Transcript
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fly fly away far far away from this
place when nobody
can
Nim I know you
had a career before Judaism actually an
amazing career I also know that you
don't really talk much about it so I
want to take this opportunity right now
to ask you straight out about your
previous life and find out about your
amazing career before you ventured into
Judaism it's a good question uh I don't
know how amazing I can say that it was
uh really I was just uh I was young my
parents were were hip-hop artists my
mother was my father was so I really
didn't have a shot at doing anything
else you know I could have uh been a
janitor or something like that but it
didn't work out that way uh I was always
into music um at a young age and uh
right around when I was 13 years old I
hooked up with a producer by the name of
vitamin D vitamin D at the time I think
we doing doing he was doing things in
the industry smaller things but working
with uh some big names at the time but
it was very well known in Seattle and uh
we did uh we did two records together
and from there it led to me working with
other managers and open me up to to new
people so it was how I started from then
I uh started started performing before a
lot of crowds and it just one of those
things that Trickle and trickle Trickle
and one day my uh demo made it to the to
the um desk of an anr and I started
getting calls from a record label and um
at the time also to I was very very
involved independently like trying to
push my stuff every every second that I
could
and um I got a call from anr virsion
records when we started talking and it
seemed like it was going to be something
very hopeful and remember we got on the
plane we went to New York we went to
Slim Shady Records we went to Atlantic
we went to uh Dame Dash music group this
is right after the Jay-Z and Rockefeller
uh split with Dame Dash uh met with
Clark Ken to discover Jay-Z and bigy
Smalls and uh he wanted to move forward
at a conference call the next morning it
didn't go through uh nothing was looking
that it was going to be so promise
promising so we decided to do an
independent and when we did an
independent it made a big splash uh
mainly locally and then it started to
spread a little bit more in the region
and things picked
[Music]
up I'm seeing bodies loaded on the truck
and if it wasn't for my trade it would
be us I'm staring at mother and I
started searching and during that time
of searching I realized that you know I
was searching for I was searching for
God and so I pursued that and the more
and more I grew spiritually I found
myself more and more disconnected with
music at this time it was like
everybody's like this is all the hype is
happening I'm here about to release
called my sophomore record and uh that
sophomore record I remember having a
meeting with my business partner and I
told him I said listen this is going to
be my last record I don't want to do it
anymore but uh what he say so he he's
very shocked he was very shocked you
know he didn't really know how to take
it we at this time we had finally made a
platform to do what we wanted to do and
and and to take things to the next level
and uh Next Level means what like MTV to
the next level was was was was hopefully
to eventually take our independent label
and to get imprint deal and to be able
to put out you know our music nationally
internationally and along with other
artists but you know here I am I felt
that urge inside of me saying I can't go
on anymore and what can you do with that
so I told him this is going to be our
last but I told him under condition I
said listen I don't want any money from
anything I don't care what it makes or
anything like that and he shows anything
I didn't want money from anything I said
all I want to do is be able to keep
Shabbat and yam that's it and no shows
on those days don't get bugged they
don't get bothered or whatever so we
agreed to it and released that record
and and it made a big I mean nationally
I mean there were so many different
people I remember doing the release
party and the release part people were
crying walking out of the walking out of
the door and and it was one of those
things that you can feel the vibe and
something was in the record the the main
the first single and ended up
onv
yeah y'all know what it is
some of that uh motivational music some
of that feel good yeah a new life new
day new breath make moves get through do
your best that's what they say to you
cuz if the music takes who we are watch
what they play to we came a long way
from always playing the background it
seems that they all want to be where we
get
now was on full rotation on MTV and I
had guys like DJ Premiere uh was a big
big Legend in hip-hop you know what I
mean really endorsed me and just
previous right before the record I did a
song on Jake W's uh white van Music and
on that record it was like people were
saying like f my fan I'm on there with
buston ryes young buck and little
brother was on there I mean you're
talking about big names that were on
this uh you know the hip-hop world on
this record and little me from Seattle
shoot real hard no got no we still rid
looking for
Miss too from Seattle you know what I
mean nobody was making a big splash so
set things up for that record and then
when it was on MTV we're like wow and I
went to New York and I got to meet with
a lot of my favorite rappers and they
knew who I was I didn't have to say
anything and people knew who I was you
know these are Big names people I've
been listening to for years they knew
who you know was a very very very very
eye openen experience
but call it whatever just don't call the
street I would admit that back then I
was a beast but I traded for that big
was like the turning point where you
just said okay and completely walked
away from it what what what was it I
think it was trying to to like I said
live in Two Worlds it was very very hard
for me because and not because music is
bad obviously you know it was because I
my relationship to it was one that
wasn't one of Holiness it wasn't Kucha
in the in my relationship to the music
and because of that I I couldn't see how
I can make the two work I'm searching
for God and trying to improve myself
spiritually and at the same time I have
music and I have rap music and it's and
you know what I mean to try to find
clean wrap or something that was uh
really satisfying to the I couldn't so
so for me I couldn't make it work so I
think coming to that realization that
you know these are two different worlds
even though obviously I found out later
on that I was wrong but it in my head it
was divided it was two different worlds
and I couldn't make
it in the last year Nim
exploded on the Jewish music
scene and uh really 2016 I think was was
was a big year um music videos one after
another and and and seeing you on on the
biggest stages in the world um how did
that happen tell us a little bit about
that it's a very good question I think
there's uh two two words to describe
that Hashem
um very interesting you know I released
in 2013 I released a um I released the
lp it was titled n
um there was some buzs around that I did
a a video for a as Tor uh for for Kana
was a little bit of hype and and Buzz
but it wasn't like what it is you know
today and and over from from 2013 to
2015 or at least when the sh came I I
went into a place of really trying to
find myself and and in the midst of all
of that I was I I was homeless with my
family I didn't know how I was
there was nights I slept in my car uh I
was in I found myself in the lowest
places financially burdened I mean he
talk about like you know embarrassed I
was in a very very low place and uh by
the time I I got called to do has was a
mutual friend called me up and told me
about the song you know with the like
have you heard of hasim you heard the
song You Know got elbow it's like of
course another song my 2-year-old didn't
stop playing and I'm tired of the song
actually you know if you want to be
honest but uh and he and he asked me
about this I said listen you know
whatever I do he he he found me from the
kanaka thing he knew knew me from the
kanaka thing so uh he called God God was
interested in doing it and uh I was like
okay let's do it and so I remember going
in to record it and the first time I
went to go record those L mind you 2013
I released a record I was Jewish it was
a very amazing and positive uplifting
record okay
but for the first time when was the
first time that I openly spoke about
hash in a rap I never talked about God
in a rap like openly like that you know
what I mean so I think what it was was
that I felt a sense of like freedom for
the first time because if a guy talk to
me on the side anytime that's what I'm
talking about we're talking about AEM
we're talking about but in rap I caned
it because I still have this hope maybe
that I can in influence the world and by
by keep and I realized that it wasn't it
wasn't true to my person but the first
time when I went in and I did a and I
started speaking and that you know
I I was tearing I was crying afterwards
you know and uh I felt
something so when that video when that
video came out there was a lot of
controversy because it involved rap
right and and there is there is a
controversy about rap in in in the
Jewish music well in general in the
Jewish World in the Shish world right
here's the question is rap
kosher it's not so
pushu uh is rap kosher
rap you know what we have today when we
listen to obviously when we look at
predominantly I don't know a lot of
clean rappers I can't really say I know
any I don't you know what I mean so uh I
can't say that rap is kosher
what I came to the realization for
myself is is that I have a certain K I
have a certain strength Hashem blessed
me with a certain talent and a certain
gift and I need to use that in order to
glorify and magnify his name that's it
and it spread his name into the world so
I took that and I used it so the
question really is can rap be kosher it
could be kosher what decides whether or
not music is kosher is not the genre so
r says and in the third in the third
Torah he says he defines very clearly
what is and what's not a Kos musician
it's not defined on the the genre the
style of music it is based upon the
musician himself are they working on
themselves in kadus are they purifying
themselves working that and then from
that because the the expression of what
comes out of a person is everything
that's inside of them so if you have you
know a a a clean and a and in a
wholesome bottle pouring something out
that's what the liquid's going to be if
it's in something that's tainted and and
it's dirty and and you pour that up
that's also what it's going to be so you
know I don't think that you could say
this genre can be kosher and that one
can't I mean who can Define that but
Hashem knows the heart of a person and
the people that have a true hairage
people that can feel that have true
feeling they feel when something's
coming from a pure or inure place and
it's also based upon the person giving
it on the person receiving it where are
they
holding I wanted to ask you a little bit
about the album if you could tell us uh
what this specific album is
about what's the theme the thing so the
name of the new record is lamala and I
think it's just that it's about going up
ascending going up to to to the high
voice and elevating elevating oneself um
they they
the record came about I was was making
Aliah first record started way before
that like I said I was crying many
prayers on being able to make this
record and and with nothing I had like
Zaman Koto and that was it that was the
only song I had and I was like this rain
and I'll be able to make something and
now I I ding on the quality I want it to
sound like this I want every little
thing to detail that that I could think
of I I pray God when we were making
Aliah we moving to yain leaving from
Seattle um the first day I got in D with
just I had an email from a guy by the
name of is he says to me I have a studio
and the studio is in uh is in B it's
right by the miva blah blah blah so
usually whatever you know the first
thing is she investigate so we checked
out see W was at the studio I seen the
equipment I was like this is amazing and
uh he's got everything I need and so I
went to go meet with him and we really
hit it off really really well so me him
um and my brother-in-law ysf Brown we
got together and we started making this
album and to me it's it's a masterpiece
for me because only is it like I said
it's phonically everything's in the
right place and it's and it's and it's
amazing music good to the ear but it's
from the heart and I was able to work on
it with two amazing amazing
years so I want to talk a little bit
about the message the message that
you're trying to get out through your
music so the the message I want to get
out through the music is that no matter
where a person is no matter how low a
person is no matter what a person is
going through even from that place it's
not my message it's a message of the the
great greats greats greats before me
including REM my teacher is that no
matter where a person is in the lowest
places even there you can still find
hasem and even there you can climb out
and you canide my whole story is that
the whole everything and I didn't create
my story I don't tell up my story to say
that oh look at all the Hashem chose me
as a character in life and this is the
story and everything that he cut out
that he that he gave me so with that I
had to realize what can I contribute to
the world what can I contribute to Y
what what is my what is my contribution
my contribution has to be somewhere
within my area what was my life like
what was I doing I look for the for the
clues and the hints and I seen that I
came from that and the sh brought me
there so obviously it must be for me
that with my music and with whatever CL
that I have and I'm using it to bring
people from the lowest places up to the
highest place cuz that's that's all I
have to give that's all I have to give
[Music]
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