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Understanding Agadah & Rabbah Bar Bar Chana Literature
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General Introduction General Sources On Agadah Who was Rabbah Bar Bar Chana Attacks on Agadah Gemarah throughout history Did they actually happen? Nevuah or Dream Comic Relief; Wake Up The Audience. Derech Guzmah and Not Literal Kuzari's Approach Ramban In His Famous Debate Shelah; Deeper Meaning to Agadah Rambam; Planned Work on Agadah Rashba's Approach R' Shlomo Zalman Auerbach's Approach Literature devoted to Rabbah Bar Bar Chana Darchei Noam R' Boskovitz Gra's work 46;00 R' Eliyahu Gutmacher's
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Categories:Torah/Gemara
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Transcript
Auto-generated transcript. Not time-synced to the video.
[Music]
welcome back Rabbi Dr elzar brat we have
a very special episode something a
little bit different we are in the midst
of
learning and we are about to begin the a
Garis that are famously known they
called the RAB Garis
and when you get there you learn them
begins with and goes for around three
daim and in this episode brother is
gonna be discussing
how
explain and also
explore that were written specifically
on these
aaras and we thank our sponsor Eli and
Eva gen of buaron Florida who dedicate
this episode in honor of their M as
Rabbi Yakov gibber who's the r of the PO
Jewish Center in honor of all the tah he
has taught them so very appropriate and
now they are dedicating this episode and
we hope that the tah that's taught in
this episode and all the other episodes
should be as for the GS and for the SCH
for Rabbi gibber to continue spreading
and teaching T in boaron Florida so
thank you RAB BR how are you today
okay so as you mentioned in the when we
talking about in general and
specifically a deep dive into
the and what the what various through
the generation said to explain these
garas so now when learning gar every
once in a while we get what's
coined sometimes they're short sometimes
they're longer some have a nice amount
to such material others less the is to
skip them either you try to break your
teeth on them a little bit you skipped
them reasons simply was it's hard
Aramaic and and even after you
understand the Aramaic it's hard to
understand over time in recent years the
tools such as the artso garas both in
Hebrew and English the M garas learning
these garas on some level has been made
a bit easier of course there's still a
long way to go these garas when one
looks around it's much harder to find
per on them many of the standard which
we rely on when we're learning regular
garas they simply never comment on such
pieces of gumar the question is why is
that were these garas learned throughout
the generations and how were they over
understood over the centuries a more
important question is how to understand
them after learning the literal meaning
at times they're very for lack of a
better words strange hard to believe
there's things that seem to be on our
shallow understanding Beyond tea they're
Amazing Stories and they um have amazing
n which technically could happen but did
they happen and these are all these
types of questions one such series of
gar that St has become famous for
highlighting these questions is the RAB
barar founded byra which
is about to begin besides for this
series of 15 stories which is RAB RAB is
the main person involved in the story
The gar continues a few more blot of a
so we basically have close to three blot
of solid a okay so now as an
introduction a little bit about a it's a
load of topic like all areas of T
relates to so much including how it
works out
withf all these types of things it's
well worth to find time to learn this
area of tyan some level interesting is
the masses in Europe for hundreds of
years used to attend and didn't go to it
was before even but they went
to which was it was they focused on that
because they were not really able to
understand
regulares he's talking a little later
before World War II okay fine there's
something known as a balag we find
already inal something called a balag
and the question which is discussed by
various people is were there experts in
a and that they only were experts in
aada or they were experts in a and these
are discussions which we briefly touched
on in an episode about the the
Kus we mentioned I think about
between but we're not going to go into
that right now first to briefly um as
this is what um is very important just
to mention some tools that are out there
on the subject of a first there's a
safer called
which was put out by professor yov and
this is an excellent work where he
collects primary sources from until the
on this topic and what he does is he has
excellent overview of each piece and he
annotates each piece with tons of notes
giving you the background of everything
and it's a very well worthy piece of
work if one wants to see the story of a
throughout the generations through
the from and onwards
other work froma Philip who's famous for
putting out the Mish other work many
works on Rashi so he's put out a work
called he has from his
re and which will mention in one second
but basically what he does is he starts
from kazal and goes to current day KES R
and others dealing with everything in
between from G and onwards quotes of the
throughout the generations how they deal
with a
says is very into and gave many
many on it and wrote a lot about this
subject another um article very
important it's a really a safer but it's
a massive article from Professor liit
which was published in he also sets up
the Su very well in more recent years
there's an English book people always
like English so we have from Rabbi weer
blank published by korin and Yu um
volume two of his series Illuminating
Jewish thought it might be it's volume
one but this volume is Illuminating
Jewish thought Faith philosophy and
knowledge of God impressive ASAS from
lansi rig and others and he brings down
primary texts of throughout the
generation and he deals with it he
discusses it he brings
translates many of the primary texts
into English also very useful
tool a classic work on this that many
people have looked at over the um in
from all all walks of life is the
he there's an article from Professor
tashma where he deals with the that
wrote on a which is very few which we'll
see as we discuss this and just to quote
one last thing is an article from Raben
which was published in the early issues
of kakir which I'll be more than happy
to send a PDF where he deals with a
throughout the ages he's starting with
the maral um and but he but he goes
backwards and forwards dealing with and
again it's in English so a lot of people
appreciate that where he deals with all
different aspects of the of
theim um that's out there okay so now
what's my goal to highlight different
approaches and the how the throughout
the generations dealt with and
specifically withas also to discuss I
said
the question is who is RA so this
already you turn to different
collections one is and
his he he collects the various things
about and we find that he was
by um he's mentioned in various garas in
bras with mus and one of the things that
he really becomes very famous for is
these outstanding garas as we're going
to discuss throughout this
episode there is mention of a RAB bar
and sometimes this is this caused Great
confusion the shus bubble from
rovic has a discussion of various garus
which he says that it got mixed up
sometimes which always happens through
um beyond the scope of today that such a
thing happens that the names get mixed
up similar names now throughout the
generations a was attacked it was
attacked by Kar it was a um it was
attacked by Christians it was attacked
by mishad and St people also made fun of
the story that they read musum for
example as we'll
see
um now it became a question always how
to learn these garas for example there
was a yid Wexler who wrote a whole long
letter to which we have um was published
in
a um and basically he asked them how do
you teach a goddess to children in
schools and it's famous sh wrote a whole
long essay which is even published in
English in the collected writings of his
recently but in this volume that I
quoted they published this Mo this
letter this massive answer of which is
well worth going through to discuss how
one learns a and all all these types of
garas throughout CH now interestingly
enough it was censored in certain places
for example the Shar which was a
collection of TR it wasn't published it
seems they
consulted said not to publish it okay at
some points in time like everything else
was claimed to be a forgery okay this
also gets to more currently how hot this
topic of a especially this the some of
these garas that are very um against
science so to speak and how literally to
take it was became known as the slifkin
controversy which was which was um early
days of the internet was going on for a
while and a lot was written about it
it's already an academic topic with his
academic articles about the slian affair
um which also plays out in how to
approach these type of AAS and and
especially even some where we're dealing
with these certain types of animals that
as far as we know they don't exist so
how they approach it and this gets into
which will mention shortly now
specifically rabar were called out for
the it's quoted quotes the that a
Christian um it seems at one time a king
wrote to said to the
Jews and he was referring to these garas
do they believe it how could you believe
it very power a very powerful us the um
one of the early per which we'll
discuss on RAB says that many people
make fun of us and they say not only are
these garas of
rabum baloney but it means rest of the
tal it's like that and so you have to be
okay so the question is is when you come
across these type of garas in general
and specifically these garas that is
about to learn how does one approach it
so there is different approaches one
approach seems to be that it literally
did happen this is
found over here in on specifically one
of the stories brings down what seems to
be which we now have as a or possibly
that they held at least one of the
stories literally happened with okay but
that's only one of the many stories
there's a bunch of these stories that as
one's going to be learning them and is
gonna be explaining it's it's hard to
say that they're that they're literal
so the already over here
says so what's assumed is rash seems to
take some type of literal approach to
these garas and because of that later on
in there was a very Kazi known as the
Tana even um beyond the scope of our
discussion the story about him but in a
pulus that he had that he also based on
this rash it it it's possible that these
stories could be understood the mar who
in general when one learns a we know the
mara breaks grounds because he is the
most systemat one basically the most
systematic work on a that they had
through the generations because as we're
going to see the moral was not around
the mar over here where he goes through
these
and it seems based on what we discussed
a little bit about his his was based on
stuff that he said to specifically he
was m so he learned so it seems that he
learned these and he must have said
these ideas to them he says as
follows
so that this this deeper stuff going on
and then he also elaborates to explain
the sidas that are going on in these
garas through his Mah but what he seems
to be saying that there's also a pous
understanding of this which is based on
the understanding of the rasham and so
too the inan thean from he understand he
brings down the mar he brings down this
and he says even though you might think
that these he says
it's and are you gonna say you gonna
read these stories and there such far
out lands that they're visiting and
these wild creatures and these gigantic
fish and how could he understand it so
he said he STS to and others also do a
similar type of thing from is
in where he talk where he shows that if
you travel you'll see that there
are and at least in his time there were
many wonders out there that they didn't
know about you didn't know about they
weren't today you hit um you go on the
internet you if you want to let's say
someone tells you something you can find
out about in a second you can see a
video possibly about it but in those
days it was before that so he's saying
is it's definitely possible all these
stories they might sound like um strange
and weird and not possible to you but
they as building off this building even
even the mar such a possibility the who
was considered a very very
educated but also tremendous educated
person in his work published in 1714 he
also shows on a few of these stories
that they could be true based on
different materials that were known in
his time similar to the and he also goes
with and over here it's worth mentioning
there was a attack on the sh and on the
gar from a um mascul known as l in the
1860s and he wrote a series of attacks
in the newspapers at the time and the
question was amongst the should we
respond to him or not because reading
the newspapers and the and the was
attacked one area that was attacked
obviously was going to be these and you
believe these stories and he was quoting
all the earlier literature so here in in
in an article he chose to respond that
was what the some of at the time decided
that we can't let this attack
we unanswer we have to answer it so he
went ahead and he wrote in the
newspapers a response to him and he and
he showed that some of the garas we know
um and he was he quoted actually masic
literature to show that we believe some
of these stories that could be true
based on information and then in his
later on in his
work incredible incredible work on to
understand a and and a wealth of
information and his own materials
on so BAS brings a whole bunch of M that
how one could technically understand
these okay so this so this is one in
these type of garas this but this Mahal
obviously a lot of people don't like
this Mahal but we see through list and
you can make a long list this is how
they understood these type of gar
another another is throughout the
generations it's just a some sort which
will lead possibly into another Mahal
that's mentioned such a Mahal is found
okay the which we when we spoke about
um that came out from manuscript in
recent years in 1950s
finally so these pieces on the he has a
whole not but at least he talks about I
mentioned most of don't say anything
about these garas he does talk about
these garas and the pieces
onar was quoted from manuscript by the
Yan and his Parish on Yan but what he
says is he begins
[Applause]
out so he's saying this to
see what happens is when they travel on
the
water it Trier dreams trigger them all
of a sudden to have great incredible
thoughts so basically is that it
triggers when they travel such as when
he traveled great ideas um and that's
how he um understands the the gamar um
okay this was already in the they put
they published these these pieces in the
back of after the and as they
mentioned the he brings
this there's another by prominent
people and he says that
many are not
they're not true but it's a middle of
learning
the so they would throw in every once in
a while something nice light to um to
wake up the crowd so to speak as we'll
see araja says something similar to this
also that he wrote which was had
explained also and and what I'm saying
is these two are saying it for
the that it's you don't have to come on
to or that that it's
it's not true it was just like to say
story to get awake okay another found by
which the goes with this Mah in many of
is that it's a it's not it's not again
it's not literal so the problem
becomes controversial work which we're
not going to go into the but he who also
deals a great length
with so he uses this approach of the
reality that we don't accept these garas
because they they seem to be not so
simple that they're
true from one of the early works on a
goddess published in 1581 so he and
another safer of his also he does bring
this Approach at least for the garas of
R whereas many other garas he does not
go with GMA mean to say the problem
becomes like this let's say I just
mentioned a CL that some these these the
understand
it's a it's a it's just to get it's to
wake you up so to speak or it's a GMA
does that mean every single gamar how
does one know when to use the claw of
the ri and say it's a GMA is is it a is
it that every gamar is a GMA and that's
the problem part of when one
learns that even when we do find that
there is that give these statements but
are there statements for Universal
across the board for
every deals with this and it's very hard
there is no real place book so to speak
of Cl just like we have and gar and in
it's much less we're not going to find
so much what theum are for when these
say such a thing this relates to another
thing the K the K writes a very
fascinating L when he's talking about
some of these again it's not clear how
which garus exactly is it all gar
something but he says that it sounds
like sometimes it could be that into the
gar things that the re they misunder the
rebi when he's speaking specifically of
weird they St St in something now the
question becomes the K did not think
that that means with allar
especially similar we find the ran in
the
famous with in the that he had that
ended up getting him thrown out of Spain
so so it's very they're very fond to
quote he was basically they said to him
oh so he said he says
about
says it's not a big deal if you not if
you don't believe it then and the ran
even goes on um talking
about so right away the question becomes
the ramban could be was saying this in
the debate he's you don't buy ice from
the ran saying when he's talking to the
to when he's talking in the middle of
debates with about this that that's what
his universally with anyone who learns
ran knows that there's much more to the
story so that that so that's why it's
very problematic when even when someone
comes and this is why this topic is very
sensitive throughout the generation
someone come and say
oh that they're talking about GMA okay
but that was maybe those three garas or
the 10 garas that he's talking about but
to say it you have to have the U
shoulders to be able to say it all the
time so this obviously plays out it's a
very very complex topic so now here we
have the schah he specifically goes
after the riy and says's um um and he
has a whole bunch he has a
not going to quote all the different
aspects of it but just he one
thing we know and this is its own long
story just like
this that which is how to understand
that so what what what is why is there
even such a if it's really half the time
it's GMO or maybe even all the time it's
GMO other people so obviously there's
much more going on says the and he
disagrees very strongly with the r and
he mentions a bunch of different theudas
over here besides this L the L mid he
also throws out there a work he quotes
this work that was 50 rules how to
understand medish so you see that there
was a written before his time he do for
some reason he doesn't quote the name um
it's a it's a discussion who the person
really was
but his ra already tells us who it is
but the point is that we have 50 rules
to understand a m IND rules that the
brings down all 50 of these
rules
has the over here has a whole besides
for having of and how The Works he has a
whole pages of which makes sense the
besides for being one of
the also he has to deal with this type
of topic so the point in short is says
the is it's talking this that there each
gar there's much much more happening in
these garas he already alludes to it
says
specifically that wrote showing the
going on one
is he he talks about he mentioned such a
thing specifically says the and there
are others we now have from the fromel
re of the ran also came out of
manuscript and there are others so we
see that so the SCH says that there's
much more this cus going on in the Gara
it's alluding to cabala and he brings
specifically for the RAB he brings one
um ABAB based on a showing that in these
garas there's much more happening which
is what really is going on according to
let's say the marsh and others
yeah also once we get to theal which
we'll see with the various far that also
is what's happening now the B one of the
one of theim who wrote one of the
earliest works we have systematically on
aaras he says that a similar again not
he's before the SCH and but it's a
similar type of concept that what that
these garas allude to something kazal
were trying to hide something from the
masses so and we find in general not
only in Jewish culture but they would
keep information from the masses so the
way he was he brings this down from with
astronomy that they would keep the garas
they spoke in these sounds like very
strange Mater strange language these
strange stories but it was known those
the they were able to interpret and
understand this and that's what was
going on in these garas
this is the his whole
approach which is a work which was which
why was written as its own story where
he deals with and then in the 1960s
where we finally got the the maral's
pish systematically on all
of he has all to explain his his
approach whatever it's called and
whatever it's based on the Mah of how to
understand the and we see over the
tremendous sophistication of what's
going on in these garas that there's
much more to the story as they say now
interestingly enough the
rambam was planning on writing a work he
he discusses this in a few places
in and other places on a to explain the
various a and seems he began such a work
whatever happened with it did any part
survive it seems not it seems by the
time he
by he talks about it and basically
sounds like he changed his mind he's not
going to put out that work however in he
deals with many many AAS how to explain
them with his own unique fascinating
approach which many adapted throughout
the generations we know as not so well
known but
gave
anyway his son is M his he published not
published but he wrote um a work
called it's published by was published
in many of thean in the 1800s and more
recently published an Edition
called um and all these are a systematic
way how to understand various a and
what's interesting is over here I was
complaining is that there's something
called and there's and everything and
when do you say it so one of the things
that he does in this fascinating
introduction is he says that he tries to
put puts different kamaras he says this
Kamar fits into this category it's a
this he doesn't go througha because he's
he talks about that his father was
planning on writing such a work and he
changed his mind not to do it it sounds
like part of the was even though they
felt it's K to let the masses know
something so we'll let out some of the
secrets but definitely not to allow out
all the secrets okay but the point is
that the r ra also they were um working
on these now one of
the was known as the Raj so the Raj is
one of the first works that we have on
where he deals with many of the sadly
not on all thear now already when you
look in his work in the beginning of
when he talks about it he
says people think there there's nothing
behind them
[Music]
and and throughout his work basically
the Raj sometimes shows his
philosophical ideas and he sometimes
it's a cabalistic thing he was a big M
and he shears with theor whoever the
audience of the parus was sometimes
through some of in his incredible work
one time he writes um
it's sometimes it's and sometimes it's
trying to keep something from the fools
and um all types of fasing lus
throughout his work he quotes the ram
sometimes um sometimes he says this
anyway one goes through the
Raj it's unbelievable what's happening
you get to see you're you get you're
treated to some of
thear as they said it's not only the
after the the will be continuing with
also another few BL of so here we have
20 pages of the Raja how he understands
some of these garas so sadly we don't
have how the Raj understands but we have
in B something like 20 something pages
of the Raj to see not that one may
really will understand it I'm sure some
people will but it's unbelievable just
to see what's going on over here okay
now just to mention uh two other PR and
then we'll get into the actual works on
this topic similar to this what the what
what the and all these are saying
whether it's the ra whether it's
philosophy whether it's follow that
there's much more happening this this
going on in this
so I will
quote what did he do he used to when he
got up to so he wouldn't skip it he
would read it this is a recording of
someone says what happens when they got
up to they're learning he
says and he gave without skipping he
read the garas word for word and once in
a while he would explain something at
one point he says like this
we don't understand but it's gar and you
don't skip it and he goes on and then he
says even
though okay he goes on and he kept on
saying this type of thing
it's now at one point um he
said even though we don't understand
these stories fine then he said um he
stopped and he said like this shti that
one of the he was asked what's these
garas so um the godle gave him an answer
that in he was referring to at that
point in time there was a war between
Germany and France and it seems that
there was different emblems each group
had one had was a eagle one had was a
lion and so in the newspapers it said
that the lion won the over the
eagle now if someone today is reading
that newspaper article and and reads
this sentence the lion won over the
eagle he has no idea what's going on how
does a lion went over an eagle however
in that period of time everyone who was
reading the newspaper they knew what it
was didn't even explain it wasn't a
remes it was it was the lingo because
everyone knew that so he says like this
in the times of kazal everyone
understood the rasm behind this over
time it was forgotten so these M it's
not St random
based on baloney stories or anything
they were specifically says based on the
story that he heard from who is this God
doesn't say who was but it turns out in
the fascinating
work originally published
in um from Yakov Mark so who knew salant
well he heard this from Sal he once
asked him this question and seen some
Professor a German Professor asked him
this question and not only that he
specifically asked about the gar How
Could You Jew he says the Talman is so
sophisticated but when I get to these
type of garas this not this person said
to how do you understand it and gave
this mus which is quoting and I think
there are other sources for it also but
the point is the lingo the if someone
was living at the time and we have
numerous one could give numerous
numerous examples of such a thing that
if you're if you understand the the
history of the time A lot of times
things that to us make no sense but in
those days as basic comes then
everything starts to make sense and
that's a simple way had to understand a
lot of
times um and one other point is it's
similar to so
the from the he has where he deals with
two he has two dealing with and he
quotes without saying the name a whole
piece from
the also where they talk about that
there was different in that period of
time the time of kazal there was there
was there was basically two levels of
people one group of people were
tremendous and the masses were there was
very few people in the middle ground
this is what this person claims and the
point is so therefore they had to hide
Theus in these different and that's why
it was written in these M andus and all
these fancy sophisticated ways over time
and then we have let's say the rambam
was possibly going to do it and he did
in the mar attempt to explain how to
understand the Raj said if you go
through the Raj various garas he does
tell us how to understand some of these
garas anyway um one last point is that
we find a lot of times the numbers
inaras in general Som could sound like
it could be 300 and it's like impossible
to understand such a thing so
the points out that with numbers um
there is an exaggeration and in his work
which we'll speak about
shortly and many others they say when it
comes to numbers that is an exaggeration
okay so now the question is we that's
the overview this is how they look
throughout the generations and these are
some of the works written on a throwing
out there we mentioned okay what about
our are there there specific on this
Kamar so interestingly
enough some people write there 30
there's 55 there's even a claim there 55
such garas the exact number is um has
not yet been confirmed but there are
many
suchas and I will mention briefly some
of them and highlight some asp about
first but one last point to say in
general about these as I learned through
various that were written specifically
on thear
of overall comment I would say is like
this when learning through various works
so when you learn regular gamar you
learn it and you learn the text then you
have they raise issues and everything
goes from there here after you know what
the exact words let's say you sat down
with article or m whatever it is and you
know the exact story you still in the
dark because as each GLE shows in these
works I'm going to mention and many
others each word alludes to something
else and each G his memory triggers and
says this word means this gamar or this
piece of Yuda and it represents this and
what happens is you're you're being
exposed and when one learns this gar
literally every person some it's
interesting after going through a lot of
per on the gamar you start seeing that
some people say similar ideas in the
gamar but how they get there is
incredible the and the that different
use to show the code likes of that's
going on in these garas is remarkable so
let's begin the
kakar in renit in his
work in 1590 he already has a whole
discussion at the end of the work of how
to understand these
um one of the earliest works
specifically setting out to devote to
these garas he talks about them and he
says in the interesting thing that
um even though that basically there
could be many M to understand and there
could be many Mah to understand there's
not one specific Mahal had to understand
these garas he writes it out very nicely
in as he sets out his work about this
now an early work was from Raa Kitz
published in 1634 this is based on
cabala varizal and one of the earliest
works of using cabala of theal in Poland
it seems he might even based on a
conversation and emails with the RAB aiv
it sounds like he might even had some
manuscripts of anyway this is a work a
heavily cabalistic work to explain the
garas of it's called
Z another work is
called it's published in 1712 the author
died in 1705 his son publishes it he
wrote a Chua safer called um evay which
was recently published by m and they
also published with and also another
company called
they also published this work it's he
learned and we know it was from this TR
that recently came out there's a lot of
cabala going on in this work also um and
a lot of interesting things one could
learn when seeing how he goes through
these garas another work was called
fromom published this work is a massive
work on these garas allala of and others
M from Amsterdam I don't know why this
is published in 1744 it was published
many times including a few years ago you
say I'm not sure what was so unique
about this small work that this was
published many times over the Cent over
from 1744 as opposed to many other works
another work that um is famous and I'll
mention immediately why it's famous is
published in 1764 called the dark dark
is Alis so he has literally he goes
through eachar and explains what he
calls and and it's very back to see
eachar he literally each story of he
divides up into these four things and he
has AR and we get to see all about his
generation he was Toad and what's famous
about this work is this is one of the
only works that we know received as from
the okay therefore it's famous what does
that mean it means is a lot of times it
comes up if you search on the internet
in various antique auctions they sell
the book why do people want to buy it
specifically because not because of the
content which is amazing but because it
has in recent um La uh I think it was
last year an addition a new edition came
out of the work and I just got an email
about a few a few days ago a new
addition probably has to do with that is
coming up to so the guy decided to
finally get it out sounds like he was
working on for a long time and he brings
down that his father who supposed to be
a tremendous and also is a rebi ofel
that was n recently and
basically R said if one wants to learn a
god how to learn a so you don't have the
he said you learn the dark and you get
to see how to learn a and of course
people are fond to say look the gr gave
us commented and the gro didn't give us
commented too many works okay the
question is what's going on in this work
what's so unique about this work this is
a discussion various academics have
spoken about in their writings it's not
for now another work which also deals
with of also is Hartz interesting person
in
his he has a few pieces in the back
about
various and in recent years they have
republished his works the question is is
he a masc is he not a Mas does he
predate masim etc etc possibly even had
a work of his had which we don't have
but okay there's a work Evan from 1772
which also deals with many the garas
has now here is a work
called this is from basz the son of the
this was a great great G
alive in 1740 and he dies in 1818 he was
a he was a tremendous Riva he's famous
for being the son of the but we know
that he was not only an expert in
regular learning but he was an expert in
Dr in a from his
tremendous one could see the beautiful
gives now his work on where he
systematically goes through the sug very
very
carefully um was only published 1905 now
just to mention two NAS with this person
with this great great guy I happen to be
extremely extremely fond of
his but this work is heavily based on
the which is fascinating to see this
unbelievable God and you see that his we
see which not always do people
appreciate or know are aware of that
there were many that were experts in the
marim and here we have this person the
whole is heavily based on philosophy and
the mar of the r now and not that the r
explains
the but using materials from the he
plugs this in and he's M into the now he
was unbelievable mades we know this from
his work he wrote a massive work on the
rambam incredible incredible work it's
still a manuscript today but Parts have
been published M A each one is better
than the next incredible incredible tyus
there's nothing he's not on but he deals
with everything etc etc and um as you
could see I'm fond of him now next is
AER this work was published in 1789 by
up he publishes this when he's young it
turns out he's a tal of
who it seems right afterwards another
Edition came out um this work is also
into philosophy a lot in his work he
deals with Copernicus and the question
is why is there two additions one right
after the other it seems that he got in
trouble uh maybe even the was upset
about the safer but he he actually did
not publish it his tal published it
there's a whole story going on about the
safer not for now but this year was a
tremendous year he had a massive he
might have lived over a hundred he was a
in a few different places and he was a
prolific and a pis in all different
areas of okay there's a from same time
1789 from a um rap called so what so far
you can obviously see is I'm listing out
already T far and there are more that
are written from the 1700s and onwards
on this gamar comes along 1800 just a
few years after the G is n and the
children of the G publish one of the
first works of the gr is they publish
this work okay of course is the
fascinating introduction ofner and the
children of the GR in where they talk
about their father in the various F that
they published so over here also it's
incredible to see how both and the
children of the gr talk about the
gro and um RAV ketki talks about this
work it seems there's a it could be we
even have a it's possible we have a page
of this work in the handwriting of the
GR in Hebrew University he deals with
that um there's other pieces of
information over there what we might be
able to learn from the gr General and
Rabbi
Feldman iron Feldman wrote a book in
English called the jugler and the King
where he explains this saer of the gr
into English and he builds off this and
you see that the later um some of the
later people that were is in the suus of
r from the 1800s onwards their starting
point is the but the only talks about a
few garas like everything
else there's a bunch of additions so
recently a nice addition came out
with from
Aim hold on I think um okay I can't find
his name simman okay so this y he
published a very nice Edition where he
shows because the gr alludes to his
other writings okay fine emak this is
from the nus so nus wrote work on a and
he deals with
the um is also very important work in
general for
a the thing I'm trying to over here is
mostly they're only written on the so
you see it's basically came that this
blot so to speak or maybe even less than
a blot of sparked unbelievable amounts
of
on looks less interesting then there's a
which is fasing work on on from
published in 1869 if today it was
recently republished a few years ago
four massive volumes he has a beautiful
amount of literature on the of just to
mention a few more and then we'll
conclude number one the great genius I
don't even have words to describe
him he wrote amongst his other his on
this I tried to start learning it and
read a bunch of pages and it's like your
head spin he literally takes you on a
tour
OFA any word triggers by himar
everywhere b m and somehow he gets back
to the gar goes off on a tangent says a
all over the
place he deals with he rather uses the
gr basically you're being ping ponged
all over the call Mish with this great
GLE who that's what everyone knows
famous he's famous for there's a
published in 1872 it gets beautiful as
from the on him in V at the time and
this work interestingly is based based
on histo he uses historical events
including to explain the various
of skipping to another work in 1889 he
bases his to understand the
of
and okay now then just to say a few
words about this parish and then we'll
conclude with three other per and that
is like this there a that was Minal
published in 1889 okay he also gets from
various now in 1873 reell publishes a
work called on the this is an incredible
incredible work where he systematically
goes through the garas and again if one
wants to learn how to learn a this is a
work because you see he plugs it back
into the text into the words he go he's
dealing with the rashbam for each piece
and he shows where he's coming from how
how he understands the gar it has a
beautiful from the sh and the sh
mentions we have the of
okay he publishes this is one of the
only works he publishes in his lifetime
although he was a prolific writer after
his son was nft okay in his he deal he
has systematic different aspects over
here how to write how to how to learn a
okay very important now just to mention
two things from this work which is as
follows in the beginning he has a whole
dealing with if one could curse an enemy
or a Russia and he plugs us back into
thear and he deals with the sugus and
KEH is showing that there was such a
thing that people would DAV to get to
that their enemy should die and he deals
with the parameters based on the Su and
bras all over incredible materials about
if someone has an
enemy specifically or you know CL today
it's very Nea what to do when one's
allow DAV Etc to get rid of this enemy
and he plugs this back into the first
few more than one m in this okay at the
time when I first learned I did not
understand what's the background sounds
strange okay now with that we go to
another piece in the safer where he also
deals with something to do with cabala
that there's such a thing to learn
cabala and there's a called cabal and
he's very anti using cabal but then he
says a whole story about himself which
is cabales which basically
was and this one could hear more byus
about this I'm just saying this in in
one in a one minute thing I gave a whole
episode about re good more about this
but basically turns out they discovered
a bunch of thousands of of that survived
and they found them and they started to
analyze them and one of the things that
comes out in these was that people would
write into him my a landlord or someone
stole stuff from me cow to kill them so
to speak obviously they never knew it
was going to be published they didn't
have to worry about the censors they
wrote him a letter and that was it um
whatever maybe in razm so now this is
it's interesting that could relate to
the first thing when he's talking about
the sug of when you have enemies um um
daving for their death Etc which as I
said today is very relevant now the
cabala myus is why people writing Kamas
in the first place it turns out and we
know that he was getting thousands and
thousands of Kamas I said 7,000 survive
you have to understand there's no Kamas
that survive for any rabba and he's not
a rabba as I said even though in recent
literature I've heard from people they
they call him a rabba but he was not a
rabba nothing to do with a reab he's a
German tal Tal possibly possibly
by who so what happened was the his um
whatever you want to call it City I
wouldn't call it a city but basically
they were getting non-stop kitl the post
office complained from the amount of
flowing of backed up everything so he
wrote to people why are you sending it
to me there's no reason to send it to me
I'm not about M nothing but people
didn't listen they just kept on sending
anyway this is not baloney stories you
could read about this in the newspapers
I have the I seen the newspapers of the
time where it says this he he put in ads
stop sending now he writes and again
when he's talking about the cabal Isis
what happened basically this is how he
becomes famous someone brought a sick
kid possibly this kid was with um
infected with a I guess lack of a better
word dbook of some sort and he didn't
know what to do Etc eventually after
staying in by a while the kids cured and
the now this is not a rebish AA that
possibly someone who might have been
there says over AA this is rebellion G
publishing in his life
getting from from the it's in theer he's
writing about
himself of his okay and we'll conclude
just to mention three other one is
on fascinating he wrote this when he was
pretty young but even then we see him
beinga um
and published a book called The Legends
of RAB fascinating in English if one
wants to be able to understand some
aspects there are possible one could
even without a proper background cabal
could understand some of
the um Professor UD mki in his book on
The Rook deals with a little bit giving
you some insight into the background of
rook's work another work we just mention
is pal from Hinson his own own
fascinating interesting person and we'll
conclude just now a few days ago the
great
M amongst many other things was in of
Our Generation was Raa Shapiro so ra
Shapiro gave she
he was the world expert of the maral and
he gave systematically on the basing it
on the tyus of the mar the and
and without anyone having to understand
um say this the maral so it so it seems
some of the were published in Vol and
just now literally in time for the
ofas a almost 600 page work comes out
from hcal
Hartman um available in stores in is I
imagine it's also available in America
um and the are transcribed with
footnotes one could learn and
see again I don't know how much one
could necessarily at least me I'm
speaking about myself I've had many of
the listeners and RAM could understand
these things but when one learns say you
get to see what's going on the amus of
kazal in these garas etc etc and
obviously there's a lot more to say but
we're just trying to keep it to this
time so that these are some of the
stories of the or the and general that
are out there one should maybe learn a
little bit while when they learn these
garas
Now Incredible so you mention re Hartman
who just released theama he is a he's a
son we have to mention he's a son ofua
Hartman of maharal Fame and and he
actually has a series on Old called on
the da he's a prolific um it says many
many but this specific share is
something
unique where he
shares some interesting thoughts I think
primarily from Shapiro so that's
something interesting and you mentioned
Rook um what was the name of the saer I
don't think you mentioned it the title
I'm not sure if it the how it originally
is titled I I the way I have it is is
published in the
m one of the places was published then
gets the manuscript he publishes in the
back of this English book called The
Legends of Raba barbar that's howar
publishes it okay and it's around the
week before the art side of R cook when
we're when we are recording this and the
actual series is going to be learned gar
are going to be next week which is
the and wants to share with me plans on
having a a few episodes being released
is he is it with RAB M yes with
Professor Yehuda mki Professor Yuda mki
discussing um rev Cook's swarm R Cook's
life so you could check out check that
out on the Swarm chatter
podcast for