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Sukkos is man simchas sainu.
All of the hagim have an element of
simcha as samachta v'chagacha.
But Sukkos is b'frat is specially a time
of simcha.
What is it about
Sukkos
that is specially connected with simcha?
And what are we supposed to take away
from Sukkos
which will give us the simcha
and we can take that simcha with us into
the rest of the year?
I'd like to examine three aspects of
Sukkos where we see simcha. The first is
the simchas beis hasho'eivah.
The simchas beis hasho'eivah was a a
ceremony by which
people would go down to the Gichon
spring south of the beis hamikdash,
south of the temple.
And they would draw up water
and they would bring this water up onto
the mizbei'ach.
And the water would be poured down
flues, deep deep holes which would
channel all the way down to the very
depths of the earth.
The idea is to connect something to its
depth.
To return something to its source.
Tosfos says that what they were drawing
up
was not just water. They were drawing up
spirituality from the depths of being.
And all spirituality is the connection
of myself
to what is the source of all
spirituality, to Hashem.
They were drawing up from the depths of
being.
That's what they were doing. That's the
simchas beis hasho'eivah. The simchas
beis hasho'eivah also now is
commemorated in Yerushalayim
principally.
If you've ever been If you haven't been,
you should be. If you've ever been for
Sukkos in Yerushalayim, you'll know what
that is. All the yeshivas, the the
streets are full of dancing and
merriment.
And this actually goes back it has its
root in the minhag that in the beis
hamikdash they would have tremendous
simcha, joy,
dancing.
There would be huge candelabra
taller than a building which would
illuminate the entire city. And they
would dance and they would dance and
who would dance? Not you and me, not the
everyday people. Only the greatest
talmidei chachamim, the greatest
tzaddikim would dance.
And the reason is that music has a
tremendous power.
Music
in fact the name of the chapter in which
this is described in the Gemara in
Sukkah is a chalil.
Chalil is a flute in Hebrew.
Chalil is connected to the word chalal.
Chalal means an empty space.
The reason a chalil is called based on
chalal is because it's the column of
air, that empty column of air inside the
flute that causes the the sound. That's
where the sound comes from.
Nature abhors a vacuum, so Aristotle
said.
That vacuum maybe we could understand in
the chalil, the chalal
can be filled with one of two things.
Etzel umatzah asah Elokim. Hashem made
everything equal and opposite, light and
dark black and white, positive and
negative.
Music has a tremendous potential to
elevate.
But music isn't always a stairway to
heaven.
Music has a power to
take down
to depress
and to release in a person very basic
and sometimes very unpleasant instincts.
And that's why it was only the greatest
talmidei chachamim who were would be
sure to be able to harness that
tremendous power of music of the chalil
and to bring it to its proper place. The
second place we find the idea of simcha
in Sukkos is a rather unusual place. In
the Gemara, the Gemara describes
something called a tefach sameai'ach or
a tefach tzochak.
A tefach sameai'ach literally means a
happy tefach or a laughing tefach. Now,
what's a tefach? A tefach is is a
handsbreadth, this distance between this
and this. That's a a tefach. It's a
measurement.
What is a tefach sameai'ach? It's a
slightly larger tefach.
Why did Chazal give it this rather
strange name of a laughing or a happy
tefach? Why not just call it a
tefach gadol or probably a modern Hebrew
metzi tefach?
What's the idea?
True simcha
always comes from the expansion
of the ego.
We start life with a very limited idea
of who we are.
That's why a child is called a katan,
he's katu'a. Every single second is
disparate, is separated from the other.
You give a child a a lollipop, he'll be
delighted. Take it away, the world just
came to an end. A child has no idea of
anything except this second. He's
disconnected.
When somebody becomes a gadol
gadol comes from the root of gad gedud
yagdidenu.
Gad is a marching troop. The idea of
gadlus is to be able to connect, to take
every single separate moments in our
lives and to connect them all together,
to make them flow into a single cogent
direction. Every gadol that I ever met,
that I had the honor to meet and they
were very different, had one thing that
I can say in common, that they all took
everything about their lives and it was
all focused, it was all going in the
same direction. Most of us have this
this we get distracted. We live in a
world where we're fighting weapons of
mass distraction. Now this, now this,
now this.
Gadlus, and by this definition not too
many of us actually grow up
is to be able to take all the disparate
elements of our lives and focus them
into one single cogent direction.
A person starts off his life
and he
his perception of himself is the limits
of his world.
As we said, a child is very limited.
As a person grows up, he understands and
the things that bring him simcha are
those things that connect him beyond
himself.
When a person gets married, his
definition of himself enlarges. It's not
just me, it's me and my spouse. When he
has children, his definition of himself
is larger. And when he has grandchildren
etc. etc. And a person like Avraham
Avinu understood himself, his ego, his
as being the entire world. That's me.
That's who I am. That's the definition
of I.
In other words
true simcha is to expand ourselves
without getting out of ourselves.
The tefach sameai'ach teaches us that
true simcha comes from expanding who we
are. Not getting out of who we are. Not
getting out of it.
Getting into it, if you might say.
So that's the second example of
the definition of simcha, understanding
simcha
that we have in Sukkos. The third
example is something that I saw in Rav
Dessler. Rav Dessler says there are two
parts to Sukkos which ostensibly don't
really have much to do with one another.
One part is the arba minim and the other
is the the booth, the sukkah that we sit
in. What's the connection?
Rav Dessler says that the arba minim is
as well known as the Yalkut Shimoni, a
midrash that teaches us
that the four species represent four
kinds of Jews.
First of all, there's the esrog Jew.
The Jew like the esrog who has ta'am,
taste, and rei'ach, perfume, aroma.
And that's the Jew who has both Torah,
which is ta'am, taste, and he has
ma'asim tovim, good deeds. He's a good
person.
And that's the rei'ach, that's the
aroma.
And then there's a lulav. The lulav
comes from a palm tree. The palm has
beautiful taste, dates taste beautiful.
But a palm has no aroma, has no scent.
So that's a Jew who has Torah, but he
doesn't he's lacking in his ma'asim
tovim.
And then of course there's
the hadas. The hadas has a beautiful
aroma. That's a Jew who has ma'asim
tovim, who's a good person, who relates
well to bein adam l'chaveiro. But when
it comes to his Torah, he's lacking, he
doesn't have taste. And the willow, the
poor old willow
the aravah has neither taste nor ta'am.
Neither good deeds nor Torah.
Neither a nice pleasant smell and aroma
nor a taste, nor fruit.
So what's he doing there?
The idea is that klal Yisrael is not
klal Yisrael and is not
doesn't merit
the connection with Hashem that only the
klal can have, only the
generality, the whole group of us
together, the congregation
the kehilla
only can come through us being unified.
From the top to the least of us.
Similar idea you see in Yom Kippur where
in Yom Kippur by uh
Kol Nidre, Kol Nidre night we davven, we
pray that we can join together and pray
with the avaryanim
those people who are habitual sinners,
not people who do things who are wrong
once in a while. Somebody whose lives
are completely devoid of connection to
Hashem. And they're there, they have to
be there. They have to be there because
without them, that's not clearly Israel.
That's a unity of connection.
And that's the Arba Minim.
And that Simcha as we said comes from
connection. The connection to Hashem and
the connection to each other.
And the connection to ourselves on the
deepest level.
So, what's that got to do with the
Sukkah itself, the booth?
Rav Dessler explains the connection and
says that on Yom Kippur
it could be God forbid, Rachmana
litzlan, that the Jewish people have
been
sentenced to exile, to galut.
And so
by moving out of our houses into the
Sukkah, we
fulfill that decree in some fashion.
And that's so to speak an antidote,
that's the
antibiotic that allows us not actually
to go into galut.
Now, this is a really strange idea
because if you think about it, you know,
going into galut is a lot different to
kind of moving a few yards outside your
home into a a booth.
The root of all galut
is sinas chinam.
The Jewish people have been wandering
for the last two and a half two 2,000
odd years because of sinas chinam.
Sinas chinam comes on the mistaken from
the mistaken idea that everything that I
see should really be mine.
You're living in my house, you're
driving my car.
Your air that you're breathing, it's
mine.
This desire to take, this desire
to bring to myself everything that's
outside my perimeter is the basis of all
sinas chinam and it's the reason for
galus. Now
in Yiddishkeit in Judaism, there's no
such thing as a vindictive punishment.
Kadosh Baruch Hu, his punishments are
also things that allow us to fix
ourselves. They're the cure.
They're the punishment but they're also
the cure.
When a person goes into galut, all that
acquisitiveness falls away.
The well-known stories about the Blitz
in London in the 1940 when the Germans,
yemach shmam, dropped thousands and
thousands of tons on London in an
attempt to destroy the city.
And there was something that they talk
about to this day called the Blitz
spirit. The Blitz spirit basically meant
was I have nothing, but you know
something, I can share that with you.
That brings to unity.
The galut
the exile of the Sukkah
is an exile which brings us to unity.
So, we have these three aspects
of Sukkos which are all bringing us to
to Simcha. The Simcha we said first of
all of the Simchas Beis Hasho'eivah
of the drawing of the water of the
connection to Hashem
and of the
power that's unleashed in unity by the
Simchas Beis Hasho'eivah where everybody
where everybody was together and
watching the tzaddikim dance.
And we talked about the the chalil
the flute
how that empty space can be filled with
kedusha and has to be filled with
kedusha.
That connection, that emptiness has to
be filled.
And the Simcha we also saw
of the connection to our fellow Jews
on Sukkos.
And that is the message I believe, one
of the messages that we can take away
from Sukkos.
That we have to connect to Hakadosh
Baruch Hu
bein adam lamakom
and bein adam lachaveiro in the Sukkah
and also bein adam laatmo, that a person
who still has to plan down into the his
depths of being and connect to Hakadosh
Baruch Hu. May all have a wonderful
Sukkos. Hi.
This is Peretz Moralki. A proud alumnus
of Ohr Somayach.
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