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Rosh Hashana Nusach - Start of Mussaf - incl. Hineni & Kaddish
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We continue with the Nusach of Rosh Hashana - Mussaf - including Ashrei, Hineni, and Kaddish, with the melody and instruction.
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Transcript
Auto-generated transcript. Not time-synced to the video.
okay here we are back again let's
explore some of the parts of musaf let's
look at how Musa Begins for the about
Villa of mosaff
different uh congregations of different
Minogue Master exactly when the ball to
the ball must have begins
but let's start with ashram after the
takias
of the shy firm the first set of takies
so there's some lines on page 438 in the
art school
and there's a special tune that's used
for that
[Music]
um
congregation repeats once again wait for
the congregation to finish
for starting the next line
is
[Music]
hello
[Music]
okay that's the beginning of Ashley the
end of our street switches to the more
common I would call the common tune of
of uh the tequila of Rosh
hashanahila
[Music]
Universe
[Music]
then it goes back to what we started
with Austria um
[Music]
back to the classic way of singing
the Shabbos the way we do it on Shabbos
just like on on uh on a regular Shabbos
and on a weekday if Rosh Hashanah is on
a weekday as it is this year so David
means
can sing the regulates time here
[Music]
okay so that's that's the setup and now
we come into a private Villa of
of the schlier Seaborn because it's a
private feeler meaning it's something
that's being said I'm saying this on my
own behalf
I'm asking Hashem to help me I'm asking
Hashem that I should have success in
this Villa I'm leading I'm the captain
of the ship and in order for the ship to
run smoothly all of the people on the
ship have to be rowing together and you
know in order for us to Seafood our
destination
there's a lot that's required of the
captain so this is a prayer that I as
the captain as the as the schlier I'm
asking
Hashem I'm asking God to help me in my
prayers to help me in my Tila
and there are parts of it that are so
private that I'm not going to say them
out loud because they're not for
everyone to hear and those are the parts
that refer to my own sins I refer to
asking Hashem to please not not allow
this my personal sins to have an effect
on my prayers because you know in order
for the prayers to go up it's Rosh
Hashanah we we want somebody to lead the
prayers who is it Sadiq who's righteous
who represents the Cebu represents the
righteousness of the Sea World we're
asking for Hashem to give us a a Shana
taiva is same
right we want to be written in inscribed
in the book of good life that depends on
ours so the personal prayers the
personal parts of it are recited
silently different hazanam have
different ways of doing it this is how I
do it
enemy
foreign
[Music]
[Laughter]
[Music]
foreign
[Music]
foreign
[Music]
foreign
[Music]
the rest of the paragraph I say quietly
we this is where I switched to Major
you you know
[Music]
Hashem is
[Music]
foreign
[Music]
foreign
[Music]
but in a moment we'll we'll hear the
kaddish before that I just want to
mention something very important at the
outset of the tequila
you know it depends on a person each
person has their own vocal stamina their
own ability to sing for however long
they can sing the voice is a muscle
so it depends you know it's a good idea
to work it out I personally prefer not
to do any vocal exercises on Rosh
Hashanah itself
because I feel like it
spends my voice
but it's definitely a good idea to
practice using her voice before and
accustom it to longer times of being
used
and it's also a good idea to
you know save your voice
the call especially in the in the
passage like this which we just did
whichever the whole place is very quiet
you don't have to yell
and sing it softly you can get a little
you can modulate it's nice to get a
little bit louder in certain sections
for for drama
you know
I get you know you know there's emotion
there's a lot of emotion you're asking
Hashem that
is
Hashem please let all of them Angels who
bring up the prayers bring it up it's
it's an emotional prayer it's I'm asking
Hashem very emotional things so there's
emotion here can go in and out it can be
soft it can be loud
save your voice
but you also want to get the the it's
important to get the Kahala congregation
into the prayer into the tequila
especially when it comes to college is
like okay here we are we're walking in
now
in front of our coach
we're making him our King we want a good
judgment for the year
so it's dramatic
it's a dramatic point in its Fila so
this should be strong
foreign
[Music]
this is
[Music]
nothing
[Music]
yeah
she made a good strawberry
[Applause]
foreign okay
oh man
now you'll notice that I said I stuck it
I fit in the words a little bit
different than you maybe accustomed to
hearing in the in certain shoes and
certain synagogues will say hello
and everyone sits together on Main but
really it's again this is a conversation
between the sometimes the the schlitzi
was leading and sometimes see we're
singing along with but uh were saying to
the congregation vmru amen you should
now say Amen so it should really be
oh
man and everyone says oh man
that's conceptually how this feels
should go okay so here's where we begin
establishment yesterday
depending on your congregation
so you may hear the chauffeur in the
middle of the Tila
and here we will take a pause