English — באתי לגני תשכ''ו שיעור א הקדמה וכללות המאמר הר' שמואל אבצן שנת תשפ"ו

Okay, the min is we learned someone's been following Basilani especially the last few years. So we're middle of the the called theim or the the complicated the hard stuff. So everyone could see everyone's everyone's coughing in the m and there's and if anyone's on the group you see and how they have said everything. So it's not we're going to have the the time but also the here to get into all the and that's and all the try to speak at least what's going on over here and what we're what we're trying to get to. What's the They always speak about the of the mind. What's the trying to get to over here is that we're deep in the What did it start in? Yeah. Where were you? Where were you holding it for four years ago? Huh? You already uh kneede in the in the in the fascist. says started spoke about then come and it's gonna finish this part of the what happens in it was said was two of 10 each and it wasn't divided into but that's what in the m we have today first 10 second 10 and then the divid Ed for two came out for that was printed that was given to before this therefore they have muscles and second don't have they came out after this first came out for pumm and the second may which this year is the first of that came out for business and those are the proim until so the first half of the means the first two speak about what's in this world pretty straightforward but in order to explain that we have yeah you remember every we read the you remember these in right and itself and the people doing the few but how many in >> three? Yeah. And and that's who we are. And this continues into then it starts speaking about starts the we get for the for the first two about what is what's actually demanded from us. What's what is the expecting from us? So then there's once you learn what what t we have to do and it's like wow this looks like a very daunting task like really there's heavy stuff going on there how do you how do you do it especially that now we're in we're in so how do you do the so here comes the of the in order to do our in order to be able to be and make the and win the and make from right all the different wording that we have in the first few. So for this we get an okay. So what's this great? So first of all he brings the mush of the m of is you know what is just like a mel that has this stuff that by the melik these are the real royal treasures that haven't been touched. Not only they haven't been used they haven't been touched. They haven't it was it's sitting there hidden for generations. and the mel will never use it, will never do anything with it. But what happens when there's a there's a going on, you have to win the war, not only he takes out these this became a primary theme in the letters and both parts, right? The first two and the second the first two and what's our Right? The won't go by a or a letter in one way or another if if it has those words doesn't have those words but that every is here and the whole reason we're here is for for to be the our personal that's the first half and the second half is right you always need both on one hand you see by the very sticking out of the skull of the of the a very basic see by the is always these two these two emphasis on the one hand the never moves away from always telling us what our is what's demanded from us what's wanted from us what's expected from us right at the same time it's never just you have to do this you have to do this you have to do this it always comes together with the tremendous that we have within that were that were given to us right there's always you always see everything the and now what are what are these tremendous and that are given to He brings the mad and this goes from and that's what's trying to say even there's a whole there's a lot going on over there what's trying to bring out from these these what's he trying to Okay. So, it depends what year you ask. So, it depends what year you ask me. But, but but before we get into the how we're trying to bring out the flow of the how amazing this is. Now, what is the start? Yeah. Before we get into what is the what is the is next year is the he brings it here it in the has the here is the end of the first mime or the secondh look over here page So it brings the look on the fourth right after he comes in there's different levels and what level are we talking about the second line there's a level called line four this is the after this is the Just like completely hidden from everybody. Same thing. We said it was level and that's the and then the next line came. So there's two ways of understanding this. One way of understanding this is that when he says it's a he means the of the which is what we're talking about for the last seven. He doesn't have to say it over every single sentence. But in that even though the whole but in the next line we say that really we get only not only to I'm not giving any yet but first of all question what it says that not only we have as well in in the last the last sort of makes some sort of and interesting says that the we get now as as and as motivation to win the war what's the highest we get once we make the through that we make the once we make the then we sort of get a of sorts then we don't only get then we get there's post and then we get itself but I think everyone's okay with but but we'll get Fine. That's why throughout the whole we speak about always in most places because just to say he doesn't want he doesn't want to leave you hanging. And also at the end end of the mime you look over here you see at the end um this you have over here the the five last from the so the way he finishes the mime is all the way at the end is the last two lines in other words we're already speaking about so so it's already so we're talking about the comes after the after mashia come. So that's fine. Now granted even in some of the early I think it was a couple if I'm not mistaken there he goes and says that there also he says that the the the is not only it's also so even in the here also there was a whole after fine but that's a general mah fine. So this is basically the whole buildup to let us know that you know what kind of crazy we're getting. Huh? You ever woke up in the morning and felt now you know now you know what's what's giving you you feel it constantly. Huh. That's told. So so you can't go wrong right? So so basically it says like this. So what what's the general explains right the a few times asked the question is first we bring a few and then what's the because this is what we're trying to bring out like I said earlier how galdic this Indian is. Therefore, what we do is like this. First, we explain to you over three and it's like by the time you're done those and you learn what is it before we get to the it's like wow this is crazy stuff. Then we come to you and we say all that that's so that's to tell you the flaw of how great is then comes what happens. So to understand what goes on first of all and this is a big go through two full cycles right through last time said this year said actually from the when this from when this court case stop from the beginning This went on for the next few years. The first time that ever said was three and a half years later. You can imagine saying regular he didn't really realize because the comes to it was like whoa this is this is like this is real this is real change it was like a big and are the of the year. They have like their own unique status even though right they're both unique very deep and also both of those will bring down fine. So the first cycle is it's pretty much like the it's almost like learning the like onishna or on the whatever it's called. It's a pir obviously even when it's a py the second cycle the reb takes of the and and runs with it. Yeah. So now one of the but in this first cycle one of the big the doesb does in the you see the is in the mind of is every year is a new if it's a new it's a new that is almost like a standalone to the previous and the next now okay say we're focusing on this no we're focusing on the many times has major you saw this very clearly in the last few years you'll open the gra and not look don't look at the just read through the Very often it seems one leads to the next when you it's one he why is it in two basically because you have to split the m the original is notif because it's already divided into paragraphs but it's paragraphs but it's one which is which is one and the obviously split and gave it different but now because it's different you see many times the reb is media and almost you could say even in action that what's saying in this is a different vert. It's not a it's a new a newbar. So let's say let's say in our now you look at the original and you go through so okay what's doing here? So tion seems to be somewhat of a middle something in the middle between the previous and the next because where does he actually say okay we already learn what is so which one's where does he say that okay so what's doing here what's like of a middle child there like what's it gather what's so we pass this Again, I I can't say how they learned it before the I wasn't around then. I'm not sure if it's written anywhere how how was learned. Um but what you could say is like this comes and it starts it says like this. Okay. What's he coming to say here? What did we think? What did we think uh until now? What was until now? What's the beginning? So, what you could say is you look at the from B where he speaks about so he never says that it's two Madrid. who mentioned before. Yeah. Until now. Until now. We'll get to that soon. What's the other et what it says? Comes the mime here and says, "By the way, you should know these are not just to new. These are not just two sort of two sides of one coin. There are two madres in there actually two different madas in there two levels it's like there's like two worlds almost there in other words we're we're we're not coming to a new necessarily not necessarily or new we're coming to say this that we spoke about it's not one thing that's just like sort of split into it's not two sides of one coin it's actually two coins it's two madas and then he breaks down the in the safe how it's two how can it be two madresas right because then obviously have a question how can it be different madas in fine it's two madresas But the Reb comes and says, "No, we're not speaking about what we spoke about before and just sort of giving it a new title and new." There's a new dar here. We're elevating the conversation. And I said don't just do this in this does this in previous as You see from it's another it's another it's not just a and then you gimble one like one says no there's there's another stage here's another level there's multiple levels here and then and then now comes and says everything we spoke about until now is one layer is one level of understanding What's what we're coming to say in the is that the exists in a different than we explained before or it's on a higher I don't want to say necessarily on a higher level. So, so says so you look in you look in the second over here he says he says pretty clearly that we're that we're elevating it that we're talking about a higher until was a lower level and now is a higher level in basilani itself doesn't necessarily speak in those terms of lower and higher what's the again in this I don't want to go necessarily into for this anyone goes on the oni group you could see pull Um but but um what's over here that until now he says until now what we were saying what's we're speaking about the way is >> and and what's the exact says it that no he says and cats and what's the it's too then the says okay so we're not just saying the way sort of goes out of itself it goes out right and it's sort of and it goes up almost say like it goes to its source. So there is sort of this like is this sort of simplicity right there sort of simple but then it expresses itself in different ways. It expresses itself or it's of this of this is that is talk about on its own terms, sort of in its own world, on its own terms, before we speak about what it does and how it expresses itself or lack of expression on its own has then I'm just going to use the words of the then he comes and says then he comes and says that so while on the one hand there's two is sort of as it is on its own you would come and say once it's on its own terms not the way it expresses expression have all different kinds of expressions but in on its own even though it's on its own there's a tremendous heish between these two and then the comes in the and says we all got this part of the right that there says maybe let's come and say it's no you can't say it's what's the problem with would solve all our issues because you come and say everything's there but it's all it's all in one simple or one simple Indian but then it wouldn't be there's no so you have to say it's not it's where are these different levels there's what is And in there's two levels, right? This you already know from many other places which of that's of the of the and then there's which is the okay and we get the we get the Fine. So obviously all this brings up tremendous amount of questions and okay you know if you want what's the what's he saying in the m that you could that's the signal of the gives him for what is eternal what's going Do we need what is even more what is and two or sort of two expressions of it and then there's and we get the if let's try to back up a bit sort of like a like I said that's the starts but it's not it's not comes comes everyone's learning about it's like everyone's learn but but these is is is deep stuff yeah in general when you learn this this is one of the was going on wasn't just the 16 the 16th per ofi that 60 years. It's 60 years. One of those weeks is from the most fundamental. Why do we speak about so much? He loved light. What is it about light that fascinates us so much and why is it so fundamental to this and why so much such a big percentage of this isn't I want to read up about so you have some time and interest so it's a big percentage of is about it's like two probably most connect but like a lot of >> there's a reason yeah so takes up a lot of space over there why why the fascination and why like this why are we so stuck with we constantly speaking about And and and this also why at the end of the day why this biggest why that we're getting why is it boiled down to right like why talk like why we just go to why and then in this m specifically it's not it's right in so where does come in from right where does where does oil enter this whole conversation So is perhaps one of or the biggest or or not the word is but but but of that resolves fundamental issues right resolves fundamental issues in other words later we also after another big Indian that that came around was obviously there's Kinus and Kalin and then the next big deal was Tim right so that's already so these are like the big that that made sense out of um in the world of Kabala made now now so now but what is it coming to address what are the fundamental issues here so on a philosophical level a lot of in a lot of the the speak about are here to dissolve fundamental shilus inashk and now it's not like there's issues different we invented right we came to we came to this in order through through trying to figure out these issues and we realize that that is right so so there are many there are many there are many issues I'm not going to get into all of them but the fundamental ones are or maybe the number one issue is our relationship One of the violation doesn't change. Now, why can't the change? It's not just because says he can't change. He can't change, right? Why can't he change? What's the problem if you say the changes other than it's going against the position change? Basically what we're saying changes is you're saying that there are entities that bring about change right sort of that there are people or there are spher or there are other realities that the creation of the world the ex existence of the world brings about a change with him that's why the says that's why brings about change you're not the same let's say a person when you create something you're not the same person before you created before after you created you're not the same person before you thought of an idea and after you thought of an idea until now I didn't know the idea. Now I know the idea that there's change going on. I I invested myself in something and now and that investment is is time, effort, power. So there's a change going on. The moment you say there's a change, what you're basically doing is you're giving power to something other than God, right? There's something out there that could create or bring about change in him. There's him, there's himself. He's the true reality. And there's something else that brings about change. So I say I'm speaking to you, you're responding. So there's another reality that exists in my world because thank god I'm not God, right? So so I take other existence into other so the realities mean something to me. But but by the there's no other reality for there to be changed by there's giving credence to something other than him and that can't be because right there's only there's only one reality. If you say doesn't change but he created the world. So there was precreation and postcreation. Never mind. We go creating the world every moment. We d we ask to wants one thing and now we want and now we're asking to change. So that's change every day. One day the weather is New York weather is constant change. Right is changing every moment. Hot, cold, hot, cold. Where's the weather coming from? From him. So there's a different mid going on, right? There's more, there's more, there's hot, there's cold, there's changes going on. So how do we how do we address how do we accept the reality of all these changes and all the things happening in this world while at the same time the is unchangeable and untouchable. Right? The sort of is there many other similar questions in this regard, but that's sort of the of it. The on the one hand is true on the other hand there's a world and there's people. So if you want to disconnect the two and the world is just a hell of a master or fake or whatever fine somehow even that even the dimmian who created brought the but definitely the world and the is creating the we believe in is involved in this world at every moment. So he is intimately involved in what's going on and yet he stays P. So many so many ideas in the world of this are addressing this issue in many different formats in many different forms. What's the fundamental concept of? So Kabala starts speaking about where they bring it like this. before Kabala also saying Kabala didn't invent conversations about the there was there was the right the philosophy when the when the philosophers one of the Jewish philosophers spoke about the relationship with the world and the gives to the world right so what was the general they used for the giving to the world right not just there's other as well says there's other in general the main was why did they use the shea So it's interesting the reason they use is because of the lack of that has words when we learn the issue of initially that was the meaning what get how we the problem with that has what shea means influence giving some what was he giving don't be m we're going to say that he gave that he gave this kind of that kind we don't we don't call it we don't call it we don't call it light we don't call it we don't call it water we don't call it we don't call it anything any kind of emotions we don't call a certain kind of he was leave it stick leave it leave it sort of with with with undefined he's giving us say okay we hear you that's why you call it but on the On the other hand, there's a problem with want to use a we're going to sort of define it and break it down and call it something specific which is light which is even though I'm being because the of light what it ends up telling me is something a lot less than what does you know is is influence without telling you which influence But that sort of mag what the hashbah is fits a lot better with we're trying to bring out why said because even though you're not saying specifically what it is but inra means that there's actual being given over from A to B. There was something in point A that's given to point B. So there' be many forms to this giving pouring water from the faucet into right there many different kinds of but ultimately what what's of all these something is over here and is given to here it sort of leaves point A and goes to point B here we introduce the concept of and is fascinating and this and and is so fascinating that talk about it non-stop and every Why? Because is very very unique. On the one hand is that what happens in chef in shea something leaves point A and goes to point B. In nothing leaves point A and goes to point B. Meaning let's say so you have a mo you have let's say the sun it's giving off light. Anything went out of the sun. It's like it's going off light for 12 hours straight in our world really. is coming off light for millions of year for for thousands of years. Yeah. And it could go for for ble the she affects the sun, right? It's not like a fluorescent light you have a certain amount of electricity that that to to uh to make it work. It's coming out. It's it doesn't affect the sun. It doesn't affect the m any which way the light going out. The light goes out doesn't go out. Let's say all go block the sun. put up there there's clouds over there or I'll put my hand on this on this you know or put something here and cover the cover cover the the light doesn't make any difference right a person be mash somebody else if not there you can't be mash or what there's a stop right now you're not being mash the light it's it's it's it doesn't nothing's being taken so one nothing's being taken out from point A moving to point B Number two, the mashia is not involved is not mic in the hashbah. It's it just happens on its own, right? Like the mashia couldn't cure less. Give me a flight that it's like there's clouds. It's cloudy day. It's not a cloudy day. The sun couldn't cure like it doesn't doesn't relate because it's not involved in the so that brings out of what does it bring out? It brings out the lack of aspects, right? how how sort of how it's removed from the moy. It's not the moyer. The moy itself isn't being given over. There's not actual part of the moyer being given over. On the flip side is more connected and more associated with its source than many other or maybe even all other ashbas. Even though other ashbas you're taking part of the the source, right? Does taking some and you're bringing it over to to a point. But there what are you doing? You're taking away something from the sorry from the m a sliver a part and this is going to point B. So the is to the is not giving all of to the he's giving part of something that's to the you'll try to you turn on the faucet a full full blast and try to get some water. you're coming anything and then some part of it sort of this can go into the is and the is there's many many different kinds of is that the look at the represents the moy as the moyer is not a part of the moyer not a a sliver not like the lowest part of of of the moyer The oil is it's an it's it's a representation it's an expression of the moy itself or which is why right so let's say you look at look at the light let's see in this room I'm looking at the at the light bulbs looking at the light some of them could see what kind I know that it's it's a white it's white light right it's not a it's not a yellow light what can I see over here in the light you see the the more the way it is you see it more clar let's say in the concept of of a mirror so the mirror is like an So I bring a bunch of things into the house, right? What's the famous the famous story of the king that asked for uh that asked different people to give him some gifts. Everyone created something and then the one guy came with the mirror and the mirror sort of showed everything, right? So what's the mirror? The mirror is nothing. What's the mirror? A piece of paper a few dollars in the store. You got a nice mirror. What's a mirror is garnished. In a mirror, you see everything, right? When I see it, where do I see everything? You look in a mirror, you see a person the ga his home see every single part of the whole seer is there. What's the mirror? The mirror is nothing. Destroy the mirror, you didn't destroy anything. The person nothing was taken away. Right? And the person also when a person walks by a mirror, it's not like I stopped by the mirror and now the mirror sees me. The mirror, right? There's no to be seen in a mirror. There's a whole for people to see themselves in a mirror, right? But to be seen in the mirror, there's no, right? On the one hand, so there's like no involvement whatsoever. It's completely removed, right? What happens? It's all here. So it's a complete res representation of of of the of the now how does this help us in the of the so this comes and says is that of course everything comes from the and everything right and all the but where is this coming from this and all those things where is it all happening in the this before we even get into the the whole of It's happening in the Okay, one second. So, so is not involved. So, so it's not the is not the one creating the world. No, of course, he's the one. Why? Because what is Oyer is the Moyer. The whole mitas of the is the Moyer. In words, it's representation of the Moyer. It's constantly connected to the Moyer. Unlike hashba you pick take a water from point A to point into a new cup the first cup or the faucet I can move away I could go into a different room and now I have the now the water is sort of a stand alone then you say okay so the water so there's no new water is what's creating the world disconnected from the source no is constantly do connected to the mo right for a moment clouds go between the the the mo the sun and and the light there's no light anymore right so so so it's it's a constant it's a constant not constantly coming from atmos from the himself but where is it all taking place where all is taking place in the right sort of gives us this maneuvering room it gives us this this uh this space where on the one hand I can come and I constantly come and say it's himself the one doing it and it's all of the but where is it taking place all these right is is the is the light entering this space or entering that space is giving over this kind of and that kind of and and what kind of frequency and what kind of and more heat, more cold. All these things are all happening in the which isn't him because because greater than right is not the is not in the it's greater than the what's the it's him that's how we we get now. So now so that's called the general concept of now all these in the different right and then and then right and then over here we speak about and in one place it's what's happening over here what's happening over here is we're speaking O why is so complicated right and what's going on here itself you're splitting here because that's what is at its core right because is this sort of sorts you see this so much speaks about is mim and many like what is what is the ultimate what we talking is it's this tension of It's all theish there, right? It's all theish there, but it's coming through a certain medium of sorts, which is its own, but it's not its own, right? It it's so it's not him. You can't call it its own mitz because then it would be like because then it's sort of disconnected. It has its own entity. No, it's completely bottled to him. It's completely one with him. It's completely one with him, but yet it's not him. And that's why in there's always there's always sort of this and that's and that's also where is it's and gives off light which is mean it's creating worlds it's creating it's bringing into this world that's the element of it and that's what is all about that's why was brought here in order to be a creator right in order to be to bring light in order to be active the activities that happen from the happen through creates the world even though the world is created but happens through but it's not only it's not only an expression it's not only an active element of creation rather there's also the part of the is completely to the and to the bottle and to the express itself in the so that's why the is never fully comfortable in itself it's always to the it always goes sort of goes back it's trying to get back to it almost it wants to leave itself there's a there's a constant discomfort in the on the one hand it's doing it it's doing its right so it's like a it's going out there is being doing it there's always this of going back because I'm not I'm not I'm not an entity of my own without us to the without us to I'm a nobody I'm nothing what makes me the whole reason we brought into the equation is that totally double to the mo Right. So there's so always split here as go more and more and more in words. Okay. So there's so there's two layers. It has two. No. Then even in one itself on every level where we're going to speak about there's always going to be on every level is going to be there's going to be the split element of it. Not only the two ways of expressing himself. He himself is made up of. Now what makes this unique that that words what what is special about this within itself like how does that look you give me you tell me means that it expresses itself outwards sort of goes towards its mucker where it's right okay that I get what does it mean in itself and what's the problem with is also also in general is one sometimes it's harder than sometimes it's in itself but a higher level that than than it speaks about over here it's not you see there's two those two parts but in a different so it's not it's where we want to get to because that's the ultimate that's the sort of the ultimate space where we have it's the himself but in a way that we could relate to that's the whole of that we could that we could relate to and our shinuy are able to exist versus it's like okay everything's atmos and then everything is is irrelevant because it's only the himself to allow the world to have a relevance and and our shinuyan and our ups and downs to exist and yet be completely connected to the and get himself that comes through the sort of how that how that breaks how break how it brings out that but that's sort of what we're trying to get to over here in the in the whatever that was a general now you go into the you know sort of what you're looking for you're looking to find that space you're looking to find the o even look at the lush itself it's but it's why does it say that it's totally what kind of is this if it's so what makes it right it's even it's but it's the total and total whole deal at the same time. And this is the etimo. This is the essence of light itself. The essence of light is the non- light. Right? These are general. We have to understand like sensitive what does it actually mean? But that that's where we're trying to get to. Fine.