Rosh Hashana Nusach - Mariv

hey it's Ari goldwag here we're going to sing a few of the tunes of rasher the high holidays and I'll give you a few thoughts here and there a few lines not a lot of speaking much more singing and we're going to start off with myv [Music] move [Music] ah for [Music] is [Music] [Laughter] [Music] is for for [Music] I for [Music] is Mot before I continue with Kadesh just want to make an important take make an important note it's important to take note that when we are doing when we are leading the we're like the captain of the ship and the captain of the ship is not alone on the ship captain of the ship is a leader captain of the ship wants the whole ship they're all rowing together trying to get to our destination it's more of a rowboat than and a and a uh it's definitely not an electric powered ship and so there are a few things that that means number one as the kazin my job is not to perform unless that's my job as the kazin but about as the captain of the ship the purpose is to involve our tior to bring them along with us on the journey and sometimes it means giving an opportunity for the tour to do its thing to sing and that means I need to wait as the the were until the the kahal so the congregation has finished their singing they want to they want to sing or if depends if I'm leading the singing if I'm singing with them or sometimes there's opportunities for them to sing by themselves so I need to give the space for the kahal to do their part for the rowers to row and of course I need to give the direction I need to be the leader so important things like starting the words loudly at the beginning of a par on everyone joins in I don't have to spend my voice right I have to maintain my voice throughout the the feel is long that's an important point and and it's knowing when to go knowing when to wait these are things that you can pick up intuitively but it's especially important let's say in Kadesh I'm going to we're going to sing Kadesh in a moment in Kadesh I need to wait for you shouldn't start until the kahal is finished saying the whole kalal should be basically finished they do want to hear thein of course the kazin is the leader for the most part my job as kazin is to lead them and that they should get involved and be part of the but I also need to give them space and wait before before uh moving on to the next part of the here we go with [Music] for man [Music] spe for [Music] we say to ourselves everyone do their Pace picks it up withu and during the week we start with which is chanted in a regular way like we're saying to H him line by line each line is is the same exact idea once again wait before wait for the Tira to finish the line before starting the next line let them hear the beginning of the of the next line so if they don't want to look inside of their sitter they can pick it up from because you made clear what's coming next [Music] for the [Music] now the Kadesh I'm going to sing the Kadesh the way that I do it there's more than one right way to do it it's always going to be triumphant I would do the same exact Cottage at the end of all of the Tas it's a triumphant Fila I mix it together it's a hybrid with a with a more well-known tune um on the on the upy part of it and you can always choose your own Tunes there's no wrong way to do it it should be something that the call is you know we're relieved we got to the end of Thea we've got we've gone through this journey together we've been rowing and it's hard to keep rowing this whole time through the T here we are at the end so it's triumphant it's exciting here's where I [Music] switch for for [Music] and then Marans pretty [Music] typically so according to the minut of the placeing and often in America you don't have to do anything out of the ordinary it's always best you're the captain rowing the ship if you if you uh give the if you give directions that are too complicated the rowers don't know how to row the best thing is always pick songs pick tunes that everybody knows that's the most powerful thing that you can do if they don't know the tune send it to them before make sure that they hear the songs that you're doing give them a give them a heads up our sections of the DAV as we will see that are personal and private and the does not the Kal and the ti the congregation does not necessarily need to know the tune as well the private parts of Thea the the personal parts of the TWA those you know those have their own uh feelings about them they're going to be pretty similar throughout to what people are used to they should be similar to what people are used to and it's okay to throw in a new tune here and there but I say if you want to steer that ship in the right direction it's best to stick to songs that everyone knows right we'll continue soon we're the next part of the doic