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Titzaveh: For Whom the Bell Tolls
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Transcript
Auto-generated transcript. Not time-synced to the video.
Dear friends, welcome to this week's
virtual Russia. This week we have the
incredible parasit and the para
continues along the dramatic journey of
the Mishkan. This week with a specific
focus on the big ton of the khanic
vestments worn during temple service and
the Torah
chapter 28 ladal 34 l
discusses an interesting detail
regarding the clothing of the kenotto.
The Torah says
on the m which essentially is like the
external tunic of the on the bottom on
the hem there were a series of bells
literally bells some of them were
embroidered bells and then there were
some actual bells and the Torah says
has to wear this tunic with the bells
when he's serving in the mikd
say so so that is heard when he comes
into the mishkun when he leaves the
mishkun below and he will not die of of
course pretty severe the Torah telling
us in general if a coin does any of the
without the requisite clothing that's a
significant infraction but also has to
make sure that he has the bells this
right his m this tunic with the bells on
the hem and the obvious sh was with the
bells why it was that necessary for the
clothing of the
give many different explanations but the
Ramb says something very beautiful says
as the Torah says the point of bells is
so to speak to announce Aaron's arrival
and departure into the Mishkan. Why do
you have to do that?
Because it's as if is asking permission
of to enter into the to enter into the
holy to enter into the
everyone knows that with a human king if
you want to come see the king you can't
just roll in. You can't just walk in.
You need an appointment, right? You need
someone to escort you in again very
right when even once Morai alerts her to
the plight of the Jewish people is very
reticent to go in. Why? Because she
haven't been summoned to the king all of
these days and everyone knows if you go
into the king uninvited you run the risk
of off with your head. So therefore the
Ramban says something amazing. The Raman
says that the Mishkan is the palace of
the Shalom. And just like in the palace
of a human king you can't go in
unannounced. You can't just roll in but
rather again your arrival must be
announced must be heralded. So too, when
the coin goes into the Mishkan, it's
palace. You can't just walk in. You have
to announce your arrival. How does the
coin announce his arrival? The bells,
the sound of the bells announces his
arrival in the kodesh in the holy in the
Mishkan. And this is out of difference
and respect to the you're entering into
God's palace. Announce your arrival. But
there's a simple yet fundamental sh
question that one could ask which is
remember on the holiest day of the year
the holiest man in cloud is enters in to
the holiest place the holy of holies one
man once a year one place
holy of holies and it's the only time of
year that the kangodal has the license
to enter into the holy of holies yet
interestingly enough what does the
kangtle wear when he enters into the
holy of holies into the kod shakadashim
a plain white linen tunic, a plain white
linen clothing, no bells. Now, it's
intriguing, right? Because if the point
of the bells is to announce the pony is
to announce the arrival of the coin into
the palace of then if the coin god has
to wear that day in and day out, I would
have thought of all the more so that he
has to wear it on when he's entering
into the holy of holies.
Yet, as we know the is he doesn't. So,
why not? Why no bells on when you're
entering in not just into the Mishk or
into the mikdash but into the holiest
part. Again, if there's one day that
should require the bells
when you're going into the holy of
holies, which is literally like the
chamber of the
says something incredibly beautiful and
he says the following. He says
in general in general one's one's one
service of God is done quietly. Now this
means a number of different things on a
on a simple example right is you're
supposed to daven out loud because ding
out loud helps to engender
concentration. Yet the says you can't d
so loud that you that you disturb
someone else. Ding out loud but still
it's it's got to be in moderation. When
we perform mitzvah, we do so with a
sense of humility, a sense of modesty. I
don't have to ring my own bell. I toot
my own horn. I I don't have to go ahead
and make noise. But but in general,
service is done is done. Not not with a
lot of fanfare, not with a lot of noise,
but quiet, modest, nuanced.
So says there's an exception to this.
He
however when a person does cha when a
person under goes the cathartic change
of repentance person becomes about cha
person tries to become better tries to
fix the things that are broken so that
that process makes a lot of noise that
process creates a rash creates a ruckus
creates a cathartic cacophony
says he says ultimately again
What's chv is a person running away from
that which is evil.
Running away again from impurity.
That act of running away from the things
that are not good for me. That act of
running towards the things that are good
for me. That act that of fixing the
things that are broken that creates a
cosmic noise. That creates a rash that
could be heard everywhere. Not a noise
that is heard by the ear. Not right. Not
a noise that ultimately again could be
discerned by the by the physical senses
but a noise that is heard throughout the
world throughout the cosmos the universe
and the celestial fear se and the goes
on he says
you know if somebody's running away from
danger someone's running away from fire
someone's in a life-threatening
situation they're running for their life
generally a person doesn't do that
quietly they're yelling they're
screaming
this is such an incredible idea batanya
says that normally when you serve. The
idea is to do it quiet low, not with a
lot of noise, not with a lot of fanfare.
But when a person summons up the courage
to become a bouva, a person summons up
the courage to affect comprehensive
cathartic change. A person summons up
the strength to run from the things that
are holding me back, to run towards the
things that could help me
self-actualize. A person finds the
courage to fix that which is broken.
That act of chuva creates noise. It
creates cosmic noise. Because when the
universe sees a person engaging in the
self- evvaluative process of chuva, when
the cosmos sees a person who is willing
to swim against the tide to become the
best version of themselves, it sends the
entire universe into an uproar, a
beautiful holy uproar. Chuva creates a
rash creates noise and perhaps that's
the why the coingle doesn't have to wear
the bells on yum kipper because remember
again the coingle on yum kipper is the
paradigmatic baluva what is he doing
he's doing chuva the coin is doing chuva
by the way not only is he doing chuva
for himself but he's the agent he's the
emissary for the chuva of cl the coingle
is engaging in his own process of chuva
and is the representative for the
national title wave of comprehensive
cathartic change of chuva. The kangod
walks in. He doesn't need the bells to
make noise. Why? Because he himself is
creating a greatest amount of cosmic
cacophony. He himself through his
process of chuva is creating so much
noise. The bells are needed throughout
the year to announce his arrival. But on
Yoko Kipper, he doesn't need bells
because his actions, he's running away
from the things that are holding him
back and is running to the things that
could help himself actualize
create the most soulsplitting
noise that the universe could ever see.
I think the Balatanya is teaching us not
only an insight into the big day kahuna
why the coin needs the bells during the
year but doesn't need the bells on yum
kiper. He becomes the very bells of
noise of yam chuva creates the noise.
But I think the bay is teaching us a
profound life lesson that sometimes the
greatest thing we can do in life is
change. Change is the hardest thing. But
change is also the most overwhelming
profound thing. When we identify the
things that are holding us back and we
find the courage to run away from them.
When we identify the goals, the dreams,
the aspirations that we need to run to
and we start that journey, it creates a
cosmic uproar because the nature of
everything physical, the nature of
everything material is to remain at
rest. That's the way matter works. And
when a human being, when a yid, when a
Jew chooses to shake off like that
innate state of rest and chooses to do
something different,
the universe sees that. The universe is
in awe. The celestial sphere is engulfed
by this incredible rash, by this noise.
Look at what this person is doing.
Swimming against the stream, going
against his or her nature, trying to
become something better. The entire
universe is in a beautiful sweet melodic
cacophony of upheaval and change. You
know dear friends this is not just an
insight by the big day but in a couple
of days we're going to celebrate the of
Purim. And how did Purim happen? How did
of course PM happened? Because always
pulls the strings from behind the
curtain whether we could see him or not.
He's always there orchestrating
choreographing everything. But if you
think about it, the miracle of PM
happened because Esther decided to
change herself. In the beginning of the
story, she could be described as a meek
maiden. And then she transforms herself
into a powerful heroine lioness. The
meek maiden into heroine lioness. How
did that happen? Who did that? Esther
did it. Esther did it. It's true. Morai
goatated her a little bit. Morai tried
to encourage her a little bit. But at
the end of the day, she decided Esther
made a conscious decision. There's the
person I am and then there's the person
I could become. And only I could
activate that change. Only I could
activate that switch. And she did. And
because she did, we had the miraculous
salvation of Purim. Because she did, you
and I are here today. Because she did,
the plan of national annihilation by
Hammon was foiled and undermined.
Because she did, right, she produced a
son who helped to rebuild the second
base amikdash. That's the power of
change. Change creates a cosmic
cacophony that permeates every sector of
this world and the celestial sphere. The
power of change is that allows us to
become the people we need to become. It
could change the course of our personal
destiny and national destiny. The cow
had to wear the bells throughout the
year to announce his arrival. But on the
day of change, he didn't need bells to
make noise. His very persona
sent shock waves of noise everywhere and
anywhere.
Gives us the great gift of change. We
just have to be courageous enough to use
it. All of us have things that we know
we do great and we do beautifully and we
also have things that we know need to
change and maybe they've needed to
change for a very long time. I would say
this is the season for change but it's
always the season for change. We're
going to celebrate a yam because one
woman, one woman had the courage to
change. She changed herself. She changed
our people. She changed our destiny. If
we could reach down within ourselves and
find the kak to change. You don't have
to change everything, but maybe just
change something. Maybe find the kak to
fix one thing that's broken, to run away
from one thing that's holding me back or
to run a little faster towards the
things that I need for my own
self-actualization.
If we could tap into that power of
change, then we too can create that
cosmic cacophony. We too can create that
rash. Then we can become the very bells
of the hem of the kohhanic vestment.
Changing ourselves, changing our people,
and changing our world. Wishing everyone
a good night of Shabas and a beautiful
Shabas kesh.