphany, an idea,
it's unbelievably clear.
The problem is you can't remember it.
And later when you reconstruct it, you
never have the clarity that you had by
Kush. Why? Because Kush
Kush Kush.
And the Kush is always the truth.
The problem is Kush is not tangible. You
need a Kush.
Kush Kush. So in terms of explanation,
Kush is much better. But in terms of the
Kush, the purity, Kush is always better.
And you'll always think,
you know, when that popped into MY
BRAIN, I GOT IT. I GOT IT. WE WE WHY
CAN'T YOU YOU CAN'T GET THAT BACK. You
can't reclaim it.
Because you didn't get it. It got you.
You didn't get it. It got you.
It's action. It's bash this. It's yesh.
What's hokhmah? Hokhmah is accessing
iron.
Hokhmah's Indian is to take yesh and
bring it back to iron.
To take the tangible
and bring it back to the intangible. To
take somethingness and bring it back to
nothingness.
Hokhmah is bittle.
Hokhmah is discovering the core of
everything in nothingness.
And that's why hokhmah allows to have a
new idea. What allows you to have a new
idea? Always going out of the box.
Thinking out of the box.
The box is yesh.
New ideas always come from iron.
Right? I think Einstein once said, if
you try to solve a dilemma from the same
place
where you experienced the dilemma,
you'll never be able to solve it cuz
you're in that same place. Hokhmah opens
you up to a place of mah. I don't know
anything. Because I don't know anything,
I could know a lot of new things.
The place where I know nothing, I could
know everything.
Right? Cuz there's no thing.
So the Indian of hokhmah is to take yesh
and turn it into iron.
Huh?
Oh.
Like everything in the world is el o
mazeh. There's el o mazeh. But in its
hokhmah is bittle. Hokhmah is always
bittle.
The
issue in here is bash this. And that's
why hokhmah will always be one It's
never going to be wordy because it's
always
defying bash this.
The less bash this, the less
expansiveness, the better.
Hokhmah
affects bittle in everything. The
humility. The transcendence.
The Torah says in Talmud, who's a
hokhmah? The one who sees the future.
One second.
Means the one who sees what's being
born.
What's being born now? Doesn't mean what
It should have said
s
now.
We
see what's going to be born. He says,
"No. He looks at everything how it's
being born from iron."
He never gets stuck in the yesh. I
always go back. Where did this come
from?
I want to bring back the yesh back to
that
I want to bring you back to your mother.
I want to bring you back to your father.
I want to bring you back to your
subconscious. I want to see how this
How this developed.
That's a very serious process that's
going away more
stripping away the layers of yesh. The
more tangible,
the more distance from hokhmah.
So on one hand, we all want because it's
tangible. It's concrete. But hokhmah is
the bittle. It's bringing the yesh back
to the iron, to the marker, to the
kuddah.
The Torah in his time always tries to do
this in every Torah.
To strip every
from its concrete layer
and bring out what's the
What's the
The is always very abstract. Could be a
about
We
about taking interest. Could be a
about
Could be a
about an axe goring a cow, yeah?
And the
They're arguing
arguing about
or
Well, who's or
They want an axe goring a donkey.
The is every
has a kuddah.
It comes out in a It's incarnated in a
concrete issue. That's the of it.
But there's a core There's a core
You can trace it back to that
And over here, by the way, it could be
connected with another 100
in the
That's the concept of
this.
So it's always stripping the yesh
and going back to the iron.
I want to see the process of birth.
Even in mathematics.
Yeah, hokhmah is always bittle because
every new idea comes from bittle.
Huh? Like
c squared is c squared, it took a lot of
bittle.
Einstein had a
Yeah, but what is it? Yeah?
Einstein once You know, Einstein was
very delayed in his verbal abilities.
In school, they said he's a bit
slow. Nothing is going to come of him.
Huh? Dyslexic and a lot of other things.
They They wrote him off in school.
And I once read that he once He once
said to somebody,
he said, "That allowed me He said very
something very profound." He says, "You
know the questions that your kids ask
you when you're they're very little?
Every child." Yeah, I remember I was
once walking with one of my sons to He
was a little boy and he asked me, "Why
is the sky blue?"
Who knows? I didn't know.
He said, "Why is all the grass always
green?"
Good questions, right? Why is the ocean
blue? Why? Why is this? And then he
wanted to know why the concrete is
always gray or black. Why?
Yeah, what makes it? Yeah?
All these questions, at some point, you
stop asking them. Why?
Why?
You don't get answers or you get busier
with more important things, right? Like
tablets and computers and smartphones.
You get busy. Let Google answer the
questions.
Einstein said, "Because I was so
delayed,
I got to think like a child for many
more years than most people.
And I continued wondering about how
everything works. How does light work?
How You understand? I got to be a child
for many more years.
That's bittle.
All hokhmah comes from bittle. Even in
mathematics and medicine, biology, any
field, engineering,
physics, science. Cuz every epiphany
comes
transcending what I know now and opening
myself up in the most curious way to a
new idea that I have no understanding
of.
And then you become a vessel
for iron.
Because every epiphany comes from iron.
It comes from the subconscious, from
from the bittle. Always.
Sometimes takes a lifetime.
You're
looking for the process of birth.
You don't take things for granted the
way they are. I go back to the source.
It's
That's how we choose it.
We're just going another few moments.
That's why it's called this.
Generally, hokhmah is associated with
seeing
and is associated with hearing.
And the difference between hearing and
seeing is
when you see something, you see
its core, at least relative to hearing.
And that mesmerizes you.
Hearing is a process where the ego is
much more intact.
I'll give you an example.
I remember I once went to visit the
Grand Canyon.
Yeah, you You lose yourself.
So I I went once with my wife who was in
Arizona, so I went to visit the Grand
Canyon. So I read up a little bit about
it. So I thought I know exactly what it
is. And then I remember I came and I saw
it.
I was like
I still remember like for 30 seconds, I
was just like uh
I was glued.
Why?
But I I knew all the information.
Knowing the information is on your
terms.
The gives you access
to the transcendence of it, to the of
it. And it creates a That's what he
says. of the king.
In the ancient cultures, there were
kings. You can hear all about the king.
You read the king's biography. And then
you see him.
And there's like a There's You lose
yourself in the process. is different
cuz I'm hearing it.
Also, the is always a cloud. You see You
look at a beautiful building, you see it
in a second. You look at a piece of art,
you see it in a moment. Then you analyze
it. is
different.
You start with details. You hear one
detail. Somebody describes to you a
picture, a piece of art,
a building, a structure, right? They
can't describe it It doesn't work that
way. Detail after detail after detail.
And then you put it all together. With
it's the opposite. You come in, you see
it all. And then you focus on the
details. That's the difference of and
this.
So is
this.
And is this.
So even the way comes into a nakuda, you
remember the second level of yud, it's
still completely different than bina.
I want to stay close to the iron.
And that's why doesn't like oisios.
It stays away from oisios.
BINA WANTS YESHUS.
BINA wants
Bring it down. Give me oisios. That's
what we like.
Right? Which one does the like better?
You know what I mean.
Yeshus. Why? I want to relate to it.
I'm going to go home. I'm stressed. Give
me some good advice.
Cuz I'm looking for the yeshus of it.
I'm not looking for the bitul of it.
I'm looking for the bitul of it. The
iron of it.
It's a different Indian.
I try to make yeshus out of everything.
Everything I want to bring down, make it
tangible, make it concrete. As they say
in English, what's in it for me?
That's not a question of that's a
question of
never asks what's in it for me. If
you're asking what's in it for me,
you're not asking anything.
is is is is looking for the
the deeper
and
is is fastest.
Which one is more important? It's not
more important. It's a different Indian.
It's a different source. There's
different personalities. There's
different brains. There's different
dimensions.
And that's why bina is always a lot of
details. And it's long. And it's broad.
It's developed.
And the is grasped. It's
it's felt. IN THE LESS IT'S FELT, the
better it is.
The more subconscious.
Don't knock bina. It has a big mile.
It's always more internalized.
Bina, it affects me cuz it it because of
its yeshus. Because it's a yesh, I CAN
GRAB IT. I CAN OWN IT.
YOU NEVER own it. It owns you.
Bina, I own it. It's it goes into me. I
define it. You understand? The
of bina is the mile of
When you talk about godliness, the life
of it and the pleasure of it, the way
it's grasped is revealed and it's felt
in a very personal and internalized way.
remains
nebulous. It remains dark.
You know what dark means? Very fine.
Very refined. It's very
very abstract.
So what's the result?
It's two opposite realities in this.
You have people who are brilliant in
they lack bina.
You have people who are brilliant in
bina.
They lack bina. You have
who has a
idea, but he can't articulate it in
bina.
HE'S QUIET.
I WE SAID bina comes from and brings to
bina. That's true. The well becomes the
river and the river comes from the well.
But they're not one thing. It's two
separate nakudas.
made though that the brain they get
wired. The brain gets wired.
Meaning when we develop our brain
neurons, all the wires connect the
different parts of the brain. So and
bina become connected.
So that's why majority of cases when you
have an idea, when you have an epiphany,
if you work on it, you could develop it.
And when you have a developed idea, it
usually comes from a nakuda from
but not because it's the same thing.
It's just different stages. It's two
different sources, but they become
integrated.
So based on this, we can understand what
it says in
as I'll explain in the next chapter and
we're going to continue tomorrow morning
7:45 a.m. Have a wonderful day.
Tomorrow morning 7:45 and tomorrow also
9:30 a.m. is a class for women. If you
could please tell your wives or
daughters.
Everybody have a
good day and a beautiful day both in and
in bina.
is
an island.
You have different
in history.
There were those who had a
they could take an idea and make it so
until nobody
until you can't touch it anymore. And
then there was those the opposite.
had
a tremendous
in uh
in in in giving people a of something.
It's called bosha.
means you strip it from the ocean.
Another No, strip it more. Strip it
more. So what are you left with?
iron
had the opposite push.
He took an idea and he knew how to bring
it out. Be it
dress it up. You push up to dress it up.
Dress it up. Somebody comes out dressed.
We could relate to somebody comes out
without clothes.
I can't look at you. It
it means you dress it up. You have
oisios. It's grasped.
Right? It's bringing out the yeshus of
it.
It's two different nakudas. iron and yet
No. No. It's a few places you have it in
Gamorah.
Usually the came to bina. But it was
such a nakuda that was he sought.
His brain sought.
But he
for whatever reason it was something.
They asked him a question.
Logically they were right, but he didn't
regret his position. Usually in Gamorah
if an amida
disproves another amida, yeah?
He's
he's you have in the mayor.
Yeah? Or the Gamorah will say
to you.
Sorry, you refuted. This is common in
Gamorah.
If I'm wrong, I'm wrong.
Gamorah says in a few places
came TO THE
WHAT I said before
was in the body.
What I said yesterday was a mistake.
But here
but most say he
did not
I'm sorry. He
didn't regret it. And most pass like
him. That's the they pass like him.
It's awesome.
It's basically on the bottom I think.
I'm an olive.
Huh?
It's a unique thing.
Not always does bring to bina. It it
stays sometimes stuck in the iron. And
he didn't have the oisios. So if you
don't have the oisios, regret it. Just
say you're right. He didn't say they're
right.
You know sometimes you say you have a
gut feeling that this is right and
you're not going to go back on it.
Right? You have to Like I I just know
this is right. How how do you know?
So sometimes I'm
I'm a delusional person.
So then you need I need help. I I If you
start doing that, it could be dangerous.
Huh?
Yeah.
But here obviously was
trusted. He trusted his bina.
He said I I see it.
is very much associated with intuition
and bina is associated more with uh
comprehension, rationalization.
Uh
is a very associated with like a an
epiphany, barak, a lightning. And bina
is always connected with uh
with uh categorization
and organization and structure. It's
it's different it's different Indian.
Right? Some person some person knows how
to be encyclopedic, how to create
organizations, structures. Very good at
that.
You have it also in businesses. You have
people you tell them what to do, they
know how to organize, structure. But to
come up with an idea,
don't give that over to them.
And you have other people that have
ideas
but nothing is going to come of it.