Transcript
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[music]
>> I want to share with you a quick idea.
I recently took part in a fundraiser
that was taking place in a new Simcha
hall being built on top of a pizza shop
in Lakewood, New Jersey and the
organization running the fundraiser was
using the hall as sort of their
makeshift headquarters to make [music]
their calls for their campaign. So, I
walk in there and even though the hall
wasn't finished yet and there was wood
and dust and tools all over the place, I
was still pretty impressed by the
overall hall. It had a nice intricate
design. It had a nice modern look to it.
It looked great and so I settled into my
seat. I was there for a few hours
helping out making some phone calls. And
later that day
I go down the block to a Simcha in a
pretty old dilapidated hall. This hall
was falling apart. There was wood
everywhere. There was dust everywhere.
There were tools just strewn everywhere.
It was the type of hall that you want to
just go in and say Mazel Tov and get
out. And as I was leaving, I was
thinking to myself
why is it that when I was in the first
hall, I just walked in and I was
impressed sort of overlooking all the
mess and focusing just on the good.
While in the second hall, I immediately
zoomed in on the bad. They both had the
same amount of dust and wood [music] and
tools laying around. Why did one bother
me and one didn't? Why was I impressed
by one hall that was full of dust but
totally turned off by another hall with
the exact same mess?
>> [singing]
>> The answer is that the first hall didn't
bother me because although there was
dust everywhere and there was wood
everywhere and tools everywhere,
but that's what I was expecting because
that's what something under construction
looks like.
The hall wasn't claiming to be perfect
because it wasn't claiming to be
finished. It was under construction. It
was work in progress and because of
that, the dust made sense. The mess had
a meaning. It was part of the process.
But the second hall was a finished hall.
It was built years ago. It was claiming
to be a finished product. There were no
construction workers around. There was
no future finished product that was on
its way. What I saw was what it was. And
because of that, every speck of dust
stood out like a sore thumb. Every piece
of wood on the floor felt like a sign of
neglect, not progress.
Every single Jew on Earth has been
tasked [music]
with rebuilding the Beis Hamikdash, but
not just in theory. Every Jew on Earth
has a room in that Beis Hamikdash, a
room with their name on it, a chamber of
light and closeness and purpose that
only they can rebuild. And once a year
on Tisha B'Av, Hashem himself walks into
our world, not with thunder, not with
fire, but with quiet footsteps and with
eyes full of hope. And he comes to
inspect the progress, to see how his
children are doing, to walk the
construction site of the Beis Hamikdash
Ma'at, the miniature Beis Hamikdash
we're meant to build in our lives, in in
our homes, and in our hearts.
And in some homes, Hashem steps in and
he looks around and he sees dust and he
sees wood and he sees tools laying
scattered on the floor and he sees
people sitting back, people who seem
content, people who say, "This is just
who I am. This is my life. This is the
final product." There's no hammer in
hand, there's no plans on the table,
there's no signs of effort or sparks of
yearning. All he sees is deafening
spiritual silence, spiritual surrender.
And Hashem looks around and he whispers,
with his heart broken, "They've stopped
building. They think this is it. They
don't even remember the room they were
born to finish."
But then, Hashem walks into another
home. And at first glance, it looks
exactly the same as the first one.
There's dust on the ground. There's
blueprints half unrolled. There's tools
scattered all over the place. There are
walls that are unfinished. There are
cracks in the foundation.
But this home is different.
Because in the middle of the mess,
there's a Jew. He's not perfect. He's
tired. He's worn out. He's made
mistakes. But he's got a hammer in his
hand and there's a tear in his eyes and
he's standing in the middle of a pile of
dust and he's looking up and he's
saying, "Hashem, I didn't forget. I
still believe in the blueprint. I'm
still building. I'm not done yet. I
don't want to live like this forever, in
exile, in confusion, in distance from
you."
And Hashem looks at him
and he doesn't see rubble.
He doesn't see a mess. He doesn't see
wood and dust and tools. He sees a
spiritual construction site. He sees a
man on fire, a man who is still
building. And he says, "This home isn't
broken. It's being built. This man, this
struggler, this fighter, this dreamer,
he hasn't given up. He is my builder. He
is the reason I still believe in this
project. This room, his room, is very
much alive. It's not a mess. It's under
construction."
So, ask yourself this Tisha B'Av. When
Hashem comes to inspect your room in the
Beit Hamikdash, what will he find? An
empty plot with a do not disturb sign on
the door? Or a messy, dusty, imperfect
work site with one Jew still building,
still crying, still hoping, still
swinging the hammer, still dreaming of a
day when we won't build with pain, but
with light and joy and redemption?
Because some people give up. They look
around and all they see is dust and wood
and nails and chet and tumah and
mundanity. And they say, "This isn't a
Mikdash מעט. This is a disaster zone."
And they're meya'esh. They raise up the
spiritual white flag and give in to
galus.
But that's the wrong approach.
You have to look at your life and say,
"This isn't a ruin. This is a site under
construction." And if you say that,
Hashem will throw you a blueprint and a
shovel, and suddenly you'll realize
you've just been hired. You are now part
of the greatest construction company the
world has ever seen. A construction
company that built for the world
monotheism. A construction company that
built for the world kedusha and tahara
and emes and dveikus and shalom. A
construction company that didn't just
build buildings. It built a spiritual
civilization that the greatest empires
in world history could only dream of. A
company that built skyscrapers of the
soul that reshaped the face of the
planet. A company that is the envy of
angels. A company that is the single
most important enterprise in the
universe. And now, it's your shift.
Tisha B'Av
gives you a choice.
>> [music]
>> You can sit on the floor and mumble some
words and go back to a house full of
dust and regret. Or,
you can stand before Hashem,
surrounded by the dust and the debris of
your life, and you can cry. You can beg.
You can say, "Hashem, give me the
blueprint. Hand me the tools. Show me
where to start. Don't judge me by the
mess, because I'm not done. I never
claimed to be perfect. I'm still under
construction.
That Mikdash Me'at I've been entrusted
with, it's not abandoned. It's not
falling apart. It's under construction,
and I am not done building." And that
declaration alone, that refusal to
settle,
that cry from the soul, is what turns a
broken house, a life filled with dust
and wood
>> [clears throat]
>> and tools, into a glorious Beit
Hamikdash under construction. I wish you
all a meaningful Tisha B'Av.