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The Yeshiva.net
So today's class is dedicated by Rachel
Rubin
in memory of her father, her dear father
Reb Avraham Leib ben Reb Eli Melech
Yisrael
in tribute and honor of the Yahrzeit on
Daled Elul, the fourth fourth day of
Elul to have his soul ascend to heaven.
May his soul have life and may it should
remain an eternal source of blessing and
inspiration
for you and for the family and for all
of us and for all of Israel.
Amen. And thank you. Thank you very
much.
So we're up to chapter 27, the 27th
chapter.
It's page 149.
And I just here we're coming to the last
piece that we're going to learn.
The the memoir
a few at the end it says uh
after chapter 32 after
the holiday of Shavuot holiday of
Shavuot
It didn't give over the the the
Lubavitcher Rebbe, the Rebbe Rashab, the
author of this memoir, the one who said
it.
He gave out in writing
till the end of chapter 32, till the end
of chapter 32. And then there's one more
paragraph.
So it doesn't even completely uh I mean
the theme is covered
but apparently there was more.
So
we're going to learn now the last piece.
And but let's just summarize
some of the main points.
I'm not talking about detailed summation
but just a general so we'll be able to
see the the thrust.
The memoir we started learning Parshas
Mattos
because it's a possuk from Mattos.
When Moshe Rabbeinu tells Moshe tells
Moshe to take revenge from the Midianim
before he passes away.
And and Moshe speaks to the Jews and he
says "Hey hold some of them."
Let's mobilize from you a thousand
people per tribe, all together 12,000
troops.
Lust says "Nick must have sham the
medium."
To take the revenge of Hashem against
Midian.
And he sends them out.
The question is why this was uniquely
connected to the passing of Moshe
Rabbeinu. This had to be done through
Moshe Rabbeinu.
And it had to be done the last thing
before he passed away, the last big war
before he passed away.
Like so to speak, this is the completion
of his life.
That was one issue. The next issue was
that it you see in Halacha the Meforshim
explained that Midian, the fight with
Midian wasn't to inherit their property.
Wasn't to inherit the land. It was a
fight against Midian, against Midian
itself.
And not only that, Moshe is the only war
Moshe says in the claim "Nick must have
sham the medium." It's the come of
Hashem. It's directly connected to Nick
must have sham.
And he uses the word not "Yey hold some
of them" but "Hey hold some of them."
I'll be dictating could have said "Yey
hold some of them." Some of you should
be mobilized. "Hey hold some of them"
means all of you. And then he says some
of you.
That was the introduction. From this we
went into the long discussion what
Midian is. The word Midian comes from
the word Madon. Madon means quarreling,
fighting.
The river, like it's disputes.
In the kind of the word Midian comes
from the word Madon. And that's what it
says in Zohar.
And in the case we have a reason
that the opposite of Midian and Kadusha
is Aava. And in Klippa and negativity
it's Aiva, it's hatred. Midian is a lot
of fighting.
And this started the whole explanation
that therefore Midian is the very
antithesis of Yut Kay Vav Kay, of Shema
Yisrael, of Nick must have sham. Because
the definition of Kadusha is Achdus,
unity.
Versus divisiveness.
Eisav says "Yesh li coil."
I'm sorry, Eisav says "Yesh li rav."
Yakov Avinu says, "Yeshli coil."
From this, he went into the holy union
of sinas chinam.
Of hatred.
And then the hatred is called the hatred
of chinam.
It's baseless. What does it mean it's
baseless? Doesn't mean it's baseless,
there's no reason.
When somebody hates somebody, there's a
reason for it.
But we're calling that reason sinas
chinam because
it's essentially
your metzius that I can't tolerate. It's
not that you push it did something to
me. And the question is how bad it was.
Can I forgive you?
That's not what it is. It's basically
there's I have a problem with the very
relationship. Your existence
Your existence, your being, your
identity is dangerous for me. And this
is the long long explanation that we
explain what that means. Because the
person's own brokenness, the person's
own route, the person's own yeshes,
their own brokenness from the ein sof,
and therefore
a relationship, a real connection is
dangerous. It doesn't have to do with
what you did. I'll already find a
thousand things you did, don't worry.
That comes afterwards.
But I'm not It's very hard for me to
identify the core. The core of it,
that's the issue. Things you'll find
every day. You'll find a new new is
There's something called today they call
it confirmation bias. You know what
confirmation bias means? Your bias means
if you have a certain hanacha in your
head and your heart, this is the way it
is. Yeah.
You will find everywhere proof that
you're right.
Yeah, the most basic example for this is
and this is unfortunately not uncommon.
A child decides in the school that he's
stupid.
He's unworthy of attention. He's
unworthy of success. He can't learn. He
can't succeed. Yeah.
And he has proof.
He got on his test, he got a 45. So,
that means you really
you're a failure at. Only one problem,
the next test he got 99.
So, what does he do?
He says, "Oh, everybody got 99. It was
an easy test." The next test he got a
105 with extra credit.
He says, "The teacher cheated for me cuz
he felt bad for me cuz he knew how sad I
was, he felt bad for me."
And so, the next few tests the next few
tests is, "Oh, this yeah, this these
answers were simple here they wasn't a
real test." And then after another 10
tests he gets a 65. "I told you I'm
stupid."
In other words, there's a pattern.
Everything is going to fit in that
pattern. Now you have the opposite
child, the child who thinks he's a
success story.
Right? He's he has the wisdom of Slymom
Malach.
Okay? Varaya, he got a 100 on his test.
The next test he gets a 45. He says,
"The teacher, you think he knows how to
make tests?
Doesn't know how to make tests."
And the next one? "Yeah, he's trying. He
had the teacher has a problem. He
doesn't want me to win. He wants the
other boy to this."
So, of course of course I'm failing. And
then the other one, "Everybody failed.
He doesn't not ask questions and I
didn't have time to prepare and my was
never here and I was sick." And then
after another 10 tests he gets a 90. "I
told you I was smart."
Who's right?
The answer is that's confirmation bias.
In Pirkei Avot it says, right? Lo yisa
kachad. There's different types of
bribery. There's a bribery of money.
But there's even a deeper bribery. A
bribery of money you could see.
You could see, right? He gave me
$10,000. He gave me $100,000 for
shachad. There's a check I can deposit
in the bank.
They say that there was once a
Sh'teh d'chashecha d'yavah. Shachad
makes people blind.
And then
that's a That's a cute joke. There was a
love, unfortunately, he was known to uh
be susceptible to bribery. He got older,
he got deaf.
He was hard of hearing. So, his wife,
you know, a wife always knows what to
say. She said, "I don't understand.
It says a shochet ya'avah, you should
have become blind. Why did you become
deaf?" She asks her husband.
Maybe she had to write it on a paper,
she had to scream, I don't know how he
did it.
So, he says, "I never saw the money, I
just heard the promises."
They never actually gave the money.
The shochet was not with my eyes, was
with my ears. They pledged. They
pledged.
But shochet
there's there's money shochet, there's a
much deeper shochet.
And that's the shochet we're talking
here about, and that is my internal
system
is trapped in a certain way of looking
at things.
And everything is going to be
a confirmation to that. And if not, I'll
find some explanation for it.
That you have to address because it has
very little to do with the person you're
having a relationship with.
It has maybe a little to do with that,
but it has to do with my own internal
image, who I am as a person. That was
the whole arichus about
what sinas chinam is. So, you're looking
at that, you're hating the other person,
it's really yourself that you hate.
You have not made peace with yourself.
And that's the whole the kodesh he
speaks about bitul and yeshus and what
kdushas and what sitra achra is.
One is ein sof, one is connected to the
ein sof, one is the source of ein sof.
And from this he went into the idea of
unity. Does unity mean
no differentiations? No, unity means the
inclusion of diversity.
On the contrary, everything has in it
everything has in it uh
paradoxes.
And when I could connect with the
paradoxes in me, I could connect with
the paradoxes outside of me.
This was the
long long
and then in
how people deal with other people that
they can't stand and have to put down
people and denigrate people, especially
people
who you feel could become a competition
for you because they're on the same
frequency and sometimes it's disguised
that I only love simple people, I don't
love
people with you know, personalities and
really it's my own issues. This was a
long long discussion. And there could be
the issues, the arrogance that comes in
from the of mirirus, frustration which
seems like very very refined and but
it's really feeding off this toxicity
and even the of simcha and so forth.
But after this whole after this whole
explanation he said now we understand
what
nimas Hashem is.
And this had to accomplish. had to
achieve it.
And why the sin of sinam is responsible
for the second golas.
Because it's not as particular
the seven nations represent the seven
nations.
It's the source of the seven nations.
It's not even one of the seven nations
that had to conquer
it's the source of it. And
is the one who who embodies the
real and therefore
powers the Jewish people to do this and
that's the
because everyone is mobilized in this
war.
In order to understand this on a much
deeper level, he went in and
to the whole discussion of how unity and
diversity works in the beginning of
creation. And from this we went into
and
the whole
and who came which then brought us into
the letters of and and
and and the
like we spoke of last year and
and
that there's a paradox there but they
come together because in
you have the ultimate the three billion
have the ultimate actors, but it's
and that comes out in the two names of
Sham and Likud.
That's uh very, very brief summation of
at least some of the subjects that we
touched upon.
So, now he goes Perek Let's see Perek
Havziya.
Obedinen.
To understand this more, you have to
have to kill the Indian element of Gili
Bashai the Shaddish.
You first have to understand the element
of Gili. Element is concealment and Gili
is revelation in the first first source.
Chachma and Bina, we said Chachma is
element.
Bina is Gili. Why? Chachma is the way an
idea is completely concealed, and it's
emerging from its concealment. And even
after the epiphany, it still remains
nebulous. It's not concrete. It's not
tangible. It's not defined.
It doesn't have many issues to define
it, as we explained in the previous
classes. Bina is Gili. Bina Bina is all
about manifestation. It's clear. It's
articulate. It's definitive. You would
think that Bina is deeper than Chachma.
Really, element is always deeper than
Gili cuz the reason it's untangible is
because it's rooted in the subconscious.
It's a flow that comes from a much
deeper place. So, it's more infinite.
It's not so structured.
It's not so structured. Bina is all
about structure. That was the element of
Gili. But he says element of Gili, or in
other words, it's iron and yesh. Iron is
element. No thingness is concealed. And
yesh is Gili. Yesh means it's tangible.
It's manifested. Yesh is just one way of
defining the iron. It's the way the iron
becomes congealed. It's like the water
becomes frozen in ice.
When the water is fluid, I can't I can't
control it. A piece of ice, I could hold
on to. I don't know if I can hold on to
it. It gets a little cold, but at least
I can put it in my mouth.
Right? It's defined. I could put it in
my mouth. I said defined cube, whatever
it looks like. Well, of course, water
you can also put in your mouth. But the
point is water is a fluid. It's not It's
not congealed.
So, he says element of Gili begins in
the first Shaddish, where Kamai Shamai
Razal This is the Kamai Shamai says in
the
beginning of the creation of the world
in the beginning was darkness and then
was light.
What's the meaning of this? This is a
very interesting piece in Kamaya Shabbos
as he says in the footnote 136. Kamaya
tells the fascinating story that
met
the was a time of
Kamaya
was one of the greatest
and
was standing at the door of his house
and saw that his
is
he's in what you would call in a very uh
in a charming mood in the in a festive
uh
in a joyful mood but the title
and tells
you can ask me any question
and
I'll answer you any question
in the space of the universe meaning
anything you want to ask about the world
in the whole in the whole space of our
of our world you can ask interesting
expression.
So the has an opportunity of an
opportunity of a lifetime the God will
die
is saying frag was the worst right?
what's
the lotion
shall we many at now?
Yeah and
ask whatever you want. So the ask the
question you know what his question is?
My time easy mask in duration.
Why is it that in most farms
and fields the goats go ahead of the
sheep?
If you were to be given an offer to ask
one question in life from the greatest
one of the greatest personalities alive
what would you ask?
Why do the goats go before the sheep?
Usually if you have sheep and you have
goats the goats go ahead. Why?
So the Buddha said kibble shall I love
They follow
the trajectory of creation. How did
creation happen? But they shall
first came dark for the night and then
came light. So that actually says stump
is in shoulders the stump
is the bonus.
Generally goats are of a darker color
and sheep most of them are white.
So who goes first?
Darkness goes before light and the goats
have a dark color. So of course they go
ahead.
By
first came night then came morning.
That's how it follows and that's how we
follow in our right night comes before
day. You don't start
Shabbos morning. You start Friday
evening by sunset.
That's what he does answer to the same.
So
it's an interesting question. It's an
interesting answer.
So obviously there's a there's a
profound
wasn't stump.
Say that wasn't his whole life he was
thinking why the goats go first.
It's a question to ask Buddha. And then
the Buddha gives him some answer.
So the husband is So this is going to be
the husband. The Buddha were addressing
something very deep.
And that's the good here.
Helen begin
We spoke before about
the winner.
Or what you would call later stages in
the
development of creation.
But in the first
in the beginning of creation you have
darkness and you have light.
You have Helen concealment and
revelation.
Vice
Leo's
Helen over or maybe Helen.
And therefore you also have the unity
that we're talking about the paradoxical
unity.
That from darkness came light.
From concealment came revelation and
therefore the opposite also. From
revelation you can go back to
concealment.
Just like we spoke the way it's
manifested in Hokhmah and Binah. Hokhmah
and Binah are really opposites.
And yet they become two friends that
work together. Not always, but generally
they work together. The wellspring is
morphed, develops into a river. The
nekudah of Hokhmah
gravitates to Binah that's the
in the lower part of the yud.
The lower the protrusion, the lower
protrusion, thank you for the English
word, of the yud
it gravitates to Binah. And he said from
Binah you come back to Hokhmah. That's
the
going back to the core of the idea.
Even though essentially it comes from
two different places in the soul, it has
two different characteristics. Hokhmah
is not
and Binah is
Hokhmah is and Binah is
Hokhmah is to
Binah is you grab, you you own, you
control.
But nonetheless, he says because they're
rooted both in the source which is
undefined, Hashem himself,
so therefore Hokhmah and Binah are one
in the source because Hashem is not
defined by by concealment or by
and therefore even the way it's
manifested in the human psyche, the two
not only work together, but they work in
and there's a special unity between
them.
As I told you the Zohar says they're two
inseparable friends.
Even though you see that it's clearly
two distinct things and there are people
that have a
talent and skill for Hokhmah and not for
Binah.
They're the ultimate inventors and
creators
but can't articulate or explain and then
you have the opposite. Those who are
extraordinary
um communicators and developers
but don't ask them to come up with the
idea cuz you're not going to have
anything.
Nonetheless, the two come together.
So, he says this starts off not in Bina,
it starts off in the source in the
beginning.
That from darkness came light and from
the light you go back to concealment.
What's the meaning of this? What's he
talking about?
So, literally he says he's talking about
night and day.
First came night, then came day. But
that itself is a manifestation of a
deeper reality.
So, here we come to the famous
in Kabbalah that are articulated and
revealed known as the Tzimtzum.
What it says in
Eitz Chaim, the tree of life is a work.
It's one of the most seminal works of
Kabbalah
that
was written by his student Vital. Vital
was
a student just for 2 years from
1570 to 1572 when he passed away and
he only taught for 2 years after the
passing of the
1570.
And he
then took over and taught for 2 years.
He was his prime student and he wrote
down many of his teachings and one of
the most famous books is Eitz Chaim, the
tree of life. So, in the beginning of
Eitz Chaim it's divided into portals and
chapters.
Every chapter has a name. Like the first
chapter is
every chapter has its name and then it
has chapters. So, he says in the
beginning of Eitz Chaim he says
chapter 1.
He says he says the pre the first
Tzimtzum. And when we say pre I just
have to say it doesn't mean a day
before, a year before. It's pre there
was time. Time is also a creation.
If time is also a creation, right it
says
that
was also created.
B'reishit, time was also created. Not
just matter and not just space, but also
time. That's B'reishit bara Elohim et
hashamaim v'et ha'aretz.
Shamaim is heaven. Aretz is earth, but
shamaim represents space.
Aretz represents matter, and B'reishit
represents time.
And all three were created together.
Time and space and matter. If you have
matter, you have to put it somewhere.
If you have to put it somewhere, there's
a time, right? When it's when it exists.
So, the three exist, the three were
created by Elohim who transcends time.
So, the Arizal says, "Before before
Briat Olam."
Which is before the tzimtzum. Again,
before means before there was a before.
Which is very hard to imagine, cuz we
live in a world of time. But, before
there was a concept of before, that's
what kedem means.
Before what we call tzimtzum rishon, the
first tzimtzum, the first
act of withdrawal or act of restriction
or condensing
or shrinking
which is called makom panui, an empty
space, Ein Sof filled makom ha'halal.
Filled Halal means the emptiness.
The empty space, what would later become
our this, was filled by Ein Sof.
Ah.
So, when Rebbe Yehuda told Rav Zeira
he says, "Ask me all the questions
of Halala d'Alma."
All the questions about the Halal, the
emptiness. He uses the word in the Halal
of the world. Ask me anything about the
world. You can ask me about the stars,
you can ask me about Mars, you can ask
me about goats.
But, the words he uses is Halala d'Alma.
And what does he speak about the goats?
And Rebbe Yehuda
says, "This is Briat Olam,
first darkness, then light."
So, the Arizal says, "Pre-creation, Ein
Sof, the light of Ein Sof filled
the entire expanse and the entire space
of what we would later understand is to
be a world.
That whole reality of life, the reality
of existence, the reality of the world,
the reality of Metsius pre-creation,
what is it? It's Ein Sof, it's light of
Ein Sof fills it.
So, there was only the revelation of Ein
Sof, the light of Ein Sof, the light of
infinity, the way it was, the way it is
alone. Shall I say on this the Hazal
say, this is an expression in Pirkei de
Rabbi Eliezer that comes from Rabbi
Eliezer HaGadol, Rabbi Eliezer ben
Hurkanus, Rabbi Eliezer
the Rebbe of Rabbi Akiva, one of the
greatest Tana'im in Pirkei de Rabbi
Eliezer, he says, "Actually nivra olam
v'hu shmo bilvad."
Pre-creation was him and his name alone.
This is an Ices of Pirkei de Rabbi
Eliezer, it's not Ices of Kabbalah.
The Arizal puts it, "Ein Sof memaleh kol
makom panui."
U'k'mo she amarnu v'saying davening,
"Ata Kadosh v'shimcha Kadosh." You're
holy and your name is holy. So, you mean
you're holy and your name is holy?
You're holy, your name is holy, no.
It's two things, it's Ata and Shimcha.
V'chein in Mincha davening we say, "Ata
Echad
Ata Echad v'shimcha Echad." You're one
and your name is one. If you're one,
where is there a name? But, somehow
there's "Hu u'shmo."
We say it in Alenu, right? "B'yom hahu
yihyeh
Hashem Echad
u'shmo Echad."
The two elements.
What does this mean? "Shezeh nikra
shezeh b'chinat Malchus d'Ein Sof she
nikra Shmo HaGadol Shmei Rabbah." I
mean, yeah, Shmei Rabbah, Shmei Rabbah,
"She kol ha'olam u'melo'u b'rachamim."
The name
in Kabbalah it's called Malchus of Ein
Sof. It's called his name, Shmaya Gadla
Yihay Shmay Rabba, the great name,
M'varach.
And that name was subsumed, Kalu means
subsumed, included, submerged in M'husa
v'Atzmuso, M'husa v'Atzmuso, in his
essence. What does this mean?
The name, just to give a simple example,
the name of a person, we learned this in
a few of them in my Ma'amar Malchus
d'Iteira. The name of a person is the
You don't need a name for yourself.
Right? You don't speak to yourself
usually by calling you You do it You You
speak to yourself with your name?
Like you say, Nechemia, it's time to
wake up. Sometimes people do that,
right? They talk to themselves with
their name. But usually
Uh, you try?
For yourself, you don't need a name,
right? I know myself for myself.
But somebody else, how does somebody
else call me? So, a person has a name
for other people to be able to reach out
to them. That's the special of the name.
Also, a name allows us to have contact
with it. If I want to tell you If I want
to describe to you a goat or a sheep or
a deer, without a name, what am I going
to describe to you? Unless I'm pointing
to it.
So, names allow us to be able to
articulate and bring ideas of the world
into conversation, into communication.
Right? Give me your sheep. Give me your
goat. I saw a camel yesterday. I saw a
deer this morning. I saw Names. The
squirrel itself doesn't need a name. The
squirrel is a squirrel. But for us to be
able to describe it, we have names.
Va'yikra Adam. Adam is the one who gives
names.
It articulates the world for us. Also,
when you say name, it's referring to
reputation, like Kesser Shem Tov. You
say, this person has a name. He has a
name of
Let's Let's a good name, yeah. Let's
keep it positive this morning.
A good name. Only a good name, Shem Tov.
What do you mean you have a good name?
It means the way you're known. I I don't
know your essence. I know your name.
Your name is what's called your light,
your hispagasus.
The way you have an impact on people,
that's your name.
When you think about Hashem's name, what
does it mean? It means the way the ain
soph
becomes known. It's the light of ain
soph. That which ultimately is
transmittable and transmitted to have an
impact, to become the engine of the
universe. That's the name.
Pre-creation, Hashem also had a name,
but the name was completely part of his
essence.
They weren't separate. Oh, you who shmoi
bilvad, then it was lavat.
So, what was reality? The only
definition of reality was is
pre-tsimtsum ain soph, infinity.
God's infinity, undefined infinity.
Uh, right.
The ach ach tsimtsum is atsma. Then
comes a tsimtsum. What's tsimtsum?
Tsimtsum is he
uh
Yeah.
Vinestalic
ha ohr ha eddishon vinichlal baatsmus
ain soph.
The ohr, the ohr ain soph that's mamalei
makom achalul.
The gili, the revelation of ain soph
that fills
this space. What do we mean by space?
Space is Again, there's no physical
space. Again, we mean space as a
concept.
But the entire space that we will later
call a universe is filled only by ohr
ain soph. That light is withdrawn.
It's concealed.
It's absorbed in Hashem's essence.
Viloi nishar akrasham me ha ohr ha
eddishon chinnis nikuda achas lavad
kinikuda diyud.
So, what remains is only a roshem. A
roshem is a an imprint, the residue,
the remains of the original light, one
nikuda, like a yud.
Like he spoke before with the mashpia
and the mekabel, that he wants to
communicate the whole ohr, but he has to
first conceal most of it, and only a
nikuda remains. The nikuda zukai lealam
kol masha efshali is babaseder
hishtalshelus.
This Nekudah includes everything that
could later develop in the system of
evolution of all of the worlds. It's
called Seder Hishtalshelus, the system
of evolution of all the worlds, it's all
in that Nekudah.
That little seminal point, which is the
remainder of the light. The light had to
be concealed. Why did the light have to
be concealed? Because of there would be
no Tzimtzum,
so then the definition of reality would
be pure Ein Sof.
There would be no differentiation, there
would be no division, there would be no
I.
There would be no sense of I.
There would be no sense of I outside of
of the light, outside of Ein Sof.
Hashem wanted there should be a world
and a Mitzios of a world, so that
Tzimtzum is what allows for the
existence of otherness.
So if he remains fully manifest and
present and revealed,
so then everything is Ein Sof.
The Tzimtzum is a withdrawal.
And now there is created what's called a
Makom Panuy, an empty space.
That empty space, the void in a revealed
way
of the infinite light, that becomes the
space in which existence emerges. And
when you say existence, we mean all of
existence, not just the physical world,
all of the worlds, what's called here
the whole Seder Hishtalshelus, the whole
system of reality from the highest to
the lowest, it's all in the empty space.
Again, I say empty space, I don't mean
graphically, visually a empty circle,
but the concept of empty space.
Which is not also space because how can
be created space?
Yeah, so this was the big argument of
the Tzimtzum as Kipshuto, as we like we
spoke about it a few times.
In in in the Ba'al Shem Tov and the
Ba'al HaTanya, etc., believed very
strongly that Tzimtzum was not Kipshuto,
meaning
it's concealment, it's not removal.
Tzimtzum doesn't mean he removed the
light, he concealed the light.
So, the Ein Sof is present in the empty
space, but it's not perceived that way
in consciousness.
You wanted to ask something?
After the tzimtzum,
is there anything outside of the chala?
Of course.
There's everything outside of the chala.
He's saying if after the tzimtzum,
that's why it's called the chala. In
fact, in Etz Chaim, there's a little
picture over there. The picture is
there's a circle circle, which is empty,
and then there's a line that comes into
the circle that's called the kav in
Kabbalah, that comes from the Ein Sof
that's outside of the circle. That's
where there was no tzimtzum.
The tzimtzum happened creating a carving
out an empty space where the Ein Sof
before the tzimtzum, everything was
filled with Ein Sof.
The tzimtzum achieved that now there's a
circle that has empty space, and where
did the Ein Sof go to? It went to
outside of the circle, that remains.
That's called Ein Sof shalem mayla me
makom ha chala, beyond the place of the
emptiness.
What does that have to do with
That's called in Kabbalah igul hagadol.
Igul hagadol shel lifnei hatzimtzum. The
great circle.
Igul hagadol, huh?
It's not cuz they're undefined.
Certainly not in the way of te, over
there over there
Huh? That's Ein Sof.
Creation happens within within the makom
ha chala, within the empty space where
the tzimtzum happened.
That's where there can be histaklus.
So, he says, but there was a roshem left
over from the Ein but that's like a yud,
it's a nekudah.
And in that nekudah you have everything.
Everything that's later going to be
fleshed out and developed from the
highest to lowest is all in that yud.
She sham as she nisha ha nekudah acher
hatzimtzum.
This is the nekudah page duration on the
nekudah after tzimtzum de liyois da Ein
de rishon ya shalom as a kabbalah as a
klal.
sends the original light.
The elements can't receive. There can't
be a world. You can't have it both ways.
So he concealed the light within
himself.
Only a small point remains. So efforts
could say you, this is like
a little tiny edge of it.
What could be revealed in the world and
they won't
forfeit their identity.
It's like the metaphor we spoke earlier,
chapter 21 of the Mashpia, the ultimate
teacher and the ultimate student, the
giver and the recipient.
If the Mashpia, the real Mashpia, the
real teacher, the real mentor
is going to share
his full light and majesty and wisdom
and depth,
the student will not get anything out of
it.
Why? Cuz it's above him. It's completely
beyond him.
It will just blind him, it will
overwhelm him at best. So what does he
have to do? The first thing he has to do
before anything is Tzimtzum.
Tzimtzum is create space
where the light is not manifested. What
does that mean? He has to conceal.
Doesn't have to disappear, but he has to
conceal when he's communicating.
Not when he's communicating with when
he's communicating with his student, he
has to Before he's communicating and
while he's communicating, he has to
conceal the full depth of his wisdom.
But he can't
conceal everything cuz then what are you
communicating?
If there's just an empty space, so
there's nothing there.
So one Nikuda is left.
That nakuda is that aspect which could
which could be communicated. Everything
else is filtered. Everything else is
filtered out. Everything else has to go
into a state of concealment. Just one
one one nakuda, one seminal point that
still has to be developed because it's
still beyond.
That's why you need the hey, and you
need the vav, and you need the hey.
That's just the beginning. That's the
yud.
So, the yud is still
for for the mashpia, the yud is like
nothing, but for the mekabel, the yud is
also too much. You can't just
communicate the yud. It has everything
inside of it.
But, it's still too intense. It has to
be fleshed out. It still has to be
developed.
Obedugma k'zo l'ma'ala. So, this is an
example how it's by Hashem sh'yesh al
ma'alah atzmi v'nish'ar rak nakudas
haroshim
sh'hu l'fi erech ha'olamos.
What remains is nakudas haroshim, a
point, a roshem.
A roshem is again, like you say, it's
like a glibina roshem. You know what a
You know what a roshem is, yeah?
Uh?
An impact, a residue, something left
over.
You know, you're you're writing a word
on a piece of paper. Even you erase it,
you can't see the word, but there's a
roshem. There's a b'tzal roshem. Some
residue, some some You dip your hands in
oil. Even when you clean your hands, but
something Tz'ar roshem remains.
Yeah.
It's a reshimu. It's It's some impact,
some some residue, some surplus. Some
Some A roshem is there. It's called
nakudas haroshim. That remains. That's
the yud. Sh'hu l'fi erech ha'olamos.
And that reshimu, that roshem, uh, this
is already an energy that can create the
worlds. That could create the identity
of the worlds, and they will be the
worlds the way they're supposed to be
according to Hashem's plan.
Put in Kabbalah an interesting thing.
The Mishna says in Kiddushin isha
nikneses b'shalosh d'rachim, b'keseph,
u'vishtar, u'vi'ah.
Marriage happens through one of three
things, yeah?
Kessef, money,
or shtar, a document, or bi'ah, the
relationship.
The minic today is that Rambam says in
Hilchos Ishus, "V'Nahagu Kol Yisrael
L'Kadesh B'Kessef O
B'Shaveh do the other Okay, bi'ah,
Chazal Rav Mangid Amarna M'Kadesh
B'Bi'ah M'Shum Prutzusa. They don't want
bi'ah, but but shtar you can do al achas
kammah v'kammah, you can give a shtar.
But the minic is we m'kadesh B'Kessef O
B'Shaveh Kessef, either with money or
with something that's worth money.
The Rama brings in Shulchan Aruch
that the minic is not just money or
something that's worth money, but
B'Taba'as, you give a ring.
This is one of the places that the Rama
says that the source of this is Zohar.
The Rama in Shulchan Aruch, it's very
rare that the Rama says this is what we
do, this is the minic, and the yeah,
it's the source is Tikunei Zohar.
Tikunei Zohar in the Gemara doesn't say,
but in Zohar it's brought in Tikunei
Zohar to be m'kadesh B'Taba'as, to to
patrol the woman with a ring, and that's
what that's what Kol Yisrael does today.
Chassan puts a ring on the kallah's
finger, they have m'kudash as a liba
taba'as, Zohar says that's much more
result, but it's essentially shaveh
kessef, it's essentially something
that's worth money. You can also do it
with a dollar bill, you can also do it
with a hundred dollar bill, you can even
do it with a million dollars if you
want.
Ki Yikach Ish Ishah.
So, it's explained I once saw a taba'as,
a taba'as, a ring,
is very similar to the tzimtzum.
Right? Because you have an empty space,
you have what's called a chalal hamakom
panui, it's called a little makom panui,
empty space, and then you have
the light that circle encircles it.
And it's a circle. There is Al says that
the tzimtzum is a circle, the chalal is
a circle, that's the picture. Why is
that so important? Because
the circle, uh,
equal exactly, equidistant from all
parts of the circle.
Right? It's It's It's It's the exact
distance.
Because the tzimtzum is radical. The
tzimtzum is is is so powerful.
So, the tabas, you have the silver or
the gold, whatever type of ring it is,
that encircles the cover the khasana.
That encircles encircles uh encircles
the empty space. And then you have them
the You have to have the empty space cuz
if you don't have an empty space in the
ring, if you don't hollow it out, you
can't put it on to the finger, right?
Where you going to put it? You could put
it into your hand, but you want to put
it on the finger. You put it on the
finger, and she she tightens it on the
finger.
So, so the finger is the radius that
extends out that extends into the
circle.
Oh.
So, the finger becomes the space.
The finger the space of the ring could
now adorn and dress the finger.
So, it says in Kabbalah that essentially
this is repres- manifestation of
tzimtzum. Because the muscle we're
learning about mashpia and mekabel is
really in every relationship, in every
relationship.
The first thing that's required in a
relationship is tzimtzum.
Space.
And it's not a small thing.
It's not a small thing.
It sounds easier than it is to do.
The creation of space
could be a very very difficult thing.
What does it mean literally space? I
have to create space where you I let you
into my life.
If I don't create that space, if I'm
filling the entire space of my life,
you can't come in. There's no space for
you.
And that's And creating space is the
prerequisite.
Because it means I'm carving out a place
in myself where you can exist.
Where there's a relationship with you.
And you not on my terms. I could say,
"Oh, you know, I'll have a relationship
with you on my terms. I don't have to
carve out space. You carve out space.
You fit in. I'm not going to fit in, but
that's not a relationship. That's a
relationship with me, not with you.
Huh?
Well, with a woman it's a little
different because Hashem made her Hashem
the Hashem
Hashem created that a woman has space.
The tzimtzum is is is the way she was
created. Do you understand?
The word Hashem womb the man else is
comes from the word Hashem on us
compassion.
A womb means a place of empathy. What's
what's is a womb
A womb doesn't create a baby. A womb
contains a child. That's what a womb
does. Creates a space where the infant
where the fetus can be safe.
And that's what Hashem is. That's what
Hashem is. Compassion is I can't change
your situation, but I could contain you.
It's called being an empathetic witness.
And that's very powerful.
We think it's nothing. Women know Hashem
is everything. You say, "What's empathy?
What would Give me alone. Give me alone,
you know, fine. I understand."
You know, sometimes men are very
solution oriented. You tell me a
problem, I'll tell you what to do. I
don't need you to tell me what to do.
The question is can you contain?
Can you become an empty space you could
just contain?
It's not easy. Without my opinions,
without inserting everything I know
about this, just contain what is. In
other words,
it's really believing that the person
has the answers. You just have to be
able to give them space.
And it's a very interesting thing when
you do it, you see that people have
their own answers. People have answers.
But they what what I need to do is
really validate, really give it space.
And then it already comes out what has
to come out. So, in every Hashem the
first thing Hashem created the world cuz
he wanted to get married.
The whole
What's the first thing you have to do
before
marriage? Tzimtzum.
If you're not ready for tzimtzum, you're
not ready for a relationship.
So, tzimtzum is not just some cosmic,
transcendental, spiritual idea. Tzimtzum
is really the driving force of life.
Tzimtzum is really that courageous act
of
withdrawing myself and truly creating
space for the other.
Now, you have to understand that
this could be very, very risky for a
person.
Because if I'm creating an empty space
and I'm letting you in, what happens if
in my mind you're dangerous?
And it's not that you're dangerous. In
my mind, you're dangerous. Why? Cuz
every relationship is dangerous.
Why? Because the last time I opened
myself up to a relationship, what
happened? You didn't just come into the
empty space, you came in with a dagger.
Psychologically or spiritually. I'm not
making any tzimtzum, sorry.
There's no tzimtzum.
To make a tzimtzum is a very hard.
It's not a simple thing to do tzimtzum.
But what happens in this tzimtzum? The
he leaves over only that
only that little little
Why can he leave over that cuz that
that little imprint of light that could
be communicated?
That's like the mashpia.
Before I teach, it's a relationship. I
have to ask myself, what is my student
capable of really receiving?
If I'm going to start expressing a lot
of teachers, a lot of communicators,
they're busy expressing themselves,
they're not teaching. You understand the
difference?
The Yaffus writes, you know, the Yaffus
was the Baal of Floor.
The Pinchus
Horowitz, a student of the Maggid.
He was the Rabbi of Frankfurt, Frankfurt
in Germany.
He was from the Ador.
He wrote the
Amakna Kedushin,
a Fla Mesaches Ksivus, the Baal a Fla, a
Fla is a Rav Pinchas Levi Ish Horwitz.
He has a sefer called Pnei Yafeh on
Chumash, very interesting sefer. Halacha
mit Kabbalah mit Ksivus, it's a mixture
So he says over there, I think in the
introduction I saw
The Gemara says in Chagiga, im haRav
domeh lemalach Hashem Tzivos, yevakshu
Torah mipihu. If you want to learn from
somebody, make sure he's an angel. If
the Rav if your Rebbe is like an angel,
learn from him, if not, don't. You know,
that's a great qualification, right?
Just canceled out.
So first of all, how are you supposed to
know what an angel looks like? How are
you supposed to know if your teacher is
an angel? What is exactly what pshat is
a malach?
One way of saying it is
az nisht kein mensch. Just joking.
Not being a mensch doesn't mean you're a
malach, right? Just means you're not a
mensch.
So uh
So he says something very, very
interesting. He says the says in
Zecharya uv'nasati lecha mahalchim bein
ha'omdim me'alah.
I'm going to I'm going to uh I'm going
to give you the ability to walk around,
to move around between the these people
who those who stand. So Chazal say omdim
malachim and malachim are neshamos.
Angels more or less they stand in one
place. It's like they orbit in their own
station.
Neshamos that come down into this world
can really transform themselves. A
malach, he is who he is, he's like
pre-programmed. Malach Michael, you
know, his moods are not changing. He is
who he is. He's chesed, malach Gavriel
is gvurah.
So he's called an omed. So he says the
Rebbe, the Rav has to be domeh lemalach
Hashem Tzivos. Pnei Yafeh says like
this, many teachers, they're giving a
shiur
I want to give a shiur and I want to
feel creative. I want to express myself.
So what do I do? I don't want to stand
in one place. I want to move and move
and move and move and move. He said
"But, that's not what the student
needs." So, he said, "A rav damah
l'malach Hashem Tzva'os. If the rav is
like a malach, he's ready to be an omed.
He's ready to stand in one place. He
learned the Gemara a thousand times. Why
should he teach it again?
Why should he teach it again? He wants
to say chiddushim. That's not what the
student needs. The student has to
understand the simple p'shat in the
Mishnah, the ta'am sh' ba'avah Mishnah.
Aleph Beis. No, I already learned that
72 years ago. Why should I waste my time
on you?
Why should we I want to be a malach. I
want to be a mechadesh. So, they have
the Rosh Yeshivah saying g'valdike
chiddushim. Nobody knows what hit them
in the classroom.
You ever saw that situation?
Huh? You never saw?
I'm here, you're not there.
You skipped Yeshivah.
You understand? It's a It's a big
nisayon.
I want to express myself. I want to be a
malach. I already did this a hundred
times. Let me go to the next level.
Beautiful. So, sit yourself and learn.
So, he says, "That's not a rav. That's
not a teacher."
That's all part of the tzimtzum.
So, the yud is that which ultimately can
be communicated to the to the person.
Sometimes you're speaking to a teenager.
You're saying beautiful things. The
question is, can he hear?
If he can't hear it,
you didn't make a tzimtzum.
I'm telling you g'valdike stuff. I can't
hear what you're telling me. I'm not
there.
I have to get off my own horse, my own
old high horse,
right? And forget about everything I
know,
and just leave over that little little
tiny yud, which what is that relative to
what I know? Maybe a minuscule.
But, that's what this person is capable
of hearing.
That's the helem. That's called the
roshem, the reshimu of the Ohr.
In the terminology of Kabbalah, it's
called koach hagvul.
Within Hashem's light, there is the
infinite capacity and the finite
capacity. The infinite capacity, the
world won't be able to contain because
it's infinite. What could the world
contain? The finite capacity. Pre the
tzimtzum, the light was one. The
infinite and the finite were one. What
did the tzimtzum do? The tzimtzum, so to
speak, separated the infinite from the
finite. The finite could remain. That's
called a reshimu of the Ohr, and that
could ultimately vivify and animate and
create all the worlds.
You tofes?
So, when you get married, that's the
ring. When he puts on the ring, what is
he saying? He's not just saying "Harei
at mekudeshes li." He's saying something
very deep. That's also deep.
He's saying something very deep. I
carved out a space
B'Tzalm- not tzalm, but tzalmenu
k'dmusenu, we're in the image of Hashem.
Hashem wanted a relationship. I want a
relationship.
What does it mean I I want a
relationship? I carved out a space
in my infinite being. At least in my own
mind, I'm infinite. In my infinite
being,
each one of us essentially is infinite
because I am I, right? I know my world.
I don't know your world.
But, I carved out a space in my being
for your finger, for your presence, for
your existence. That's the beginning.
Now, if you just disappear from there,
then there's no relationship. Hashem
just says, "Okay, here's an empty space.
Goodbye, Charlie. I'm leaving." Then,
there's no marriage again.
That's why he leaves over from the
light.
And as it says in Kabbalah, in the
footnote, he looked towards the Ohr
there's something called the kav. The
kav is a line that comes from the Ohr
outside of the empty space back into the
chalal.
But, now it's communicated through the
Ohr, through the reshimu. Since the
reshimu is Ohr HaKavua, it's the finite
Ohr, so that's light doesn't overwhelm
the worlds, but rather it creates the
identity of the worlds to be able to be
as they're supposed to be having an
identity. There's a sense of otherness
of the Kabbalah relationship. What What
you want to ask?
Uh that's a problem.
If you don't know who you're talking to,
you shouldn't talk.
I'm invited to speak in a lot of places.
The first thing I ask is tell me who I'm
talking to.
And sometimes I'll come and I'll see
they didn't know who I'm talking to. The
person who organized it did not know who
I'm talking to. Or he didn't tell me who
I'm talking to.
Right? And I got to scratch it.
You take I take it, put it in the
garbage. It's worthless.
You have to know who you're talking to
always.
Okay, yes, there are generic things that
you could tell to any you know, there
are things, you know.
But if if you really want to if if it's
an opening not an amakif.
If you want to impact, you have to know
you're talking to. You have to
understand their sensitivities, their
sensibilities.
Silence always
Silence always works. It's best message.
I sometimes see I see it in classrooms
in yeshivas. It's very painful. You can
have a classroom. There's 30 boys or 30
girls.
They're bright.
They're uh they're smart. They're deep.
And the people communicating to them
just don't know them. They don't They
don't feel them. You have to They don't
get them.
And they're talking and they're like so
I don't know what the word is.
So removed.
It's not that they're upset that he's
saying something wrong. No, everyone
means well.
But it's like they just so shut down.
You know that lack of interest on
people's faces?
Your age, you don't do it anymore
because you're gentlemen. But when
you're 16, you're not trying to impress
anybody, right?
You know what I mean? So they give you
that look on their face like
like really?
Is this all you have to say for
yourself? It's not even a criticism.
It's just like I'm so shut down.
There's this sense of of removal.
Why why is that? Why is that? Cuz
there's nothing that say that you're
saying that's speaking to my soul.
That's speaking to me.
And suddenly you have a person comes in,
right?
And he starts speaking a different
language in the sense of he's addressing
what they're dealing with.
And you see from their
face that was so removed, they suddenly
start smirking. Not too much cuz they
don't want to show that they're
interested.
Cuz they can get hurt again, you know
what I mean? You don't want to show up
and then
get dejected again.
But after a while, you know, they
the the faces start melting, the
cynicism, the removal starts melting and
you see a T'chiyas HaMeisim
resurrection. What happened?
And I'm not blame It's not It's not
judgment. It's just you really have to
you have to
Unless you're just talking about
intellectual abstract things that have
no relevance, fine.
But that's not what education is.
That's not what a davar is for.
Doyim l'malah k'shamayim. it is. It's to
be an omed nishka mahaloch.
It's a gishmak of shatah.
P'nimeus.
So I just want to go a few minutes here
because I want to finish the inyan here.
Am nom nikudah zu higamkin b'helem
adayin.
This nikudah is still concealed.
We said it's a yud. V'nimshach mimenu a
kav v'chut shehu b'chinas giluy.
But from this yud comes a kav, a line, a
thread
that's like a vav.
It's a hey, it's a vav.
This is already the yud being developed
into a light that can be relatable.
V'ne'elam b'slapshusaihu b'Adam Kadmon.
This is again very well-known
terminology in Kabbalah, although it's
abstract. The beginning of its
hislapshus, the beginning of where the
kav is manifested is
a state of reality that's called in
Teres Akabala Adam Kadmon, the
primordial Adam.
Adam Kadmon.
That's so to speak the first reality
that emerges through the curve.
And when we speak about all these
realities, they're not realities that
live somewhere in some planet. It's
states of consciousness. It's all here.
This reality, the way it's perceived
pre-Tzimtzum, this reality
post-Tzimtzum, the first reality
post-Tzimtzum is called Adam Kadmon.
There's a company called in in in in
mathematics, Nekuda, Kav, Shetach.
Nekuda is a seminal point. Kav is like a
Vov, a line. So, there's length and then
Shetach is you have length and breadth.
In Zohar, this is called the higher
light. Tehiru means light. The higher
light post-Tzimtzum. Shall Zai Omer on
this it says in Zohar, Galif Galifu
Betehiru Ela.
Hashem engraved reality with the higher
light.
In Adam Kadmon, you have
included the entire structure of
existence from the highest level to the
lowest level. It's all in Adam Kadmon.
It would be like
a person has a dream, you want to create
a company, or anything you want to
create. You want to build a house. That
dream includes three, four words, but it
has everything in it.
To flesh it out can take you 20 years,
especially if you're dealing with
certain contractors.
But the dream, right? You have a dream,
you want to build this type of house,
you want to build this type of company.
You want You know exactly what it is.
That dream has everything in it, till
the last desk,
till the last computer in that office.
It's all in that dream, but in that
dream it's all one nakuda.
Then that's called Adam Kadmon. In Adam
Kadmon you have everything,
but it's a nakuda, it's a point.
That's the first place where the kav
from pre-tzimtzum is manifested. And
then from Adam Kadmon it's fleshed out.
That's called Adam Kadmon. V'nemtzi yesh
kan base pnimius.
Yud nemtzi yesh kan base pnimius ohr. So
we have two elements in the light. Alef
pnimius ohr rishon shel lifnei tzimtzum
sh'haya ohr ein sof m'male em kol
ha'olam kulo.
Kol ha'olam. You have the light
pre-tzimtzum that filled the entire
space.
V'ha base pnimius ohr ha'kav sh'achar
ha'tzimtzum. And then you have the light
that comes post-tzimtzum into the empty
space. This is called the ohr ha'kav,
the light of the line. Again, what's
that line? The line is the line that
comes from the light above and it comes
into the empty space, but it's only a
line cuz it's restricted. And
it goes through the yud, the roshem, the
reshimu, the imprint that remained.
Laksha ohr rishon pnimius ha'giluy
rishon sh'me'ein sof. The first light is
the first giluy from ein sof in as much
as it comes from ein sof in as much as
it comes from ein sof. And that morphs
into tzimtzum. That light goes into
concealment
a dayin. V'ohr ha'kav mashiv ha'giluy
m'he'elem l'nekuda. And then from the
nekuda, from the yud, you have a new ohr
that's the ohr that can be relatable to
the student.
So you have the original ohr. From that
giluy came he'elem.
From that giluy came choshech. And then
from the choshech, from that yud, comes
a new giluy, the ohr ha'kav, which
extends from that yud,
and can can relate to all the worlds.
V'im kein yesh kan base hafachim. Again,
we have this paradox. We spoke before
about chochma and bina. We have the same
paradox. V'hu mashma ohr ha'giluy rishon
ohr ein sof n'asaf pnimius he'elem
b'tzimtzum rishon.
From the original
of ain soph comes concealment in
tzimtzum.
And even the light that remains in the
empty space, which is a nukuda, is still
completely non-expansive.
And then from this hellem
that developed into light, which is the
kavan the chos.
This is what we say in davening in
mariv.
What does that mean? Literally, it means
goilu. He wraps up like glila. You know,
you wrap up the safer torah. Goilu, he
wraps up the light because of the
darkness.
And he wraps up the darkness because of
the light. So, literally, it means
that when sunset happens, you know, he
does glila. He does glila on the sun.
Wraps up the light, so to speak. Let's
wrap up the day cuz it's time for
darkness. And then before dawn break and
sunrise, goilu chos mipnei oir. Now, you
wrap up the darkness. Let's wrap up the
night. It's time for dawn.
But it starts in a deeper space. He says
all this.
First, he wraps up the oir, the oir of
pre-tzimtzum, the infinite manifestation
of ain soph gets wrapped up in order for
there to be a tzimtzum, in order for
there to be a concealment,
so there should be able to be a reality
that perceives itself outside of Hashem.
That's the tzimtzum. And all of the
light, what happens to it? It all gets
condensed into a yud. Really? Infinity?
Yeah, all of infinity got condensed into
a yud. Because if it wouldn't be
condensed into a yud, it would be
overwhelming. There would be no room. If
the doors of perception were cleansed,
everything would appear as is, pure
infinity. That's the goila m'nei
choshech.
But if you just remain there, you're
left with darkness.
So he says, "V'choshech m'nei ohr." Now
there's another giluy.
Now you got to wrap up the helem. You
got to wrap up the concealment for the
ohr.
That from the yud, there has to be now a
new revelation in the post tzimtzum
reality that's relatable to post
tzimtzum, and that's the ohr that comes
after the tzimtzum.
So this is the same same duality like he
says in the kitzur, "Giluy v'helem
b'sharsham d'isachdusa."
You have giluy and helem, chochma and
bina, but now we're talking in the
source and the unity of the two. What is
it? Ohr shelifnei hatzimtzum.
That's giluy.
Then you have tzimtzum v'rishum
k'nekuda. That's helem. And then you
have ohr hakav.
The light of the kav
that emerges from the yud. It's like
developing the yud, fleshing out the
yud, extracting that light from the
concealment that can then be relatable
to the world. But it could only be from
the yud. Because if it would be pre the
yud, it would be too it would be ein sof
b'bli gvul.
The yud is called koach hagvul. That
that capacity of Hashem to be finite.
And that's that's why it could be
relatable to the worlds.
But the kav doesn't come before the yud?
Uh you're asking a good question.
You're asking a good question.
You're asking a question. How do I know
it's a good question? That's the
footnote.
Do you see the foot the long foot on the
kudsha rishum m'nisham m'no hakav?
You see? He says, "L'chora ain'e muvan
had hakav m'nisham m'ei'igal hagadol."
"I may'eiden seif m'bchina sh'laiga b'ad
tzimtzum."
The reishus says the kav comes from the
eagle, it comes from the
light above the circle, the eagle
hagadol it's called, or even from a
deeper place
from the ain sof where the cloud of
tzimtzum completely was not affected, it
didn't even affect that it should stay
out of the circle.
And here he's saying the calf is from
the yud, right?
And those two explanations in Kabbalah
is two explanations how you see the
calf, but that's beyond this sheer.
There's two ways of understanding the
calf and both are true.
So he says close to the three lines from
the end of that footnote, aval hakavana
kan she hakav nimshach al yedey
hatzimtzum varoshim af she nigev adavuk
bemakom elyon lo.
Yeah, the calf comes through the
tzimtzum, comes through the even if the
calf comes from that light,
right? When it comes in back to the
empty space, it's working with the
tzimtzum. It's going back into the empty
space. It's going back into the yud,
back into the tzimtzum and the roshim of
the tzimtzum.
So it already recreates the calf too. It
affects the calf.
Right, yeah. Very good.
It's literally like a valve, yeah.
The yud
The yud is not the calf. The yud is the
the roshim that's left from the light,
the light that's concealed, the the
pre-tzimtzum light that's concealed,
what's left of it is a yud. In a
revealed way what's left of it of a yud.
You know that it's all condensed into a
seminal seminal point.
It's all concealed into that yud.
Like the mashpia who conceals his entire
expansive wisdom into a yud because
that's what he could communicate to the
to the to the student. It's all there,
but it's concealed.
All that student is capable is the yud.
You know, you're learning with a
five-year-old a possuk Chumash, you may
know every single commentator on this
possuk Chumash and it may conjure up
brilliant ideas, but you got to condense
it all into into a yud.
Which is what Chumash really is, all the
stories. Joseph and his brothers and
Esau and Jacob and Ishmael and Cain and
Abel, what is it really?
You could learn them a million years and
still not understand it, but it's all
condensed that even a six-year-old is
learning it, well, it's a nice story.
And it's true, it's a nice story.
But it has deeper and deeper and deeper.
Like the Gamorah says, it takes
sometimes 40 years for a student to
understand what his Rebbe said. Why?
Because of the you got the Yud, you have
it all. But I got the Yud and now I have
to flesh out what's inside of there.
And that includes a Hey and then a Vav
and then another Hey
that comes after that.
Okay, so let's finish the point here.
Oh, wow, it's so late.
Okay.
Be another few minutes, I just want to
finish the point here.
This is Shiyach when there had to be
Hashpa, when there had to be a flow from
Hashem
so that Ain Sof should be able to be a
source for all of the worlds.
Clear?
The Ohr Atzmus, the Ohr of Hashem itself
is completely
undefined and infinite, like the
mashpia, the moshel, who's completely in
a different world than the student.
So, if that is representative, that's
going to be revealed,
they won't be able to be a student. And
remember here, you're not teaching the
student, you're creating the student.
So, it's much deeper.
So, therefore, he has to conceal the
whole essence and just leave over one
nekudah.
And that's the idea. The all one nekudah
is the divine energy that could be an
engine for all of the worlds, a mocker
for histalkus.
It could become the consciousness of the
world. That's the yud, but that's still
concealed. From there, you have to
spread it. The yud has to become a vav.
There has to be a kav, which reveals it.
So, he says, "V'zeh omer amru, this is
what Rebbe Yehudah meant, kibriyoso shel
oilam bereishis choshech v'achar oirah.
When he asked about the goats, why do
the goats go ahead of the sheep?" He
said, "It's like the creation of the
world, first darkness, then light.
Peirush kibriyoso shel oilam, davka
k'kasher bo l'klal hashpa'ah, yesh nikra
mashpia mima'alah l'matah b'chinas dilug
erech, az bereishis choshech.
When he decided to go into the process
of creation, in other words, you want to
be mashpia, you want to be in a
relationship. If there wouldn't be a
process of creation, you don't need all
this.
If I want to live myself, I don't need
all this.
But when he wanted to go out of himself
and become a mashpia, what's for a
mashpia? I want to give, I want to
connect.
So, now, this is the process. You want
to go out of your own orbit. This is
called dilug erech, leaving my own orbit
and connecting. So, now, first thing you
need, tzimtzum. You need the
concealment. V'achar oirah, and then
there's light, b'chinas hanekudah
dedashimya, v'gilyui kav.
And the same is true throughout all of
existence. He says, "It's not just in
the beginning, any level,
any state of consciousness where you
want to really connect with someone or
something outside of your own identity,
you're going to have this process. All
the way down to goats and sheep. All the
way down to a farm.
From Atzilus, which is already in a much
lower place than Adam Kadmon, from
Atzilus to the three worlds Briyah,
Yetzirah, Asiyah.
First Tzimtzum.
First thing there has to be a Tzimtzum
of Atzilus.
And then
the light can be revealed into Briyah,
Yetzirah, Asiyah. If there's no Tzimtzum
there won't be space for Briyah,
Yetzirah, Asiyah. It's just going to be
a continuum of me. It's not going to be
a relationship with you.
Atzilus is considered an intermediary
between the Matzil, between the source,
and the creation. It's also this way.
The light of the essence is concealed
and only one point remains. The Chochmah
cuz this can ultimately be revealed.
This has in it
the ability to be communicated.
So what happens in the source with the
Tzimtzum and the Kav happens much later
in Chochmah versus Binah.
Binah is like the light that comes from
the Choshech of the Yud.
This is the way it becomes a source for
the world. Avir Kadmon Shebe'olam
Pre-creation it's him and his name.
You have only the Ohr
because it's not yet in a state of flow,
of communication.
It's who Schmoyel what? His name is just
part of him. Yes, does Hashem always
have the capacity for being finite? Is
the source of the world there? Yes, it's
there before creation also, but it's
just part of Ain Soph. It's completely
subsumed in him. The name is not
separate.
Because there's no willingness, there's
no at this moment there's no momentum of
Hashem.
Cuz the Ain Soph filled the entire space
which we call today an empty space.
There was no empty space.
As it says in Hashem
Ain Soph
Hashem
Ain Soph Hashem Ain Soph.
All of Ain Soph Hashem Ain Soph was
filled with Ain Soph. The only
definition, in other words, if we lived,
and there's some souls this way, if we
lived in a pre-Ain Soph Ain Soph
consciousness, the only definition of
reality would be
infinity Ain Soph. There'd be no other
definition. You'll say, "Talk to me
about
I wouldn't even know what you're talking
about." The Ain Soph created a paradigm
shift
in the very fabric of existence. There
could be a conversation about an empty
space. An empty space of what? Of Ain
Soph.
Before
he had this
to create.
So he finishes Ain Soph Hashem.
Beautiful. It's like the Ain Soph before
he's in a mode of communication.
Before he wants to communicate and give
to the student.
He's learning by himself.
Yeah?
He's learning by himself. He doesn't
need any tzimtzum.
His whole light can fill his brain. His
whole genius, his whole On the contrary,
you don't want to conceal anything. Why
should you conceal?
Then the Kitzur once said that the
hardest day for him is Shabbos.
The hardest day is Shabbos. Why?
Because
he always write. Always write. So not on
Shabbos, he says there's so much going
on in his brain that the pen he uses the
pen or the pencil
it creates some type of container.
Some type of tzimtzum, you know, you
have to sit and write. Even though his
writing was a shvacha tzimtzum, but
that's why it's so hard to understand.
But still, you need osiyos. But he said
on Shabbos he can't write, obviously. So
the mind doesn't stop pulsating with
ideas, and there's no way of of of
containing it.
So he says the hardest It's the hardest
day for him was Shabbos.
He used to daven with his neshamah very,
very fast. He davened fast. So once the
gabbai in Shklov was the rov of Dvinsk,
the rov of the Chassidim in Dvinsk,
today it's Latvia. So the rov there,
Sham the gabbai, told him, you know,
usually the rov
davens longer and everybody waits for
him.
He says, "What should I do? I finished
davening. What should I be doing then?"
So uh So he says, "Yeah, but, you know,
maybe when you finish davening"
he says
"Tzurech dunen a mesechta before you go
back three steps, think through a
mesechta of Gemara." And then he He
says, "Shenach dem."
"I I do I do that already."
The point is, when the rov is by himself
I don't need the tzimtzum.
Right? You're in your own You're in your
own You're in your own mode.
Again, koydem here doesn't mean time.
Koydem means in reality. In the space
that's pre the ratzon to create
you don't do the whole union of tzimtzum
is not shaya.
What was shining, what was manifested
was the essential essential light of Ein
Sof as it is.
Shaya
So, everything that happens in tzimtzum,
what happens? There's concealment,
there's revelation, there's concealment,
there's revelation.
There's concealment, from the revelation
comes concealment, from the concealment
comes revelation.
From from from Ein Sof comes tzimtzum.
And the reshimu of the tzimtzum, from
there comes giluy and kav.
From Atzilus comes concealment, from
there comes the yud, but then there
comes the giluy into biya.
Chochma is concealment from the ayin,
but there from there comes the giluy
into bina, all that.
All this whole flow, this whole duality.
The two things in the source of Ein Sof,
they're identical, they're one.
You can't say over there the helem
precedes the giluy, which is the
tzimtzum. Or the giluy creates helem.
Shnayim shavin mamash. Over there
they're one.
Because even the koach of helem is
called revelation.
And the revelation is called
concealment.
It says in Tehillim kuf lamed tes,
right? Kacha shecha ka'oida. Like
darkness, like light. What does it mean?
It means that darkness and light are the
same.
Even what we called Simpson it's not
darkness when you talking about the of
the most itself pre-tempted.
And the after the hell is also not
necessarily called commander.
It says in Zoya outside the highest most
beautiful lights will come with dark.
The point is as follows.
The duality of concealment and Louis
happens already in the mode of Simpson
in the mode of a spa.
When I want to communicate to the world
is now a process with the Infinity needs
to be condensed into the finite
and it becomes concealed and then that
has to go through a process of
Revelation.
That's all in a state of a spa when the
teacher is by himself
in a pre-creation mode in a pre-ash bar
mode in a pre-tempted mode. He says over
there there's no duality. The two are
completely completely one. You don't say
over there the concealment comes before
the revelation. The whole Simpson
doesn't exist over there.
Everything is one. There's the power of
infinity. There's the power of
finiteness. The power of infinity is
part of finiteness. The power of
finiteness is part of infinity.
So you're not going to say the
concealment precedes the revelation
which is the Simpson. First he needs
Simpson. For himself he doesn't need
Simpson.
And then the Simpson brings to another
revelation.
And from the revelation comes
concealment.
And then from the concealment comes
revelation.
Over there it's one. He says even the
power of hell and the power of Simpson
it's called revealed by him because it's
part of his revelation. It's like the
teacher himself. There's no duality over
there within his own world. The
recipient perceives it in different
ways. But in the core, the two are one.
And even the revelation that we're
calling revelation post tzimtzum is
called concealment. Even the highest
if you just define it by it's
kacha shecha de shava.
So, what we're calling tzimtzum and
helem darkness the gabi the it's not
really dark. It's not really tzimtzum.
It's not really helem.
Because it's like the teacher knows the
full wisdom in himself.
It's not like it's really divorced for
the recipient it's called helem.
And the gili after the helem, which we
call
over there it's not kili it's actually
that could be called concealment.
And therefore from that space the two
always reconnect.
Since in the source, we now go back to
the same theme we've been talking about.
That real unity doesn't
doesn't negate paradoxes. On the
contrary,
the paradoxes are part of the unity.
Because in the source,
kacha shecha and
are not just coexisting. They're one.
Because it's not defined in one way or
another. So, the darkness and light are
one. So, over there there's complete
unity between the two. So, even with the
way it comes out post tzimtzum,
they become inseparable. They become
one. And one brings to the other. Even
though in our consciousness there's a
duality, but ultimately
both become one.
The concealment of the comes out in the
like the comes out in the inna.
And then from the revelation of you have
another concealment in order to bring it
to the next level. She
a hood. and also the hell because it has
to go back to
She
and the because
like we said brings to
and brings back to
so brings to revelation and revelation
goes back to concealment.
And the integrated one with another.
Because ultimately you have present in
the essential which is completely beyond
all the worlds
and the other. It transcends the
definition of concealment and the
definition of revelation.
And therefore even the way it trickles
down and it comes out in two distinct
identities of and the other.
There's complete unity and integration
between them even though there's a
duality and the other.
They're ultimately they're not
separable. Why? Because it's a
manifestation of the
of the essential pre
and over there the two are not
contradictory. So even though in our
world it comes out in different ways in
order to be able to allow us to be
to be vessels for it but ultimately
there's always the
which represents the truth that in its
source it's undefined even if we have to
go through a process to be able to get
back to that point. So therefore it's
only in the duality where you come to
the real unity. So this is back to the
whole point. As long as there's no
paradox
so then I never come to the real unity.
I only come to a very small type of
unity. The unity that is manifested in
my own identity. It's in the space that
I create for you and in the space that
you create for me
which can create conflict because we're
so different but here we actually begin
to touch the true source where all the
paradoxes are one.
Where have I and
completely one with
and one with and one.
How does that come out in our life? It
comes out in our life in the art of
unity within diversity. Not unity that
negates diversity, unity that includes
includes diversity.
When a person is connected to that space
of the
so then the two are not really
contradicting each other. Because both
both not only coexist, both are really
completely one. Again, the way it comes
out in the world of definition is this
is called this is called this is called
this is called
but in the core this is not called
darkness and this is not called light.
They're both not called darkness,
they're both not called light. It's part
of the undefined one is that includes
both of them in their full glory and
their full majesty and you're not going
to call this is and this is this is
on another level this can be the light
can be called darkness and the darkness
can be called light.
But it's really one of the good ones.
So that's why it comes out the way it
comes out in the world is always that
there's always the drive for unity
within the diversity
and for unity within humanity and for
unity within yourself and for unity with
in all your relationships
because that truth trickles down on
every level. So even if we have to
process it, go through our process, but
ultimately that's manifested and
therefore
there's always the and the
of the two.
So may I summarize this point how when
you understand the whole source of
creation all the way back to the
beginning
you see why paradoxes are essential for
unity like the of
that
and it trickles down literally on all
levels from
to post
from to to to to
all the way down to the relationships
between people and that's what
and and and and and and and who defies
that defies that and creates mothering
and river
and was will not allow that relationship
to happen, what we call sinas chinam, is
nikmas Hashem b'Midian. It's an nakama
of Yud Kay Vav Kay, the Yud and the Hay
and the Vav and Hay, which represents
the source of ultimate actors, of
ultimate unity, not where you negate the
different levels, but where ultimately
they all contribute to oneness.
So, it's an nikmas Hashem b'Midian that
Moshe wanted to accomplish this before
his histalkus to be able to eliminate
this challenge because it's such a real
challenge in life, because we get stuck
in identity. I get stuck in this is who
I think I am and therefore
I get into my bubble, I get into my box
and and you threaten me. And the ability
of yichud is the ability of
expansiveness and openness to the true
infinite nature, to the true infinite
nature of reality. So, now back to the
B'seda and the B'Yehuda,
the B'seda and the B'Yehuda says you can
ask anything about the chalal ha'olam,
which means the space of the world,
which means post-tzimtzum reality. So,
he asked a good question.
Why is there always blackness before
whiteness? You know, why do the goats go
They wasn't only asking about goats, he
was asking about life.
And the B'Yehuda said something very
deep. You have to understand how
B'reishis sh'b'olam works.
The darkness precedes the light. In
other words, in order to be able to
experience the reality, I go through a
tzimtzum. What's the tzimtzum? The
tzimtzum is where the infinite has to be
condensed.
And from my perception,
it can be seen as complete darkness,
k'cha chashecha. Why is it called
chashecha?
Because I can't be mekabel it.
The earth the way it is, I can't be
mekabel.
And that's the process of the
concealment that allows for there to be
a sense of separateness, a sense of
identity, a sense of I. But it doesn't
remain by Hashem.
The Hashem is the rupture that allows
there to be identity. Then there's the
inner light. Then there's the light that
comes after that. And that comes from
the Hashem. We said the hidden brings to
light and the light brings to hidden.
Why?
The two should never meet because that's
rooted in a place that's beyond darkness
and beyond light.
Everybody have a wonderful day and a
wonderful week.
Basically Hashem, we will resume our
sheer Monday morning 7:45. We'll be
learning a mind mirror connected to this
time of the year, Elul, Rosh Hashanah,
etc.
This Oh, we did this once.
This symbol is this what
the darkness is identifying in the
Torah?
The light of creation.
You mentioned it before that there's a
source in the Torah for that.
And
I got it right.
Oh, he says actually
I am I am who I am alone.
That says in the beginning before the
creation was Hashem and his name alone.
But this image is from the light of God.
I don't know if we could see. This image
is from the light of God, the circle.
This is the light of God.
Right.
So this is the light of God.
And then there's the light of God that
comes in to the light of God. But even
in the light of God, there remains a
little
a little residue of light.
Right. He's speaking of yeah, he says
before creation was him and his name
alone. There was nothing outside because
the name was part of him.
In other words, the finite capacity to
create all the world was part completely
part of infinity.
There was no distinction.
Yeah.
If a person wanted to look up
Perkei Avot, because I
I have some use of it.
I've had a discussion with him about
source, if there's a source for
Perkei Avot chapter three.
Perek Gimmel.
Ach shalom oilam ushmay bolvat. This is
Perek Chaf Zayin.
Chaf Zayin. And which footnote is it?
Footnote 139.
So so pre pre-creation the name is
completely part of him. There's no
distinction.
There's no duality whatsoever.
Concealment, revelation, it's all one.
Once there's a process of bringing in
the student, and I want to communicate
that's the saw suddenly the whole circle
the whole tzimtzum is created and
there's concealment and suddenly there's
darkness.
But that darkness is only part of the
process
of creating a relationship. So the
darkness is not really
substantial in the sense that it has
ultimate reality.
It's just a way of the teacher
connecting to the student without
eliminating him. And therefore from the
darkness will come light cuz the
darkness is not real.
Exactly. Pre-circle is just the teacher.
It's not even called a teacher.
No label, right. Once the teacher wants
to communicate with the student, so the
darkness is essential. Not because I
want darkness.
Cuz I want to be able to connect.
I want to be able to give me to you and
you to me. Ani l'dodi v'dodi li.
Avodah kasha sabosa. So therefore that
tzimtzum is a process
of bringing the infinite into the
finite.
If there's no tzimtzum, there can't be
finite.
So the tzimtzum is really only a process
that we experience in order to be able
to grasp the infinite and therefore the
darkness is never absolute. The darkness
is a prelude to light.
And
therefore the light will then bring
be back to the source like we said. will
bring to be now and be now will bring me
back to
either opposites. They're opposites the
way we define reality
in terms of duality in terms of
definition.
Right. But in the term of undefined
infinity they're completely one.
On the contrary.
One therefore has to bring to the other.
The other has to bring to the other.
So in
that is
the
Russian doesn't
How do they deal with the fact that
there there's only one and it works both
ways when they when they say it's
Oh very good. So because it's really one
therefore it works both ways. In other
words even when there is something that
we would perceive as a duality it's
never an absolute duality.
So how does it withdraw then? I don't
understand the concept of do withdraw
rule is a process in order to be able to
allow for the relationship.
But there's always a flip side. Why
can't you say that it's
So the imprint is what allows the
student to receive the light without
melting.
I'm asking those that say that the
sensor
Oh skip shooter.
Oh oh oh those who say that the sensor
was skip shooter.
There's there's always a Russian
right. Both ways so how do they deal
with the the fact of paradox?
Cuz they say that it's not it's like the
gatekeeper stopped at a certain point
right and
or the timekeeper set the thing in
motion and then then step back. I don't
understand how that has a
It doesn't seem to be consistent.
Remnock man writes in the mirror on.
He says that uh
some questions have answers
and some questions don't have answers.
You just have to be comfortable with
paradox.
So he says the questions that have
answers
he says those are questions where the
light is concealed.
The questions that don't have answers,
they have to be comfortable with paradox
as they come from the place of tzimtzum.
The place of tzimtzum is a place of
paradox.
It looks like it's completely dark, but
it's completely light.
So it's you have to deal with the fact
that that is a paradox.
That is a paradox.
And that paradox
is essential to reality.
And really we're learning that that
paradox
brings you closer to oneness.
So I have to embrace it.
Because if I don't embrace it, I don't
get closer to oneness. I cut off
oneness. That's the beauty of a
relationship. The relationship is
connecting with the paradox brings me
closer to oneness. If I don't connect to
the paradox
I can't be connected to the oneness.
So therefore
essentially even in the paradox there's
going to be an imprint of the oneness.
And that's why the two work together and
only then they bring each other to each
other so that ultimately there could be
the full integration
of the individuality with the
attachment.
The tzimtzum allows for individuality,
for otherness, for distinctiveness.
The giluy creates attachment,
connection.
Where you cease to be separate.
Are the two one or not?
They're experienced as different. I am I
and you are you.
And we need that. Because if we don't
have that, if I'm you and you're me,
it's just a challenge.
And everything gets confused. There's no
boundaries.
And there's no individuality anymore. I
lose it. So there's no tzimtzum anymore.
So there's no I. But the point here was
the synthesis, the integration, dirah
betachtonah.
So therefore we go through that process
where there is I. In other words,
there's tzimtzum. So there's
individuation, there's separateness,
there's distinctiveness.
There's my process, my emotions, my
experiences, my life story. But then
that comes, that brings me to a place of
giluy of attachment.
But attachment further creates
helem concealment, so there should be
authenticity and individuation. And yet
that brings me further back to
attachment because in the source the two
are completely one, but it's played out
in our world through that duality which
also becomes one through working through
that process.
You understand? The bitzul me.
What's the moshiach in us?
The moshiach in us
is the the bitzul, the the koach ma.
The bitzul allows
there to be
like I said before, right? What is it?
Perek Gimmel Zayin.
The moshiach Rabbeinu
is the koach ma.
Moshiach is the bitzul atzmi. Moshiach
gives neshamos the power to fight with
Midian.
The bitzul means that I'm not living in
a space of yeshus, in a space of
separateness.
I'm living in a space of ein sof.
And therefore
I'm not afraid of you and I'm not afraid
of paradox.
I'm not going to melt.
I don't have to run away from the
relationship. I can open myself up to
the relationship.
Huh? It says it says in Megillas Esther
Moshiach
Moshiach is rosh teivos, Moshiach
Shammai Hillel.
Or some say machlokes Shammai Hillel.
Why is that Moshiach?
Because the unity
The unity.
Because the bitzul of Moshiach includes
Moshiach, Shammai, and Hillel and the
debate, the machlokes, machlokes
Moshiach, machlokes Shammai Hillel.
Machlokes l'shem shamayim so if it is
kayam right? Not like Korach against
Moshiach.
So you have the machlokes that we have
l'shem shamayim.
Machlokes Hillel and Shammai.
That's Moshiach. Moshiach includes them
both. Either opposites
but there's no hatred, there's no
animosity.
Because it's rooted in the ultimate
ultimate
you don't have to be afraid of
paradoxes.
I'm sorry to interrupt you, but I just
had to wish you a wonderful
Thank you. Good Shabbos and thank you
for your
always incredible talk.
Thank you. Thank you. Pleasure to have
you. A lot of
luck.
It's so much better than just on the
video.
But the video is also great.
Thank
Thank you so much.
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The Gila in the youth.
So two field.
The cow to summon with the youth. The
cow come to the regime.
And this is my gala the cow Gila in the
regime.
And this is bring.
The cow bring the Gila in the youth. The
Gila from the Gila and this is my after
the world. First taste.
Is in the sky that I passed in the sky
and stay.
As the cow.
The
Gila in the sky.
The sky is the sky. What is the Gila in
the sky?
Vanilla ice.
The sky is the sky.
So the
other my mom.
The Indian from the sky is the Gila.
The sky from the sky is the sky.
The cow is the cow Gila.
The cow.
Come to the youth.
The cow
from the youth. This is the Gila from
the cow.
from the youth that says
What miracle can sign a vote?
For stages
at the end of the
The circus my mama from toffees iron.
That's a serious thing for the shima.
Firma shalom firma shalom for the shima.
Yeah.
Is that a tradition?
Name. I got a mass.
And it's time to state the leaning from
calf.
And the girl bring the for the shima.
No I hear the shima that says the shima
the noble at some zone.
The shima is a shima in some zone. Some
zone is not going to get the shima.
Shima is a shima in the mouth of the
sea.
Mouth of the sea in the surf.
I'll better I'll better. So totally
women at about that.
Mouth of the sea in the surf.
This is his galas in Malik that is the
kayak from the maybe stand.
So they can discuss you to go.
The kayak at go. This is mouth of the
sea. Malik a manic is the ultimate must
be a.
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