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Judaism Without Apologizing -Reb Zev Leff - Chanukah
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I sit down with Reb Zev Leff and talk all things Chanukah
Categories:Torah/Yamim Tovim
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Auto-generated transcript. Not time-synced to the video.
This Torah class is brought to [music]
you by tora anytime.com.
[music]
>> Rabbi, thank you very much for coming on
to the Judaism without apologizing
podcast. It's an honor to have you.
>> It's my honor to be here. Can you give
us the one minute version [music] of the
RV story a little?
>> Yeah, I was born in the Bronx [music]
and I learned in Telugua
and that's there and my Rashish Shiva of
Gifter sent me back to Miami to be the
RV in the young Israel there.
>> What exactly is the spiritual goal we're
trying to achieve on Kaneka? I think
that the message of Kaneka is that there
doesn't have to be a conflict between
the physical material parts of this
world [music] and the spiritual parts.
Does the RV feel as though it became an
explosion of Gashmi? It's a celebration
essentially of food and parties [music]
and presents where it really should be
flocking and flooding the shores in B
midrash. But I think that even though
it's been taken perhaps to a distorted
uh extreme with presence and the
Gashmias, but there's a place for the
Gashmi too.
>> Jews nowadays sometimes can be
celebrating Kaneka and at the same time
have an utter fascination with
Westernism and Americanism and politics
and celebrities and news and sports. How
are those two things mutually exclusive
or are they as big of a contradiction as
one can get? And they're pretty much a
big contradiction and a lot of it by
people who are not necessarily really
shre to mitzvah is [music] the influence
of the non-Jewish holidays that if the
kashi mio would come back today he'd be
very happy that he's been very
successful uh from the way kanuka is uh
is celebrated [music]
because it's celebrated as the Greeks
would celebrate it not as the Jews
[music] celebrate it. Now, there's
another element to Kaneka which I think
a lot of people don't harp on because
it's a little bit politically incorrect.
Is there a modern-day misnim
that should be addressed [music] and we
aren't or we're not strong enough? We
don't call them out enough. I know it's
politically incorrect to call out Miss
Yavnim, but isn't that the whole point
that these people
called out Miss Yavnim? Aren't we should
we be doing a better job or that's not
the fight we fight today?
>> There's two ways of serving the rabbon
even people in our room. Forget about
the progressives and the left. There's
one way of keeping it very external.
It's a bunch of dos and don'ts, right?
But their way of life and their their
values and standards are [music]
basically secular. Don't have 613
mitzvah. They have 613 problems.
>> Should more people be making aliyah? Is
it a mitzvah? Is it something that way
more people should be doing or is pretty
good the way it is?
>> Like every mitzvah, it's a mitzvah to
fast on Kipper, but if you're sick, it's
a mitzvah not to fast on your kipper.
The same thing goes with Israel and
their parameters.
>> Does the rub think that that did a does
a good enough job in making it conducive
for foreigners or English speakers
[music]
to build their own schools? um what you
just described was 100% the way it was.
Um uh you [music] go do it our way and
we're not interested in accommodating uh
anybody else's way, whatever. To what
degree should Americans be invested
emotionally [music]
in what's happening in our straw? cuz
it's often hard to navigate between
what's [music] nice bo and being
emotionally connected and then just
consuming a a an avalanche of political
circus and rabundan screaming and you're
not sure what's going on but people some
people ignore it completely and some
people [music]
consume it entirely and are obsessed
with it. So what is the balance? They
should know that because they don't live
there, what they hear newswise [music]
is probably distorted
and and therefore not only is it useless
[music] to get involved too much and
obsessed with it, it's distorted. Does
the rub feel feel that Ericson for a lot
of people is slowly becoming [music]
a from Disneyland where it's just about
going and trying different restaurants
and buying a souvenir here and a
painting there and meeting your kids in
[music] seminary here and the whole
Kadusha aspect is essentially sucked out
and even the Kaiso is just a tourist
spot to get a picture. Is that a
problem? But if you're going because
it's another place to go, like you said,
instead of going to Disneyland to go to
this Disneyland, then it may be a
problem.
>> If we would take all all the taxi
drivers, all the schwarma stands,
[music] even all the and put it in the
middle of Sudan. [music]
People would love going there also. And
it has nothing to do with. I would say
that somebody [music] who goes to visit
Eris Israel should at least portion of
the time have uh some kind of tour of a
place where [music] they'll the people
who are giving them the tour will let
them know there's something special
about these places can do wise.
>> There's a story with the Rob at a soccer
match. Can you tell us a little bit
about what happened? So we were in
Scotland visiting and uh happened to be
that the Israeli soccer team came to
Scotland for a match between Scotland
and Israel and the whole Kahila went
with the RV identifying with something
Jewish for these people was very very
very important. So I saw that it was
really bothering them. So I told him
look we'll make it easier for you. I can
learn here I can learn there to make a
difference. So um I'll go with you and
I'll learn there. I went I was really
not interested in soccer. Had it been a
baseball game, it may be a different and
[music] I went and I was learning there
and my son-in-law ran over to me. He
said, "You were just on Scottish TV.
What in the world am I doing at a soccer
game?" So the message is right, [music]
you have to sometimes do things that are
not part of your comfort zone for the
sake of your children and grandchildren.
You've just experienced [music] another
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