Transcript
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Hi, this is Dr. Alowski and welcome to
the Revolowski
show. Whether you watch with our friends
over at Terr anytime, wherever you watch
or listen to your podcast, it's always
nice to have you along. Do not forget to
like, share, subscribe, and comment. It
was interesting when we put up a video
about my uh my trip to America and
somebody said, I guess it pays to like
that also. what to
comment. There's no question about it.
That definitely is. I have to tell you,
I was sitting here thinking as I say,
"Hi, this is David Alowski. Welcome to
the Real Lowski Show. You must know by
now." I don't know why I have to say
that every single time, you know, but it
could be that as happens from time to
time, someone suddenly discovers the
show and I hear people who suddenly
contact me and say, "I didn't even know
you had a podcast." And uh I it's
ironic, you know, when I um I mentioned
that we have about 20,000 listeners and
uh um among the nasty comments that I
got uh when I did my Tuvia Singer uh
show, so someone says 20,000, huh? Who
are you kidding? You know, so I actually
comment I didn't comment on most of
them, you know, but I commented. I said,
well, you know, we're on multiple
platforms. It's not just on YouTube.
It's on our friends over at Tony Time.
It's on Apple Podcast. It's on Spotify.
It's on a lot of different platforms.
And the irony is that even on YouTube,
that video now has 22,000 views. So, you
know, what can I tell you? A lot of
people seem to know it, but a lot of
people don't. And they suddenly discover
the show and they go back to the
beginning and start listening to six
years of me, which is, wow, that's a lot
to listen to. I listened to myself for
six years, but I have no choice. But uh
who knows? I I I used to take it for
granted that everyone knows who I am
already. Yeah. So uh I would pick up the
phone and I would just start talking and
you know a few minutes in someone would
say who is this? And I I was surprised
because I thought everyone knows who I
am
already. So I picked up the habit of
whenever I call anyone I say shalom this
is David Olowski calling from Merit Stra
and my mother of Shalom would say I know
who you are son and I said listen I'm
not taking any bets anymore people might
not know who I am so I am David Olowski
and this is the Rabbi Alowski show and
we have a sponsor and as I've mentioned
in the past few episodes uh we are
towards the end of our sponsorships so
this might be a wonderful opportunity
for you to either support what we do
over here because you think it's
important or to honor or memorialize
somebody who's important in your life.
And um you know, we could uh we could
use your help. And speaking about help,
just before we get to our sponsorship,
um we have only one more show after this
with our producer Israel, who of course
took over for producer Mail and uh he is
moving on to greener pastures. So, uh we
have a position open for a producer uh
who uh has the requisite um uh abilities
and um and experience to be able to
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please reach out to us and um uh we're
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uh it's either going to be me sitting
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another hiatus where I'll get all those
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okay? Yep. We just lost our
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the meantime, our sponsor for this week
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week exclamation mark. May this
sponsorship be a
fork raisel very soon. So Rifkabas
raisel should be to
a hagun menu and uh we hope to hear good
news and if so we might be on to a whole
new area over
here of schoolers. I will just tell you
the following when um you know I
uh I had two girls and then I had a
boy and uh my father said listen give
the sun to your father-in-law I'll take
the next one. Well,
um, five girls later, uh, when he was
already dying from Yan Makla and I had
told him it was a girl, he was, he says,
"Look, I can't say I'm not
disappointed." Um, I had made
arrangements to be medevaced to Israel
in order to be able to be sundic by you.
He didn't make it. I said, "All right,
well, Mr. Shem, I'll have a boy
afterwards to name for him." And I had
another girl. And so, I started looking
along for Sigulus. And by the way, we've
asked to talk about schoolers. We will
talk about it in a future episode. But
one that they say is to buy
Korim. So I bought Karim and then next
year I did not have a baby boy. So I
didn't buy it the next year. I had spent
a lot of money. And the guy says,
"You're not bidding this year." I said,
"Well, it didn't work." You know, he
says, "What?" And if you turn the key in
your car, it doesn't start right away.
What do you do? Throw away the car or
you turn it
again? Thought that was interesting
idea. So what can I tell you? We uh we
will do the best that we can over here.
Myself and all of Davin yeah for
and the should all work together to help
um accomplish these wonderful things.
And if not so turn the key
again. Okay. Um, let's get down to our
topic at hand. And like some of the past
episodes, the topic actually comes out
of a question that was submitted to the
question answer. So every now and then I
get a question that
um producer Israel pointed out that you
know it used to be that I gave very
short answers to questions and um and uh
now it seems like we only get through
one question in the question and answer
portion of the uh of the episode. You're
giving much longer answers. So uh so the
truth is not because I've changed but
the nature of the questions change. So,
if a person asks a question like, "Who's
your favorite superhero?" That's a lot
easier than having to deal with a
question like, "Um, how do you explain
Simsum or could you explain the misora
or you know, or what should be my
kavanas during Ezra?" You know, these
things take more time as you can
imagine. So every now and then it's a
very long question and uh um it takes
the entire
um probably would take most of an
episode to answer and so I say we'll
file those away and save it for an
actual episode that I will uh dedicate
to it. It's interesting when we talk
about question answers. I remember when
I taught in discovery, I was on a
question and answer panel. They would
have a panel at the end for question
answers. It was myself, it was Mati
Burger and it was Ari Khan. And we each
had a particular dynamic that we played.
Now I'm telling this story. I know that
uh I have out there who know everything
I've ever said. You'll already know this
story because people always will come
over to me and just tell me the punch
line. But for those of you dilotants out
there who are new to this experience, I
hope you'll appreciate the story.
Anyway, someone explained to me how does
the dynamic work? How do you each answer
the questions differently? So I said,
I'll give you an example. There was a
fellow from down south who was in the
program. When I say down south, I mean
southern United States. And he asked the
following question. He says, "I have a
cousin who lives in Rahovat." and he
says it's possible for a non-Jew to have
a Jewish soul. So Mati says, "Well then
what do you mean by a non-Jew?" And Ari
goes, "What do you mean by a soul?" And
I go, "What do you mean by a
hobo?" So that was more or less the way
we divvied it up. You know, Muty would
take a very, you know, hard-headed,
direct approach. Ari was always more
spiritual. And I would just look for the
absurdity in the
question. So uh so we more or less
managed to make room for everybody. But
when Mati would get a question very
often, he would he told me once he says,
"My philosophy is I'm using this as an
opportunity to say another shear and he
would give a 15 to 20 minute sometimes
30 minute answer to the question because
he had a shear on it and he felt like he
wanted to go through the entire topic."
A lot of people don't do that, right?
For example, um, uh, Rabbi Dr. got and
or when he would do a question and
answer and someone would ask about the
Holocaust. So he would say I will not
disgrace the memory of the six million
by giving a short form answer to the
Holocaust. I you know I will not do
that. If you want I have an entire shar
on it but I'm not going to make it a you
know a sound bite. Right Shapiro by the
way said a similar thing. He said uh uh
he was once walking down the street and
as a asked if he was raining he says
could I share your umbrella to the end
of the street. He says sure he says and
as we start walking he says by the way
why was there a
holocaust he says I don't know. So Abra
said oh okay so he told this over in
Shir a few times and he said he said be
if you want an answer from here to the
end of the block about the Holocaust I
can't do it. I have no problem doing
those kind of things. I'm good with with
short answers. But my would give
actually a mini shar on whatever the
topic happened to be. He would go on for
for quite a while and sometimes I would
try to say something. He says one second
of it and he would just keep going. Now
I'm very good like that. I don't need to
hear myself talk. I'm I'm I'm very uh I
have a lot of opportunities to be able
to speak. Um I'm sure I told this story
already that
the only time I spoke at the AGA
convention. So my good friend uh Pakist
um he says David be prepared to run
late. I said why? He goes because
everyone speaks too long. Said why? He
goes because they can't believe that
they're speaking at the AGA convention
and they just can't stop themselves and
they just keep talking.
I've never had that problem, you know.
Um I I can speak for a short amount of
time. My friend Yway Rubenstein, right?
He used to be on the BBC and they gave
him a five minute slot and he was so
good they moved him up to like the next
from BBC 3 to BBC 2, I think, you know,
and they gave him a three-minut slot and
he was so good they moved him up to BBC
1 where he had a two-minute slot. So he
says, "You're looking at the only rabbi
who can speak for two
minutes." So I can do that if if uh if
need be, you know. So it's like
sometimes I I charge when I speak. It's
the only income that I really have. And
um and uh so people say, "Oh, how much
do you get, you know, for a speech?" And
I tell them, he says, "Uh, well, how
long do you usually speak for?" I said,
"It's usually between 45 minutes and an
hour." He says, "We only need you for 10
minutes." I said, "Oh, that cost
double. I can do it." But for a rabbi to
speak for less time, that you know, so
that's what they say. You say a rabbi
who can speak for an hour is valuable,
but a rabbi who can speak for 10 minutes
is invaluable. Yeah. So uh so uh I can
speak for a very short period of time.
So I don't mind that I would just sit
there you know like a goum while while
Mati was speaking. I was okay with that.
I I once told somebody I said me and
Mati agree on one thing we disagree on
one thing. We both agree that he has a
lot of worthwhile things to say. We
disagree as to whether or not I
do. But I'm happy to listen to him. I'm
I'm always happy to listen to uh to
smart and talented people like uh like
Monty Burger and um I hope nobody thinks
that I'm uh I'm I'm complaining over
here any disrespect. I'm very happy just
to sit there and keep him company while
he talks. Um which uh which is uh you
know my pleasure. I hear myself talk all
the time anyway. So uh so that's the
idea that sometimes it depends on the
question. Some questions you can do with
a short answer, some answers take more
time, some answers take a lot of time.
And uh and I'm definitely of the opinion
that if somebody already answered the
question, I don't have to say it again.
So very often when there's a panel,
somebody will say something and the next
person will say, "I just want to
reiterate what he just said." No, you
you really don't have to. He said it. Do
not reiterate it.
It has been
iterated. That's more than enough. And I
bring an example of my good friend Ry Y
was running an encounter conference in
Manchester and at the end of the program
there was a
um there was a panel question and
answers. It was myself, Jonathan
Rosenlum,
um, uh, uh, Rabbi Sinclair from Oris and
Rebel. And,
um, and, uh, we, um, we were on the
panel and for some reason it was like
everybody on the panel had to answer
every question. I don't know why
exactly. So, they asked Jonathan Rosen
Bloom since he was the political
person he writes about politics. Someone
asked him, "Do you believe that uh the
are doing enough to reach out to the
secular community in Israel and he
answered the question and then Re
Sinclair answered the question and then
Reverend Sahel answered the question.
Everybody gave like a 5 to 10 minute
answer, you know. And then they asked
me, Rabowski, do you believe that the
kared are doing enough to reach out to
the people in the secular people in
Israel? And I said,
no to tremendous
applause. But I mean my frustration
level reached it when they asked Ruby
Sinclair. Ry Sinclair had been in
Hollywood and Broadway and music
production etc. And so somebody asked
him, "Do you miss being, you know, in
the entertainment field?" And he
answered the question and then Reinhela
answered the question and then Reb
Rosenlum answered the question and then
the moderator answered the
question and then they come to me and I
said, "How do I know if Robert Sinclair
misses being in Hollywood? How could I
possibly give an opinion on it?" You
know, but that's how it is. people love
to uh love to answer these kind of
questions. So me I'm happy to uh to let
it go to give a short answer to uh to
not answer it at all. I'm all right with
that. You know sometimes uh I can burn
through a lot of time in a question and
answer just from the question because
not everybody is concise and I've never
really mastered the skill of cutting
people off. So, somebody would get up
and they'd say, "Um,
uh, you have a question?" Yeah. Um, I
have a neighbor and, uh, her sister,
it's not really her sister, it's her
sister-in-law, but her sister-in-law is
married to a fellow.
Um, I mean, if it's her sister-in-law,
you think she'd be married to her
brother, but it's not because they got
divorced and she's married to somebody
else now. and uh and and they're
married. They don't live in the
neighborhood. They live in um where is
it? It's in New Jersey. Uh I don't
remember right now. Anyway, so they're
living there and they've got three kids.
Um it's a boy and two girls. Uh the boy
is um the boy is Jim
uh Payic. That's where they live.
Anyway, this could go on for a good 15
minutes and I keep going. Do you have a
question? Yeah. Yeah, I'm getting to
it. And the story just keeps going and
going and everyone in the group is like,
"Oh my gosh, I can't believe this. Make
it stop. Good lord, make it stop." And I
don't know how to stop them because when
I say, "Okay, could you just cut to the
Yeah, I'm getting there. I'm getting
there." Anyway, so she drives a
Honda. It just It just keeps going.
there's no way for it to stop, you know.
So, um anyway, all of that is my way of
introduction to this week's topic, which
was a question that was submitted and I
said, "This is a this is a question that
I think deserves full podcast uh time,
although there's not much of it
left." What can I tell you? That's the
problem with ADD. You just keep going
and going.
Anyway, so um the question was what is
your position
on now? Uh let me
uh comment on what that means when we
say what is my position on. I am I'm
definitely in favor
of I think is a wonderful thing and I I
think it should definitely uh uh be used
in the big day kahuna and uh you know
etc and all those kind of wonderful
things. That's not the question. The
question is formulated by an idea which
again I was exposed to by a footnote in
the living Torah. For those of you not
familiar with it, the Living Torah is a
translation of the Torah into English by
Arya Kaplan Zatal.
Um, I should point out that
uh there are
translations into a dialect that's
similar to English but should not be
mistaken for English. If it has words in
it like uh the vessel becomes impure or
um uh oh my favorite favorite is I saw
one translation translate pre-bitna as
fruit of the womb. Yeah. Um and other
things like that. Right. So he
translated it into English. Yeah. and um
and the sentence structure is written
that way. And he puts in the punctuation
the way you would in English as opposed
to the tortured translations that people
do to try to keep it uh as much as you
can literally translated, but a literal
translation. That's why um I once heard
my brother-in-law Rab David Lickman
refer to the Tarum Unkus as a rendering
instead of a translation. And I thought
that's a brilliant word. It's not a
translation. It's a rendering. It
includes a commentary inside of it. And
every translation is a commentary. So um
so he translates it in such a way. And
the footnotes are unbelievable. Uh in
the back of the he has his
bibliography where he quotes such a wide
variety of sources that it's just
mind-boggling. I heard a story that
somebody was he writes in the
introduction. And it took him 9 months
to do the whole thing and the footnotes
are unbelievable and the sources that he
draws upon and uh and after he was nifa
some people were doing
uh I don't remember if it was a mast's
or a doctoral thesis on this work and
went to the almona and asked for the
rough drafts to compare it and she said
there are no rough drafts he just sat
down and wrote the whole thing straight.
So really
unbelievable.
So the
ina he translates as sky blue wool, dark
red wool, wool dyed with crimson worm.
And here's his comment on sky blue,
which
is sky blue. According to Sadya
um the Rambam and
Josephus in Hebrew. According to others,
it was a greenish blue or
aquamarine rashi ebenezra and the usi
brais deep blue the color of the evening
sky manakim quoted in rashi on numbers
1538 a zor or ultramarine the rad or
highin blue the septuagent the
uh the talmet states that resembled
Indigo
Gumar. This blue dye was taken from an
an animal known as the kilazone
toa. It is a boneless invertebrae
yabis having a shell that grows with it.
Dvarim raba. It is thus identified with
a snail of the papura family. Rava on
braos
moor. The septtogent also occasionally
translates it as
olaperus which indicates that it was
made from the pure dye of the papura.
There were some who identified the
kilazone with the common
cuttlefish sofia
officialis that's
the but most evident evidence
contradicts this that is
the certain
uh used to wear um or still do wear.
That's a type of blue. It's made from
the cuttlefish.
There it was known that the ancient
Tyrions were skilled in making this dye
Dra Yamim 2 Yascll 27 and that snails
from which it was made were found on the
coast of northern Israel and Phoenicia.
Tarum Yunosin
Andvarim Shabis 26A and
Strao. This indicates that it was the
famed Tyrion blue. Around the ancient
Tyrion dye works, shells of Murik's
trunkilus and Murk's brander are found.
These dies are also made in Greece and
Italy.
Yakascal and Iliad
441 and Aristotle history of the animals
515. The remains of these ancient
diworks have been found in Athens and
Pompei. The shells found there were
papura hamstada and murk's
brander
ply. Some have identified the kilazin
with janitha paleya or janitha byol deep
water snails which produce a light
violet blue
hyth. And that is quoting
Ribitzkit Isaac Halevi Herzog from his
work the dying of purple in ancient
Israel unpublished written in
1919. Of course Arya Kaplan must have
had a copy of it. In ancient time
animals such as these were renowned for
their dyes. Again quoting
ply the dye is removed from a cyst near
the head of the snail preferably while
the animal is still alive. Shabas
75a Aristotle history of the animals. It
is boiled with alum as a clarifier.
Gomorra
manis also see rashian zara to produce
the dye. The wool is then ground with
alconet root or alo wood in order for it
to take the dye well. The rambom and
plliny. Only a few drops of dye could be
obtained from each snail ply. And
according to one modern researcher, over
8,000 snails would be needed to make a
single cubic cm of the dye. This
explains its high cost and its
restriction to
royalty. That is his footnote on. And I
remember when I read this
uh I came away
um less with a deep understanding of
than with a deep appreciation of Arya
Kaplan because those are by no means the
most uh bizarre works that he quotes in
his uh in his notes. Yeah. In fact, when
it comes to Aragaman, he suggests that
it's related to the Sanskrit word
ragaman, which means uh
scarlet. Um not many people are familiar
with uh
Sanskrit. And I may have told this story
in the past, so you'll indulge me, I
hope.
Um the uh national
convention of uh of NCSY used to be in
the Pine View Hotel and there was
another old hotel there that had been
taken over by some eastern cult and a
number of the rabbis and the faculty
decided they were going to confront
them. Now I heard this story both uh
from Yussi Abrams and from Rabbi Refson
who were there and they said they all go
to confront him and uh and the head of
this cult is treated as if he himself is
God not just God's prophet God himself.
And so once they get there they push a
Kaplan up
front and he says what is your ba your
your religion based on and he says the
hungaba whatever it is some ancient work
and a cap says really because I have six
basic questions on that
work and God smiles beneicently at him
and says that's because you have the
translation ours is the original
Sanskrit and Aya Kaplan says yeah yeah I
read
Sanskrit I read it in
original apparently God had
not so uh so he was an unusual fellow he
wrote an English uh may lo translation
and he didn't use the Hebrew it was
originally written in Latino which is
sort of like Spanish version of Yiddish
combination of like you know uh Jewish
and uh and and Spanish and it was
translated into Hebrew and he was
reading the Hebrew and he didn't like
the translation so he taught himself
Ladino and translated the English may lo
from the original Ladino. I'm not an
expert in these things but I've heard
from several people who are considered
experts that Arya Kaplan's English
translation of the mayo is more accurate
than the Hebrew version that was
translated from the Latino. So take that
for what you will. But the point is that
uh this is an amazing uh
research. What happened at some point?
Somebody decided based on Ra Herzog's
unpublished manuscript suggesting
that was made from this particular snail
that they were going to begin production
of and make their
own and uh this became uh a move that
some people uh embraced
wholeheartedly working with the
assumption of listen
uh how bad could it
be and they started making I don't know
anything full disclosure about their
production methods I don't know if
they're using thousands and thousands of
snails in order to be able to get it um
but uh it sounds like it's a very
expensive process somehow I don't think
these titsus and tlesum are being sold
um for that kind of money that uh that
would
justify thousands and thousands of
snails um you know being uh being cut to
be able to to to get that little bit of
dye out of it. I don't know. Like I say,
I'm I I don't know. But this became a
big question. Do you wear or do you not?
And there are some people who right away
embraced it and other people who did
not.
And this became a question not so much
anymore. People don't really, you know,
people who have embraced this based on
the manuscript are basically wearing
their and they feel very good about it
and they're fine. And the people who are
not are not and it's
not a major issue anymore that you hear
discussed in the from community. very
rarely will somebody actually come over
to me and ask me what do you think about
the or why aren't you wearing the
etc. So, uh, but back then at the time
it was really a major issue and,
um, and the the arguments went back and
forth and I'm not qualified to argue on
all of them, but I do know the one thing
that
um, was said in the name of
Briska in regard
to the lion of the garra is that the
kilazone was hidden
away. Hidden away which means that it's
not going to reappear says until mashia
comes. So anyone who thinks that they
have found the real is clearly mistaken
because it's hidden. It's hidden like
the uron is hidden away. It's hidden
like certain other things like the
oregonos like certain things like
certain things that are hidden
away. And in fact the
word yeah is related to the word the
purpose the end and that it it
represents the end of time and so and it
represents the gula and it
represents all these kind of things. So
it was hidden away after the we don't
have it now. And
so's position is anyone who tells you
that they found it is clearly mistaken
because it doesn't say we forgot what it
is or we don't know. There are certain
things we say we don't know, right?
Um I'll give you an
example. How do you make matzah? Well,
the Mishna gives you the recipe. Take
flour and water. Knead it. Form it into
a ball, slam it on the side of the
tanor, wait till it's baked, and peel it
off. That's a matzah. Today, we call it
a lafa or an ashtanor. You know, one of
those big flat pas that we use for
falafu or for or for schwama or
something like that. But that's that was
amata
which makes hello make a lot more sense
cuz he would take the pesak and the ma
and the matzah and he would make a
sandwich. So we sit there at the seda
with these crackers and lettuce you know
and we take a bite out of it and the
whole thing crumbles onto us and we're
picking up pieces of it and eating it
and you think what was thinking. Imagine
if this was a a meat sandwich. So he had
a matzah that was basically a lafa and
he put in the roast lamb and he put in
the lettuce and he rolled it up and
invented schwama. He his was the first
schwama and he would lean back on the
couch with a glass of warm wine. This
used to be a great religion. Yeah. But
what happened? We're afraid that it
wasn't baked through all the way. This
is before we get into the gabros people.
Yeah. We're afraid that it wasn't baked
all the way. Maybe some of the inside
wasn't baked. So therefore, we make them
very thin. We put holes in them and we
burn them. So you end up with these
crackers. Yeah. That's not what a matzah
obviously was supposed to be. But we
don't remember. We don't remember. Um
there are people today who do not eat
figs and certain other fruits and
vegetables because they say we don't
know how to check them well enough for
bugs. Yeah.
Uh I heard from uh Rashadmi who was a
Talmud of Rashinberg that Rashinberg
would eat figs, cut him open and he
would look says I don't see anything and
he would eat it. Yeah. Uh I heard
uh heard the same thing from Tugodole
about strawberries. You know that uh
they asked him how do you clean the
strawberries? And he says, "You cut off
the top and you cut them in half and you
rinse them off and in soapy water and
that's it." So he says, "Yeah, but
uh certain Rabonim say that they're
they're filled with bugs and you can't
eat them." And I heard this from Bashim
2 uh two Torah. I heard it Bashame Rab
Shinberg and I heard it
from Novett. So they said, "But Rabbi so
and so says you can't eat them because
they're filled with bugs." So he says,
"So tell him not to eat them." But I
check and I don't see any bugs, you
know. So the fellow who told me the
story, he says he once met a talmet of
of one of these ramim and he says he
told him over the story. He says, "Yeah,
yeah, you have to look at it with a, you
know, with like a a microscope." He
says, "Yeah, but that's not the den. The
den is you have to be able to see with
the naked eye, and that doesn't apply if
I if I need a microscope to see them,
you know." Now you've had the uh the the
point is that people just say we don't
know how to do it today. We don't know
how. So that's coming out of ignorance.
Or maybe my favorite example is
um a woman becomes a nida when she sees
dam. But how do you know if it's dam or
not? There are a lot of different types
of damim out there.
So picture if you will,
yeah, pure red, whatever pure red is,
and keep making it darker and darker and
darker and darker and darker until you
come to black. And imagine, you know,
hundred different shades. And now take
the pure red and make it lighter and
lighter and lighter and lighter until
you come to pure white.
And now do the same thing with gray and
make it gray and grayer and gray. Um I
forgot the the words. One of those are
shades, one of those are tints, one of
them are use. But uh they're different
things. You're left with hundreds of
red. So if you go to the paint store and
you say, "I want red paint." They'll
hand you this little card with five
different types of red. And then they
have like a hundred cards like that. Of
all of those read, only four of them are
considered tummy, says the Mishna. Yeah.
And it describes it. If you want to find
it, take the dirt from a particular
place and put it in a bucket of water
and stir it up and the color of the
water that comes up or go to a
particular field of flowers and watch it
from a distance, the color that hovers
over it. So, this is a very specialized
thing to be able to identify what it is.
It's very hard and um even in the time
of the gam they were this is very very
few people are able to do this to be
able to identify this. Someone asked me
once why don't you make a color chart
and the answer is because they fade.
Uh it's interesting there's an entire
field called art restoration where they
take certain classics works and they
clean it up and it ends up that over the
years from the dirt and the fading etc
the picture the painting that was made
was much brighter and more vivid and you
know than it than what we have before us
today but it's faded. So if I would have
a color chart and it fades a little bit
then that's it. You're going to pass in
the wrong hal now. So you just had to be
able to to spot that. And um and uh
today there are very few people who uh
in time of the Gamarra they said you
can't do it. So we would go guys on all
red any any shade uh you or or uh or
tint or anything of red is just we don't
know. We just don't know anymore. Yeah.
It's not because of that. But here by
the it doesn't say we don't know what
the is. It says the was hidden
away. And that was the argument for the
people who say you can use whatever
footnote you want in you know uh
Herzog's unpublished work. Uh it doesn't
help you because if you don't know that
this is it then you can't use it. All
right. And other people say it's low. It
doesn't hurt to put it on. How bad could
it be, etc.,
etc. At the time when this was going on,
it was it was a hot
topic. Like I say, not so much now. And
people asked me about
it. I gave I gave the following answer,
but before I give you my answer, I'll
give you a background to the answer.
Um, I had a good friend, Rabbi Binyamin
Hammer, really good friend. We go back
to
1982. He was just nifa this past year.
And, uh, it I still have a hole in my
heart. Uh in fact uh he hosted us for
Shabas, me and some of my wife and me
and some of the children for uh for
Shabas up in the mountains and uh he was
nifa like two weeks later and uh I
remember he called me the next shabas
and say what a how what what a wonderful
time they had. we really have to spend
more time together and we have to be
more in touch. And the next that week he
was nifa. So um but he is a straight
arrow. He doesn't know from from he's
very very
straight. Yeah. Yasha. He was a real
Yasha guy. And um and I told him once
that you know sometimes Friday night
between Kabal Shabas and May if someone
gets up to give a little
hiccup on some much needed sleep but
some of them are actually very engaging.
So this one fellow who is a bonafide got
up there and he said that according to
his learning everyone does talis wrong.
The standard way people put on their
talis is they throw it over their head,
wrap it around and throw it over their
shoulder like a continental soldier. You
understand? And uh you know and make the
brah and take it off. So he brings rayas
that no it's supposed to be like the
artifas of the of the
umim of the Arabs and it's supposed to
be only around your head. So he
demonstrated how he believes it's
supposed to be. He put it on over his
head just to his eyes and then wrapped
it around his head, not around his whole
body. And he brought a lot of ryas. I
was very impressed. I was very
impressed. I'm very
impressionable. Very impressionable. I I
I am also a cynic. I am a cynic. But
when I hear things, you know, I'm always
impressionable. I hear it. I like it
makes sense, you know.
So, uh, I said this over, uh, to rebin
one time and he said to me something
that I just found to be such a
devastating response. He says, "I don't
know." So, I learned
the I watch put on his talis and he does
it the way that my father did it and my
grandfather did it. Throws it over his
head and throws it over their shoulders.
Yeah. And I went to MTJ and I saw Masha
Feinstein put on his talis and he did it
the same way that my father did it, my
grandfather did it. And I watched Revid
put on his talis and he did it the same
way Raisha and my father and my
grandfather did it. So I don't know you
can make all the dukum you want but we
have something called a
masora. And I was like
wow that that was such a um a burst of
clarity for me because yeah it's true
now everybody wants to
uh come up with their
own when we say in
We have a
tradition. That's what says that when we
say
the we're not stiff necked and
brazen. We and our fathers have sinned.
Why are we dragging our fathers into it?
The answer is because people
sometimes do things because their
parents did it and they're copying their
parents. You know, my daughter who
teaches in seminary um she used to do
this devastating impersonation of
seminary girls and they would say things
like, "We curse. My family, we curse.
Everybody curses. I don't know. That's
what my father does. That's what we do.
We all curse."
and and she's trying to explain to me I
don't know that's what we do in our
family that's what we
do so you know just because you do it
doesn't mean that this is proper
behavior mashain
um I've said this many times my father
was not shabas until he was 67 years old
but he grew up in a sham shabas house
and whatever he remembered from his
father's house he would do And uh I
would he he spent money to send me
yeshiva day school and I'd come home and
fight with him and say, "Dad, that's not
what you're supposed to
do." You know, my father always used
onion for
karpas. And I said, "They taught us in
uh in school you're supposed to use
parsley." He says, "My father used
onion. We use onion." So, of course, I
fought with him because that was the
kind of person I was. And so, we would
put out on the SATA plate onion and
parsley. And every year, he would make
fun of me. Yeah, here's your parsley.
you know like you know he would eat
onion years later I found in
the where he says for karapas you're
supposed to use onion and he says vesi
and there are those who use petetroilia
parsley he says that's ridiculous nobody
eats parsley you'd make a shahako on it
it's just a a spice or a garnish nobody
eats
it I said my father had a car if if
there was something that he did even
though he didn't know anything, he
remembered he got this from his father
and um and he would follow through
uh with with that tradition. So there's
a concept of a misora. What do we do?
And um
uh you have to be you have to be very
careful when it comes to uh the way that
Clay Israel does things.
The Kazanh um had an interesting chuva
that he had written where they
discovered Rishonim. They discovered
Rishon Rishonim who had uh been lost to
history and were found later and uh and
the maintained that Akures Baru takes
care of the Msora. And if these people
were lost to history, it's because did
not want their views to be taken into
account by deciding. So if you suddenly
find another who says something
different, you can't suddenly go and
turn around the cause because oh, I have
somebody else. No, I
could supervise it in such a way so that
if has a way of doing
things and suddenly I come up and say,
"No, I think it should be like this. I
came up with a new idea.
We're very suspicious. We're very
suspicious. And that was of course the
principle
of you know innovation is uh makes us
very suspicious to do something that we
have never seen before and uh and you
have to be careful. So all of that was
by way of introduction. At the time when
people who were very prois of this new
that was on the market asked me why
don't you
wear I said Shinberg is
alive and uh and he wears many many
pairs of tits. I don't see any there.
There's a story that the people gave him
a pair of tits and he took them. But
there is no Adidas that he ever wore
it. Yeah. But I I said, "Look, I don't
have to be smarter than the Golia
Torah." When I see Rebel Yosh put them
on. When I see Ribdavid Feinstein put
them on. When I see Salman put them on,
I think Shak was still alive. When I see
Shak put them on, when I see Shapiro put
them on, then I'll put them on for sure.
I see. But if the Gdolei Torah are not
putting them on, so you want me to be
smarter than them and say, "Hey, I
figured out what the real is and you
didn't because you don't
know." That's not the way uh my Judaism
works. There's a mas there's a
tradition and if somebody comes up with
something that's new
fangled I I use the principle
of my father didn't have it my
grandfather didn't have it people didn't
have it I'm not talking about a
technological
advance right and they came out with
pot-bellied stoves so uh I think it was
Rabika Ager I think the story goes that
they wanted to install one in the shaw
And some people said, "Our parents never
had
it." You know, our grandparents never
had it. And he said, "So, cuz our
parents and grandparents uh were
freezing, we have to
freeze." That's an
innovation. I heard a story, and again,
I didn't check it out because I'm not
pesak, you know, but I heard the story
that
um the Kanye, who took over his father,
the stipler's house, there was no air
conditioning. It was a very small house
and Ben is
ger is so unbelievably hot and humid you
know
it's 5 to 10 degrees away from gehenn
you know only it's more humid so uh it's
just it's it's really tough and uh they
asked him why don't you put in air
conditioning and he said because my
father didn't have air
conditioning so I don't need air
conditioning and finally someone said to
Okay, forget about you. What about us?
We're sitting here waiting online and
we're
schmaltzing. Put it in for
us. So, that he was willing to do. Yeah.
And after they put in the air
conditioning, he said, this is how I've
heard the story and I didn't check it
out. This how he says, I'm going to have
to give a for all the learning I did
during those summers without air
conditioning. I don't know if I was at
peak capacity.
So, okay, that's that's a technological
innovation. No one's talking about that.
You don't still have to write your Torah
with a quill and ink, you know, on uh
on, you know, on paper, you know, you uh
you can you can um uh use uh a pen or a
um word processor to be able to to write
them up. You don't have to use that.
It's a technological
advance. That's fine. But when it comes
to innovation in our
observance, my attitude is when I see my
rebum, when I see the Gdeli Torah do it,
then I'll introduce it. And if not, then
I don't have to be smarter than the
Gdoli Torah. And that's my position on
it. So I'm not here to judge anybody uh
what you do or what you don't do. That
is my position and that's how I would uh
approach this
topic. And now after having answered
that question, we come to the question
and answer portion of our
program. And the question answer is
sponsored by Shaina Weinberg, Gordon,
Leeli, Nishmas, Aramz, and Yakov Eli
Yahu. Thank you every for the you give.
Thank you for listening because without
anybody listening uh this would be a
very sad thing just sitting here in my
room talking to
myself. Anonymous asks when did the
period of the aonum end? Who was the
last one? And what's our current Jewish
history period called? Okay, let's put
this into perspective. There was the
period of the Tanakh. When the Tanakh
ended, we went into the period of the
Tanoyim and that ended basically with
the um with the publishing of the
Mishna. Yeah. And that began the period
of the Amory. And the Amaroyim basically
ended with the closing of the Gammorra
by Mara Revashi and Ravina. That
basically finished that project. Then we
went through a period known as the
savoyim and the gonim and that went on
somewhere till around the year 1000 when
we began what the period that was known
as the rishonimum. Now you could argue
the rishonum start a little earlier etc.
But that went on when did the period of
the rishonum end? That's an argument. Uh
a lot of people will say it ended with
the shar the takob of uh Balhaturim who
was a son of the rush was definitely
considered a reishon but when kairo
wrote the certainly around that time it
was considered the end of the reishonim
and the beginning of the period of the
aonim and the acronim goes on through
the 1516
1700s according to those people
definitely into the
1800s
the so uh um
etc. Once you hit the 1900s, there's
some discussion. Are we still in the
period of the Acronim or not? And there
are those who say yes, these are still
the Acronim. So that the great
Russia ruin
um all of these people are considered in
the period of some people say not. Some
people want to say that it ended before
that, right? It didn't really go into
the 1900s, but okay. But that's, you
know, but most people seem to
feel most people seem to feel that once
we hit into the 1970s, the period of the
Acuron was basically over at the
1980s. So, where are we now? Now, I'll
be full disclosure. Definitely not
everybody feels that way.
um who
um
[Music]
uh he would argue with aim all the time
and he felt that he had the dinner of an
a Yeah. And there are certain other
examples of this. Yeah. where
um the famous
story with
the
when wrote
his he brought it to sal
for and answer asked him the following
question. How do you
do? So he said well you have to tell the
person what you said. He says it can't
be. He said it can't be. He says it's
Arab and Kipper. I go over to somebody
and I said listen I feel very bad. I I
spoke about you. I told everybody that
you're a crook and you're a low life and
you're this thing. Please be mo. So the
guy will be
um because it's Aravan Kipper. And so
now this guy walks into Yam Kipper and
he feels like a big sadic. H I got kapor
for what I did. And this guy spending
the whole saying everyone thinks I'm a
thief and I'm a low life and I'm this
can't
be said but
rakins that way and shuva that's what
you have to do and said p it can't
be so someone asked this question to uh
kla
says he's right it's a right and he said
in your name muser Rubis Salant had the
den of a
reishon. Okay. The
vagayan would often argue with rishonim
even though he was in the
1700s past the time of the rishonim but
he was seen as somebody was out of the
door. So none of these laws are hard and
fast. But certainly according to most
people by the time you hit uh the second
half of the 20th
century the period of the have ended. So
what is that position? What is the where
we are today? I've heard two terms for
it. One is we're in
theim I've heard that term and the one
that's perhaps even uh cuter is with
theim we gather together. What does that
mean? somebody puts out a safer, you
know, uh
um whatever um uh kidney is and he takes
one of the computer programs and he
searches for all the sources and he puts
it all together and sets it up.
It's interesting Stillament who is a
uh Rosh Kabur in the Mir he put out a
series of of on different topics and he
calls it damalakim where he pulls
together all the different shittas and
lines them up for you so that you can
make a more informed decision you know
so when you ask him a question he says
well these po say yes and these pims say
no and uh I have to really press him to
find out what he thinks the hal is, but
he doesn't want to get involved. But
we're gathering it together. So, I guess
today we could say we're in the door of
the malakim, those who gather the
information
together. And that's it for this
episode. If you want to find out more
about the show, you can go to my
website,
rallowski.com, and I have other material
there that you can read or listen to.
You can sign up for one of our online
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that's it for this episode. Until next
time, I am David Olowski and this has
been the Rabbi Olowski Show.
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