Basi Legani 5726 #7: Can You Trust Your Child’s Core? In Distance I Discover Who I Am

[snorts] Okay, good morning everybody. Okay, we're good. Thank you. Want to welcome back all the blessings, a complete recovery and everybody else who's here. So today is Monday morning. We're up to Bani Shia number seven. We will also have a Shia Wednesday morning. Okay. Wednesday morning and Thursday. I want to finish the also next week is Wednesday is yvat. So Wednesday night here there will be a big fab 20 forche upstairs. Same place we had 8:00 in the evening. Everybody is invited. Huh? >> No, I can't come. >> No, you can come. Exactly. [snorts] Okay, we're holding chapter 6 in the contress. It's pageim page. So, please remember we'll meet again also Wednesday morning and Thursday. So we learned the Tamak tells us that Melik taught he uh he gave over he spoke he taught 3,000 malam 3,000 parables and the Gmorra says in Sanhedrin that said that had 3,000 and Mayor had 300 parables only on foxes and we're left over with three. In other words, we only know three of those parables. At first glance, it seems like it means that Pasha forgot everything. So why didn't they forget those three? 300 they forgot from the 300 297 they forgot and three remained. That's how you learn it literally. Rashi over there even gives the we know which parable it is. In other words, it was taken it doesn't say in gam but actually I guess had a traditional it's an interesting story that a mayor would say and it brings out this point. The mayor would tell a story about a fox that there was a fox that was very very hungry extremely. So the fox went to the wolf and said could you I need food. The wolf said it's Friday afternoon in Jewish homes they have the best food now because they're paying for shabas. So, let's go to the Jewish home and we'll go eat. No. So, the fox uh comes and uh >> huh. Yeah, exactly. The fox comes and uh they take sticks and they uh start driving it out. They start hitting the fox and killing it the fox and and driving it out. So the fox turns to the wolf and says, "What happened?" He says, "Probably they were upset at your father. It's not about you. Your father came and ate up all their food and ate up the best food. So now they saw you, they're getting upset." The fox says it's not fair. My father eats sour grapes and therefore the the teeth of the kids have to become uh moldy. I have to become ruined, deteriorate. It's not fair. What do I have to suffer for my father's sins? Huh? So Rashi says that continued to marshall that the fox was very very agitated and started to suspect that the wolf was just trying to get him hurt. So he decided he wants to he wants to hurt the wolf. The wolf says, "Come, I'll take you to a good place where there is food." And he takes him to a well. That's what the bush of is. And the well has a bucket connected to a rope. And there were actually two buckets connected to a rope. And you can go down. You could send down one and pick it up with water and then lift up and the other one goes down. So, the the wolf I'm just I want to look it up because I don't remember if it was a wolf or the fox. Sun had you give me a sanhedrin over there. Over over there is easier cuz over there it's a You mind giving me a Sanhedrin? >> No. But it's it's a lot of I'll just get from here. It's easier. >> Huh? Yeah, I knew. I knew. I knew it was wasn't clicking. It was the other way around. The fox was deceiving the wolf. >> Yeah. Yeah. Sorry. >> It's a fox. Yeah. Sorry. He told the wolf, "Come into the courtyard of the Jews of Shabas. You'll help them prepare for Shabas and you'll get to eat the meal." When he came, they came with sticks and they chased away the wolf. So the wolf came to kill the fox. So the fox said it's because your father because your father ate all the good food and that's why they want to you away. So the the the this is what the fox says. The wolf says it's not fair. Why should I suffer for my father? He says good point. So let me go show you a place where you can eat. So they come to a well and there's a long plank of wood and there's a rope and the two sides of the rope there's two barrels and you can go into one and go down and then the other one comes up and so forth. So the fox goes in to the top barrel and it goes down because it's heavy. It goes down and the bottom barrel comes up. So the wolf tells the fox, "Why did you go down into the water? What do you have over there?" So he says, "There's unbelievable cheese and unbelievable meat to eat here in the well." And he showed him the image. It was already Friday evening, so he could see the image of the moon. So the moon is being reflected in the water and it looks like cheese. It looks like a gishmaka piece of cheese. So the the wolf says, "How do I get down there to eat?" He says, "Go into the next barrel." So he goes into the next barrel and it gets down. So the wolf ends up going down. The fox comes up and the fox stands and laughs from the wolf and says, "Enjoy your mikvah for eternity." Huh? >> This is the story and this is the the mayor that the gar says that nobody could understand the depth of mayor, right? The gar says he was called mayor mayor and the reason is not like him because nobody understood how deep he is. So he had 300 malam like this on foxes and we're left with this one. This is what we know. So at the surface it just like it's a little strange. I mean fine it's an interesting story. It's entertaining. It's enthralling. So it's interesting has a mime in and he he explains this mime that this mshel of actually captures the whole battle between kadusha and kipper that comes out of shabas in the afternoon as as as Shabas is coming in the whole thing literally detail by detail why a wolf and why a fox and why they went to a house and what the sticks are and they went to a well and even the moon and the the it's a we we learned it once years ago. It's on it's on the website if you want to learn it. It's unbelievable. But he shows yeah that in this so had 3,000 the mayor had 300 and we're left with three Michel. So the mimer explained yeah what was the main point that he explained that that there's two elements in how a teacher an ultimate reba an ultimate teacher communicates one is communicating ideas insights wisdom perspective sometimes he can give a metaphor too he can give a parable give a story to explain the idea that's one in that's called in that's gi that's what he's revealing there's the flow of consciousness from his brain, from his heart, from his soul to the student. >> Huh? >> So no, so that's that's ideas that he contains that conveys which is then there's something else and that's what the stories of are. And he said that the stories of tyra have in them a depth and secrets even more than the of even more than the laws of why even though it's cl you don't even see the depth but it has a depth that's even more than the so the main was that the [snorts] reason we love stories and god loves stories and we're enthralled by stories is that stories has that paradox in a way when the the teacher the the the the hashem is telling story or the teacher is telling a story. [snorts] It could be a story not a story that happened to him. On the contrary, it's like a it's a story maybe it's a fictional story even by people or it's a non-fictional story but it's a story. That story on one hand he's not communicating anything. He's just telling a story. He's not even saying any message. And yet that captures parts in himself even that are not conscious. Parts in himself that are not conscious to himself. that's being communicated his or in the lang of the cats that's being conveyed I had a very funny story with Shabas so I went to a bris it was snowing it was a stickle walk so on the way I was thinking about the and this whole piece just meditating on it and thinking about it I was walk it was a beautiful snow was the streets were deserted so it was very conducive >> you see a beautiful fox >> huh >> no no no I saw a fox but Oh, really? Okay. [laughter] >> Anyway, I came back from the bris. So, by they had a fabian for Shabas, so it was going pretty late. [snorts] So, I went in there on the way back. So, there's a guy sitting there and he sees me. So, he's usually not there. So, he starts saying [laughter] she said he starts saying that he listens to my shoot him in Hebrew every week. He says, "Three times I listen to it. You know what's so good about it? You don't even know what you're saying over there. [laughter] You don't even know what you're saying. You're saying you're SAYING you don't even know what you're saying. Okay. Wow. It's the ultimate compliment. [laughter] >> He was telling M huh. What do you say? So it was it was it was just very validating to this whole discussion. [snorts] So So the story captures something that is very very deep conscious and even more unconscious from his atmuse from from his essence that if if it would be communicated as an idea as a perspective it wouldn't be able to capture that. that would be able to capture things that he could contain as an idea and as a matches as an insight which is a flow which is important which could be very very deep but this captures an inaccessible part and how does it come out it doesn't come out in a continuum it comes out in a story which seems not even to capture anything and yet it captures everything and how does it capture it here the student needs to do the work the student has a story here it is and this is we're in this which he was given but how is given to it. He wasn't given it in a way that is a revealed connection of insight and perspective. He himself can delve into it sometimes years after year, year after year after year and reveal more and more and more and he reveals it in himself. And the truth is the way he can reveal it is only by finding it in himself. Because what touches us really about any story is yeah is you see yourself in the story. Even though it's not about you, it's not about the teacher. It's not about you. But it's about both of you. but in a deeper way. So it's about you. It's not I went here yesterday. It's not it's not the story of my life that I can capture in facts. I went yesterday to this and this place and this is what happened. It's stories that capture deeper deeper truth, right? Deeper deeper embodied truths that may even not play themselves out in a physical or concrete way, but it may be underlying deep truths that characterize in our us and our essence. And you could see the impact of these stories on people and on cultures in such a profound way both in the positive and in the negative. You know the stories of the stories of Tanakh shape the Jewish people in a way more than anything else. They shape the people. They don't just shape a certain idea a mitzvah. This is what you do. This is what you don't do. That's another part of but they shape what's called the zeitgeist. The gestalt. Yeah. The subconscious the inner workings. Why? What? Why? What did you just say? It's a story about some snake or some bush or two brothers who had a fight. >> Cultures. >> Yeah, >> that's the idea. >> Most of the cultures they have stories about the fox. >> Yeah. They love the foxes. Yeah. >> Yeah. So that's the that from the what's coming out is an essential part that wouldn't come out in a revealed idea and in the student that's what he gives the student the student finds that part in in in the story and he has to find it and that's the idea of the stories of and that's and that's why 3,000 the same this the same story the same idea 3,000 layers 3,000 layers all now let's see let's see now he really explains what what's really happening here so after he said that this accesses things that even don't access this will be understood based on what the once taught about the whole genre the whole reality of stories in Tyra and this is brought in says and of course how does the explain the stories in through another Marshall and if you see if you read all this form that collected he didn't he didn't write himself but his students wrote a huge disproportionate amount of them are they're stories they're parables And they're interesting but really every moshel the bos was giving over his and the of so for this itself he gives a mshel you'll see he could have said the idea without a mush you'll see what the idea is but he does it through a mush and then you have to figure out what he was saying. So what's his m a whole story the has a king he has an only son every detail of the mushel of course is a story so there's a king the king has doesn't have many children he has one child and of course that denotes that the relationship is not just one of a father to a child which is very powerful but it's so you know this is it and he's also the ear of the throne. He's the future. He's the future of everything of what the king represents and lives for. What does he do? He does something counterintuitive and counterproductive. It would seem he takes this child and he sends him away. Not away a few blocks, buys him a house around the corner means to great great far distances. Why? Interesting words of the so that there should be a much deeper there should be more which means more bliss. Who's the to this father to the child to both? But somehow the relationship the connection before if the king if the son stays with him if the prince stays with the king there's also pleasure as we'll see. He doesn't say there's no pleasure. He likes the boy. [laughter] He's enjoying him. But he wants so he sends them away far away. But something now the drama unfolds doesn't work out. As days pass, meaning as the errors pass, years, months, years pass, a long time passes, he forgets. Forgets where he comes from. And the child forgets means any pleasure. are interesting words. Any pleasure associated with a king doesn't speak to him anymore. He has a whole new way of seeing the world and it's completely disconnected, disassociated from what exists, what is meaningful, what is exciting, what is blissful in the world of his father. As he says everything, it's not like you know he lowers a standard. It's a whole different he went into in other words it was a successful journey. It was so successful the distance was so powerful. It really did the job. But it did the job so well that we're done. The connection is I don't I don't even know who you are. I can't recognize your language. The king hears about this. So he sends messengers to be able to reconnect. He's not interested. There's nothing for him doesn't speak to him. He doesn't want to come back. So the king sends more and more. He upgrades the the categories of people means prominent distinguished ministers which means in their wisdom in their in their allure and their charisma and their depth they can hopefully touch his soul and reignite a relationship that was so powerful because it was all based on it's ineffective. But then there was one s one close adviser or minister of the king who was a means he had he had profound wisdom. What did he do? He said I'm not I'm not a messenger of the king. He changed completely hisus's garments. His uniform was completely transformed. It wasn't anymore the royal aristocratic uniform where you're coming down from the high horse from his royal majesty to do a favor to this child and save him from the abyss. I don't need your favors and I don't need your king and I'm not interested in you. He completely changed his garment and his language. Two things. So in other words, everything associated with his external form was now completely relatable to the child. I'm one of you. I'm part of you. I'm your best friend. I'm your comrade. That's what he did. So, and are the two mediums through which we communicate, right? One is just the way you're dressed. So, right away, it's your impression. It's your energy, right? What do you bring in? And then Lian is your language. So, he wasn't anymore speaking the language of the king. He was speaking the language of the child. And what happened was he got close to he went into his world. He went into his mad, his level. He stooped down to him, meaning he became really connected to him. But this wasn't a fake fictional thing. He had to go through that transformation in order to be able to create that relationship. And due to that, he could bring him back to his father. And the finish is and that's the whole secret of why the whole is basically story time. God is telling stories. Yeah. So now you tell me about snakes not to eat from this tree to eat from that tree and now there's a flood and now two brothers are fighting and now they threw him into every story over there. What what is this? So he says Is this who changed his garment, changed his language to connect to the child? This is this this story is based on this. You know, the tur the the prince who decided he's a turkey. So everybody was trying to help save him from his insanity. And one guy says, "No, no, no, no, no. You got to join his insanity. [laughter] You got to join it." So this person also became a turkey. He went under the table. Mama is that he took off his clothes. He stopped speaking human language was finally an amala mench. I mean on Amala Turkey somebody somebody to communicate somebody who understands the normal world the people who the control freaks who think they own God right so that storyman is is based on this was a great grandson of the bos his mother was Fagger her mother was Adul and Adul was a daughter of the Bumptv uh uh Adul the daughter of the BMP um had a had a had another son besides a daughter of Fagger. He had a son Bar of Meabush also Mak. So uh they say when of me was a grandson of the bal he was a son of so when he went to the first time he was a little kid so they this teacher learned so I mean I guess he was a few years old already learn so he turned to so he says why are you skipping the first page he says doesn't say anything on the first page the first page just says baba big words he says what are you talking about you know the rashama says what says Benadesh benadesh the son of holy from the womb of his mother [laughter] the teacher said okay we'll stick to daf you learn what you want so you can see the two words baba kama and he saw one thing about kama so what's the bash saying that the whole title hashem is bringing the audience together he says okay I'm now going to reveal my wisdom. God is like pure infinity. So what are you giving me? Stories. What are you giving me? Stories that actually a two-year-old can understand, a four-year-old can understand. So this is the oft that it's the whole journey of life. The child is of course the soul is with the king. It's a child. You are it. You're connected. And he sent him away. But what happens in this process? I forget who I am. I don't even know who I am. It's not I forget who I am. There's rebellion. That's not much deeper than that. Rebellion is a relationship. I hate you. [laughter] Albe once said, Jews know how to love God and they know how to hate God. They don't know how to ignore God. You know, you either love your spouse. Ignoring is it doesn't exist because it's in the kishkas. But here, I don't even know who you are. I'm done. I'm done. And all the messengers don't help. Not because I'm arguing with you. I have another argument. It's because it doesn't even begin to speak to me. There's no connection. There's no relationship. You understand? And it's it's not my world. Like we spoke about the colors I don't see, the sounds I don't hear. It's a different universe. It's not a I'm arguing with you. So what does this understand that you have to transform the whole paradigm? And the paradigm is I need to be able to go into his world. Yeah. Relatable. And then from there a relationship can begin. If you're not in that world, if you don't, in other words, if you're not living his life, if you're not connecting to his vibrations, what do they say? It's a beautiful line. Love is learning the song in another person's heart and singing it back to them when they have forgotten it. That's what it is. So, I need to know your song. I need to know your heartbeat. I need to know what makes you tick. In simple English, I need to feel your pain. I need to be able to feel what this child, what does something does excite this child. There's no person in the world who's not excited about something. Something excites the child. The homeless person in a subway has what he looks forward to. Maybe not what you're looking forward to. What does this child look forward to? Something is speaking to him. Yeah. If there's one thing you need to know about education, it's this. >> Huh? You've never learned this. [laughter] There's something that makes this boy tick. So get get off your high horse. Change your be your your fancy uniform your from the kind god. Take off your not because your are not beautiful. They're beautiful. But this is not the place for it. Another day you'll put on your royal clothes [laughter] in the huh. >> The truth is when did the kay take off his beautiful clothes and put on simple clothes? When he went into the holy of holies. So maybe this is like going into the kadeshim. and over there and suddenly oh I could talk to you take change your language we're not talking here about English or French or Russian or Italian or Hebrew or Latino the language here is not only linguistics it's change your language meaning what you're it's it's the medium of communication so the person who's listening to this guy says oh you're not you're not connected to the king you're actually a troublemaker you just changed the whole language really who's the most connected He because he's the one who's going to bring back the child. So his friends are going to say you're a you know you're you're you're you're a traitor. You left you took over the garments. You took you changed the language. Really he understands this is the only way that he can touch the child and ultimately bring him back. So the bash says this is the secret of all the gashma that that's the bos at first glance when you learn the bossham right it's a classic idea of the bsham it tells you what connection is what empathy is what feeling another person is it's the ability to strip things from their uh common form and not compromise the essence on the contrary when you really connect it to the essence you can actually put it into a medium or to a form that's opposite. You have that audacity because you know what you're dealing with. It's talking about connecting to people in a completely different reality. It's about relationship. All of that. But now, but is going to take the bos and say, "But let's get to a step deeper. Let's understand this. You had your child near you. For heaven's sake, the guy was a great kid. He was an unbelievable prince. You had him near you. What are you What are you throwing him away? You you're taking such a risk. What are you doing? So we'll all say in English, absent makes the heart grow fonder. I understand absent makes the heart grow fonder, right? I never saw a couple they're having amazing relationship. He says you know let's get divorced for 20 years AND AFTER 20 YEARS oh [laughter] then there'll be a good I understand but people always say absent makes the heart grow fonder but it's like a whole plan I'm living with my child right you're living with YOUR CHILDREN GO AWAY FROM YOUR CHILD SEND THEM away it's it's it's an it's an interesting type of investment now I understand I give away I take $10,000 I invest it in the company. I want to have double. I want to have triple. But here you're like, he's distancing the child. And you see what happens as a result. It's not risk-free. He's not going for 6 months. He's almost lost. What's behind all of this? So the bos says two words. There should be more. What does that mean? There should be more. So the is the of the way. What really the was was talking about was the let's see the bliss and the ecstasy of the king exists also when his is near him. It's not like life is horrible and therefore go away. No, I want I want you. The whole thing is about the child and relationship with the child. It's because I love you. I celebrate you. the deepest thing I want is to be with you and you're with him. SO IT'S NOT LIKE THERE'S no tug there. Of course there's tug but doesn't say it's a miserable situation. So he's figuring out how can we make this relationship work. So he tells each other you know go away for 15 years breathe give me breathing space you're choking me I'm choke. That's not the story. They're not choking each other. They're loving each other. So the words of the B is so the way you learn means more pleasure. So what it's a question of quantity till now I was getting 1% interest now I'm going to get 5% I was getting 30% I'm getting 50%. So he says a whole different part happens by sending him away to the distance and over there there is a vulnerability that he's going to forget and then he's going to come back. But how is he going to come back? Through the garments changing and the language changing. That's what the stories of is so to speak. God takes on a different uniform and a different language. He's speaking about very mundane matters. So as the goes into these stories, physical stories, a new pleasure is revealed. When the BMP says, he doesn't mean more pleasure in quantity or equality. He means a different type of pleasure. A pleasure of the highest pleasure that there's no pleasure greater than that. This is really what's called which means going to explain later when he comes to the piece of the which is the one last the last last piece last that he starts that he explains we're going to see what that is which is the deepest core bliss pett is stripped divested mhat from any connection to any particular expression which is the deepest deepest frequency of bliss available in reality because it's at the core of hashem that's so here he's just he has to explain what he said I mean explain I don't know the word explain but it's going to Another mushel. [laughter] Can't explain any of this. Just just mam just give another mushel. 3,000. Just give another mushel. When you're done with 3,000, maybe we'll get a little bit. We're not going to get it. It's just there and then you'll figure it out. [laughter] So is saying that there's something about the distance that is essential. It's not like, okay, go away and hopefully we'll be have a we'll have a gishmaka time because I'll miss you. That's not the vert. He's risking everything. Everything is risking here. It almost he almost got lost. That's a serious thing. [snorts] You're going away on vacation for 3 weeks. You give us a little space. We'll have a great time afterwards. Everybody understands that? Yeah. You go to the office, you come home at night, it's better. Don't stay home all day. It's better for people not to be on each other's necks. Fine. So, this is remember this is the whole idea behind reality. The whole creation of the world is this mul the pre-creation that the child is not distant not it's so you're doing this entire thing what's what what's behind it so the says what's behind it is tanug what's behind it is tenug but there was no tug before you hated me before no it was all the tenug before but there was the frequency of tenug the yer tanuk which means not more pleasure I want a little more should be more gishmach if I don't need the whole day. Supper at night is mogishmaker. Tanuk is a different type of tanuk that's higher than any other level of tenuk and that only comes out in distance. But in huh >> nothing change >> first the distance. The distance. And what happens in the distance? In the distance there's the vulnerability of disconnect. >> Abandonment. This is where you come back. It's not anymore. Means I'm sending you letters every day. I'm sending you WhatsApp messages. You're opening them up. Ah, my father, my father, my mother. I miss you. I cry. I laugh. I remember anniversaries. I remember birthdays, right? I send back letters. That's maybe it's coming very little. Maybe it's not with the same glory, but there's there's a flow. There's a flow. And then there is he forgets existentially that's the internal pain of abandonment of perceived abandonment disconnection and all the messages that are coming I'm not even capable of hearing them anymore right when a person is in that space I don't even know what you're talking about I don't hear them it's not that I'm hear them and I don't hear them I'm in a different realm this is the realm of loneliness this is what happens in this What happens to teenagers? >> It happens to teenagers. It happens to some of us. >> I'm saying as a kid, the only reason why you're why you're being religious and observant is because that's what your parents are telling you to do. And then as a teenager, you become a self person. Yeah. You basically accept her for yourself. >> Yeah. or or that distant >> Yeah. Exactly. >> stage. >> Yeah. In every person's life as a child, we're in the womb of our mother, right? That's like precation. And then we're born, but we're still connected. We're nursing. We're being nurtured. We're being protected. We can't live on our own. It's not going to work. But then the continuation of life is you distance. You get distance when it's supposed to be that way, right? You don't nurse forever and you don't stay at home forever. And here we all know there's the great challenge of okay, goodbye. I'm done. And sometimes the distance is such that it becomes completely apathetic. I'm just apathetic. I'm indifferent. And sometimes there's so much disconnect that I don't even call it disconnect. I'm not disconnected. I'm actually very connected. Like a person told me the other day, he said, "I have no relation with my father, but I'm actually very, very content." So I said, "So why are you talking to me? Why are you talking to me? If you're so content, go to Starbucks and enjoy your day. Comes to But to to find that discontentment is already a Madre Madre to find the pain of what I'm missing. I'm yearning for something that's very deep. >> Huh? >> Whatever. It's a muscle for you to figure out on your own. I'm not telling you I'm not telling you an idea. I'm telling you a story [laughter] how that story applies. Everybody will do. But sometimes right the deep deepest disassociation is that I'm disassociated from the fact that I'm disassociated and that's the worst pain because the soul knows that the fact that I'm there's a yearning there's a connection that's already very deep right the the yearning that's already a very deep connection used to say where your desire is that's where you are when I want something even though I'm not there but of course I'm there my soul is there my passion is there so in where everything was taken as a risk so what's what's behind it so the what's behind it is a different type of ten what's this ten it means this is going to the of the we sees in the that the deepest essence of the father he can only share with his child through this process The deepest the deepest essence of the father he will only be able to connect to with his child through this process. Why? Because this the child has to find in himself because this is this is the lainkets. If I want to give you my light that's beautiful stay here and I'll give you my light and the relationship is amazing. That's not tanuker is a different type of tanuk. It's called Why did you just sigh? >> So far from me. >> This is the whole point. This is what we're trying to deal with. That feeling, it's so far from me. This is it. This is it. That internal internal feeling. It's so far from me. That's what so here the distance is not right it's like you're distant and you fell so I have no choice no this is the holy this is the holy it's in this it's in this separation where you can only create the arena where a different t can be experienced now you say leave me alone I'm not interested in this I'm just staying in the palace I like breakfast. I like lunch. I like the I like the accommodations here, right? Ritz Carlton, it's pretty good. I don't have to go anywhere else. I get it. We're not now discussing it rationally, intellectually. But in terms of connection, if everything is about TINog, and by the Balsham, everything began with Tinug and ended with Tyog. That was the BMT because he understood that TINog is at the core of everything. What's the highest frequency of reality? The highest frequency of reality is in term of experience tyuk. And we'll soon see what that really means because tyuk itself there's tyuk from a piece of food. There's tuk from a cup of coffee. There's tinuk from a beautiful piece of music. It's real tiny opens your heart. There's tanuk from walking at the beach and looking at the ocean. There tuk from watching a sunset or sunrise. If you watch the sunrise dawn break coming in, it's it's tanuk, right? There's tanuk from se. You read an amazing idea that ah gishmakish. You see people starting to smile. These are all real tan. These are the tanug that hashem made ain't here. He's saying it's means I'm not putting another word to it. Not the tin of music. It's not the tug of food. It's not the tin of a drink. It's not the tuk even of an [snorts] amazing idea, a spiritual experience. There's something about yer tuk. This tenuk he wants to share with a child. You know why he wants to share with a child? Because he's allin. Back to that line. Because he's all in. Allin means allin. I don't want to only give you part of me. I want everything. Everything. Mish. What's everything? EVERYTHING IS EVERYTHING IS THAT WHICH IS NOT ACCESSIBLE. THAT WHICH IS NOT REVEALED. THAT WHICH I CAN'T SHARE. In fact, HE SAYS IT'S NEVER GOING TO COME TO GILLU. Why is it never going to come to Gillu? Because it's not begilu. I don't even talk about it to myself cuz I there's no words for it. That's where the relationship is. How does that come out? So that remains inaccessible. So we're fine. We're separate. And this is the trauma of existence that the BMP was healing with this muscle. No, you have everything. Everything. But where do you have the everything? Only through a crazy crazy process of complete distance and separateness. So you're not connected anymore. And there's a vulnerability for real disconnection over there. It may happen, but it may not happen. But it does happen. [laughter] And it's not that the father didn't know that. He was like, he was optimistic. He knew exactly what's happening. So it's worth it. Why is it worth it? Because that's where the real relationship is. And if the relationship is at the core of everything, so then this is it. But how do you overcome that? How do you how do you how do you give that part? So this is where you go through the change of clothes and language. This is the which is a completely different form which is not reflecting any light but it captures the core and there the child the prince finds that core and his core and it's a different type of connection afterwards. his core. >> His core. Yeah. >> That's the process needed. >> Yeah. >> Right. >> Yeah. So to trust distance means I trust your core. That's what we have to understand. I cannot trust distance if I don't trust your core. It's not enough to love. This is different than love. It's not deeper than love. It's not as I love you and therefore I'm going to protect you. I love you and I respect you and I I know your core. I trust your core. >> I see you. But you have to see yourself. >> You're going to see yourself. >> The king didn't want the child to be in the palace because that's where he grew up. He wanted the child to make >> Yeah. his own. >> Yeah. Yeah. In a in a paradoxical way. The deepest connection between them comes when they become completely disconnected. It's not that the purpose is they should become disconnected. That's not the idea. >> We're not celebrating disconnection. That's not worth celebrating, but we're celebrating the process that we are celebrating [clears throat] and the vulnerability and the humility. But that's going to create the deepest connection. And it's not going to create the deepest connection because we're going to become connected despite it. It's a different type of connection. It's a connection where I'm not flowing from you but rather I am embodying you. I'm not flowing from you. That can't happen in the flow. There's a disconnect. So what's left? Oh, so they're not connected. There's only thing one thing left. The child himself in his deepest core. With this we'll understand of the mag of the student of the on the in paren tells three three times you have it in these paras we're going only for three days three days we're going to that and it wasn't even wasn't even true right in parish Hashem tells Mosha tell party you want to leave for three days in Paris again he comes to party he says three days par says no in par again we're just going for three days so the big question is why do you have to dis why do you have to lie you're not going for three days you're going forever say par god wants us to leave what god has to play politics what is was the state department was this a peace summit with with with Pakistan you have to say halftruth say the truth You say, "Well, P would never agree." He never he didn't agree to this either. The only reason he agreed for three days is because the guy was brought to his knees after 10 plagues. So once he's brought to his knees, just say, by the way, it's not a three-day holiday. It's an eternal holiday. And what would he do? Don't go. At that point, the the guy after Makes, he was scared everybody is dying and he he threw them out of Egypt. At that Moshe could have told the truth. No, TILL THE END MOSHA NEVER TOLD THEM the whole full p thought they were leaving with three days and that's why he's like what happened? He saw everybody ran away. They didn't run away. He sent them out. Thehatas they ran away because they were supposed to come back after three days. So you see the whole is the whole story is built on this on this deceptiveness. Now I understand you're dealing with a rush and you can only get three days get three days and then escape. But the guy would hashem knew he's not going to agree for this either. So just say the whole truth at least at the end. So this is a big big question. All the struggle with this like it's a strange story [clears throat] like what the whole the whole way it's like you have to be deceptive. It's almost it's a not to compare but there's some people they cannot say the whole story they cannot say things the way it has to be a little today. >> Huh? >> In order to lose 10 >> it would have been better because you said we want to leave forever. He would say absolutely not. So start with the mockas. Even this didn't help. You have to do the makers for sure. >> Do you mean that he should chase them afterwards? So it had to be for not saying the ms and hashem not saying the mis like the whole thing is. So there's a there a lot of different ideas. The mag gives the that when we read the we read it on one level three days by us means three days but you have to understand that the has evolved. So every word in the can be read on different frequencies and different levels. So that's what the maggot starts explaining is actually saying the truth. Par heard it the way he was able to hear it. It wasn't a lie. He was saying the truth. And here the magid explores a whole fundamental aspect of yudishkite that is uh really extremely very profound and very fascinating of how it works. And this is what he says. It's [snorts] when was given on Sinai it was given in words. words come from thoughts. So there had to be thoughts also. So the wasn't only given in words, it was given in thoughts. So you have in words, you have the same in thoughts. But the action, this is our part. This is not given to us. Hashem doesn't do it. We do it. So when we do the mitzvah in action, we align the action of the mitzvah which is the world of action with the words of the mitzvah with the thoughts of the mitzvah which is the world of which is and the world of which is so three days we're going into the desert says the what saying that the whole journey of is a journey of three days. It's a journey of connecting and aligning and the thought of with the words of our with our actions which is our input into implementing it executing it in physical actions that Hashem doesn't do. Hashem speaks Hashem thinks and then we do. >> [snorts] >> And explains this by prefacing the whole concept of being enclosed in the worlds. So the mag says the more that becomes distant from its primordial from its divine source the more it becomes means restricted filtered contained structured. Mitsumsum is when something becomes narrow. until it reaches this world and everything is with everything in this world is defined and contained and described. So the also assumes that you won't find a mitzvah 613 mitzvah that is not filled with sizes and measurements and conditions and [clears throat] it has to be exactly this time and this WAY AND THIS PLACE AND IF NOT IT'S NOT A MITZVAH ANYMORE. YOU DID NOTHING. YOU'RE WASTING your time. And this is his words. Somebody who's refined and has the merit means two things merit and also refine and sees the higher world the higher frequency while they're doing a mitzvah. He has a whole different type of bliss in the mitzvah. It's a different experience. Why? The higher you go, the more expansive things become. become the lower you go, it becomes more narrow, more narrow, more narrow until you have no no pleasure anymore. It's just like you're a technocrat. [laughter] Huh? It's [snorts] very everything is very small. The higher you go, higher doesn't mean here I climbed to the roof. Higher means a higher consciousness, a more infinite space. Things become infinite. They become expansive. So the tinuk is of a different level. And this is the depth of what the Gmorra says. And here he quotes a whole gamar. It's one of those gummoras. You talk about you read the garra. It's a long piece of gumar. You could look it up after. It's pretty interesting. And when you read it, you're like, okay. like I hope they knew like I mean quoting I mean but it's like and and you know all the mafam have what to say but it's it's very very enigmatic what does the gum say it's a very interesting goes through a whole series in history okay I'll tell you what the says because here he says it very of 21a so it's almost a half armed or nice nice The Gmorra says means everything in the world that has an end. I have seen the end. I have seen the end of everything. Everything has a size. The Atlantic Ocean has an end. The Pacific Ocean has an end. Indian everything has an end. The sun has an there's an end. Another is pleasure. Every pleasure has an end. Your mitzvah is very expansive, excessively expensive. Said chapter 11, I think about the is longer than the earth and wider than the sea, THAN THE OCEAN. said he saw in a vision the migila the in a scroll and he saw the front and he saw the back and God spread it out and he saw was written in the front and in the back and it was filled with lamentations and joy and tears and then says another prophet God SHOWED ME THE SCROLL and he starts giving a size a measurement he says 10 amus in the width that's AROUND 20 FT. 20 Y is around 40 ft in the length and it was doubled over. SO IF YOU ACTUALLY OPEN IT IT'S DOUBLE and then he gets exactly into the measurements exactly what it is. So what's what what is all this? So the gam says the says David came he did not explicitly tell us the size of he says it's crazy expansive it's EXCESSIVE came he didn't give us any limits he said is bigger than the ocean fine longer than the ocean came and still did not give any measurements any dimensions says Chapter 2. Hashem spread open the scroll of before me and oh I saw it's written in the front and it's written in the back and then came and he starts giving measurements. So what is all this hap what's happening here? This is obviously you know it's one of these cabalistic most people okay next let's let's go you know you move on the mag says this is it's just h of a fella you know you see you see who the mag was what he saw says this gimmar is describing the whole story this is the whole just this is what you have to know about the whole yishkite the yiddeshkai that we learn about is it's like the tip of the iceberg literally the tip of the iceberg It's like if somebody says tell me about the universe right and and all you show them is what you see with your eyes on a physical level like how much percent is that of the universe. The moment you take a microscope it's a whole different reality. So the mah says you have to understand the terra we learn the mitzvah we perform although it's true we're learning tra we're doing a mitzvah what I'm touching is the way the terra came in to the most restricted vessel where everything is with a size and everything is with a measurement I don't even know about infinite expansiveness but essentially you're talking about an expansive consciousness of infinity why because what is really tira is really god's god radiating creating his bliss which is infinite and that's what a mitzvah is that's what is ta captures his wisdom mitzvah captures his will so if I could have microscopic eyes so to speak if the doors of perception were cleansed and we would experience mitzvah in a higher frequency of reality with less blockages it would be completely safe but the tra comes down one level another level another level another level another level until it becomes a measured reality And now it becomes a technical de and you may not even know that there's anything else to it. And in fact that may be your entire experience. And as we know for some people it may also be tremendous pressure and anxiety. The exact opposite of tanuk. So he says it simply depends what glasses you're wearing. If I manage to uncover deeper layers in myself. So now I look at the same mitzvah and it's pure ecstasy. If I myself I'm in a much lower level of reality. I look at the same mitzvah and it's just very very limited. It's extremely limited. So this is the whole story says he was talking about his frequency of Judaism said is already at the end of so it's hundreds of years after David was by the so he speaks about ail upon and he speaks about lamentations joy and tears but no measurements was the last no the beginning of suddenly to has measurements. This is exactly the transformation that Judaism went through and it's fascinating because the beginning of Shabb was developed. This also the time of the Greeks when prophecy seizes. So Judaism instead of becoming more of a embodied divine experience it's very it becomes very very structured and it goes into mediums of and you have everything becomes very structured. So this was a transformation that happened in the times of so the Gmorra is going through that. That's what he's going to say. So still didn't explain still sees as tremendously blissful without any symptoms. Suddenly goes into the world of words and words are always that's what words are somebody came over to me last year after the sh and he said I think it's time in to practice more silence than words so he was mav what's the what's the havana I'm going to talk about this now >> [laughter] >> Huh? >> Talk about silence. >> Talk about silence. It's it's it's we have to talk about the fact that we're not supposed to talk. We are so afraid of experience. So everything goes into words. Now words are blessings because if without words we don't communicate, right? The ma was said in words. But you have to understand also the other side of dor. The other side of is everything now gets a definition. Everything has a mold. Every there's a sentence. It's that that's what that's what God did. It's not our fault. That's what is but in that's where comes in bay Judaism was all experiential. Today, if you talk about Judaism being experiential, let's face it, a lot of people want to know, huh? What you're smoking, what they put into the coffee, what they put into your Kool-Aid, which you know, who's brainwashing you, you listening too much to Rabbi W. [laughter] How much pain are you in? Maybe we need a good therapist for you. So it's so interesting that it's even strange to us for the mag this was olive base. This is where all the this is where all this is with the goulah. This is where gula consciousness happens. It's all experiential. Everything is experiential. Words are a tool to experience. They're like a ha mitzvah. It's like buying an estric to shake an buying. Yeah. You have to plant an you have to buy an you have to bake matzah. Of course. So [clears throat] there's words but the words are all mitzvah for experience. experience itself there's and we remember you go up a notch it's a whole different experience like the mushel with the chicken the egg you come out of the egg it's a whole different world it's a whole different reality so which is the mitzvah every every part of it is real mitzvah is the mitzvah the way it's experienced in and then where the mitzvah descends it as descends and it assumes another and another and then it comes into the way it's and now everything has a only the first three hours of the day you do it a minute after Krishna mish a few minutes it's not this is not krishna really god is one till 9:30 in the morning and after if I do krishna 9:45 it's over I'm doing the the mav is 8:30 really god is not what what's this is the frequency of infinity infinity is infinity but that's the image the t came into this So but the mag says it depends where you live. If you have if you're in flow with in other words you know the deeper parts of yourself. So you're plugged in your consciousness is plugged in. When we speak about higher worlds we're not talking about you know you go to the the black holes and then after that 100 billion higher worlds are inside of us. It's different layers of strata of reality that we connect to. So then in this very act in this very mitzvah the learning I'm experiencing the the way it's contained in this act or in this or in this or in this OR IN THIS AND THAT'S WHAT IT REALLY is and it's bliss measurement >> the measurement is channeling infinity it's CHANNELING INFINITY BUT IT'S channeling infinity it's not stuckness and the say the higher you go the more expansive it becomes comes until it becomes pure infinity. The lower you go, the mitzvah becomes more and more and more confined and contained until sometimes you see only the you don't see anything else. You hear the vert. So that's why David speaks about in one way brings it down a little more brings it down a little more. But still there's NO MEASUREMENTS. NOT BECAUSE there were no measurements. Fillain had to be squared OVER THE MELIK TIME. ALSO THE MUZA HAD TO be a certain part of the during the malik time also shabas was shabas and not Friday time you weren't allowed to eat for eight seven days in the times also you had to sit in a suka made from a certain type OF BUT THAT'S NOT WHAT HE SAW WHEN THE DOORS OF perception are are cleansed everything appears as is infinity when the doors of perception are cleansed so in the container he saw he experienced flow, the divine flow. What does it feel like to have intimacy with the divine reality? What does it feel like if your nervous system is actually channeling divine energy? The answer is it's irreplaceable. There will be no experience in the world that will replace that. No pleasure in the world that will replace that. All other pleasures are distractions. They're pleasures, but they're distractions. >> Huh? >> Yes, sir. >> Yeah. And the higher the higher what do it means higher I go the higher I go means the more I work through my blockages that means where there's less blockages so I'm channeling more the pure energy of reality which is the more I can experience it oh my god pun intended >> huh >> my god >> my god yeah zale yeah so Every generation they speak a different dimension of the beginning of and then there's less bay really stops. What's stops? What does it mean? It stops. It means that it's harder for people to feel themselves as channels of the divine. In fact, if somebody starts talking like that, you make an appointment. Somebody was was once speaking at a dinner. It was very very noisy. So he says, uh, I'm hearing voices and I'm not a prophet. But what's what's really nva? Everybody's a novi. A novi means that God is channeling energy through you. But my antennas are blocked. They're not transparent. Fine-tuning your antennas means you're channeling energy. A novi doesn't mean you're a quack predicting what's going to happen with Trump and Iran because I don't know that. But every person in their own way, I mean, you have nua for that. But what when we we we talk about this the level we're talking about channeling your inner energy that God is flowing through you right now. What does that even look like? I'm filled with my anxiety and my stress and I'm overwhelmed and I'm angry and I'm resentful and I'm jealous and I'm exhausted and I'm tired. I'm insecure. I don't know who I am. Whatever it is, fine. These are all human emotions. The ego, the need for validation, the fear of people, whatever it is, the fear of myself, the fear of the future. So I we don't I don't even know that. So I don't have a relationship with that part of me in a conscious way. So my relationship with mitzvah is also from that perspective. My is touches the of the mitzvah because oh that's all I have. >> Yeah. On the contrary the mitzvah itself can become a source of anxiety AND STRESS. THAT ITSELF becomes a source of anxiety and stress. So the baba says you need to crack open everything. WHEN YOU CRACK open yourself the mitzvah could crack open. When you crack open yourself with a ta could be opened up. Ah this is what ah wow this is this is amazing. Every piece of gam you could learn on a thousand different levels. You could learn between bashami and basil about a particular issue. You could take the same and basil and in they also learn it explains this very often. The same for example we spoke about this a few times. He saw every mus he saw it as an abstract nikuda that was really philosophical, psychological, emotional, spiritual. The mus comes down in paradum or int but that's the incarnation of it which is very important but there's a right bash and basil is a famous used to say they had all the we see like thousands of they each had a way of looking at the world they had a paradigm philosophically emotionally psychologically spiritually sorry they had a paradigm of life it came down in hundreds of that everyone said had two paradigms on life. Do you focus on the the collective reality of the individual AND THE WHOLE SH THEY ARGUE ABOUT THIS about what's the when you look at the from a very we're arguing about money we're arguing about the cow and the donkey if you go deeper it's representing a truth an energy you know on an atomic level the whole world is one we're all the building blocks are are atoms there's No difference when you go deeper deeper everything becomes connected and suddenly you see it could be 100 and it's all one and then you go deeper it's a in the higher worlds and deeper and deeper and deeper and then it's all it's the way is manifesting through so what which is true it's all true and it doesn't take away from the from the that's the essence of the lumbus there's a lot to say about this because the way it expressed itself even in niggla but the way you learn nigla the was a that's people think oh this is funny it's not real learning no no no no the symptom of the way it comes into these structures are just the manifestation of very deep ideas if you really want to get it you'll see the a there sometimes we need a lot of help with this but that's what real learning is that's what real learn real learning is that's what learning us and it doesn't take away from the niglare. It shows its infinite richness and the way it's manifested all the way down to a technical of how you give malus [laughter] [panting] and how you pay and how you pay above and how the when you shed an animal how it affects the animal. It comes down all the way down but that's what it is. It's just different frequencies you're touching. Somebody was telling me, you know, they were having very big problems about the during nida during the period the making all theus. So he tells me what I'm not allowed to pass my baby to my wife. I'm not allowed to give her a cup of water. I can't give her the keys to the house. I can't put on her coat. Like how primitive. I mean how he was struggling with Yiddish guy. Like how primitive? How like come on. He says, "They didn't understand anything about love, anything about connection." So I told them, "I'm afraid it's the other way. I'm afraid it's other way. You don't You don't understand." By kazal. Yeah. When you take a cup of water and you give it to your wife, that is a very very intimate experience. I said, "You are so affected by secular culture. Your love is so dulled for you. Romance, I'm not even going to describe what you need to call it romantic. For them, they were alive. Actually, giving a cup of water or passing a dog or putting on a coat on somebody was a very deep emotional experience. It's the same act. I just gave you a cup of water for one person. What' you do? A cup of water. You're not going to give a cup of water. Oh, what's going to happen? What's going You gave a cup of water. My God, the heaven is going to fall. You don't know what giving is. is you don't know what a cup is. You don't know what water is. You don't know what it's all for you to get excited, right? You you don't understand cuz you see in these acts nothing. You don't see in them anything. But when you're actually living with energy, everybody knows when you're living with energy, right? Just gazing at a person could be intoxicating. Passing something if it's done with what does kavana mean? You're you're in a higher world. What do you mean a higher world? You're channeling our reality. Yeah. Putting on a coat on somebody is a very very deep experience. THAT'S WHY THEY SAID THIS IS the this is a time of of of of b of boundaries. The same is true with everything. It's not that he's more sensitive to love. He's more progressive and opposite. You desensitize to the energy of reality. What a what an action is which is a very normal in this world because it's a world of symptom. Everything is concealed. You have to work very very hard to crack open the blockages. And for that we need a lot of silence. We need courage. We need to be able to deal with our blockages. This you can't fix with your yiddish guy through a good vart. A good v a good story a good and it's all good. This is a whole paradigm shift of where you live which magnet wasn't trying to give a vart. He was trying to give a paradigm shift of the understanding the whole experience of what Yiddish does. So it starts off with God's tanuk. It comes into God's will. It goes into it goes into and then what do we have? We have the misa. We have the actions like the lowest strata the physical thing in which it's like okay you really want these black boxes on my muscles that's what can excite you? Black boxes fine here we go. You want it also on my head. Okay, put it on my head. You need parchment on my door. If I will do parchment on my door and you need fringes of a sheep hanging pen. What's the all this? [clears throat] Huh? >> Oh. So comes to So now let's see. So he finishes. He says, So now when you do a mitzvah, make sure you're conscious. DON'T GO DEAD ON ME. Don't go into a coma. Every mitzvah has to be stripped from its gashm. You have to strip the mitzvah from its gash. What does it mean? Strip the mitzvah from the gashm. How do you strip fill in from gashmis? How do you It doesn't mean strip it from the gash that you strip it from being phys. It's not physical. It means strip it from the prison of gashmas and from the prism of gashmas in which all it is is a physical box or just saying words of ding or just saying words of learning and get it. That's what it is. It's actually tuning in to the internal space. I don't know if you know the the mag once told somebody it's it's printed in kes how he came to bal the maggot himself was one of the goar he was a genius the mag he was a huge gone in kabala in >> and he heard about the balshv he also suffered he mag had a serious illness in his feet and he came to the bump the first time and he went in and he was hoping he heard about the holies of bash no the bump starts telling him a story that he was once traveling and there's no food and the balagulla was hungry and he found a who had bread and he managed to convince him and he fed his balagola and that's what he tells the maggot and then the maggot says and then I want to see you again he comes back he says by the way there was another time I traveled and there was no food for the horses and then he found another who had food and he gave the horses so the maggot went out of the room and he thanked him and he told his coach the second we can leave it was dark the second we can leave we're out of here and he already had karat that he came because it took him a few days and he was matal In middle of the night he got a message the bash asked if he could come in and he came in the bash tells him they say you know how to learn is that true so he said yeah they say you know kabalos so yeah so he takes out the that's the safer of wrote and he says how do you learn in this paragraph so the mag reads it and he tells the bash so the bash says the vase garnished you know nothing so he said no if you have a better I'm happy to hear it then we'll argue about it but I think this is so takes the mag said this and he starts reading and it was talking of there were piece about angels and suddenly the maggot says he started to feel and experience everything it said in the it wasn't words anymore he was started to experience it experience it and the and he never had such an experience he experienced he experienced the frequency experienced the divine energy and when he finished the bash looked at him and said, "Your shot was right, but it was dead. Yephat was right, but it was dead. It was lifeless." So the mag went to his balag and he said, "Mlip, we're not going anywhere." And he became the greatest student became the successor of the BM. This is what the mag is describing here. This is what he got from the BMT. Now it's interesting. How did the BMD introduce the magetim with stories, the the balagah? Why couldn't the mag hear the depth of the stories? In the BMP stories, there was a mush because until you don't experience the soul of things, the coach is boring and the horses are boring. So you do it because you have no choice. So you need a horse and you need a coachman. That's all because you're detached. So yiddish is the intellectual experience. What was he with horses? Once you go into the place of life, the lifeline of the divine. So tending to the horse or the coachman is a divine experience from the word intimacy in all your ways. You connect them. You're intimate with him. But that's not intellectual exper that's not intellectualism anymore. It's not even practice. It's a full-fledged experience of life. is very important. >> So the mag says you need to take the mitzvah and be present with this way. You elevate. What do you elevate? You bring it back to its source. You create suddenly there's a real thing happening. There's a real energy happening. Now I have to say something that this whole idea is completely alien to most of us. Like this whole language is very very strange language. Yeah. Huh. >> I said this language this language is alien to us because we learn you do and you have a good var a nice var a nice gishmach. It's a you know it's nice and it's inspiring. But this is actually a real embod this is an em embodied embodied experience of the divine in our lives when we do a mitzvah when we learn taond yeah words are very very limited sometimes the mitzvah is the words I'm counting I'm saying ben is words but that's the word that's the that's the there's the says bring it to the what's the main The mag says the real thing, the main thing is the bliss. Why? The maggot says in this, what connects separate things? What is the glue between realities that are different than opposites? And the maggot says that's the whole idea. He says this in the ta, it's a very long title from the mag. It's a few pages. He says this is the masculine and the feminine. What connects a man and a woman and it's it's the connection. That is the glue because they're different and very often they're opposites. There's masculine energy, there's feminine energy, there's men, there's women. He says it's like he says it's how do they connect? How do they become one? And one doesn't mean one over uh powers the other and destroys the other. That's not one. One means they really become one. In other words, we can share the same reality, the same space. And not only we don't kill each other, but we like melt into a seamless hole. So this is a secret of tenug. That's what it is. Tanug is the ultimate connector of the highest to the lowest. So when the of the mitzvah, the rat, it can all become one. Through all the worlds, meaning all layers of reality, from the most technical and physical to the most sublime and spiritual, all become aligned with one because of that tenuk. That's like the the the code, that secret code that connects it all. So Mosha tells, let me just give you the whole Judaism what we're trying to do. We're trying to go three days into the desert. That's all [laughter] now because what's going to be the Hashem is going to give us the from which comes from which ultimately comes from and what are we going to do? We're going to bring in the MSA. SO HE STARTED OFF NOW WE'LL UNDERSTAND WHAT THE MAG SAYS. What do we understand now? So here comes the counterintuitive spin of the whole THEN I DON'T UNDERSTAND WHAT ARE YOU GIVING ME ACTIONS FOR WHAT ARE YOU MAKING JUDAISM TECHNICAL is more the WAY IT WAS BEFORE WAS MUCH BETTER THE MAG says that says observed the What did they observe? They didn't have fill in. They didn't eat. What does it mean? They observed the whole before it was given. So the mag explains they had the higher frequency of tyra. Tyra doesn't begin in the lower world with physical actions. Tyra is a living in a certain energy field. It's living in a certain energy. That's what they had 24/7. SO WHY ARE WE DOING THIS? WE TOOK YADISHKITE. WE LOWERED IT SO WELL THAT NOBODY EVEN KNOWS WHERE IT COMES FROM. WE'RE BUSY FIGHTING OUR WHOLE LIFE ABOUT THE detail detail. Can anybody talk about ain't soy for a moment? No, we don't go there. That's the weird stuff. Huh? >> Don't talk about it. We learn this recipe, that recipe, that recipe. Can anybody, you know, you have a recipe book? I once told you somebody you have a recipe book, a thousand pages. Yeah. And you memorize the whole recipe book, the baking soda, how many eggs, mamaish, everything. And then when somebody says, "Can we taste any of this?" We don't do that. [laughter] shops at right >> whatever gulus you see it already we don't taste recipes can we taste it we don't do that somehow my heart is is crazy on love that you say [laughter] and if you do the right thing you'll get a good you'll you'll learn yeah you'll have something you you'll feel good about And by the way, that's why right now in our generation, there's such a upheaval in all of this because the soul is really craving for all of this. That's what it's craving for. The challenge is that those who are educated in Yiddish kite should meaning all the teachers should have the courage to be able to realize how much our yishkite is affected by emotional disconnect and not experiencing this and open ourselves up to the work that we need. Right? Right. The the worst tragedy is when a teacher of Judaism cannot acknowledge the fact that I may have taught Judaism for 50 years blindfolded. That takes a lot of courage, a lot of vulnerability. But this is it. But here's the question. There's more. There's more. So why why why do this? You're taking INFINITE BLISS AND FORCING IT INTO A STRUCTURE THAT'S DESTROYING IT. [panting] You have a beautiful relationship going on the ways before matra. TEACH THAT. TEACH ENERGY. STOP. TEACH ENERGY. That's what you should teach. Teach silence. Teach energy. Let people experience instead words words and then word then more actions action everything with structures. WHY DO YOU DO THIS? Not keep it in the higher level. That's the big sh here. So most people learn the of the mag that the mag is saying I know that's why I'm trying to help you guys. I'M TRYING TO HELP. THAT'S I know this. I know this problem. But the DEB SAYS SO LET'S GO TO GOD. SO WHY YOU DO WHY DO YOU DO THIS to so now we understand with the physical yiddish. It's all one big metaphor, right? Everything is a metaphor. The BMP's idea about stories. He wasn't only talking about stories. Of course, he was talking about the all the stories, but he was talking about the whole Judaism as a story. It's a physical story. Every mitzvah is where's the flow? Where's the wisdom? Where's the energy? So, what does the bos say? That this is what gives you If the mag says that bliss is the glue that connects opposites that means when you have two things that are the most opposite you need a whole different level of tuk to connect them because to connect two opposites is tenuk. So the more the opposites the more tenuk you need. If it's truly truly opposites now, you need the deepest form of tenug of bliss to be able to connect them. So because Hashem wanted this type of tong for himself and for the child and it's the same, it's one. So things become two opposites opposites opposites opposites which the only way you can ever heal that rift is through the deepest form of which is the only thing that connect that. So this is the Bamb is talking about. So here he says it very and then the next he explains. So we'll just learn these lines. The the bliss the way it is in the higher levels of reality. Words, thoughts is always with a measurement based on the reality that is accessing the pleasure. Words have a tinug has a tenug has a tenug. Everything has an element of tenug in it. Just like there's tyog in food, there's tin in music, there's tyog in words. You hear sometimes words eloquency creates a wordsmith. There's this there's tiny. The ideas have tanuk. But everyone accesses tenug according to what it is. The most beautiful niggan is channeling a tinug. You hear somebody playing an instrument. Ah, your heart melts. You hear a niggan. Ah. Wow. Sing it again. Sing it again. It stirs our deep pleasure, relationships, tiny. Everything has tenug. And it channels the tinug according to what it is, according to its capacity. And every food has a different tug, right? There's the tanug in an orange. It's a very special tiny. Does the tiny an apple? Does the tanugan a grape? It's the It's literally says it's the divine energy that gives to the grape. That's what you're tasting. But it's like a story. We only hear, "Oh, it's a good grape." It's not it's a divine. Every perry is another tanug of Hashem. It's Hashem sharing his love with you. The taste of the fruit is just another dimension of him sharing the tug with you. That's really the idea of eating. That's why food is an experience. We turn it in sometimes into a gluttonous we have a very spiritual experience says in that before you digest the food you taste the food is for digestion to become part of your bloodstream to able to live. So what's this whole idea that even before you digest it before your body takes it apart it goes into your mouth and that's where you taste it for like 10 seconds. What is that? So he says cuz that's a madga gavoya yo in the food because that's the of the food that's the DIVINE ENERGY THAT'S LIKE god sharing something with you I'm giving you my flavor could you taste my apple they say hers once said he went to the Swiss Alps when I was in Switzerland I was told this by the Swiss Jews they even say it in German how he said it they asked him why do you have to come from Germany to to Switzerland to the Swiss Alps said when I come after 120 years old I come to heaven I'm going to come to God, God is going to say, >> "Did you see my Swiss Alps?" And if I say no, [laughter] right? Did you taste my apple? This is shearing. So this is tiny. EVERYTHING IS TINY. BUT the tiny is the apple. The tin is the orange. The is the is the But then there's something else. [snorts] There's the source of the that's infinitely beyond any level of tyog. This is where where does tuk come from? I know there's bliss in music and I know there's bliss in wisdom and I know there's bliss in relationships. I know there's bliss in vulnerability and there's bliss in spirituality and there's bliss in ideas and there's bliss in everything in the world or at least many things have a tinug in them. In carpentry there's bliss and in art is bliss and in hearing hearing something. Wow. You know seeing a beautiful gof a beautiful structure. It's all tanuk. But what where's it all from? That's called that's t that's connected to something. It all comes from the source. That means in the source the tug is beyond what we can imagine. It's pure infinite. In other words, if you could touch that's not touching it through something. It's the bliss itself that's behind creation. That's what the bos was talking about. That's the in his comes out throughum in billions of different things that have higher higher lower lower. But where's the this isn't that lowest. So this is where the maga comes together. Of course, there's the and in higher and higher and over there you have the ecstasy of Judaism. It's literally experiential divine energy which has no it's unbelievable and the higher you go the more t there is. So the ask so why did it go into the to the lowest space where the whole tan could be eclipsed? That's like sending away your child far away and you lose touch. You lost touch. The Judaism that we have in a way we lost touch. You could be aid without God experientially. Experientially everybody know I could learn. I could finish shas I can make a shas I can go to shim. I could d with THEM AND IT'S ALL GOOD. And you're going to get my checklist is perfect. The checklist is perfect. But you ask me that I have experienced Hashem. I don't know what you're talking about. Where's that part of the equation? We hatch them, we match them, we dispatch them next generation. You want to invite me to Sham? Good. There's going to be herring. Good. That's Jewish. You're going to bring in a to I don't know that Judaism. You're you're a crazy person. Go. So suddenly the child was sent away. Boom. Disconnect. I don't even know who my father is. I don't even know. So the whole Yiddish comes into ashurim. It's the s changing his garment and lotion which is completely disconnected but in that what do you have you have the but that you have to find that's not in the flow that's the cat that's in the so because he wanted the yerog that yo he put into so the mag is not just saying don't get stuck in and open yourself up to of course he's saying that but he's also saying something deeper of the that gives you a gift THAT'S PRICELESS OF COURSE IT could become a prison of course just like the child could be separated from the father and never come back and remain disconnected but the islapsious of is the secret of the essence that you could find dka in the distance. This is a different type of tanug. This is I want you to have not just the blissful experience limited to your identity but the tanet that comes mish from the core. Where is that communicated? That's communicated dafa in the ma. That's communicated dafka in the mushel. That's communicated dafka in the story. That's communicated dafka in the physical. That's communicated in the space where the there's no connection. And yet there is the deepest connection cuz that is you. And here the child meets the father in a completely new way. So there's Judaism as the dependency, the flow, the connectivity, opening yourself up. That's the that's the higher freer higher. The higher you go, the lessum lessum lessum. And then you go up there. Whoa. It's an experiential experience of the divine energy. And over there you're receiving. You're just a channel. It's amazing. And then you have and is what we do. This is our thing because he says, "But the this is what we do. We're the only ones who could do the misa. That's my body, my animal consciousness, my physicality. And what do you have here? Here you are source. You are the source. Here you're holding on to tanet mam. This is where the relationship becomes so deep because you're touching now the essence of the tug that he cannot communicate through words and through a flow and through a message. It gets communicated only in the distance. A child is far away and there he can give him that. And how does he give it to him over there? Not through words, not through ideas, through the support, through the change of the garment and the language which is very alien. There's nothing here just physical stuff IN THAT STUFF THAT THAT this relationship is created from the stuff of abandonment. It's created from the stuff that are completely ALIEN FROM THOSE PARTS in you where you feel when you gave your son and you say I'm SO DISCONNECTED FROM THAT YOU create it. You can't create it from anything else. You don't create it from spiritual energy like this person the bash does mushel he it's a different type of garment it's a different type of language it's not the language of the king anymore and this is the true thing that's why everything is going to be healed people say how you going to heal this whole people everybody's how you heal the answer is because it the it's the switch the moment you see that that physical thing that seemed so boring that physical part of me that seemed so alone so abandoned, so grub, so brute, so materialistic, the part that's the most ungodly, the part where you were completely severed. You're going to tap into that secret, it's all there. >> Yeah, that's technical. So you have in you have tug and of is the way the tanug is communicated through realities that channel it and that's amazing and that's what the is in the higher worlds and the mitzvah are in the higher worlds but Hashem wanted he wanted the pion I want to it's I'm all in allin means my essence which what's my essence I don't know We don't have words for that. It's completely inaccessible. It's mamish. There's no description, no even the highest level revelations of if it's light, it's not that. But how do I give that to you? And the answer is I can't give it to you because if I'm going to give it to you, what I'm giving is going to be again defining it. This is something that's beyond giving. So, so what are we left with? So, I'm giving you nothing. I sent you far away. We were severed, abandoned. And in that you find in yourself, in your core, you are source. We we're we're in yourself. In those parts that are that are not flow, and those parts that are the completely independent, but that is source. And that's the mushel. That's the mushel of a physical story. It's not it's not reflecting anything but it it has his essence and you're you're going to be the one to see it and it's a completely different language and that's what comes out in the that's the mitzvah the the secret that Jews held on to that in that even though sometimes it comes out in a painful way because it becomes boring and irrelevant and a whole generation abandoned it because it seemed so irrelevant they went to the far East because they were looking for enlightenment. There was a whole generation of Jews. I don't have to tell you. They they were looking for spirit. Jews are spiritual people. They need soul. They need energy. They need enlighten. They need to feel something. They don't want to be dead robots. It's very hard for people to be zombies. People are alive. They need they need power. They need passion. They need love. We need attachment. We can't have dead marriages. We can't have dead relationships. We we we did that. We're done. So, people are looking for that. So it's very easy to go there. >> Huh? >> So all you need is love. But that's not [laughter] this is the ultimate trust and confidence in the child's core. So in the misa there's a secret. There's almost a secret that's not articulated. Not it's not articulated because it's not there. It's not articulated because it's deeper than any form of articulation. That's what he put into the misa and that's the whole idea of the bump. Now what is this? What is this? What are we talking about? [laughter] >> [panting and gasps] >> So that's the next he goes to a whole of where he he he starts teaching us what tug is and why it's so confusing what tug is. What' you say >> sent us away our own identity >> other words let's say in the story doesn't take away I'll add a mushroom imager [snorts] with little things right so the first s comes to him in beautiful like you know you know things I love I have I don't know anything about spiritual I have my own identity I love this is where I get my kind of so the so that we can create almost an illusion of your own identity now to be get to become that own identity you have to become like only only a human being create identity the gave you the kus to create completely separate identity so finally so you send the last sar what doesn't come was king. I think he goes into the carpentry and he says that knob that he made and it actually should be in front of I actually think the knob should be a little bit to the left. goes how did you know this where did you get this knowledge and he says in the little something that he cares about right words that's t something that's I created my own identity I have a physical body gave us and he says where'd you where did you where'd you hear about this oh this is some knowledge about your you know once you get into the conversation he says oh this happens to be comes from your father who's my father and he says let me tell you about your He's a carpenter himself also. He loves carpentry. You think I got to hear more about this father. So he awakens up that tino not based on the on the higher thing but on his own. So mitzvah meet us exactly where we are right >> because we're these complete separate beings who have our own identity, our own thing. And the mitzvah meet us in the so lower lower you get to the of like thing the mitzvah all of a sudden it's like oh you care about exactly how I'm going to spend my morning. You care about exactly how I'm going to fight this this this this this thing this you care about meets us exactly where we are as separate beings and as separate beings. Oh, now we can get excited about coming back to the king because in my this complete separateness, the king also cares about me, >> right? >> Yes. Exactly. >> Huh? >> No. So, like what she's saying is essentially that if we think about the mushel, right? What is the child interested in? The prince is not interested in this father, but he's interested in something. He built himself a hut. [laughter] He became a farmer. He planted himself a garden, right? He built himself a house. Whatever it is, he spends time in the water. He goes fishing. He built himself his little life completely [snorts] not interested in anything else. In the mush would be I have no connection to any higher reality, but I have this little world and suddenly God is so interested in that. Right? And in the details, what did you say? the knob the knob of the door there's a wisdom of how the knob is created. So mitzvah really in other words what you're saying is what the mag is telling us what the bash is telling us mitzvah is essentially hashem saying you know actually when you eat that yogurt in the morning I'm like very very excited about that yogurt I am so excited about that yogurt that actually I have a whole philosophy and wisdom that I developed about what should be done when that cow is milked. And once we're talking about cows, oh by the way, I have this whole thing about cows. I am crazy about these cows. There's like a whole section of right how to deal with cows and how to eat cows and milk and right. I think right that's what you're trying to bring out. What you care about this? So it's it's it's what's the var the V is yeah >> down there >> huh >> connecting over there >> in in into my my that's the world that's he changes his garments and he changes his language because really the in a higher world is not about a cow it's not about a fish right and it's not about building a house but in the child's world that's what it becomes that's in that this is my passion you know you sit down on the floor and you start playing the game with your child. In the beginning, your child doesn't think you're interested. It's like [laughter] Tati is not interested. He's going to his phone, right? So, it's hard. Like, we don't think God is really interested. Big deal. Yeah. Leave me alone. I'm on my own. You could really say that the whole is like God fighting with the Jews. Like, I'm interested. I really care about this. like I'm really care I'm really caring about this you know come on let's face it it's not my little stuff so what's the what's the inion the is he's meala that is atmos is there I care I'm connected to you so suddenly the child now realizes that this whole involvement of his in these physical things is also divine there is a very deep relationship there and not only it's also divine that brings out how divine it is that it's it's the deepest of the deep. >> Huh? >> Always there. >> It was always there. Yeah. It was always He thought he was distant. He didn't realize that this distance of his was really not distant. It was to bring out a different type of connection. We're the connection in his in his own mas in his own deepest mats in his details. In other words, I'm invested. that I'm connected to you in your reality in your identity in your in your facets and then he can open up to everything else through that ultimately you can open up to anything else because there was no real distance >> huh >> that channel. >> Yeah. So emotionally what that means is you know emotionally it's very intense this because no because it means that you know we feel that a relationship with Hashem we sometimes have to amputate certain parts of ourselves certain parts of our heart certain certain parts of our experiences you know it doesn't work it's it's I'm so far I'm so I'm so alien I'm so weird it's it's queasy it's strange change emotionally. We either amputate it or we bypass it or we suppress it or we just go into it and we feel disconnected. >> We fool ourselves. >> Huh? Right. Right. And what the BMP is really saying here is no that that is the whole idea of it's tell me where you are. Tell me where you are and I'll come there. Tell me where you are. Show me where you are. Tell me where you are. Don't tell me where I am. Tell me where you are. That's the misa. Why do I want to come there? Because I want you and you're here. And it's in this where we're actually going to connect even deeper than anywhere else. Because you're going to find it in in where you are. >> Yeah. >> Tino. >> It's a different type of tanuk. >> There are two two-way streets. for >> you're right >> to his father rightiscover him from completely different angle and there's a satanic polish to even experience us where we so far even he could not imagine how far in a way we want to surprise him also >> yeah you have to understand both tugum it's mish both >> yes >> there's the tug of the person that experienced only in the distance like the child loves his father and it's amazing like if you speak in the language of the soul is one with Hashem so what do you need anything else it's galdic there's infinite there all the things it says about an goes it goes through crazy stuff it doesn't even know who it is we forget who we are we're in a goof we're in I could live my whole life completely severed from yourself distracting with this myself again and again and again and again it's crazy pain and all the anxiety that people suffer because of this all the anxiety and it's so deep because even after we all know after we learn these things right you go out and in a moment's trigger I forget every like it's it's all nice but then experientially right even to feel this for five minutes a day is a kadesh It's it's it's it's it's it's real. It's real. You know, there's that voice inside of us. At least I can relate to this. Probably some like like stop hacking a China because you don't believe any of this. You know, that voice too because experientially it's real, you know, it's all nice words and gishmach and all that, but deep deep down like in the ner in the nervous system, you know, we're alone. We're really alone. At least we feel that way. And you you need to know that and and that is where reality is happening. That is where all of this is happening. So what's the is saying that all of this is because what happens through that discovery is something that could have never happened without your without the distance. It's crazy because it's what we spoke about I think she number five what abandon you know what abandonment looks like. You know you're thrown off a cliff or you feel that way and what do you have? have you have nothing you have nothing and he says from there a whole new tug is created is found what is that it's not a that you could say in words it's not like it makes sense I'm going to come back I'm going to climb up the mountain it's going to be a beautiful reunion that's not that so you shouldn't have sent me just to make a reunion so don't send me away it has to be something that it's completely of a different level that we don't even have words to explain the magnitude of it that's what he's saying there's no higher which we don't even know what that is It's an embodied experience that happens through the embodiment that you can experience only through the distance. I I don't know what else to say. I'm just something like that, right? But huh, >> there's nothing else to say. >> But you heard what I said. It's not like, okay, we'll have now a reunion. We'll come back. We'll come back, you know, we'll have a better party. We'll make a This is something you need to embody and you can only embody it in that distance. And it's something that's ah >> the process. >> Yeah. The process. Yeah. Okay. And then there's the tuk of Hashem. The tuk of Hashem is also it's a whole different in other words we we're talking here about our but there's also his >> coming back. In other words, what what are you talking it's it's equally important because if all bliss comes from the divine, imagine what it is to experience the divine bliss from the divine's experience. Like what do you think that is, right? So that's what we're talking about. That's the tanuk. >> That's one. >> I want you to think for a moment. Imagine any of us can experience for 60 seconds a day Hashem's pleasure in you. what what that would feel like even if you can experience with a person imagine you can experience a person's pleasure in you just think about that you know many people don't even know what this what does it look like if you can feel I don't mean words if you can actually feel which is also a big madrega to be able to feel let's say a child or your spouse or a very very close person to you who has bliss from you they they they they look at you and having that connection with you, knowing you, you could feel their bliss. You can feel it. You know what that does to a person? >> Experience it. We will experience this and then >> and not transaction. I don't have bliss in you because I'm making money from you because you gave me a compliment or because I like your sense of humor because you're a good sh because you make a make me a good meal. It's all that's nice but I'm not talking about that. It's not transactional. >> Huh? >> That bliss converts. Yeah. With money. Yeah. What would that feel like? Just another person, another person who's limited, even a child, right? That that experience. Experience. I'm not talking words. I know that this person appreciates me. I'm not talking about that. Whenever we're looking for compliments or validation, we're trying to have a forged version of this tenuk, >> but it's not real. Could you say something nice to me? Because in my own survival template, that will be a forged fake version of this. In the real sense, it's an infinite experience. It's a transformative experience that's from a person. Now, imagine this experience from the divine, which is the source of bliss. So when says, can you feel that? I have a in you. I want to live in your heart. I am crazy about your heart. I'm crazy about I want to I I I see it and I I'm just something enthralling. I want to be there. Why? Me? Yeah. You really? You know me? Yeah. Yeah. I know you. [laughter] I made you. You know you really know me. Yeah. Yeah. I know you a little better than you know you me. You got the wrong guy. they go to the next guy. It's really an experience that's beyond that's really gula that experience of tanuk. So the tanug here is there's the tanuk of the child and there's the tug of the father. There's the tug of the father. That's the language that is created in a whole different level. It's a completely different type of tino. from the child and from the father. >> Try to love your child for 60 seconds. >> Yeah. >> Like that. >> Yeah. >> The heart. The heart. The heart. The heart. No. Yeah. The heart. The heart. An open heart. This is called living with an open heart. Can I give this to somebody? I'm asking what it feels like if I experience is saying can I give this to somebody and he can't fake it. It's not like I like you because I have I have no choice. You know you're my family supposed to hate you or like yeah we're living together we'll make it work. We're not talking about that which is normal. These are all human emotions but these are a lot of blockages to really be able to see that person and to experience that joy and bliss. We it's inner work because we all have it but there's so many blockages of pain and disappointment and getting hurt. So you know we we we shield ourselves against it. We build so many walls. We build a lot of walls. A lot of walls. >> I'll say if you could do it if you could experience that in someone else you'll know what they >> So how do you do it with somebody else? Tell us. I don't know how to be open. >> You have to it's it's it's it's it's really opening. We need to pray for this. We need to pray for it. And we it's it's it's going away from fear. A lot of fear because there's over here is the worst betrayal. We closed ourselves up to this because of fear of betrayal because to get stabbed on that level is very very painful. >> So if I don't have that expectation, you know, I like you, you like me, we do you know it's fine. We protect ourselves. We're not all in. When you're not all in, you're safe. Even if this this doesn't work, I have a part that's not there. The whole is that I am allin. Even not only >> huh. >> It's the ultimate vulnerability. It's the ultimate vulnerability. But the ultimate vulnerability and the ultimate bliss are the same thing because it's everything. What's vulnerability here? Here you got my soul here. Do here it is. So now you have my soul. There could be that connection. Without that it's behind walls. I don't even know it. I'm not going to give it to you. >> Huh? Nectar [snorts] >> one and all. All in one. But here the kdesh is not one and all. All in one. Here it's in the ma >> the gashmi. It's in the gash. It's in the prum. It's in the details. It's in the timum. The simpum. The ultimate symptom becomes the ki for the deepest. >> Even though it's like the says there's no you're far and here something new completely new is created. That's why is only why not there's flow there's amazing flow there's more gilly more gilly more that's like a mush that's like the communicate ideas exactly the glow of the radiance of the what happens the child was sent away I don't even know you well >> huh Yeah, the separateness, the sense of separateness, like we said, it's like off a cliff. I don't even know where where it come comes from. There's no connection. And in that no connection, what happens? So, he sends the s down into your pill into your space. That's the support. That's the mitzvah. And what? Why? What do you need it for? That's the >> higher It's the core. It's the core of everything. That's nitfas in the misa. It's nitfas in the story. It's nitfas in the gash. It's nitas in the child in the child's distance over there. It is just story. >> And there he is source. He's not coming back. He He is the story. You become the story. You're not telling the story anymore. You become THAT STORY. YOU ARE THE STORY. SAY, "AH, I'm the story." Ah, I thought it was a story about me. In other words, it was a story that I had to know in order to live it and get back somewhere. No, no, you are the story. >> I never realized. >> And that's why we need at least one other that comes to the child and say >> who's ready to change change the clothes and the language. >> So, yeah. Yeah, that's really what it is. In other words, I think the story is about somebody else and I have to hear it to get inspired to figure out, you know, where I could where, you know, >> the trigger, >> huh? >> The trigger, right? >> Where I could learn important lessons. >> And here it's like you are that story. You know, you are the you are the mushel and you are the niml. The greatest nimil is you. You are that story. >> Only through the are in the can we have. So, so yeah, in other words, as long as I want to connect only on an emotional level, right? Only in my consciousness and figuring it out. That's amazing. And you need that. You need that. You need to connect. But there's something that's a gift in that in that ma. What is it? It's holding on to something. The ultimate truth of it, the ultimate realness of it. I'm holding on to it. In that part where there's no connection. In that part where there's no separateness. And over there he says, "You have everything of mine." >> And that's inside of you. [snorts] Okay, I think I'm done with my words here. I said enough words. And uh everybody have a beautiful day, an amazing day. And tomorrow we have a woman's class. And Wednesday, we will meet here. Binad 8 a.m. I'm going to try to be on time. Binad. I'm sorry for my delay today. >> This is endless. >> This is endless. Yeah. Thank you for everybody's input. >> Thank you for everybody's input, your feedback, >> your Isus >> on that note. >> Oh, people people that's why I repeated what he said. That's why I repeated. I know. I know. I heard from people. That's why we should give everybody a mic. >> We should give everybody a microphone. One of the best would be to talk at the same time >> or maybe it comes to a certain point somebody says you know why you did well now I'm going to take over I'm going to do this paragraph sheet >> huh silence >> so the truth is like this that that's where everything is leading to it's leading to the moment where we're going to be silent or I'm going to be silent I should say you're anyway silent and uh and uh but two things have to happen. The first thing that has to one thing is hard, but the second thing is even harder. [snorts] The first thing that has to happen is that you will all be able to hear my silence. That's the first thing that has to happen. You'll really be able to hear my silence. So, I won't have to say anything because right now a lot of people can't hear my silence. They just hear my words. So, therefore, I speak. The second thing that has to happen, this is about me, is I will be able to have to be silent and and hear it and respect it and cherish it and and stay there. That's my own work. >> Which order? What's the order? >> That's a good question. That's a good question. >> Maybe if I do my work automatically. Yeah. Them will man up. Huh. >> Question is >> Yeah. Yeah. It's all It's all connected. Everything is connected. >> You know the miser with the maggot, huh? Gavaldica. Huh? >> What happened was there was a yid. What happened there was a tal of the mad and he came to him and he said that he's very upset because he was struggling with something and last night in his sleep it was revealed to him and this morning a push to said this. So the mag told him that it says in the language in in the language is in it's what's opened but comes from the word pes a door doesn't just mean he opened the conversation he opened a new channel of energy in the world once he said this everybody has access to it so the fact that you experienced this last night that's why this Jew this morning could say it. Don't don't feel bad. Oh, he's competing with me and you opened up a pes. So whenever anybody does work suddenly it's like you worked so hard you worked 10 years to get to this and this guy he walks through that's that's your p don't worry it's not competition when anybody does any work today it creates a p so there's a new energy and now somebody goes oh oh I know oh here it is nobody knows you know the sweat and blood and tears that went into that but the pilots's flowing there's a new waterfalls everybody takes water. >> Very [laughter] good. >> No, it's it's it's not part every revelation in physics and technology and science. Yeah. It's because it was it was nisgala. Sometimes there were things that were in my so in the world of science they picked up on it and they channeled it. That's how it is. It's all connected. of them. Ah yeah. Filling up Sahish with them.