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dedicated graciously by Sara Malka Simon
commemorating the yard site
of her dear husband
Reb Yitzchak Yaakov ben Reb Moishe, also
known as
Jerry Simon
the famous legendary Brooklyn caterer
on the occasion of his yard site today
on the fourth day of Adar
Ta'anit Masei Tzura
but Tzurat HaChaim
and may his uh
soul continue to be a source of
inspiration and love
for his family and the community and the
entire Jewish people
and for all of the family l'arichus
yamim v'shanim tovim
l'toch menuchas hanefesh, also dedicated
as a for a complete and speedy recovery
to Yosef ben Rishah
and to Shmuel Bracha
ben Tirtza for refuah krovah u'refuah
shleimah
l'arichus yamim v'shanim tovim
and for all of our hostages, of course
and for all of the soldiers and all of
their families and all of our brothers
and sisters in the holy land.
Next week be ezrat Hashem there's also
going to be a class next Tuesday.
It will also be a Purim class.
So
today
we're actually going to focus, you know,
sometimes you can focus on an entire
story
sometimes you could focus on a sentence,
a chapter or a sentence, a paragraph, a
paragraph or a sentence
sometimes
on part of a sentence and sometimes on a
word, just one word.
But today we're not even going to do
that.
Today we're going to focus on the order
of two words
and the order keeps on changing back and
forth, back and forth, back and forth.
It would seem that in terms of theme and
message it's identical.
But when one sees this ever in Chumash
or in Tanakh
it always ought to trigger curiosity.
What happened?
Why did you just change the order of
things?
Now these are things that people read
every single year, they've learned it,
they read it but these are things that
are so easy to miss and gloss over cuz
it doesn't seem like it makes a big
difference.
But today be ezrat Hashem we'll learn
how these are seemingly uh not so
relevant
or thematic change really sheds light
on an entire layer of the story that one
can easily miss.
So we're going to be looking into the
first chapter of Megillas Esther today
which of course this is the month to
learn Megillas Esther and on Purim
there's a mitzvah
to read the Megillah and hear the
Megillah twice at night and at by day.
It's one of the four unique mitzvahs of
Purim together with Shalach Manos and
charity for the poor and the feast, the
meal of Purim is Mikra Megillah
hearing the whole story of the Megillah
and the halacha is that we read the
entire Megillah, all the 10 chapters.
The first the first chapter just seems
like
complete the historical context and
introduction which doesn't really seem
to be part of the story and in fact
there were those who believed
there were sages who believed that you
don't have to read it even on Purim
because it's just it's an interesting
introduction but it's not really the
story
and yet the halacha is k'charyas kulah
that we read the entire Megillah
including chapter one
and if we miss out chapter one, if we
want to start later in the story it's
actually if not fulfilling the mitzvah.
How does chapter one of the Megillah
begin?
So you have it in your source sheet and
by the way we post all the source sheets
on the value shiva.net together with the
class so you can retrieve it later
for those who are watching online or
listening. So the opening of Esther is,
everybody knows
Vayehi bimei Achashverosh.
It's good you're not fasting so you
could listen with calmness.
I hope you're not fasting. Who
Achashverosh? HaMelech Melech Hodu
v'Chush b'shishim u'meah medinah. It was
in the days of Achashverosh.
Who's Achashverosh? He is the
Achashverosh who reigned from a country
called Hodu till a country called Kush.
Some translated as India till Ethiopia
over 127
states or provinces.
Biyemei Achashverosh hu Melech
Achashverosh al kisei malchuto as he sat
on his as he sat on his throne which was
situated in the capital of the Persian
Empire called Shushan
a city that's still identifiable and in
fact in the late 18 in the 1890s
a French
researcher did excavations and
discovered
the palaces of
the Persian Empire during this time
under the ground and
an expert then wrote, whoever wrote the
Megillah knew exactly what they were
talking about because it's a perfect
perfect perfectly choreographed and
designed consistent exactly what was
revealed in the excavations,
parenthetically. So with the third year
of his reign he makes a huge feast for
whom?
For all of his ministers, all of his
servants and all of the ministers that
are in charge of the 127 provinces. He
brings them all together to the capital
to celebrate for 180 days which is of
course a half a year.
And when he finishes with that party, he
hasn't had enough.
So now begins a seven-day party for
everybody who lives in Shushan.
All of his subjects, all of the people
who live in Shushan are now invited to a
feast in the palace of the king.
And
the Megillah goes on to describe exactly
what the feast looked like.
What was served, what type of goblets
were used, the decorations, the designs,
even the fabrics the fabric that was
used to design the palace are somehow
important to appreciate the story.
Then we come to verse nine, pasuk tes.
The second paragraph in your source
sheet
and suddenly the story shifts to the
queen of the Persian Empire who of
course her name is Vashti.
Until from chapter from verse nine till
the end of chapter one is completely
dedicated to the Vashti saga.
What happens? So let's see.
Gam Vashti haMalka
or in the trop, in the musical
cantillation, so gam Vashti haMalka
asasa mishteh nashim b'veit ha'malchut
asher l'melech Achashverosh. Also
interesting way of starting a sentence.
Also
Vashti the queen
makes a feast for the women. Where?
B'veit ha'malchut in the royal palace
that belongs to the king Achashverosh
and of course bayom hashvi'i k'tov lev
ha'melech bayayin. It's the seventh day
of the party, the last day
and the heart of the king is merry with
wine. He has had a lot to drink and he's
feeling merry and joyous and happy
and you could say drunken and inebriated
and he asks
his servants, seven people
Mumuchan, Biztha, Charvona, Bigtha,
Abagtha, Zethar and Carkas, shivas
hasarisim
seven sarisim. You know the word sarisim
means sarisim means servants but you
know what it really means?
A saris is somebody whose fertility was
eliminated, castrated. Why are they
called sarisim? The ancient kings
would do this to all the people that
they hired to work with their women
with their queens, this is what they
would do to them. That's why they're
called sarisim.
This is what they would do to all the
men who were working with their wives,
queens and women in the palace.
Yes, they would castrate them. That's
why they were called sarisim.
And he sends them l'havias Vashti
haMalka lifnei ha'melech b'chaser
ha'malchut as she was commanded to come.
Bring Vashti the queen
to the king in her crown.
Why? Why? To show all the nations and
all the ministers, meaning the people
from all the different nations and
ministers, her beauty. Ki tovah mar'eha
as the Megillah says, Vashti indeed was
gorgeous.
We know what happens next.
Vashti lo vad'var ha'melech asher b'yad
hasarisim.
She refuses to come
and follow the word of the king that he
sent through these seven servants
and what happens? Vayichtzaf ha'melech
vayecher chamaso bo. He's burning from
anger.
Vayichtzaf means he becomes wrathful,
he's angry. Vachamaso, his wrath, his
anger bo'er esh burning boy inside of
him.
It's not just a public anger that he
displays even even deeper is the anger
inside.
And what happens in pasuk gimel?
He speaks to all of his servants, he
speaks to the servants, to the seven
people that he consults and he asks
them, tasvu k'das mah la'asot b'Vashti
haMalka. What should be done with this
queen Vashti who disobeyed
the instruction of the king
Achashverosh.
And Mumuchan, one of the seven stands up
and says, "Oh, this wasn't a crime only
against you by Vashti the queen.
No, no, no. This was a crime against the
Persian Empire. This is going to create
disarray and chaos everywhere. Why?
Suddenly women were going to start
revolting against their husbands. Great
topic for a women's class, no?
The women will finally take Vashti as a
living example and say, "This is how you
treat your husband."
He says, "Come." And you say,
"Absolutely
not."
And Mumuchan says
"We're done.
We're done.
You could send the males to Antarctica.
We're done. We have nothing left.
They're all going to learn how to
denigrate, embarrass, lahavzois,
humiliate their husbands because even
the queen who was told by the king to
come doesn't listen, who should?
Who should feel any sense of duty and
loyalty to their spouse and this will be
an embarrassment forever.
And therefore I say
that the king must give a decree, take a
look in pasuk yud ches
asher lo shavah Vashti lifnei ha melech
Achashverosh. Vashti should not appear
anymore before the king and let her
malchus, let her royalty be given to
somebody better.
And everybody will hear the news and the
women will learn to honor their
husbands, whether they're big or small,
honor their husbands.
Chafal vayitav hadavar lifnei ha melech
v'hasarim.
The king and the ministers appreciate
these words and they follow through and
they send out books and letters to all
the provinces in all different
languages. And what's the message? Every
man has the right to rule in his own
home.
Okay.
That's the end of the story. That's how
chapter one finishes. Chapter two is the
king sobers up.
Mm, and he's like, "Mm."
That was not such a good idea. That was
not such a good idea. He's now longing
for Vashti. He remembers her. And that's
when his ministers come and say it's
time to search for a new queen and the
search begins and ultimately we know the
continuation of the story. Esther is
taken and becomes the new queen of
Achashverosh. But this is the end of the
first chapter of the megillah.
And by the way, the Gemara says in
tractate Megillah Rabbah says that these
letters that the king sent out after
Vashti was removed and eliminated
actually saved the day.
Because
when people got these letters, they're
like, "What type of crazy king do we
have? He's a meshugana. He's a nut job."
So later, years later, when they got the
letters that everybody should kill every
single Jew, they said, "Ah, the
meshugana came out with a second set of
letters." So it was the first letter
that actually saved the day that nobody
took him that seriously when they got
the second letters, the decree of Haman
to eliminate all the Jewish people.
That's parenthetically.
Now,
I'm going to get very, very technical
now and very granular.
But to make it a little easier, I
underlined my issues.
Is that a good line in English? I
underlined my issues. Okay.
Underlined my issues. It's good for all
of us to sometimes underline our issues
with the right people.
Take a look, pasuk tes. Okay, take a
look, second paragraph in your sources.
Gam Vashti ha malkah
Vashti comes before malkah, right?
Vashti, the queen, makes a party for the
women. Okay.
The king on the seventh day, he's drunk
and he tells his seven ministers
who are working with the women in the
palace, who are working with his queen,
they are servants of his queen.
Yud aleph, lahavi es Vashti ha malkah.
Bring Vashti the queen. Okay, nice.
Now take a look at the next pasuk,
vatema'en. What does it say?
What would you expect? What should have
it said written? Vatema'en.
Vashti ha malkah. He changes. Vatema'en
ha malkah Vashti. The queen Vashti
refused. Why the change? You say,
"What's the difference? What's the
difference? Vashti the queen, the queen
Vashti."
I get it, but why the first two times
does it say Vashti ha malkah and
suddenly it's ha malkah Vashti?
Okay?
Now you look in pasuk tes vav.
After she refuses, he consults. He
consults
his seven advisers, kidash malachav.
You see?
It's emphasized, you see?
What is it now?
Ba malkah Vashti.
With the queen Vashti.
Now Memuchan responds the next time and
he says it wasn't only against the king,
if so, af so, VASHTI HA MALKAH. BACK TO
VASHTI THE queen the queen.
AND AGAIN HE SAYS, "Everybody is going
to learn a lesson when the king said
lahavi es Vashti ha malkah." Again
Vashti ha malkah.
And then finally when he wants to give
out the edict that Vashti should be
eliminated, what's the word? Asher lo
shavah Vashti. Vashti, just Vashti.
So first it's Vashti ha malkah, then
it's Vashti ha malkah, then it's ha
malkah Vashti, then it's ba malkah
Vashti. It's back to Vashti ha malkah,
Vashti ha malkah and then just Vashti.
What is going on? First of all, once you
called her the queen the first time, we
know who she is, you don't have to say
queen every single time. He repeats
queen every single time besides the
last.
If you don't need it the last time, you
don't need it the other times. We
already know who Vashti is.
E- even if you want to say it, maybe to
honor her or whatever reason, that's how
you call a queen, you just don't so say
the name. But why is he changing? First
Vashti the queen, then Vashti the queen,
then the queen Vashti, then the queen
Vashti, then Vashti the queen, then
Vashti the queen.
So it's a few times this way, a few
times that way and then Vashti without
any name.
Whenever you see such a thing in Tanakh,
it's not a mistake.
This wasn't just let's just change it
around to make it exciting. People are
hungry, they're thirsty, they want to
get home already, they have shalach
manos to pack. The costume is really,
really warm and hot, so let's just get
it over with, so we'll change it up a
little bit.
But rather, there's profound
significance here.
Now the truth is that in Hebrew, what
would be more appropriate? Vashti ha
malkah or malkah Vashti? If you're
familiar with Hebrew grammar, unlike
English.
In English, what do we say first?
Queen, right? Queen Elizabeth.
Yes? Queen Esther. L'havdil, I should
say.
Right? We say King David. King Saul.
But in Hebrew, we don't do that. In
Hebrew, you say David ha melech. First
the name, then king. Saul ha melech.
And the truth is, it's in everything
that way. In English, if you want to say
a large table, you say a large table.
How do you say that in Hebrew?
Shulchan gadol.
Which actually makes sense. First you
describe the noun
and then you give us the adjective if
it's large. The same as right for in
Hebrew makes more sense. Shulchan. And
it's a shulchan gadol. In English, we
don't do that.
We don't do table large, a large table,
right? Even if you want to say somebody
is very smart,
right? How do you say that in Hebrew?
Chacham me'od. You see, smart very.
Chacham gadol. We don't say gadol
chacham. Which actually makes sense.
First tell me that he's smart
and then describe to me the depth of his
wisdom or the magnitude of his wisdom.
And the same is true in everything,
right? If you want to say good morning,
how do you say it in English? Good
morning. What do you do in Hebrew?
Boker tov. Right? No, you should say tov
boker. Nobody does that, right? And
actually makes more sense because first
you're describing the reality itself and
then you get into the details, the
various adjectives. So Vashti ha malkah
in Hebrew actually makes a lot of sense.
Vashti, the queen.
So that's why that makes sense. But
suddenly he changes it. He goes to
malkah Vashti, which is similar to the
English language and some others that
use first the adjective of the queen and
then the name.
So that just intensifies
the fact that the grammar was changed
there, inconsistent with the laws of
lashon kodesh, with dikduk of lashon
kodesh, that it's certainly telling us
something.
You probably know that when we read the
megillah, you know, there's a musical
a musical rhythm in which the megillah
is read. How does the person reading the
megillah know this? The megillah doesn't
have any
vowels or what's called cantillations or
in Yiddish it's called trop or ta'amei
hamikra.
But this is memorized. When the Tanakh,
just like the Chumash itself, was given,
we also given a music how to read it.
That was not written inside the sefer
Torah.
It's printed today in the Chumash. This
was part of the tradition of Torah
shebaal peh. And that's why the baal
korei has to memorize.
People don't realize, he's not just
reading the words inside, he has to
memorize the musical note for every
single word and it's different for every
word.
And these are called the trop, the
ta'amei hamikra. In Chumash, it's one
type of music. In Nevi'im and Ketuvim,
it's a different type of music. Megillah
has its type of music. Tehillim has its
type of music. Much of it is not known
today because a lot of it was forgotten.
Chumash we still have. Megillah we still
have. We have it in Eichah Tish'a B'Av
when Eichah is read. So every word has a
different musical cantillation. That's
not coincidental. It's not like just
let's you know
do the music. It's it's it's it's
connected to the word.
In fact, the Vilna they say in the name
of the Vilna Gaon that he once said that
even if he didn't have the text of
Chumash and he just heard the music of
the words, he would be able to
reconstruct the text based on the music.
Which is pretty pretty intense because
it's like da da da da da da da da da da
da da da
da da da da
Okay, now you go figure out the words.
But the truth is, when your husband
comes home, you could probably hear from
the sing-song of his words what he's
feeling, what he's not feeling, where he
is, etc. And when you tell it to him, he
may not like it, but
if you know how to listen to music, you
can hear the words behind the music.
Each time it says here Vashti ha malkah,
there's a different musical
cantillation.
The first time it's gam Vashti ha malkah
asah mishteh nashim. That's called
Vashti ha malkah. If you'll see the
signs, I put here the signs. It's called
zakaf katan.
In the ta'amei mikra, it's called zakaf
katan. Okay? Next, pasuk yud aleph.
Es Vashti
ha malkah. It's called darga segol.
Vashti
is called darga in the names of the of
the cantillations of the musical notes.
And ha malkah is, if you see the sign
under the word, it's called segol. Okay?
Then you have the next one, if you see
pasuk tes vav, kidash malachav ba
Vashti, b'Malchut Vashti.
Oh, sorry. Sorry, you had base. Right,
you had base.
V'timain
ha'Malchut Vashti.
That's called munach revi'i. Okay? Then
pasuk Tetzaveh is called b'Malchut
Vashti kedas malchus b'Malchut Vashti,
b'Malchut Vashti.
And that is called tipcha es nachta.
Tipcha es nachta. Okay?
And then you have the next one. You see
the next one?
Lo ila ha'Melech l'vado. Lo ila
ha'Melech l'vado of
Vashti ha'Malchut. This is called munach
es nachta.
The next one is Vashti ha'Malchut. We
already had it. It's darga segol Vashti
ha'Malchut. And then you have
Vashti.
That's called revi'i.
So, it's fascinating.
Now, here we're going to learn
that the exact order of her name and the
music that is used is actually telling a
story behind the story.
So, there's a plot, there's a subplot,
and there's a sub subplot.
The way Torah was written is there was
the story that you can hear with the
words. But there's another story that
you're going to hear through the music.
And there's another story that you're
going to hear through the way it's
written. For example, the change of
order. Why do you have all these ways?
Cuz that's the most profound way of
giving over a story with many different
layers without it filling up 100,000
books.
So, one sentence can be given over with
one sentence, but that one sentence has
layers and layers and layers and layers.
And it's all communicated through
different methods. One is through the
actual meaning, one is through the
music, one is through the order of the
words. Like what we spoke
in parshas Mishpatim, if you remember,
about the word yazid.
Right? Nazid adashim.
That wasn't something that was explicit
in the pasuk. You had to say, "Oh, asher
lo yazid means he didn't do it
willingly." And that's found by Esau
cook Jacob cooking up the lentils. But
it's giving you another layer of
meaning. And here, too, that's what we
experience here.
What would be the layer of meaning here?
What's missing? Why do you need all of
this? There's an obvious question. Why
did Vashti not want to come?
The Megillah doesn't say why she didn't
want to come. It just says she refused.
So, one can speculate different things.
What happened here? Okay.
Another very interesting thing is Vashti
is introduced as a queen every single
time. When Achashverosh is introduced
the first time, he's not introduced as a
king.
Isn't that interesting?
The opening of the Megillah is Vayehi
bimei Achashverosh. One second. Wait.
Wait. Wait. Wait. Vayehi bimei ha'Melech
Achashverosh. No, he's not a king.
Vayehi bimei Achashverosh hu
Achashverosh ha'Melech. Oh, he is a
king. No, we're just telling you that he
reigned, but he's not called a king.
Where is he called a king the first
time? Pasuk base. Bayamim ha'eim
k'sheves ha'Melech Achashverosh. Oh,
suddenly he became a king.
After 3 years,
he became a king. The first time you
don't introduce him as a king. Vashti
right away. Gam Vashti ha'Malchut.
You don't say Vashti became a queen.
She's right away introduced as a queen.
Mm.
What does that tell us? Now, these are
things you can easily gloss over. What's
the difference? Melech Achashverosh, not
Melech Achashverosh. No. No. No. This
omission is the core of the story.
This is the issue of the story.
There is a silent war between
Achashverosh and Vashti. Their
relationship is not only far from ideal,
to put it mildly,
but there's actually something
that sits in the heart of Achashverosh
that is very, very complex.
And at this point, after all this honor
and all the feasting, and he's had 187
days of the nation in awe of him,
there's one nut that he did not crack
yet.
Right? The frustration of many a man in
this world.
He may have 3,000 employees,
and they're all bowing down
right? And when he comes home, it's
like, "You forgot the wine. You are so
disorganized,
and you're late, and I've been waiting
for you, and the garbage needs to be
taken out."
It's called an identity crisis.
One second. His mother His mother thinks
he's God's gift to humanity,
which only intensifies it.
You see where this class is going, don't
you?
Huh? Yes. Yes. Yes.
So, this is something This is something
that's interesting. You know,
Achashverosh is a king 187 days, and you
see how much glory and how much royalty
and how much wealth and how much
affluence this man has.
But there's one thing
that he did not deal with, and that sits
at him, and that's the last thing at the
end. 187 days drunk. You know, but but
but they, you know, the drunkenness
brings out everything, and finally,
boom.
So, he brings Vashti He wants to bring
Vashti. Vashti ha'Malchut.
She has her whole party, and he tells
these seven people, "Go bring Vashti."
And the Megillah says why. She's a
beautiful,
and he wants to display his beauty.
He wants to show every everybody, as he
says, her beauty.
She refuses to come. Va'tima'en
ha'Malchut.
But why does she refuse? The Megillah
does not say clearly. It just says that
the king goes crazy from anger.
Why? Why? Vayiktzof ha'Melech m'od.
Vayiktzof ha'Melech means he's angry.
It's not just he's angry. M'od. He's
seething. The anger is simmering. And if
that's not enough,
barah. There's like a fire inside of him
more than anybody imagines. He was just
triggered in unimaginable way. Something
really, really happened. This guy
has lost it. What happened? Let's say
she doesn't want to come.
Whatever. Maybe she's tired. Maybe she's
exhausted. Fine, you're upset. But what
is this level of anger?
And the Megillah doesn't say it to us.
The midrashim talk about this because
there's a gap. Like, what happened here?
There's a gap.
But it turns out that the Megillah does
tell it to us. It just doesn't say it
with words. It tells it to us with the
change of words. It tells us to us with
the music.
So, let's understand what's happening.
When we look at Rashi,
take a look at Rashi, okay? Rashi always
wants to explain the basic meaning. So,
Rashi says Va'tima'en ha'Malchut Vashti.
Next source. Rabbi Seinu Amru, our
teachers taught. And this is from
tractate Megillah daf yud base, page 12.
L'fi sheparcha batzar'as.
Basically, Vashti grew a leprosy.
She grew a leprosy,
and therefore,
she did not want to show up because, as
Rashi is intimating, Achashverosh didn't
just want her to show up completely
covered. Achashverosh wanted her to show
up without clothes. And she was horribly
humiliated. She would have been
humiliated because of this leprosy.
And that's why she refuses. It's
interesting. And Rashi says, "L'fi
she'asum afshitas b'nos Yisrael arumos
v'eisav b'malchus b'Shabbos, nigzar
aleha shetipashet aruma b'Shabbos."
She was quite a cruel woman, and she
would strip Jewish girls from their
clothes and have them work on Shabbos.
And therefore, this is what happens to
her. Her husband wants her to remove her
clothes, and this is all on Shabbos cuz
it's the seventh day, and the seventh
day means not only the seventh day of
the party, but the seventh day of the
week cuz the party began on Sunday and
ends on Shabbos.
Okay. But now there's another question.
So, if Vashti should have sent him a
message and said, "Achashverosh, you
really don't want me to show up this way
cuz this is going to be not k'shmak, not
only for me, but also for you.
I have a tzara'as. I have whatever you
want to call it, a leprosy, a skin
deformity, and it's not going to be
k'shmak." Why is he so angry?
So, Rashi says Vayiktzof shesholcha lo
divrei ginai.
She didn't only say no.
She really went into him. She sent him
words that shamed him. Rashi doesn't say
what. So, we go to the source of Rashi,
meseches Megillah.
Megillah daf yud base, the next source.
Vayiktzof ha'Melech m'od. Amay dolka
b'chula hai? You have it ALSO IN
ENGLISH. WHY WAS HIS anger burning?
Dolka is from the word leika. Why was
his ANGER LIKE A FIRE? Why was he so
angry? Even if she's not coming, explain
yourself. Especially if she has a very
good reason. It's actually going to save
him from disgrace.
You know, he's He's trying to show off
the queen, and it's not going to work.
So, why is he so angry?
Amay Rava. Rava says we have a
tradition. Sholcha lei.
She sent him a message. Bar
ahurei
yorei d'aba.
Ahurei yorei is the Aramaic word for a
guy who runs a stable of horses.
She says, "You are basically a stable
man. You belong with horses."
My father Vashti had a father whose name
was Balshatzar.
He was one of the monarchs of the
Babylonian Empire.
Vashti was a great granddaughter of
Nevuchadnetzar. Nevuchadnetzar had a
son. Nevuchadnetzar destroyed the first
Beis Hamikdash. He was the king of
Babylonia, present-day Iraq. The
Babylonian Empire was mighty and
ferocious. He came and destroyed the
first base of English exile the Jewish
people from Judea. That's why they were
in Persia.
And Nebuchadnezzar had a son
Evil Merodach.
Then there was Belshazzar. Vashti was a
son of Belshazzar. Khash worked as a
stableman
who took care of the horses in the
stable of her father. So, she calls him
bar ahuriyare the Abba.
You're basically my father's stableman.
That's who you are. Let's remember.
That was the message back.
But that's not enough. First of all, she
tells him his yichus.
But now she says, let me tell you
something else about you. You know the
difference between my father and you?
Abba, my father, la kavil alpa
in front of a thousand people, khamra
shasi, he could drink wine, the lo yira
vey.
And he did not go crazy. He didn't
become an inebriated. Hahu gavra, this
man, referring to her husband, he
doesn't She doesn't want to say you.
THIS DRUNKARD, ISHTATE B'KHAMRA, YOU
BECOME A SHAITA when you drink wine. We
spoke last week about a shaita, shtus,
right? That's a shaitim. Two types of
insanity. You become insane when you're
drunk.
That's the difference. My father knew
how to hold his liquor. He knew how to
hold his vodka. He knew how to hold his
scotch. A thousand people were there. He
drank and he was a man.
And you, you're a shaita.
You're not a man.
You belong in a horse stable. Get drunk
with the horses.
Miad v'khamasa bar abay. When he heard
this, he really lost it.
Now he really lost it.
Interesting. But now the question is,
where did the khazal see this in the
story? It just says she refused. Yeah,
they were bothered by something. Why did
he get angry?
But none of this says in the Megillah.
It's interesting. The Megillah doesn't
tell us why she refused. The Megillah
doesn't say that she insulted him.
It like apparently deletes all of these
details which are essential to the
story.
And why now does Vashti decide to talk
to him about the fact that he ran the
horse stable of her father? I mean, he
just asked her to come. Obviously, she
was hearing something. Why now? I mean,
you want to have a conversation with
your husband. You can go to a therapist.
I don't know if they had therapists in
Iran. I don't know if that what they do
today in Iran when you want to confront
the president.
But why did she feel right here the need
to tell him
what a drunkard nutjob he is? There was
something sitting in her as well. What
is that?
And then there's another question
which has been raised over the years.
Why is this entire story relevant to
Megillat Esther? It's certainly an
interesting story. It certainly gives us
the historical background why the king
was looking for a new queen, why Esther
came in. But if you really want to give
us the whole historical backdrop, you
should go back. Tell us why Ahasuerus
became a king. How did he become a king?
The answer is you're not telling us the
whole story. You're not telling us where
he was born and how he was raised and
how he ended up becoming a king. You're
zooming in on the Purim story. You could
say he had a queen Vashti. He got rid of
her. He needed a new queen.
The whole first chapter of the Megillah
seems superfluous
in in the context of the bigger story
here, which is the story of Purim. The
Jewish people were saved from Haman's
decree. It's certainly a very
interesting story, but it seems like to
be in the genre of history rather than
in the genre of Tanakh, which is telling
you a unique story of providence and the
Jewish people. And it's an entire
chapter all the way till the end of
perek aleph. It's not even one or two
one or two verses.
Another very interesting thing is the
Megillah refuses to say that Ahasuerus
killed Vashti. Although everybody says
the story that way, that doesn't say
anywhere in the Megillah. It doesn't say
he killed Vashti. It doesn't even say
that Memuchan said to kill Vashti. If
you take a look at the words that are
used and you'll take a look in pasuk yud
tes im al ha melech tov yetzei dvar
malchut milfanei v'yikasev b'dat paras
u'madai v'lo ya'avor. There should be a
rule asher lo savai Vashti lifnei ha
melech Ahasuerus. She should not come
before the king. That's the rule. That's
the edict.
She should not come and her position
should be given to somebody else. So,
the usual interpretation is she's not
coming. What they do with her? They
killed her. But it's so interesting. The
Megillah is not afraid of the word
killing.
Later we're going to have Bigthan and
Teresh being killed, executed, hung.
Haman is going to be hung. The ten sons
of Haman are going to be hung. The The
75 Amalekites
to 75,000
anti-Semites who tried to kill Jews are
going to be killed. It's all very
explicit in the Megillah. 500 people in
Shushan. But with Vashti, he stays away
from using that word. She shouldn't
come. And we have to intimate she was
eliminated. Obviously, she was
eliminated because if she wasn't
executed, Ahasuerus could have just
brought her back when he was upset. But
it's interesting the Megillah does not
say any of this.
Because Vashti
So, here we have the following
interpretation that I'm going to share
with you.
Comes from There's a commentary of the
Maharal.
My commentary by the Maharal of Prague
on Megillah. It's called Or Chadash, a
new light, written by the Maharal.
And the first chapter of the Megillah he
develops this point.
Also, Rabbi Moshe Alshich.
These are all 16th century sages.
Rabbi Moshe Maharal was of course
Prague. Rabbi Moshe Alshich was in
Safed. He wrote a commentary on the
Megillah called Maasai Moshe. His name
was Moshe.
And he's buried near the Arizal. If you
go to the old cemetery in Safed, you
have those blue graves. He's one of
them. Rabbi Moshe Alshich wrote an
amazing commentary on Tanakh and
Megillah also. He develops this. And
finally, the Vilna Gaon in his
commentary on Megillah
develops this as well and brings it to
the musical dimension as well.
Ahasuerus is not introduced as a king
because indeed the dynasty of kingship
did not belong to him.
Vashti was a grand great granddaughter
of Nebuchadnezzar. She grew up in a
house of royalty, aristocracy.
Ahasuerus becomes the king
because he marries Vashti.
That's what gives him the push, the
braid kites, and the ability to
ultimately be able to do whatever he did
in order to acquire this unique
position.
Because of that
in in in the 1970s, there were two
psychologists who named a very famous
phrase called imposter syndrome. You
know what imposter syndrome is?
Imposter syndrome is more common than
most people imagine. It's people who
reach great levels of success, but deep
down feel undeserving of it.
They can't tell that to anybody because
they're enjoying their success. They
don't even tell it to themselves. But
they know that after every successful
event, there's something inside of them
that's eating up on them. There is a
void. There's a torturous void. They
usually numb it.
Everyone has their own ways of numbing
it. One great way of numbing it is
looking for more compliments, more
validation, which only intensifies the
void. What is this void? The void is
that they feel that it doesn't really
belong to them, the success. And if
people would know who they really are,
they would laugh them off and throw them
off stage. This is more frequent than
people imagine.
A lot of very wealthy people suffer from
this, but they can't tell anybody
because they're khashuv. A lot of
actors, celebrities, artists, musicians,
orators, rabbis, clergymen, leaders,
speakers, and very talented people in
different fields of success.
In whatever area is, they often
experience this and they don't even know
about it because it's not something
that's easy to have a conscious
conversation with yourself about it. But
it sits. It sits deep in them. And they
really really feel I'm stealing. I'm
constantly stealing.
And they have to
they have to constantly silence that in
very very
creative and usually dysfunctional ways.
The origin of the imposter Anybody
suffers from this? You don't have to
raise your hand. But if whenever you
finish a successful experience, you're
feeling something, a void instead of
gratitude and appreciation,
this this may be something to look into.
Ahasuerus is the poster boy for this.
Deep deep down, he's insecure about his
position for two reasons. First of all,
he's an insecure man. He's paranoid.
Which is why he drinks a lot.
Second of all,
he knows that he got this all because of
Vashti.
So, both his disposition nature and the
fact that
he has this ambivalence because of his
insecurity,
the Megillah begins the story not
calling him the king. Vayehi bimei
Ahasuerus.
That's why it says in the second pasuk,
bayamim haheim kishiveto ha melech
Ahasuerus.
When he sat on the throne. It wasn't
after three years. So, the Gemara says
in Maseches Megillah, it was only after
three years that he felt somewhat
settled and that's when he gets the
title king.
Vashti is the opposite. She feels it's
all her.
She owns it. She's very comfortable with
it.
It comes from her father, her
grandfather, her great grandfather. She
was made to rule.
You know, she was born with richness.
Born into it. This is mine. It's my
inheritance.
You're You're You're the imposter. I'm
the person. As long as Ahasuerus, as
long as you remember this, you're good.
But you don't forget why you're here,
Ahasuerus.
So, of course, Ahasuerus is throwing a
party.
Vashti is like, what? I'm chopped liver?
What What am I? I'm just your mashares?
I'm just here to bring the cholent to
the table. I'm just here to make the
Yerushalmi kugel and bring it to you or
the Persian kugel and bring it to you.
To make the Iranian cholip sauce, that's
not me.
Of course she makes a party.
On the seventh day
Ahasuerus wants to show off Vashti.
She's so beautiful. Vashti whoa whoa
whoa whoa whoa whoa whoa whoa whoa whoa
whoa whoa whoa whoa whoa whoa. You're
crossing borders Ahasuerus here. You
want to get drunk with your drunk men,
gezunta height.
But I'm not part of your party.
So, the pesukim Vashti Hamalka, she's
Vashti the queen. And he says lahavias
Vashti Hamalka, bring Vashti the queen.
When she refuses
Hamalka Vashti.
Suddenly the order changes. This order
is actually capturing
Vashti's feelings and her response to
Ahasuerus.
Why?
Because really Vashti is the reason that
he becomes a king.
She is the cover. She is the
justification for Ahasuerus to fill the
shoes ultimately of Nebuchadnezzar
because she is the fourth generation of
Nebuchadnezzar.
When Ahasuerus summons her, he calls her
Vashti Hamalka.
She's Vashti. She's a regular woman,
Vashti. Because she's in my palace,
she's the queen.
When she refuses Vatemain Hamalka
Vashti.
No no no no no. I'm a queen.
Before everything.
I'm a queen before you were born.
I have royal blood. I have aristocratic
blood.
The name Vashti, which was the name
apparently that Ahasuerus gave to her,
this happens after I was a queen. I
didn't become a queen. Vashti in Persian
means beautiful.
So, Ahasuerus gives her this name
Vashti. He says, "Then you became A
QUEEN." NO NO NO no no. I was a queen
before you before you ever gave me my
name Vashti.
Vatemain Hamalka Vashti
and you're sending messengers? Asher
you're sending messengers to call me?
So, the very change of the order already
demonstrates
that Vashti was basically telling
Ahasuerus who she is. When Rava says she
told him you're a horse stableman, he
wasn't just imposing new words. He saw
it in the Megillah.
HE'S LIKE, "REMEMBER WHERE YOU COME
FROM. I TAUGHT YOU EVERYTHING you know
about royalty. You're a peasant."
YOU MAY BE GOOD AT YOUR COWBOY. GO with
your horses, gezunta height.
But you're essentially a peasant. And
remember in that generation, class was
absolute.
This is before Abraham Lincoln's civil
rights, huh?
When you have a boy hanging out in the
stable of horses and you have a girl
who's lonely,
you never read any literature? I have to
share this with you?
I mean, you come from a generation where
they used to read these stuff in school.
Right? Looks like it. You look young,
but still I can imagine you come from a
generation when they still read these
stories. I know today these things never
happen.
So, that's how it happens. But Vashti is
like atkan. Like, okay, I get this.
You know? But you have to know your
boundaries. Now Ahasuerus is so his he's
burning up in anger inside. It could
have said
what's the Hamasei Bar Aboy. The Vilna
Gaon says the anger was deeper than what
he could have communicated.
And I would add it's deeper than what he
could communicate to himself. It's Bar
Aboy. It touched his subconscious
insecurity.
Sometimes you get triggered in life and
you don't know what just happened. Your
husband said something or did something.
Your child said something or did
something or didn't do something. Your
friend, your mother, your sister-in-law,
your brother-in-law, your sibling, your
neighbor, your partner, whatever it is.
And you're not just upset. Okay, you're
upset.
Something happened inside. You're not
just angry the Hamasei Bar Aboy.
Now it's time to become curious. It's
not so easy to become curious because
sometimes our entire life we were
avoiding
looking at this dark wound that was just
triggered. But if
it's triggered, pause, breathe,
zoom in and like, "Wow." And before you
respond by screaming, hollering, and
killing people like Ahasuerus did.
Although you want to.
You want to. This is an opportunity for
tremendous awareness.
This was if I was Ahasuerus' therapist,
but he didn't hire me. I'm not sure why.
But if I was his therapist, I would say
this is a great moment. It's a great
moment. Let's go into another room.
Okay, you're on a trip now. I get it.
But this is your moment. You'll Let's
Let's rebirth you. YOU'RE DEALING WITH A
LOT OF SHAME, AHASUERUS. I GET IT.
RIGHT.
That's why he didn't invite me.
I'm just joking.
Right? The Megillah wants us to
understand this. When you read the
Gemara, Rava said, "Oh, you were just He
She told HIM YOU JUST BELONG in horses."
Like, where did he get THIS FROM?
THE CHAZAL, I TOLD you many times,
Midrash is like the harmony to a song.
You know, you could sing a song da da da
da da da da da da da da da da da da da
da da da with your piano da da da da da
da da and then you could do na na na na
na na na na na na na. It's the harmony.
The harmony doesn't substitute the notes
that constitute the ballad itself, but
they give it the music, the resonance.
It's the resonance of it. When the
Gemara the Midrash discusses the
pesukim, they're not adding stories like
we spoke here remember about Batya
extending her arm and suddenly the arm
gets long. I would run away.
If my arm extended 100 ft, I would call
Hatzalah and Miss Askem and 911
and chaveirim of course and run for my
life. I would not deal with baskets if
my hand just came 100 ft. Sorry.
And Batya was not Eliyahu Hanavi. She
was a a human being, a princess. Like,
what are you doing? Obviously Chazal are
telling you the music of the story. Her
goal was something that's not within
reach. Don't take a Jewish boy home to
Hitler. He's going to kill him and kill
you, shaita. That's called a shaita.
But Batya was stus the kedusha. You
remember? Holy insanity.
So, you extend your arm and then there's
an invisible arm of Hashem that extends
it beyond your reach and she saves
Moshe. Every time you see these stories
in Midrash and Gemara, they're not just
let's put in another story so the kids
can have a coloring book and paint an
arm that's 50 ft with orange or yellow
or whatever their imagination tells
them. So, we have something to do Friday
morning.
There's a depth here. They're trying to
tell you the story that you could miss.
Rava is telling you the story.
Vashti understood this is a moment of
confrontation. She would not let it go.
And she
she
punc- punctured
not his ego, his insecurity. If he would
have had a healthy ego, he would have
been fine.
But the impostor, when somebody calls
you out on being an impostor and that's
what you were trying to bury your whole
life. Who makes a party for 187 days?
Let me tell you. Even those of you who
spent time in college or university in
the '60s or '70s and you knew how to
party,
so how long did the party go? Woodstock
went for how long?
Months, but not 187 days. Okay, almost
almost, right? So, they were getting
close to that. I don't know if it was
Woodstock or Yidstock, but uh
this guy, what was he doing on the 87
days? He was trying to become beloved by
the people. It's called validation.
But the last person he needed to give
him validation was not ready to do it.
It usually always happens with men.
They build careers and build empires,
but all they're looking for is one
person to give them real validation.
And it's very very difficult. Sometimes
she doesn't do it because of her stuff.
And sometimes she doesn't do it because
of his stuff. And usually she doesn't do
it because of both of their stuff
together. And they get entangled with
each other's traumas. But the bottom
line is inside he's miserable.
That's why a lot of marriages don't last
because instead of people identifying
their own wounds,
they just project their wounds on the
other person
and that's it. And it's true, the other
person may be suffering
and may have their wounds. Nobody's
perfect. But when the Baal Shem Tov said
what you see in other people is a
mirror,
he wasn't just saying this cute little
thing, you know, learn and then work on
yourself. This is one of the most
accurate descriptions and profound
descriptions in life for people who want
to really really grow and work on
themselves and become the person they
need to become in life to really fulfill
the mission of their soul. It's really
always going inward and saying, "What
just happened inside of me?" The Hamasei
Bar Aboy. There was something in his
unconscious that was so intensely
triggered by this.
Because he understood exactly what
Vashti is coming from.
She's like, "If anything, you come to
me. I don't come to you. And if you want
to I should come to you, you come
yourself."
And you don't send seven people,
shamashim, gaboyim. I don't deal with
gaboyim. You come yourself.
And this brought home everything that he
was struggling with
for so many years from the beginning.
That's why he's not not called Hamalka
the first time. So, he wants you to be
Vashti Hamalka. You became Hamalka after
Vashti and she's like, "No no no.
Hamalka Vashti. Respect, Ahasuerus.
Respect."
It's interesting the Gemara says in
Maseches Yevamos and it's a law in
Rambam and Shulchan Aruch, the sages
said she adam ishto gufo umchabda yoser
migufai.
Every husband is a needs to love should
love his wife like he loves himself and
respect her more than he respects
himself. That's a very interesting
description. I understand you say love
the other person, love your spouse like
you love yourself. Be as considerate and
as sensitive and as giving and as
generous as you would be with yourself
and have that feeling of affection cuz
it's really part of you. It's It's two
halves of one soul.
But when it comes to respect, respect
her more than you respect yourself.
Vashti never learned that Gemara and
also didn't and maybe he didn't deserve
it or whatever the case is and as a
result of this they have this
confrontation.
Okay.
Now comes
Ahasuerus is consulting
the people what to do. Now here he has a
major problem. On one hand Vashti just
disgraced him in public.
On the other hand he knows if he gets
rid of Vashti, what are people going to
say? You don't have a right to be a king
anymore.
You're out. THERE MAY BE A MASS
REBELLION AGAINST HIM. So he's stuck
between a rock and a hard ball.
If he eliminates Vashti,
he may be eliminating himself and his
entire dynasty.
If he doesn't eliminate Vashti, he
remains the real loser and nerd and
schlemazel and nebbish case.
So he has a serious issue what to do.
Okay. So on one hand he wants to
confront the situation, but he wants the
advisors to find a way of him climbing
down from a tree. He's on a tall tall
tree.
You know what they say, give him an
opportunity to climb down.
So therefore when he he thinks this is
this is a this is what this is
this is a sly way of dealing with it.
Ahasuerus says, you know what, I'm going
to make a big fuss. We're going to take
Vashti to a court. It's going to be a
kangaroo court, you know, like Stalin's
courts in in in communist Russia. Okay.
So it's going to like this won't pass
easily so people see I'm a man. I need
there.
As they say in Hebrew, I need
I'm no pushover.
You know what is? Okay. I'm no pushover,
but on the other hand I want them to
have and realize don't get rid of
Vashti.
So when he presents the case to them,
he's showing them why they should really
exonerate her. So take a look at
what tomorrow in
Vashti.
He repeats those words. What to do with
the Queen Vashti? I shall says
why does he repeat the whole story here?
He could say what she did she didn't DO
WHAT I SAID.
Basically first of all, she was a queen
before.
Second of all, I was sent this message
through seven people. I didn't tell it
to her directly. You see
is giving them a way to help him get
over the tree and say, you know what,
she's a queen. You only sent messengers.
Maybe she didn't Whatever it is, get him
off the hook that way. His respect is
maintained. It was a court case. This
was serious. IT WASN'T JUST IGNORED. AND
ON THE OTHER HAND, he doesn't kill her
and lose his own license and ticket into
aristocracy.
Comes
and says lawyer
of
a mocker.
Who's officially the friend here says,
no no no no no, she's Vashti a mocker.
Women have no rights at this time.
SHE'S A SIMPLE WOMAN NAMED VASHTI. YOU
MADE HER A QUEEN.
And she's going to set a precedent. And
nobody's going to say, oh, she's
great granddaughter. They're going TO
SAY A WIFE REBELLED AGAINST A husband
and a king.
You're done. All men in this empire are
done. And you will be known in history
as the man who created the absolute
revolution of feminism.
Where women need men like fish need
bicycles to quote I think Gloria Steinem
or one of them. Women need men like fish
need bicycles one of the most brilliant
and stupid things that was said in the
history of humanity. You will be the
one.
You will be You think Jewish women will
create feminism? The Persian monarch is
to be the one who generated feminism.
Suddenly he says Vashti A MOCKER. NO NO,
SHE WAS NO MOCKER. SHE WAS A WOMAN.
YOU MADE HER THE QUEEN. It's a man's
It's a man's world. It's not a female's
world. This is who
the Gemara says was also a man.
This is a male world. This is not a
female world. She's Vashti a mocker. And
then he says again, I'M GOING TO
VASHTI A MOCKER. HE DIDN'T SAY TO BRING
A QUEEN. HE SAID TO BRING VASHTI AND SHE
DIDN'T LISTEN.
And then he says what we need is
Vashti. Now it's not even a queen.
Now once she disobeyed you, she doesn't
even have a right to be a queen. Done.
She's just a Vashti. Get rid of her.
SO THIS ORDER of Vashti a mocker mocker
of Vashti is exactly telling the story.
Now take a look at the music.
That's
a
That means erect. That means small.
Ahasuerus was basically saying she was
small. I made her stand tall. It stands
tall. So you can see from them. So you
can see I took a I took a little girl
and I turned her into a queen. That's
what Ahasuerus said.
The next
Vashti
means
means a level a step means broken.
Basically what he's trying to do is
he is trying to break
her stubborn resistance to surrender to
her. Vashti means broken. He's going to
take her
her level her stature and break it.
Vashti
a mocker. You can even hear IN THE
MUSIC. VASHTI
REALLY? A mocker.
Perspective.
What does she say? That
a mocker Vashti.
Monarch review. What's monarch review?
Monarch review means I'm the fourth
generation of
Nebuchadnezzar.
A mocker Vashti.
Vashti came after a mocker. I was a
queen before you knew me. Before you
were born.
AFTERWARDS I BECAME VASHTI. MONARCH
REVIEW. I'M THE FOURTH GENERATION.
LAID OUT FROM NEBUCHADNEZZAR.
But there's also a deeper level.
Monarch. She doesn't know by these words
monarch review the fourth generation is
monarch is about to be
laid down
and eliminated, but she doesn't KNOW
THIS YET.
NOW
VASHTI
A MOCKER VASHTI.
YOU HEAR THE tune the music? Vashti
deliberation.
Patience. The trap is called Vashti
tip of a snifter.
A snifter from the word monarch.
Do this with patience with
tip of a snifter. Tip of a monarch.
DON'T IMPULSIVELY RUSH AND KILL HER.
In the olden days when you disobeyed a
king it was no question. Boom.
You went out with a head shorter.
No question. This is not democracies.
The king was absolute. He says, but here
a snifter. Da da da da da da da dum.
Don't be impulsive. Tip of a snifter.
Monarch. Why? Cuz he knows he's in a
bind. If she gets killed, there could be
a rebellion against him. ON THE OTHER
HAND HE CAN'T LET IT GO. SO
tip of a snifter.
That's called tip of a snifter. Do it
with a dash.
Huh?
Of course, because they're used to these
words. They're used for these words.
Haman says, no no no no no. Lawyer of a
mocker.
Vashti a mocker.
NOT TIP OF A SNIFTER. MONARCH SNIFTER.
LET GO OF YOUR SNIFTER. NO DELIBERATION.
SHE IS A REBEL. She is dangerous. She is
A CANCER IN THIS SOCIETY. MONARCH
SNIFTER. ENOUGH WITH YOUR DELIBERATION.
Not tip of a snifter. Monarch snifter.
That's what he wants.
Because you said lawyer of Vashti a
mocker.
Yeah. You needed to break her and she
did not. And therefore I shall
Vashti.
That's it. We're getting rid of. The
last one is lawyer of
and you can SEE I SHALL
VASHTI.
WHAT is that trap? That trap is
and
review.
I shall is
lawyer of
Vashti is review. I shall
Vashti.
Lawyer review is basically saying take
the review. Take the fourth generation
of
and
get rid of her. As long as means LET HER
GET OUT OF HERE. Let her go. Let her go
away.
I didn't leave it out because was
explaining to Ahasuerus the depth of her
crime.
So to summarize it starts with
Ahasuerus said I make I made a small
girl stand so erect. Vashti a mocker
he tried breaking
her elevated self appreciation and
level.
A mocker Vashti is munach revi'i, she's
like I'm the fourth generation of
Nevuchadnetzar, I'm not coming to you.
But in that process she was also munach
revi'i, she was eliminating the revi'i
later.
By Malko Vashti tipchas nachda, do this
with a tipcha menucha, do it with
serenity, don't do it impulsively.
Vashti a malka in pasuk, the next one,
tazayin is munach es nachda, get rid of
YOUR ES NACHDA, GET RID of your
serenity. And eliminator, Vashti a malka
again darga severe, you were trying to
break her and she was not broken. And
then asher lo asav Vashti kadma v'azla
revi'i, let this fourth generation kadma
get her out of here, v'azla let her move
away, which means get rid of Vashti. So
everything that went on between these
two
is all intimated in the music and in the
order of the psukim, which also explains
to us what happens here. Because what
happens here is now we understand after
she is killed
he never dealt with the imposter
syndrome, he never dealt with his
insecurity. He couldn't, he just
eliminated her, they never can have
another conversation. She was gone.
She was gone.
And this is my own thought that came in
and I don't think it's for me, I just
want This is like she's gone.
Physically she was gone, but emotionally
what she said stayed there.
So she wasn't there anymore.
But she stayed, she It lived in him. And
that's why
that's why his second queen he doesn't
give her permission to come in without
permission. Esther tells Mordechai, if I
go in and he doesn't extend his scepter
and I walk in without permission, what
happens? He kills me. What you kill your
wife for walking in
to your chamber without permission,
b'simcha but now you see how paranoid
this man is? His paranoia became worse
and worse. Big Son and Seresh tried to
assassinate him.
He executed them.
So now he's living with daily paranoia
that everybody wants to kill him.
Inside he doesn't feel like a king, on
the outside he thinks nobody thinks he's
a king.
This man is now completely completely
paranoid, that's why Esther knows if she
walks in without permission
she is dead to This man thinks
everybody's about to kill him, poison
him. Your own queen is going to kill
you. He thought he killed his first
queen, maybe his second queen is going
to kill him.
And this is what this man is now living
with. It's why he hires Memuchan Haman
to be his closest
his closest man
because
Haman to Achashveirosh is what those who
know communist history, what Beria was
to Stalin. Stalin was one of the most
insecure people in history and Beria was
the head of the cave and the brilliance
of Esther.
Esther understood all of this.
And she knew
she took the insecurity of her husband,
his imposter syndrome
and used that to save the Jewish people.
How?
By making him suspicious of the man
who was supposed to be his biggest
protector.
This was her brilliance. When she's
inviting Haman and him to two parties,
once maila
and a second time
there's something going on.
Right?
And then when Achashveirosh goes to the
garden he comes back and who does he see
on the bed? He sees Esther and Haman.
This was Esther's genius, the genius of
this woman. She took that very
insecurity of Achashveirosh and used it
against him by exposing Haman to be his
greatest threat.
He's like, oh my god.
There's nobody I could trust. Haman is
going to take my wife from me?
She gets rid of Haman.
And now Esther could run the show and
save save the day.
So the whole story with Vashti is not
just a mistake, it's not just a nice
introduction. It gives you the complete
understanding of the Esther's brilliant
psychology
into her husband, Achashveirosh, exactly
what he was dealing with
so that she could use that very trait to
save the world from the darkness.
She wasn't sure. He wasn't sure. He was
just very suspicious. Says after the
first party by layla who noded shna
malcho, he couldn't sleep. Why not?
Doesn't say in the megillah.
The real reason is he thought that
somebody is taking his wife and he
started to think Haman and Esther are
going to plot together to kill him.
Haman will marry Esther and take over
the empire. That's what he was thinking.
You understand? Of course he didn't
sleep that night. Esther was using all
of this to create a web to show that
Haman is the man. And when Esther tells
Achashveirosh there's a man here who
wants to destroy my people.
The first time she says my people. It's
like, ooh, Haman wants to kill Esther.
In other words, the last thing that
Haman wants to get rid of Every He has
He has access to the king completely.
Haman is the man, he's the boss,
everybody's bowing down to him, the king
needs him. But there's one thing
standing in his way, the king's wife.
He's now trying to kill Esther together
with all the Jews and suddenly his best
friend Haman is his greatest enemy.
And then when he sees Haman on the same
bed with Esther, he says lichboish es
ha'malka imi babayis, you're going to
conquer the queen?
You're done.
And his anger again goes crazy, the same
level of before because again that same
insecurity is triggered.
And that's when Esther knows
carpe diem, seize the day, charveini es
I think we should hang this monster.
Achashveirosh says a brilliant brilliant
idea.
And now finally he realizes it was Haman
who manipulated him all these years and
that's exactly the position Esther
needed to start knocking sense into
Achashveirosh and saying you were used
and used and used by everybody from day
one and I'm actually the best thing that
ever happened in your life cuz I'm a
normal, confident, secure, emotionally
healthy woman.
And I'll actually help you become a sane
human being and you won't have to drink
every single night.
Now, yeah.
Oh, yeah.
I said
What is this?
She She She She put herself at risk,
absolutely. She already put herself at
risk the first time when she went into
him
and asked him to make a party and she
told Mordechai if he doesn't stretch out
his scepter
I'm going to die and that's why she
didn't want to do it.
Exactly.
Of course this was a major major risk.
But the brilliance of her was that she
put the whole story together. This
doesn't say explicitly in the megillah
cuz this wasn't said, this was all in
Esther's heart.
The moment Mordechai said go in, first
she said I can't, then he said without
this this is the moment and from now she
takes over. Nobody Nobody does anything
afterwards. Now everything is in her and
it's all in her mind cuz she's not
allowed to tell this to anybody.
And when she invites her husband to the
party with her and Haman
right? She says something incredible.
She says yavo Let me I just want to uh
Is there a blue Could you give me a blue
chamish in the back over there? Huh?
Yeah, I just want to point something out
very very interesting.
Oh, he says
Oh. Thank you.
Oh, gevaldik.
Wow.
The Gemara says that when she invited
her husband and Haman to the party
the Jewish people found out about it and
they knew Esther was Jewish. Remember,
he didn't know but they knew.
And they thought to themselves
what a disgraceful Jewish woman. She
makes a party
and she invites her husband
and and and and and Goebbels and Himmler
and Eichmann to the party. Even if you
want to go out with your husband, you
have no choice. What are you inviting
Haman? This is what a Jewish woman does?
So Esther became the the disgrace of the
Jewish people. Nobody could have
imagined what this woman was concocting
in her mind.
So she was like People were like they
were so disappointed like how much did
she sell her soul? Like fine, you went
to the palace but you sold your soul so
badly.
But I want to show you something
fascinating and that is
when Esther comes into the king
and she says to the king
right away she comes in
and he says what do you want? And she
said
yavo hamelach v'Haman hayom el hamishte.
The king and Haman should come today to
a feast that I made, asher asisi lo.
Yavo hamelach v'Haman hayom el hamishte
asher asisi lo. To the feast that I made
for him, for the king.
So she's asking
the king to come with Haman to a feast.
Beautiful.
Interesting. The Arizal says yavo
hamelach v'Haman hayom
is yud, hei, vav and hei.
Hashem's name, Yud Kei Vav Kei. Where
does Yud Kei Vav Kei come in here? You
can't get further from God's name. She's
inviting one drunk and another
anti-Semite and both anti-Semites to a
party. Great. Yud Kei yavo hamelach
v'Haman hayom. Yud Kei Vav Kei.
Interesting.
So the the king says, okay, let's do it.
He told her he'll do whatever she wants,
ad chatzi hamalchus.
Now if you were Achashveirosh, I just
want you to think. Your queen just came
in. It was an intimate moment. You say,
"What do you want, Esther? What do you
want?"
A tennis bracelet? No.
No. Okay. You want to go to Cozumel for
3 weeks? No. You want You want to go on
a pri- What do you want? And she says,
"I want you to come to a party with
Haman."
It's very weird. Why with Haman?
If you If you told your husband you want
to have a moment with your husband,
you're going out, you're making a whole
mishta. It's for him.
This already triggers him crazy. Now
they're at the party.
He's drunk, of course, a lot of wine.
He's always drunk.
That's what, you know, insecure people
need numbers, whatever it is. Either you
drink or you're a binge drinker or
you're phone You're doing something.
And what happens at the party, he says,
"What do you want?"
And everybody says, "Why didn't she just
tell him at this point what's going on?"
She waited for a second party.
Very good. Cuz he was not yet insecure
enough. She needed to build up She was a
brilliant brilliant person, Esther. She
understood everybody here in a most
profound way.
People just think she had courage. She
wasn't as courageous. She was a gona
goina.
She got it all. She understood what
happened with Vashti. She got the whole
The whole story with Vashti is just the
introduction to understand Esther.
To understand what Ahasuerus was
suffering from. So, she knew at this
point his paranoia is big, but it's not
big enough to change history. We need to
get him over the top. We need to get him
to the same breaking point that caused
him to kill his first wife. That's what
we need.
To a point where he loses it, where he's
facing his abyss without knowing it, cuz
he never dealt with himself. So, now she
says, "Come to a second party."
Now,
when she says, "Come to the second
party,"
and here you see, and it's really
incredible. The first time she says,
Yavoy Hamelach v'Haman Hayayim el
Hamishta asher asisi loy.
Let the king and Haman come to the feast
that I made for him. For who? For the
king. The second time she says, Yavoy
Hamelach v'Haman el Hamishta asher asa
lahem.
"Come to the party that I'm making for
both of you." Whoa. Whoa.
The first time at least she said it was
for me.
Now,
it's for both. It's for everybody. It's
for me and him.
What do you think now he was thinking?
He's like, "This does not smell good."
So, it could be Maybe it could be Maybe
what's happening is Haman and her are
plotting
to kill me and get married.
Maybe
Maybe she just really really likes him.
And there's a secret thing going on.
Maybe there's something else. I don't
know.
But one second, Haman is the one who was
always warning me that everybody wants
to kill me.
If he's in love with Esther, and he's
asked to get rid of me, so that means my
greatest nemesis, my greatest threat is
the man who's my closest confidant,
who's betraying me in the most intimate
way with my wife. JUST THE BETRAYAL is
enough. Never mind that there's a plot
to kill.
That's why the night before he could
That's why the night That's why what
happens, Haman goes home. Balayla nodeda
shnas Hamelach. He's not sleeping. Of
course he's not sleeping.
People say, "Why is he not sleeping?"
Cuz no man sleeps when this is
happening.
He doesn't know what his wife is up to.
He doesn't know what his confidant is up
to. He is completely panicking and
anxious.
Okay, now
they read from the book that Mordecai
saved his life from Bigthan and Teresh.
Haman comes in
asking to execute Mordecai. Ahasuerus is
not feeling so good about Haman these
past few days.
So, he's like really really not excited
about Haman. And he tells Haman, "Go
lead Mordecai around the streets on the
horse." People just think it was just a
moment of grace. No. He had issues with
Haman right now.
Haman comes home from Mordecai and he's
being rushed to the party.
Esther comes into the party. She gets
her husband drunk again.
And she can smell that things are
working out. He does not like Haman.
He does NOT LIKE HAMAN. NOW, WHEN
AHASUERUS SAYS TO HER,
Malach Esther Hamalka, "What do you
want?"
Now,
all the pieces were set up. She says, "I
have a problem.
The problem is there's somebody who
decided to murder me.
There's somebody who decided to murder
me and kill all my people."
So, he says, "Who? Who?
Who is the man who wants you dead? Who?"
And she points Haman.
Ah.
This was the moment.
After everything he's been suspecting,
Haman is the one who wants to get rid of
Esther. So, this whole relationship that
Haman has with Esther, and Esther has
with Haman, it's not Esther's fault.
Haman actually wants to murder Esther.
He wants There should be no buffer zone
between him and the king. He is the only
only man. By the way, Stalin killed his
own wife. She officially died in bed.
And that's when Beria had complete
access to Stalin, cuz there was nobody
there.
That's just a modern-day version of
this. So, you can get rid of Esther,
YOU'RE GOOD. NOW there's nobody left
that can even begin to get close to the
king without you.
This is what ESTHER NEEDED.
ISHTA V'HAMAN RAGZA. HAMAN is
frightened. The king is furious.
V'YICHMA HAMELACH AL HAMASA. THAT SAME
ANGER THAT HE HAD with Vashti, the same
Hamasa, the same word, it was TRIGGERED
AGAIN.
THIS LOWLIFE IN MY own circle. THE MOST
POWERFUL MAN. I GAVE HIM ALL OF HIS
POWER, AND now it's all used against me
to kill my queen. And Ahasuerus was in
awe of Esther. He loved Esther. He was
completely enthralled by her, the
Megillah says. This is all part of it.
He goes to the garden to relax. Haman
goes to Esther to start pleading for his
life.
The king comes back from the garden, and
Haman is on the bed where Esther is,
because he's pleading with her.
And the king says, Lichboish es Hamalka
imi babayis. "You're going to conquer
the queen with me in the house."
And Haman realizes this is really not
good. And that's when Charvina says,
"Why don't we hang him on the gallows?
There's a tree that he prepared for
Mordecai.
Mordecai
is the man who saved you from Bigthan
and Teresh. He now wants to execute
Mordecai. So, who is your friend?
Who's your enemy?
He wants to get rid of the people who
tried saving you. He wants to get rid of
Esther."
Ahasuerus is like, "Wow.
Wow. Wow. Wow." At this moment, he gets
rid of Haman. V'chamasa Hamelach
shachacha. Once again, his anger is
relieved. That same story that happened
again, Esther repeats. But this time
she's not the victim.
Hitler is the victim. Haman Harasha is
the victim.
And this was all in Esther's mind. And
that's how she did it.
And that's why you see, the first time
it says, Yavoy Hamelach v'Haman Hayayim,
is Yud and Hey and Vav and Hey.
Right? We said Yud Kay Vav Kay.
Because as she's doing this, she has one
intention.
And that is Ein Hashem shalem v'ein
hakiseh shalem ad sheyimacha shmo shel
Amalek. Hashem's name is incomplete till
Amalek's name is not erased. Yud Kay Vav
Kay is now going to be complete when the
king and Haman come today to the party.
Yavoy Hamelach Of course it's Yud Kay
Vav Kay. Everybody thinks she's selling
her soul to the devil. She's not selling
her soul to the devil. She's making sure
that God's truth and reality will remain
eternal, because Amalek and Haman in
that generation is going to be
eliminated. Now, it's interesting. The
second time she says to come, the second
time when she asks uh
um
She says, Yavoy Hamelach v'Haman el
Hamishta asher asa lahem.
The first time it's Yavoy Hamelach
v'Haman Hayayim.
Yavoy Hamelach v'Haman Hayayim.
So, that's Yud Kay Vav Kay. Yavoy
Hamelach v'Haman Hayayim. The second
time it's Yavoy Hamelach v'Haman el
Hamishta. So, it's Yud Kay Vav
el Hamishta. Between the last Hey and
the Yud Hey Vav, there's a separation.
She separates God's name the second
time.
What happened? Yavoy Hamelach v'Haman
Hayayim is Yud Kay Vav Kay. The second
time it's Yavoy Hamelach v'Haman el
Hamishta. She separated the last Hey.
The Zohar says, "Woe unto the person who
gets in between the lion and the
lioness.
When the lion and the lioness are
together, if you get in between them,
I feel bad for you."
All Esther was trying to do is she
wanted to make Ahasuerus feel that Haman
came in between the lion and the
lioness.
He was the one creating this gulf in the
marriage, the separateness in the
marriage. Either by killing Esther or by
killing Ahasuerus, but he is destroying
this marriage.
Spiritually, there's Yud and Hey and Vav
and Hey. Yud and Hey Vav are the
masculine energy. Hey is the Shechinah
Malchus, that's feminine.
So, the second time there's a separation
between Yud, Hey, Vav, and Hey.
Basically, Amalek Haman is coming in
between the relationship of Hashem and
the Jewish people. That's the second
time. Yavoy Hamelech v'Haman el
hamishteh. The last Hey is being torn
away from Yud, Hey, and Vav, the first
letters.
Spiritually and physically, they're
paralleling each other, and that's when
Achashverosh goes crazy.
Because everything in the Megillah is
also a metaphor
on a spiritual level.
So, now
now
we can appreciate why it's called
Megillas Esther.
We would think the name should be
Megillas Esther or Mordechai, Megillas
Mordechai or Esther. I mean, Mordechai
played a major role, but the name is
Megillas Esther, only Esther.
Because the real story happened
in such a deep place in Esther's heart
that nobody knew about it. Even
Mordechai couldn't suspect any of this.
She couldn't share this with a soul.
This was only Esther who knew
Achashverosh better than anybody, who
knew Haman better than anybody, who
understood what happened with Vashti
better than anybody. She is the one who
were in her mind and heart
can bring all of this together and use
the very insecurity
and craziness and fear and imposter
syndrome of her husband, and instead of
becoming a victim of it,
she used that itself in order to
transform. That's why it's all
v'nahafoch It's not just v'nahafoch that
the decree was transformed. The whole
Purim is a transformation. It's deeper.
She took the very She took the very
imposter syndrome quality of her
husband, her his addiction, his fear,
the insecurity he was running away from,
and that itself
became the liberating the liberating
experience. That itself v'nahafoch.
Yavoy Hamelech v'Haman hayom is chapter
five.
Perek Hey pasuk dalet, chapter five
verse six.
And the second one
is a few pesukim later, the same
chapter.
Chapter five, perek Hey pasuk ches,
Yavoy Hamelech v'Haman el hamishteh
asher asah lahem.
And when she went from you to them,
the party that I made for you to the
party that I made to both of you,
this was bad news. So, you look at one
word in the Megillah, nobody would even
notice the difference.
But that difference, Achashverosh, who
was so paranoid Paranoid people pick up
everything.
You know that. Somebody once said, "Just
because I'm paranoid, it doesn't mean
the whole world is not chasing me." So,
paranoid people, you know, when you're
in the middle of the night walking and a
leaf a leaf shakes and you're terrified,
you hear every sound.
You hear every rustle, you hear
everything.
Achashverosh was so paranoid when when
Vashti changed the word, "The party for
you" to "The party for both of you," he
went crazy.
Because that's what the way you speak to
a king. Also, the first time she said
loy, she didn't say to you, l'cha, she
said to him. Because that's how you
speak to a king in third person. So, the
first time she said "Amishteh asher
asisi loy," like "Your Honor," "The
party I made for him, which is you, Your
Honor." And the second time, lahem, "for
them." But it wasn't anymore for for
him, it was for them. It meaning, Haman
is an equal partner. Suddenly, she
elevated Haman.
She elevated Haman to the highest place,
and from there he can fall.
And here, in conclu- yeah.
The first one was pasuk dalet. Pasuk
dalet, not six.
Perek Hey pasuk dalet is the first one.
The second one is perek Hey pasuk ches.
And that explains why she didn't do this
at the first party.
Only when Haman is brought up to the
highest level and he's now an equal with
Achashverosh,
does he fall. As long as Haman is seen
as a bodyguard, as my confidant, as my
advisor, as my protector, I love him.
That's why the king has everybody bowing
down to him. Why does he want everybody
to bow down to Haman? Because if Haman
is the biggest guy, then he is secure.
Because Haman is the guy who killed
Vashti. He's protecting him from
everybody that wants to assassinate him.
He's feeding into Achashverosh's
insecurity. Haman is a smart guy.
And he knows how insecure the king is,
and therefore every day he's sell-
selling him stories.
What do these people do? They cut off
the king from the masses, so they don't
have access. So, he's telling him every
day stories, "This one wants to kill
you, I got rid of him. This one wants to
kill you, I got rid of him. Everybody
wants to kill you, but I'm here, don't
worry. We're protected." He builds up
Achashverosh, makes him completely crazy
and insane, and he is the man who's
responsible for everything. Everybody's
bowing down to him. That's beautiful.
What Esther does is she understands she
has to bring Haman even higher to the
point that Achashverosh should feel that
Haman sees himself as an equal.
And then he loses the plot.
And here
the spiritual masters
the Mitteler Rebbe, the son of the Baal
Tanya, writes in a discourse that this
whole thing
is also expressing a deep spiritual
truth.
And this is what we'll we'll we'll
finish with this, another three minutes,
and bring it be'ezras Hashem full
circle.
What do we see from this whole story in
terms of us? First of all, it gives you
a certain respect and appreciation for
Esther. That's number one.
But this tells us something else.
When people are not ready to face
their own stuff,
it creates
disasters and disasters and more
disasters.
What happens with Vashti and
Achashverosh is a classic scene
of a conflict in a marriage
where instead of looking inward
and seeing where I have been wounded and
what I'm carrying,
I feel that by eliminating
the external opposition, I will be fine.
Vashti never disappears from
Achashverosh's consciousness, because
what she triggered, he never ever healed
from.
Haman
became now the new Vashti in the sense
that he used himself to protect him, but
really became
his competitor like Vashti was.
When people avoid
facing
the stuff that we run away from our
entire life, and it makes sense we run
away from it.
What is the ultimate healing for the
imposter?
The healing for the imposter is not to
drink more.
It's not to get another job. It's not to
get more compliments.
It's actually to face it, to face it, to
look at it. What does it actually look
like?
It's to go in go down that cliff. It's
to go into that abyss that I am so
afraid of.
And facing it. Because that's when the
truth comes out, and that's when your
true strength comes out. You see,
whenever my strength exists only because
I avoid my weakness, my strength is as
strong as my power of avoidance. Did you
hear what I just said? Whenever your
strength comes from avoiding and
repressing your weakness, your strength
is only as powerful as your power of
avoidance, which means deep down you
know how weak you are. Only when
I can face that weakness, I'll have a
real strength that emerges from my true
core and not from my forged core, which
was simply ignoring and avoiding
reality.
And as a result of that, Achashverosh's
entire identity is so bruised. Now, take
a look at Haman.
When Haman is brought higher and higher
and higher to the point that he and
Achashverosh become equal, that's
exactly when he falls.
What does this mean?
It means
when you take evil and you actually
bring it up,
and you look at it in the face, and you
think, "No, no, no, I can't do that."
That's exactly when Haman loses
everything.
The power of all evil and lies is the
darkness.
It's the fact that it lives in hidden
places. Demons love closets. Ghosts love
darkness. What do they call it?
Skeletons in the closet.
When you open the closet door
and you LOOK AT IT,
MY WHOLE LIFE I SPENT
ENERGY TO LEAVE THE CLOSET DOOR CLOSED.
DON'T OPEN IT.
OPEN IT.
Because when Haman is brought up up up
up up, he won't Whoops.
Well,
Wow, very good timing. When Haman is
brought up up up up up, and that buzz
that buzz is overwhelming, it's over.
It's over. Have a beautiful week. Thank
you.
That was a great That was a great uh
horror movie, right? And you wake up.
Yes.
When to say it.
She waited.
Okay, we'll have to uh get to it.
We'll see. We'll
Yeah.
Oh, amazing.
Wow.
Amazing.
Oh, wow.
Okay, wow. Thank you.
Okay, my boy.
Wow.
Okay, welcome.
Thank you.
Oh, wow.
That's happening. Okay, wow. Amazing.
Welcome.
Wow, welcome Antwerp. Welcome Bnei Brak.
Wow.
Welcome Bnei Brak, too.
Oh, somebody's calling you.
You could send it to me or send it to my
wife. Yeah.
Please, yeah.
You were there on Sunday?
So, you'll send it to me.
You sent me something, no?
No, no. I Better email. Could you send
it by email? Just easier for me.
Okay, excellent.
Yeah, just give me a second. Let me just
shut 1 sec.